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Andrew Robinson Giddinge , a Pejepscot, Maine, innkeeper, kept this diary between January 1 and February 28, 1835. His descriptive entries pertain to everyday aspects of his life, such as household chores, Christian Bible reading, newspaper and periodical reading, hearing difficulties, trips to New Gloucester, and visits with friends and family. Giddinge filled the margins of this diary with numerous small sketches pertinent to their accompanying entries.

Andrew Robinson Giddinge, a Pejepscot, Maine, innkeeper, kept this diary between January 1 and February 28, 1835. His descriptive entries pertain to everyday aspects of his life, such as household chores, Christian Bible reading, newspaper and periodical reading, hearing difficulties, trips to New Gloucester, and visits with friends and family. Giddinge filled the margins of this diary with numerous small sketches pertinent to their accompanying entries.

Andrew Giddinge's frequent visits with neighbors and family, including Parsons in-laws and daughter Anna (married to Nathan Ingersoll), sometimes included helping neighbors with tasks such as chopping wood or shaving a disabled friend. He also recorded the illnesses and deaths of persons in his family and social circles. On January 6, 1835, Andrew took wheat to be ground in Lewiston for a "Graham" meal (Sylvester Graham's regimen was also used by a family he visited on January 14, 1835). His discussions of family dynamics included reflections on whether or not callers came to see him or his son's wife Deborah Tarbox Giddinge, and whether or not he was "at home" or merely enjoying the hospitality of others. Giddinge also commented regularly on postal deliveries, with hopes for letters from his son George, who lived in Kentucky. He discussed different periodicals and interspersed quotes from works he read.

His descriptive entries include weather notations, and small sketches related to the day's entries fill the margins. Among the illustrations are razors, scissors, irons, buckets, a casket, manicules, clothing, people warming feet in hot water, clothes being washed, barrels, the moon, a mole, a musical instrument, an ax and grinder, kettles, wash tubs, baking and food, a goat, letters, logs being pulled, a butchered calf and a fish, a hearth, an umbrella, a heart with arrows, a copy of an illustration of scene from Tristram Shandy, and others.

The At Peace Street photograph album contains 14 photographs of upper middle class home and family in Providence, R.I. Possibly the home of Linwood O. Towne, who inscribed the volume to the Prescotts in 1900. Several images of family members reading and photographs featuring the family cat.

The At Peace Street photograph album (16 x 23 cm) contains 14 photographs of upper middle class home and family in Providence, R.I. Possibly the home of Linwood O. Towne, who inscribed the volume to the Prescotts in 1900. Several images of family members reading and photographs featuring the family cat.

The album has brown burlap covers with inscribed title "At Peace Street," bound with string, and is housed in a gray wrapper with dark brown cloth spine.

Physician from Rochester, Michigan and Chicago, Illinois. Correspondence, newspaper clippings, appointment books, diaries and miscellanea relating to student life at University of Michigan and her professional activities; also manuscript of autobiography, Petticoat Surgeon; and photographs.

The collection has been arranged into two series. The Van Hoosen - Jones Family series consists mainly of personal family correspondence among members of the Van Hoosen and Jones family. The Bertha Van Hoosen series consists of correspondence and other materials relating to the life and career of Dr. Van Hoosen. Included are materials from her years as a student at the University of Michigan, personal correspondence, and materials relating to her autobiography Petticoat Surgeon.

Grand Rapids, Michigan educator, principal of the Grand Rapids Kindergarten Training School, and advocate of kindergarten education. Correspondence, lecture and class notes, programs, photographs, and miscellaneous scrapbooks, ledgers, and account books.

The collection is comprised of correspondence and other papers largely concerning kindergarten education and her involvement in a parent and teacher organization. The series in the collection are Biographical / Personal materials, Correspondence; Kindergarten education; National Congress of Parents and Teachers; and Miscellaneous.

The collection consists of a 172-page diary, composed in the summer of 1906 (July 3-Sept. 2) about Helen Moorhouse’s experience as a hired musician at a hotel on Cape Cod, and a series of 32 letters that Moorhouse wrote from the Nichewaug Inn in Petersham, Massachusetts, to Alice E. Brown, the woman with whom she was romantically involved, in the summer of 1915.

The collection consists of a 172-page diary, composed in the summer of 1906 (July 3-Sept. 2) about Helen Moorhouse’s experience as a hired musician at a hotel on Cape Cod, and a series of 32 letters that Moorhouse wrote from the Nichewaug Inn in Petersham, Massachusetts, to Alice E. Brown, the woman with whom she was romantically involved, in the summer of 1915. The diary includes numerous photographs, concert programs, and other clippings related to her summer. Both the diary and correspondence reflect Moorhouse’s interests in music, botany, art, and reading.

