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The Covington family album contains formal studio portraits of members of the Covington family and other individuals taken in Pennsylvania, Delaware, and Maryland around the 1860s. The volume also includes two colored lithographs.

The Covington family carte-de-visite album (13cm x 16cm) contains 25 carte-de-visite and 7 tintype photographs of members of the Covington family and other individuals; an empty paper frame is laid into the volume. The formal studio portraits, which show men, women, and children, were taken in Philadelphia, Pennsylvania; Baltimore, Maryland; Wilmington, Delaware; and other locations around the 1860s. One man is shown with a cigar or similar object in his mouth. Two colored lithographs depict a young girl waking up on "Christmas Morning" and a yellow "Persian Rose." The album's brown leather cover has tooled geometric designs and two metal clasps.

In 1880 Hattie A. Abbott used this "Common School Writing Book" produced by Cheney & Clapp, Booksellers and Stationers, of Brattleboro, Vermont, for penmanship exercises and to record her personal expenses. Only the first page was used for brief penmanship exercises. Abbott recorded purchases of clothing and fabric, jewelry, writing supplies and postage, sewing and cleaning supplies, a valentine, candy and ice cream, tintypes and pictures, car fare and other travel expenses, and other items.

In 1880 Hattie A. Abbott used this "Common School Writing Book" produced by Cheney & Clapp, Booksellers and Stationers, of Brattleboro, Vermont, for penmanship exercises and to record her personal expenses. Only the first page was used for brief penmanship exercises. Abbott recorded purchases of clothing and fabric, jewelry, writing supplies and postage, sewing and cleaning supplies, a valentine, candy and ice cream, tintypes and pictures, car fare and travel expenses, and other items.

A two-page colored advertisement for "Meteor Set Everblooming Roses" copyrighted in 1889, with illustrations of roses and a front veranda and garden, is laid into the volume.

This "Scrapbook bound by L. A." contains handwritten final drafts of editorial pieces written by Dr. Levi Aldrich of Shrewsbury, Vermont, as well as several clippings and copies of poems by other authors. The writings occupy 57 of 59 numbered pages in a lengthier blank book. The majority are final drafts of written pieces for The Universalist Watchman (Montpelier, Vermont) and The Rutland Herald (Rutland, Vermont), and other publications. He contributed obituaries, essays on faith, articles on medicine, and editorials on society and technology.

This "Scrapbook bound by L. A." contains handwritten final drafts of editorial pieces written by Dr. Levi Aldrich of Shrewsbury, Vermont, as well as several clippings and copies of poems by other authors, dating between 1841 and 1849. The writings occupy 57 of 59 numbered pages in a lengthier blank book.

The majority of Aldrich's writings are submissions to The Universalist Watchman (Montpelier, Vermont), including obituaries and essays on faith. He also wrote several essays for The Rutland Herald (Rutland, Vermont) under the pseudonym "Philomath," concerning "animal magnetism," intemperance, and other subjects. The remaining editorials cover a range of topics including medicine (The Boston Medical and Surgical Journal), technology (Bellows Falls Gazette), and social critiques (Boston Investigator). A smaller selection of poetic works, including two clippings titled "Woman's Love" and "Man's Love," are also present.

Lydia Brown compiled this notebook of copied poems, principally religious and moral in nature, sometime in the early nineteenth century. She often drew calligraphic titles and other embellishments, including borders, flowers, and leaves. Several times throughout the volume, Lydia Brown includes included "A E 12" after her name, possibly an abbreviation for the Latin phrase "aetatis," indicating she may have been 12 at the time of writing and the volume could have served as an educational exercise for learning penmanship.

Lydia Brown compiled this notebook of copied poems, principally religious and moral in nature, sometime in the early nineteenth century. She often drew calligraphic titles and other embellishments, including borders, flowers, and leaves. Several times throughout the volume, Lydia Brown included "A E 12" after her name, possibly an abbreviation for the Latin phrase "aetatis," indicating she may have been 12 at the time of writing and the volume could have served as an educational exercise for learning penmanship. A test sheet at the end of the volume includes several practice penmanship elements, and pencil lines throughout indicate how Lydia Brown was keeping her writing straight.

• To Hope
• A Paraphrase of the Lord's Prayer
• Charity
• Safety in Christ
• Say Why!
• Childhood
• Life
• Content
• Faith
• Hope
• Charity
• Humility
• Friendship
• Fortitude
• Modesty
• Patience
• Inscription on a Clock
• Friendship
• Sunset and Sunrise
• Reputation
• A Request
• Hope
• The Rose
• Friendship
• Time
• Repentance
• Prayer
• Religion
• The Happy Cottage
• A Thought
• Evening Cloud
• Extract
• An Epitaph
• Time
• Modesty
• Extract
• Repentance
• Life
• Prayer
• The Tear
• Sympathy