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Lydia Brown compiled this notebook of copied poems, principally religious and moral in nature, sometime in the early nineteenth century. She often drew calligraphic titles and other embellishments, including borders, flowers, and leaves. Several times throughout the volume, Lydia Brown includes included "A E 12" after her name, possibly an abbreviation for the Latin phrase "aetatis," indicating she may have been 12 at the time of writing and the volume could have served as an educational exercise for learning penmanship.

Lydia Brown compiled this notebook of copied poems, principally religious and moral in nature, sometime in the early nineteenth century. She often drew calligraphic titles and other embellishments, including borders, flowers, and leaves. Several times throughout the volume, Lydia Brown included "A E 12" after her name, possibly an abbreviation for the Latin phrase "aetatis," indicating she may have been 12 at the time of writing and the volume could have served as an educational exercise for learning penmanship. A test sheet at the end of the volume includes several practice penmanship elements, and pencil lines throughout indicate how Lydia Brown was keeping her writing straight.

• To Hope
• A Paraphrase of the Lord's Prayer
• Charity
• Safety in Christ
• Say Why!
• Childhood
• Life
• Content
• Faith
• Hope
• Charity
• Humility
• Friendship
• Fortitude
• Modesty
• Patience
• Inscription on a Clock
• Friendship
• Sunset and Sunrise
• Reputation
• A Request
• Hope
• The Rose
• Friendship
• Time
• Repentance
• Prayer
• Religion
• The Happy Cottage
• A Thought
• Evening Cloud
• Extract
• An Epitaph
• Time
• Modesty
• Extract
• Repentance
• Life
• Prayer
• The Tear
• Sympathy

The Litchfield-French papers contain correspondence and documents related to the Civil War service of Allyne C. Litchfield and the Spanish-American War participation of his Litchfield's son-in-law, Roy A. French.

The Litchfield-French papers consist of 414 items ranging in date from February 15, 1862, to 1918, though the bulk of the collection lies between 1862 and 1899. The collection includes 335 letters, 60 documents, and several clippings, photographs, and receipts. Approximately 280 of the letters cover the period of Allyne Litchfield's Civil War service, including letters from Litchfield to his wife, letters among and between the Litchfield and Carver families (especially Lysander Carver and Susan Carver), and other correspondence pertaining to Allyne Litchfield. Roy French either wrote or received around 65 of the letters, primarily during the 1890s.

Between early 1863 and Litchfield's capture in March 1864, he wrote near-daily letters to his wife, describing movements, battles, and camp-life, and expressing his love for her. On May 9, 1863, he described the exhaustion of cavalry forces, led by George Stoneman, to whom the 7th Michigan sent reinforcements: "you can imagine perhaps the condition of men and horses after being saddled and ridding [sic] for 7 days. One can see the bare bones on the backs of some of them." His letters of July 6 and 7, 1863, are almost entirely devoted to his experiences at Gettysburg, and contain his accounts of his horse falling on him after it was shot in battle, and his regiment's extremely heavy losses. At times, Litchfield's correspondence also reveals his managerial side, as in a letter from Michigan Governor Austin Blair, recounting an anonymous complaint about "Col. Man" (almost certainly Col. William D. Mann) and requesting Litchfield's perspective on the matter (June 18, 1863). Also of interest is a letter of December 19, 1863, in which Litchfield detailed having dinner with 24-year old George Armstrong Custer and expressed his admiration for him.

After his capture, Litchfield wrote infrequently; however, ,in his letter of March 16, 1864, he described his conditions: "I have been kept in an 8x12 feet cell… 4 negro soldiers with us." More prevalent are letters to Susan Litchfield from family members, expressing support for her and suggesting solace in religion. The few letters to his wife, Litchfield generally communicated an optimistic attitude and gratitude for his good health, as in his letter of November 4, 1865, from prison in Columbia, South Carolina: "I have shelter, still retain my old overcoat and have plenty of blankets, which I am sorry to say is not the case with most of the officers."

