Collections : [University of Michigan William L. Clements Library]

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Collection

Thomas Caldwell Moore sketchbook, 1865

1 volume

The Thomas Caldwell Moore sketchbook is made up of twenty-two images on nineteen loose, encapsulated pages as well as the original cover boards and binding. The back of the original front cover board of the sketchbook includes the penciled inscription: "Sketch Book, New York -1865, T.C. Moore of Allegheny Arsenal Pittsburg, Pa." Three pages have images on both sides. The creator of the sketchbook has been identified as Thomas Caldwell Moore (1825-1886). The sketchbook contains pencil and watercolor landscape views of rivers, shorelines and towns from ca. 1865. Locations represented include the Shenandoah Valley, the Allegheny River, and New York City. One sketch (image #2), titled "U.S Rifle Factory on the Shennandoah" is likely to be Harpers Ferry Armory.

The Thomas Caldwell Moore sketchbook, housed in a blue tray case with gilt lettering on the spine, is made up of twenty-two images on nineteen loose, encapsulated, pages as well as the original cover boards and binding. Three pages have drawings on both sides. The back of the original front cover board of the sketchbook includes the penciled inscription: "Sketch Book, New York -1865, T.C. Moore of Allegheny Arsenal Pittsburg, Pa." The creator of the sketchbook has been identified as Thomas Caldwell Moore (1825-1886). While only two of the drawings are individually dated (both 1865), given that the date on the inside of the front cover matches the two dated sketches it can be assumed that the sketchbook contains pencil and watercolor landscape views of rivers, shorelines and towns from ca. 1865. Nine of the images include titles, many of which are in ink written over pencil, indicating the location the sketch depicts. Locations represented include the Shenandoah Valley, the Allegheny River, and New York City. One sketch (image #2), titled "U.S Rifle Factory on the Shennandoah," is likely to be Harpers Ferry Armory.

Collection

Sophia M. Eckley sketchbook, 1853

1 volume

The Sophia M. Eckley sketchbook contains 22 sketches of various landscapes and cottages in Nahant, Massachusetts.

The Sophia M. Eckley sketchbook contains 22 sketches of various landscapes and cottages. An inscription on the first page indicates that the sketchbook belonged to Sophie M. Eckley, and the sketches are of Nahant, Massachusetts, drawn in July 1853. The inside front cover has an engraved retailers' label from N. D. Cotton of Boston, "importer and dealer in English, French and American stationery, drawing and painting materials." Also written inside the front cover is a list of dry goods.

Of the 22 sketches, 21 were made in pencil, with one in pastel. Many blank pages follow the first 21 sketches, and on the very last page is a sketch of a man's head with the caption, "Peter Parleys Picture Book."

The majority of the sketches include captions and are of various landscapes and cottages on the coast of Nahant. Specific landscapes depicted include Sunken Lodge, Spectacle Beach, Deer Island, Pea Island, Caste Rock, and Swallow Cave.

Collection

Snook's Lives of Celebrated Men: Flobby MacSquelsh, 1846

10 pages

"Snook's Lives of Celebrated Men: Flobby MacSquelsh" are sketches narrating the life of the fictional profligate son of a Barbados planter. The story satirizes the plantation culture of nineteenth-century Barbados.

"Snook's Lives of Celebrated Men: Flobby MacSquelsh" are sketches narrating the life of Flobby Macsquelsh, the fictional profligate son of a Barbados planter. The story is told on 10 pages (22 x 32 cm) and divided into 11 parts, each part consisting of an ink sketch and a paragraph of text.

MacSquelsh is referred to as the "hero" in the story. He is depicted as a fat man known for his "intense gluttony." As a child, witnessing the whipping of a slave brings Flobby "intense delight." As an adult, he visits Europe and is placed in the distinguished 179th Highland Rifles corps. He engages in heavy drinking, attends balls, and meets a woman but later has "deserted and undid her." He is unfit for hunting, as he loses control of his horse, kills two hunting hounds, and even loses his umbrella. The story ends with Flobby returning to Barbados, where he successfully proposes marriage to a "Lady of Colour" and inherits his father's plantation property. This satirical story is likely a commentary of the behaviors of the planter elite in the West Indies after the abolition of slavery.

Collection

Philadelphia Ornamental Wood Co. medals, 1876

1 box

A set of six wooden medallions, in original box, commemorating the 1876 International Exhibition held at Fairmont Park, Philadelphia. The underside of the box lid is a lithograph showing the exhibition grounds and buildings.