I. Diary, 1906

Helen Moorhouse’s 172-page diary from the two months she spent as a contracted musician at the Hotel Mattaquason in Chatham, Massachusetts, in the summer of 1906 offers a detailed account of daily life at a summer resort on Cape Cod.

Positioned somewhere between the hotel’s wait-staff and guests, Helen and her fellow trio members, Mary Molly Durgin and E. Isabel Foster, performed twice each day, but otherwise seem to have spent much of their time reading, sewing, and going on outings to the beach or into the village of Chatham. The diary entries record these activities, along with anecdotes about the hotel guests and employees, with particular attention paid to how the music the trio prepared and performed was selected and received. Other figures that appear throughout the diary are Mr. and Mrs. Frederick Wilkey, the Hotel Mattaquason’s proprietors; hotel guest Mrs. Edward Arthur James, of Chicago, and her son Sydney L. James, a violinist who often played with the Middlesex Trio over the course of the summer; Miss Ellen L. Cabot, a hotel guest who frequently commented on the trio’s music; Miss Haddock, a guest who also performed music; and Mr. Middlemass, the hotel’s head waiter and a student at Harvard. Other entries of note include a lengthy description of ice on the Great Lakes (29-31), the visits of an Armenian trader to the hotel (59; 113), a description of meeting journalist Lillian Whiting, who wrote The House Beautiful (83), and the complaints of an old crank of a Women’s Club Woman (99-103).

The journal contains various pieces of ephemera related to the concerts, activities, and places described in the written entries. These additions include 65 photographs (18 of which are cyanotypes), of beach scenes, the village of Chatham, the hotel, and its guests and staff; 2 real photo postcards; 2 hand-drawn sketches, one a diagram of her room and the other the view from her window; 2 news clippings; 6 concert programs from the Middlesex Trio’s performances at the Mattaquason; 3 visiting cards; 4 dinner menus from the hotel; a letter of music recommendations from Mr. Herbert H. White; and several other miscellaneous pieces of the hotel’s promotional literature. A couple of the photographs show men outfitted in dresses to play a hybrid game of baseball and tennis with the ladies of the hotel (132-133).

Moorhouse seems, in part, to have kept the diary as a record of the summer to share later with her parents, who were themselves vacationing for part of the summer at the shore in Mattapoisett, Massachusetts.

II. Correspondence, [1915]

This portion of the collection consists of thirty-two letters that Helen Moorhouse wrote between the end of June and mid-August 1915 to Alice E. Brown, a widow with whom she was romantically involved.

Moorhouse was in the midst of a nine-week contract to perform as a member of a music trio at the Nichewaug Inn in the central Massachusetts town of Petersham, while Brown was at home in Melrose, just outside Boston. During their time at the Nichewaug, Moorhouse and her fellow musicians, Susie Wells and a Miss Wilson, tended to practice music or paint landscape scenes in the mornings and performed each afternoon and evening in the hotel’s music room. The letters also reveal her keen interest in botany, art, and reading. In particular, she spent much of the summer reading the works of American philosopher John Fiske, whose son was the proprietor of the Nichewaug, as well as a history of architecture.

Moorhouse’s account of her days at the Nichewaug are interspersed with outpourings of longing for Alice, her Dear Heart, and candid reflections about how the couple was negotiating the familial and financial terrain of their relationship. News about Brown’s two children, Effie and George, as well as Moorhouse’s aunts feature prominently in the correspondence. A couple of the letters additionally contain Moorhouse’s thoughts on current events, including World War I, women’s suffrage, and the status of Native Americans living on reservations. In one of the letters, she included sketches of British war posters that a group of women fundraising for Belgian refugees had brought to the hotel to display and sell.

The People photographed while reading photograph album contains 82 portraits of people reading as well as three newspaper clippings regarding the accidental death of railroad fireman Joseph Ronk in Wooster, Ohio.

The People photographed while reading photograph album contains 82 portraits of people reading as well as three newspaper clippings regarding the death of a railroad fireman.

The album (26.5 x 21.5 cm) has red velvet covers and a metal clasp. While the album itself and all the photographs in it date to the 19th/early 20th century, these materials were compiled by a noncontemporary individual with an interest in historic images of people reading. Also present are three newspaper clippings related to the accidental death of railroad fireman Joseph Ronk (1865-1888) following a train derailment in Wooster, Ohio, in July 1888.