Very little correspondence exists between 1865 and 1893. In the latter year, Roy A. French began writing a series of letters to his relatives, which became more frequent when he joined the military. In 1898, he commenced writing to his future wife, Almira "Myra" French (daughter of Allyne and Susan French). He described "monotonous" camp life at Camp Townsend in Peekskill, New York (July 15, 1898), his voyage to Puerto Rico on the Chester, during which he was very seasick, and his observations of Ponce, Puerto Rico, including the people, their modes of transportation, and the wild fruits that he saw (July 15, 1898).

On September 25, 1898, he wrote from "Camp Starvation" ("that is what the regulars call this camp because we are fed so poorly"). He reported prolonged health problems, from which he would die in 1911.

The 60 documents and miscellaneous items include newspaper clippings, military and family documents (such as a will, a passport, and a wedding invitation), a wallet, and a metal nameplate. Of particular interest is a manuscript copy of a letter of recommendation for Litchfield by George A. Custer. The copy is dated February 24, 1881. Other items document Litchfield's service in India to some extent.

The Langstroth Family papers document the activities and relationships of several generations of the Langstroth family, originally of Philadelphia, including the founding of several schools for women and African Americans, the experiences of a patient the Friends Asylum, and service in the Civil War.

The correspondence series comprises 600 items covering 1831-1955, and sheds light on the personal lives, careers, and activities of several generations of the Langstroth family. The bulk of the earliest letters, dating from the 1830s, are from Catharine Langstroth to her father and siblings. These letters concern the death of her sister Sarah, financial issues, and the health of several family members, including Margaretta, and refer to temperance (July 20, 1835 “It affords me much pleasure to know that you gathered in your hay on temperance principles”) and religious study. One letter of particular interest is dated January 3, 1839, and was written by Margaretta during a stay at the Friends Asylum in Philadelphia. It describes a harrowing series of treatments for unspecified mental problems: “My head has been cut open to the bone for 3 inches; and large [peas?] inserted; a lead placed over the slit and on the top of this a bread & milk poultice has been applied for two months… My hair has been shaved at least 6 times; and three times since the head was opened.” Margaretta also described the Asylum’s lectures, food, and other patients (“only deranged at intervals”).

Letters from the 1840s and 1850s were written by a variety of family members and document the founding of Mount Holly Institute for Young Ladies; the courtship of Thomas Langstroth, III, and Mary Hauss; and a range of religious attitudes, from Margaretta’s intense piety to Thomas’ doubt (December 12, 1853: “most all the young men in our church just before they got married have made a profession of religion, and how have they turned out! Look at them one half are as bad as they were before: but I have no right to judge.”). In early 1855, Margaretta wrote a series of letters from near Pine Bluff, Arkansas, describing her efforts at religious and educational outreach to slaves, for whom she felt sympathy (February 7, 1855: “Slaves! poor slaves! how my heart bleeds for them, they toil from night to morn, from morn to night--live and die here without knowledge enough to save the soul.”).

Little documentation of the family exists from the Civil War period, despite Edward and Thomas’ service on opposite sides, but Edward’s letter to Margaretta of July 14, 1865, indicates a rift between himself and his sisters, perhaps arising from his joining the Confederacy. Letters of the 1860s and 1870s are mainly incoming to Margaretta and concern teaching, finances, and advice. A number of letters to Thomas from the 1880s contain information about his brother Edward’s health. Approximately 25 folders of letters date from the 20th-century and were written between Hugh Tener Langstroth, his sister, Sara Paxson, and other relatives. These concern travel, social visits, health, and business matters.

The financial and legal documents series consists of 124 items relating to the Langstroth family, covering 1778-1913. It includes wills, records relating to milling, land indentures, an account book of 1814-1817 kept by Thomas Langstroth, Jr., paperwork related to loans, and other materials. Some materials relate to the bank failure which forced Langstroth to sell his mill in 1836. Only 15 items date from 1851-1913.

