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Writer, lecturer, poet, and playwright Grace Adele Pierce compiled this stab-stitched volume of newspaper and other serial cuttings, autographs, manuscript texts, portraits, and drawings around 1890-1894 while she lived at home with her parents in Randolph, New York. The newspaper/serial clippings include announcements for Pierce's lectures, talks, and readings, as well as printed portraits of women writers and original poetry. Two drawings include a sailboat with very finely drawn seaweed; and a pencil portrait of Grace Pierce at her desk, reading a book (by Helen A. Winsoe). Several clipped autographs include those of Jane Mead Welch, Christine Terhune Herrick, and J. Ellen Foster. Pierce also pasted in a handwritten list of books by writer Margaret E. Sangster, titled "Best in my judgement."

Writer, lecturer, poet, and playwright Grace Adele Pierce compiled this stab-stitched volume of newspaper and other serial cuttings, autographs, manuscript texts, portraits, and drawings around 1890-1894 while Pierce lived at home with her parents in Randolph, New York. The newspaper/serial clippings include announcements for Pierce's lectures, talks, and readings, as well as portraits of women writers and original poetry. Two drawings include a sailboat with very fine seaweed; and a pencil portrait of Grace Pierce at her desk, reading a book (by Helen A. Winsoe). Several clipped autographs include those of Jane Mead Welch, Christine Terhune Herrick, and J. Ellen Foster. Pierce also pasted in a handwritten list of books by writer Margaret E. Sangster, titled "Best in my judgement."

The volume includes one pasted-in autograph letter signed by J. E. Croly, editor of The Home-Maker monthly journal, respecting a submission by Pierce (December 11, 1890).

Samuel S. Inglee maintained this logbook between 1852 and 1855 during several commercial fishing voyages off the Atlantic coasts of Massachusetts, Nova Scotia, and Newfoundland. The bulk of the entries record information including the hour, knots, fathoms, courses, winds, low water levels, and traverse tables. Inglee also provided general remarks, documenting nearby locations, weather, handling of sails, hauls of fish, and the latitude and longitude. He also commented on shipboard practices, such as food choices, work tasks related to fishing, encountering other ships, and taking soundings. At times, Inglee mentioned his emotional state, dislike of the fishing trade, and homesickness. Inglee also included several poems and lyrics in the volume with themes relating to seafaring, love, death, and other topics. The volume is bound in hand-stitched canvas covers, possibly sailcloth, with printed images pasted on the inside covers.

Samuel S. Inglee maintained this logbook between 1852 and 1855 during several commercial fishing voyages off the Atlantic coasts of Massachusetts, Nova Scotia, and Newfoundland. The bulk of the entries record information including the hour, knots, fathoms, courses, winds, low water levels, and traverse tables. Inglee also provided general remarks, documenting nearby locations, weather, handling of sails, hauls of fish, and the latitude and longitude. He also commented on shipboard practices, like food choices, work tasks related to fishing, encountering other ships, and taking soundings. The entries for September 21-23, 1852, mention seeing a shipwreck, trying to navigate the challenging area around Georges Bank, and finding their way to shore. At times, Inglee mentioned his emotional state, referring to homesickness, and on September 27, 1853, he noted his desire to give up seafaring. "...I hope that I never shall be dam fool enough for to go again. I have got enough this summer for to cure me from going to sea any more." On July 22, 1855, he reiterated his fatigue with sea life, calling himself "home sick fish sick and sick of the sea."

While most of the voyages are unnamed, Inglee did identify his trip which began in May 1853 as a "Voyage made from Kingston to the Grand Bank by the good Schooner Cosmus" under Otis Phinney, Master.

Later entries in the volume were written more as journal entries rather than logbook entries, commenting on weather, food eaten, tasks performed (including patching holes in his pants on July 29, 1855). He regularly noted the numbers of fish they caught, the names of nearby ships, their home port, and the size of their hauls. At times, upwards of one hundred other vessels were in sight, and Inglee occasionally referenced passing off letters to home. On June 11, 1855, Inglee recorded their captain going overboard and being successfully rescued.

Inglee also included several poems and lyrics with themes relating to seafaring, love, death, and other topics. The volume is bound in hand-stitched canvas covers, possibly sailcloth. Printed images are pasted on the inside covers, one of a sailing ship, "The Yankee Privateer," and the other of a man on a ship deck holding a sword, "The Smuggler King."