Rd. Kraker created this 20-page handwritten booklet titled "Little Girl's Own Book," with an introduction dated April 1, 1864. The manuscript was "Brilliantly Illustrated by Darling" and identified as a first edition in the "1st Series of Confederate Primers," "printed" by the "Southern Emesis Book and job Printing Office." The booklet contains a story, with added notes on proper behavior. According to Kraker's introduction, the content was gleaned from conversations in the "Lager Bier Saloon of Hanns Kroftler" and its earnestness and sentiment was adapted to the "comprehension and bias of mind of the female children of the south." The author told the story of a Northern and a Southern girl, in which the girl in the north became tired of living on a farm and eating onions, so decided to travel to the warmer climate of the south and visit her friend. Upon arriving by train, she witnessed a battle and fell in love with a Confederate soldier. After he returned to the battlefield, she gained solace from her southern friend, through listening to music, by singing and writing, and by seeking treatment for sadness from a physician.

Rd. Kraker created this 20-page handwritten booklet titled "Little Girl's Own Book," with an introduction dated April 1, 1864. The manuscript was "Brilliantly Illustrated by Darling" and identified as a first edition in the "1st Series of Confederate Primers," "printed" by the "Southern Emesis Book and job Printing Office." The booklet contains a story, with added notes on proper behavior. According to Kraker's introduction, the content was gleaned from conversations in the "Lager Bier Saloon of Hanns Kroftler" and its earnestness and sentiment was adapted to the "comprehension and bias of mind of the female children of the south."

The author told the story of a Northern and a Southern girl, in which the girl in the north became tired of living on a farm and eating onions, so decided to travel to the warmer climate of the south and visit her friend. Upon arriving by train, she witnessed a battle and fell in love with a Confederate soldier. After he returned to the battlefield, she gained solace from her southern friend, through listening to music, by singing and writing, and by seeking treatment for sadness from a physician. One of the songs referenced is Charles Carroll Sawyer and Henry Tucker's "When Will This Cruel War Be Over?"

• A moving train, "ye adventurus maid going to the Sunny South."
• A battle scene, with firing cannon, and a freestanding chimney beside two men (one laying on the ground, the other standing), "Findeth ye home desolate."
• Boxes and barrels of goods, "Tobacco &c Tar & Turpentine" and "Pine Trees" beside a jug marked "apple jack."
• Barrels, with a pitcher and glass atop one of them marked "Buorbon" [i.e. Bourbon], "ye Stapels continued."
• A woman in a rocking chair weeping into a handkerchief while a man in a soldier's uniform walks away.
• A piano.
• Four people walking; the two in front are a man and a woman.
• A woman standing, holding what appears to be a fan.
• A farmhouse beside a fence, animals, a birdhouse, and a tree with gourds hanging from its branches (as homes for Martins).
• A woman seated, knitting.
• A woman playing the piano; another woman stands beside her with a hand on her shoulder. They are singing, "When this Cruel war is over-!"
• Vision of injured soldiers, one leg amputee standing with crutches.
• A woman seated and writing a letter.
• A physician seated at a tent opening, reading a letter.

The text includes a parody of physician's explanation and prescription to the disconsolate young woman. The instructions read:

"The exostotic exudation overcoming the endosmotic implication in the peri and endocardium, pluviates the sanguinious, and decalorificates the systemic platitudes. The circumambient exoteric disintegrates the envelope and allows the exoteric functions to retrospect the perihelion of animal deficiancies. The pia mater interconvoluted with the [?] covering and becomes simultaneously congested by contact with the [?] substance. Hence retrovision becomes duplicated and prevision imparalelized. The remedy is equally perspicuous and followed earnestly will inevitably effect a cure..."

The volume includes several lines and paragraphs written in German Kurrantschrift. The most robust is the final page, headed by the text "The Soldier's Lament" and "Der Betrübte-lammantiert Soldadt," followed by a poetic description of snow-capped mountains and remarks on girls' behavior, i.e. "Wie schön wäre es [wenn?] die kleine Mädchen immer die Wahrheit sprächen" (How nice would it be [if?] little girls always spoke the truth), etc.

Records of the Urban League of Greater Muskegon and its predecessor the Citizen's Recreation Association of Muskegon. Board of directors files, executive director's files, community organization department files, printed material, newspaper clippings, photographs, and miscellanea.

The records of the Urban League of Greater Muskegon have come to the library in two principal accessions, in 1964 and 1995. Included are correspondence, minutes, reports, printed materials, and newspaper clippings documenting the work of the organization. The record group has been divided into the following series:

1. History/Background Information
2. Board of Directors
3. Organizational
4. Executive Director
5. Topical File
6. Community Organization Department
7. Urban League Guild of Greater Muskegon
8. Printed Material
9. Newspaper Clippings
10. Health Topical File
11. Programs
12. Related Organizations
13. Photographs