The diaries and journals series represents six volumes and a few fragments, covering the 1830s to the 1860s, all written by Margaretta Langstroth. The volumes dating from the 1830s contain biographies of historical figures and may have been used in school. Subsequent diaries recorded daily entries of varying length, covering parts of 1864-1868. The 1864 volume includes Margaretta’s memorials of deceased family members and is thus a good source of genealogical information. More commonly, her entries describe daily activities, religious meditations, and frequently seem to reflect a fragile mental state, as in this exceprt of April 15, 1865: “Abraham Lincoln shot in the Washington Theatre Secretary Sewar [sic] had this throat cut I hope Edwar [sic] has no hand in this what makes me fear that he had” or an entry of June 19, 1866, describing the death of a robin: “I felt very badly cannot describe my suffering poor bird…read hymns as it was dying wondering if it would live elsewhere[.] In bed all day so distressed so wretched…” In a number of passages, Margaretta noted the Sunday School classes that she taught, and commented on the number of students and the subjects of her lessons.

Papers include biographical materials, correspondence, journals, writings, including essays and poems, and item-level index cards.

The collection includes Pitezel’s correspondence mostly to family and friends (with notes and related materials), journals, and writings (essays and a poem), many of which later became books.

Most of his letters are to his mother, brother, Joshua, and sisters, Caroline and Mary. They detail his religious activities, beliefs, the people and situations in which he traveled, preached, and lived, family news, the weather, and illnesses. He was strongly anti-Catholic and reported often on Catholic missionaries and their missionary efforts. The letters are pasted together with related documents, which makes organizing them a challenge.

His journals span September 1846 through September 1851 and detail his life and work in Adrian, Marshall, Sault Ste. Marie, and at Kewanenon Mission, Michigan, and note his visits to Indian chiefs, councils, and medicine men, as well as stories told to him by Indians.

The writings include six autobiographical and religious essays.

Item-level index cards are included at the end of the collection to assist researchers.

John and Leni Sinclair were leaders of the counterculture movement in Michigan, organizers of radical social, political, and cultural endeavors primarily in the areas of music, poetry, graphic design, and community welfare projects. Papers and photographs (1957-1979) relating to all phases of their careers, including participation in the Artists' Workshop in Detroit, the Rainbow Multi-Media Corporation, the White Panther Party and its offshoot, the Rainbow Peoples Party; also materials concerning the legalization of marijuana, radical politics, and prison reform. Also material, 1979-2000, relating to John Sinclair's work as a writer, performer, radio show host and music promoter.

The John Sinclair papers came to the library in 1979. Jointly donated by John and Leni Sinclair, this initial accession, covering the period 1957-1979, included textual material, sound recordings, and photographs relating to all phases of their careers, including participation in the Artists' Workshop in Detroit, the Rainbow Multi-Media Corporation, the White Panther Party and its offshoot, the Rainbow Peoples Party; also materials concerning the legalization of marijuana, radical politics, prison reform, and rock and jazz music.

The Sinclair papers provide a rich and unique source for the study of America's radical movement in the nineteen sixties and seventies. Beginning with a remarkable series of correspondence that includes letters from Abbie Hoffman, Allen Ginsberg, Timothy Leary, and Jerry Rubin, and continuing on through extensive subject files, the collection details the cultural, political and business activities of a man whose energy and charisma made him a local and national leader of the counterculture. In addition, the collection documents the support and creativity of his wife and partner, who as writer, photographer and publicist helped to showcase the lifestyle which he symbolized.

Throughout the 1980s and 1990s, John Sinclair added to his papers with materials relating to his career as a writer and performer. In the winter of 2000, he donated a second large accession relating mainly to the period since leaving Detroit for New Orleans.

The Sinclair collection has been divided into four subgroups: Textual Files, Printed Material, Sound Recordings, and Visual Material.