The Philadelphia Ornamental Wood Co. Medals, 1786 collection is a set of six wooden medallions, in original box, commemorating the 1876 International Exhibition held at Fairmont Park, Philadelphia. Four of the medals measure 2.5 inches in diameter. The other two are 3 inches in diameter. The reverse of the smaller medals contains the inscription "The 100TH Anniversary of American Independence; Great International Exhibition; Fairmont park; Philadelphia; 4th of July; 1876." The reverse of the two larger medals reads "The 100th Anniversary of American Independence; 4th of July 1876; Exhibition Open from May 10 to Nov 10 1876; Fairmont Park; Philadelphia; U.S. America."

The underside of the box lid is a lithograph of the view of the exhibition grounds and buildings. The lithograph, published by Breuker & Kessler of Philadelphia, is titled "Birds Eye View of the International Exhibition Buildings 1876." Also written on the lithograph is the inscription, "Manufactured by the Ornamental Wood Co., Phila." The box also is inscribed: "Manufactured by the Philadelphia Ornamental Wood Co. 1129 Cherry Street."

Collection

Our National Ball Game [board game], ca. 1887

1 box

Our National Ball Game is a foldable game board with two dice, eight counters, and instructions on how to play this board game version of baseball.

Our National Ball Game is a foldable game board with two dice, eight counters, and instructions on how to play this board game version of baseball. Printed on the board is a colored sketch of two teams playing baseball in a stadium and an advertisement that the game is "a delightful entertainment for Old & Young." Two teams take turns rolling the dice, and the numbers on the dice correspond with various baseball plays. Like the game of baseball, after nine rounds, the team with the most runs wins the game.

Collection

New York State oil paintings album, ca. 1850

1 volume

This collection of small paintings is housed in an embossed leather carte-de-visite album with a single metal clasp. Within are 12 landscape oil paintings of Lake Champlain, Lake George, and the Glens Falls area. Each image includes a caption denoting location.

This collection of small paintings is housed in an embossed leather carte-de-visite album with a single metal clasp. Within are 12 landscape oil paintings of Lake Champlain, Lake George, and the Glens Falls area. Each oil painting includes a handwritten caption denoting location.

Collection

Missouri and Ohio River sketches, ca. 1870s

1 volume

This collection contains 11 pencil sketches of the Missouri and Ohio Rivers and their surrounding cities. The sketches depict cityscapes, scenic and street views.

This collection contains 11 pencil sketches of the Missouri and Ohio Rivers and their surrounding cities. Each 11.5 x 18.5 cm sketch includes a brief handwritten caption denoting location. The sketches illustrate cityscapes, scenic and street views. Cities shown include Omaha, Nebraska; Saint Joseph, Missouri; St. Louis, Missouri; Louisville, Kentucky; and Cincinnati, Ohio. Specific locations depicted include Lafayette Park and Shaw’s Botanical Garden (Missouri Botanical Garden) in St. Louis, Missouri, and Lane Seminary in Cincinnati, Ohio.

Collection

Louis Miller WWI exhibit materials, 1917-1930, 2018

1 volume

The Louis Miller WWI exhibit materials collection is comprised of visual materials and realia displayed in an exhibit to mark the centennial of the Armistice in the autumn of 2018. The bulk of the materials pertain to the American Expeditionary Forces in the First World War.

The Louis Miller WWI exhibit materials collection contains visual materials and realia displayed in an exhibit to mark the centennial of the Armistice in the autumn of 2018. The bulk of the materials pertain to the American Expeditionary Forces in the First World War.

The largest part of the collection is postcards and ephemera belonging to Ole Reppe, a Wisconsin soldier who served in the 32nd Division. There are fifty-six postcards, four typewritten pages, and one ticket stub. The postcards date from 1917-1919, and follow Reppe's service in the Wisconsin National Guard and American Expeditionary Forces.

Eight postcards show scenes from Camp Douglas, Wisconsin. Two of these have inscriptions written by Reppe from August 1917 that describe the images. Two more date from 1920, with messages from his future wife Clara, and his mother. Both of these are written in Norwegian. Two postcards depict Janesville, Wisconsin.

Thirteen postcards show military training at an unidentified location. Six postcards date from Reppe's time in Texas in 1917, including a real photo postcard of an unidentified couple with a handwritten caption by Reppe that reveals he found this photograph on the street. This seems to reveal that unlike other WWI soldiers who took home postcards from France as souvenirs, Reppe was already collector before going overseas.

Five postcards date from Reppe's time in France, including one real photo postcard of German soldiers and women. Reppe notes that he found two of these postcards on the battlefield in October 1918, and German soldiers originally owned them. The remaining twenty-two postcards contain images of Koblenz (Coblenz), presumably purchased by Reppe while in the Army of Occupation in 1919.

Four typewritten military documents are in the collection, and date from August 27, 1917 to May 23, 1919. Two of these are leave passes, one is a list of men on guard duty, and one is a memorandum about sanitation at Camp Douglas. These items were all mounted on scrapbook paper, and it appears that Reppe kept these and some of his postcards in a now disbound scrapbook.