Swedish-American author and journalist, of Ironwood, Michigan. Correspondence, manuscripts of poetry and other writings, and scrapbooks containing correspondence, newspaper clippings, and other poetry, concerning the myths of Sweden and Scandinavia and Banér's studies of Michigan Indian lore; also photograph.

The Johan G.R. Banér collection is an especially valuable resource for the study of immigrants in Michigan; it also provides examples of popular folklore during the first half of the twentieth century. The collection is divided into six series: Biographical Information, Correspondence, Manuscripts, Scrapbooks, Publications and Photographs; the material is written in both English and Swedish.

This collection is a single bound volume containing poems and essays copied by Ira James Titus of Detroit, Michigan, in 1840. Several subsequent entries are by members of the Barlow family.

This collection is a single bound volume containing poems and essays copied by Ira James Titus of Detroit, Michigan, in 1840. Several subsequent entries are by members of the Barlow family. The volume includes several hand-drawn illustrations, including one of a ship. On the final page is a list of female names.

• "What is Hope?" by Anna
• "Ode on Solitude" by Alexander Pope
• "The Motherless" by Mrs. Abdy
• "The Funeral at Sea" by Henry J. Finn
• "Ye Sons of Hibernia" by James Gibbons
• "Ode: In Commemoration of the Settlement of Western New York" by William H. C. Hosmer
• "A Song of the Sea" by H.W. Rockwell
• "The Silver Birdsnest" by Hannah Flagg Gould

First president of University of Michigan. Correspondence, essays, sermons, lectures, poetry, and photographs.

The Tappan papers include addresses, lectures, sermons, poems, biographical material, list of books in the Tappan library, and correspondence.

Between 1835 and 1839, Hart Hosley produced an exercise and commonplace book while attending the Canton Academy in Canton, New York, and while later living in Boston, Massachusetts. The bulk of the volume consists of a translation from French into English of François Fenelon's The Adventures of Telemachus, the Son of Ulysses. Selections of poetry, proverbs, songs, and mathematics problems comprise the rest of the volume. Pressed leaves appear throughout. The covers feature printed decorative paper (possibly wallpaper) of a woman playing a lute beside a dancing cherub.

The Hair documents, ephemera, and prints collection is comprised of 103 items, mostly printed materials related to hair, shaving, and wigs. Included are ephemeral advertisements, trade cards and price lists, government acts relating to hair and wigs, manuscript letters and indentures, caricatures and cartoons, broadsides, sheet music, other miscellaneous prints, and one braided lock of hair.

The Hair Documents, Ephemera, and Prints collection is comprised of 103 items, mostly printed materials related to hair, shaving, and wigs. Included are ephemeral advertisements, trade cards and price lists, government acts from British monarchs George II and George III relating to hair and wigs, manuscript letters and indentures, caricatures and cartoons, broadsides, sheet music, other miscellaneous prints, and one braided lock of hair. The material spans from 1717 to the late 1980s, with the bulk of materials dating from the late eighteenth century to the end of the nineteenth century. A majority of the materials are from England, although some are from Belgium, France, Switzerland, and Scotland. Many of the items are satirical and are commentary on fashion and the idea that the local barber was the "jack of all trades." Two similar items, a comical manuscript resume of "Isaac Morgan" and a fictitious advertisement for the varied services of "Isaac Factotum" offer exaggerated illustrations of how a barber did more than cut hair. Of interest is a series of mid-nineteenth century Valentines which center around the love-lives of barbers. Also included is a letter from Alex Campbell to his relative John Campbell, the Cashier of the Royal Bank of Scotland during the Jacobite rising of 1745. There is also sheet music from the composer (Franz) Joseph Haydn (1732-1809), A Pastoral Song, better known as My Mother bids me bind my hair. Of note are prints by British satirists William Hogarth, Isaac and George Cruikshank, and Thomas Rowlandson.