There is also a train ticket from 1917 from Stanley, Wisconsin to Chippewa Falls, Wisconsin.

Also included in the collection is a British Lusitania Medal from 1916, with its original box and a paper fragment providing context to the medal. The sinking of the Lusitania by a German U-boat on May 7, 1915, caused the deaths of 1,198 passengers and crew, including 128 Americans. Although Germany protested it had every right to treat the Lusitania as an enemy vessel, the incident led to outrage in the United States and Britain. The medal in the collection is a British copy of a German medal made by the artist Karl Goetz after the incident. Though Goetz had intended his medal as a satire of British outrage over the Lusitania, the British disseminated over 300,000 translated copies of Goetz's work for English-speaking audiences. In spite of the misleading British description of the medal, the damage done by this piece of propaganda led to German authorities confiscating all known copies of the original medal. The German policy of unrestricted submarine warfare, which ended in September 1915 in response to American outrage over the Lusitania, started back up in early 1917 and became a major factor in America's entry into the war.

A 2018 restrike of Kerr Eby's "A Southern Unit" print from the original copper plate is also present. Canadian-American artist Kerr Eby created this powerful image representing the downtrodden state of African-American soldiers in France. Eby's service in the AEF turned him into an ardent pacifist. When America again entered a global conflict in 1941, Eby served in the combat artists program, mainly in the Pacific. He died in 1946 at his home in Norwalk, Connecticut, from a tropical disease contracted while covering the Second World War.

The collection has a photograph of Rosa Heidler Lorenz at the grave of her son Joseph Lorenz, at Suresnes, France, on May 18, 1930. In 1929, after a decade of political debate, President Calvin Coolidge signed a bill allocating five million dollars to subsidize pilgrimages to Europe for the mothers of deceased American soldiers buried overseas. In all, some 6,000 women chose to take the two-week trip to visit their sons' graves. These trips are known as the Gold Star Mothers Pilgrimages, and took place between 1930-1933. In a sad echo of the discrimination African-American soldiers faced more than a decade earlier, African-American mothers were segregated from their white counterparts during their pilgrimages. A significant number of mothers who went overseas were foreign-born and included many Germans. Rosa Heidler Lorenz was one such German immigrant. Her son, Private First Class Joseph Lorenz, was wounded in late July while fighting with the 42nd Division before dying of his wounds at a base hospital on November 21, 1918. In late May 1930, newspapers across the country published this moving image of Lorenz weeping at the grave of her son.

The collection contains a wooden clog painted with an American and French flag, with the inscription, "Souvenir de France." These clogs were a popular type of souvenir that soldiers often sent home to their families. Also included is a printed piece of sheet music from 1917 for the song "Hail! Hail! The Gang's All Here" and a copy of the printed exhibit bulletin from 2018.

Collection

Lily Frémont flower album, 1859

1 volume

An album of pressed flowers collected by Lily Frémont in 1859.

The Lily Frémont fllower album is an album of pressed flowers and drawings made by Elizabeth Benton (Lily) Frémont (1842-1919). The album has a brown leather cover with "Album" written in gilt lettering. Frémont made the album in 1859 when her family was living in California at their estate in Mariposa and their home on San Francisco Bay. The first two pages of the album hold drawings, one of a small house surrounded by trees with a large hill behind it, possibly the Frémont home in Mariposa, the other showing a small group of buildings and a smokestack below a large hill, possible a silver mine. The rest of album contains pressed flowers and plants, each is numbered with a written description. Frémont provides the names to some flowers though many are unidentified. She also gives the date and location where each flower was found, and often describes its soil conditions, growing patterns, seasonality, color and odor. There are 80 total specimens in the album.

Collection

Landmarks of the North & South Atlantic, ca. 1830

1 volume

11 pages of watercolors housed in soft cover sketchbook from ca. 1830 drawn by Master William Carr of the Royal Navy. Watercolors depict topographic views of islands and shorelines in the Atlantic Ocean. Almost all views are of rocky island outlines. A few sketches have man-made structures in the scene.

The collection is made up of a soft cover sketchbook containing 11 pages of watercolor topographic views of islands and shorelines in the Atlantic Ocean. Almost all views are of rocky island outlines. A few sketches have man-made structures in the scene. Most sketches have headings for the page and then descriptive sentences about the various views. Cover of sketchbook reads "Landmarks N & S Atlantic by Mr. Wm Carr, Master R.N." Written on the back cover of sketchbook is the London address of a Capt. B.C. Doyle. On the back of two pages are small pencil sketches: one sketch on the back of Page 10 is of a chronometer or watch and the other sketch on the back of Page 11 is of a ship moored in "springs." The last few pages of the journal contain recordings of the latitude and longitude of various places, presumably visited by William Carr while in the service of the Royal Navy.