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Ypsilanti and Ann Arbor, Michigan, area family; correspondence, diaries, and other family materials.

The Campbell family collection includes correspondence and other family materials. Items of interest include Civil War correspondence of Gabriel Campbell and John S. Farnill; correspondence, diaries, and teaching materials of William Campbell; personal correspondence of Mary and Sarah (Sadie) Campbell concerning farming, local Republican politics, and school affairs; and printed materials concerning the Free Silver question and the election of 1896. The papers of Robert C. Campbell include diaries and University of Michigan student notebooks. Of interest are the notes he took from the lectures of John Dewey in philosophy, Henry Carter Adams in political economy, Burke A. Hinsdale in pedagogy, Joseph B. Steere in zoology, and A.A. Stanley in music, among other professors. The collection also includes high school notebooks of Carrie Read and E. Mabel Read.

Charlotte, Michigan, attorney, legal advisor to Governors Frank Fitzgerald and Luren Dickinson and justice of the Michigan Supreme Court. Correspondence, newspaper clippings and other materials on Michigan politics, the Republican Party, and his association with Governor Dickinson; scrapbook, 1885-1889, compiled by Fred A. Pennington; account book, 1904-1905; day book, 1941; log book, 1942, of Beaver Island cabin; and miscellaneous notebooks and photograph albums.

The Emerson Boyles papers consist of correspondence, newspaper clippings and other materials on Michigan politics, the Republican Party, and his association with Governor Dickinson; a scrapbook, 1885-1889, compiled by Fred A. Pennington; account book, 1904-1905; day book, 1941; log book, 1942, of Beaver Island cabin; and miscellaneous notebooks and photograph albums. The collection has been arranged into three series: Correspondence and other papers; Miscellaneous personal and family; and Photographs.

Chemical engineer and research scientist, pioneer in the refining of petroleum and synthesis of rubber. Correspondence files, financial records, published research materials; and photograph albums.

The Eugene H. Leslie Papers collection consists primarily of three series of correspondence: Alphabetical Correspondence Files, 1916-1964; chronological Correspondence Files (Outgoing), 1924-1958; and Chronological Correspondence Files, 1933-1952. There are also three other smaller series: Biographical Material, Financial Records, 1934-1948, and Papers and Reprints, 1920-1927.

Official photographer for the University Players (formerly Play Production) at the University of Michigan starting in 1928; photographic negatives of cast (in costume) from various student productions.

The Francis W. Ouradnik collection consists of 421 black and white negatives of scenes from plays produced by the University Players (formerly Play Production) at the University of Michigan in the period of 1928 to 1968. Francis Ouradnik, produced the majority of the negatives. A partial listing of the plays, which he made, can be found with the negatives.

The collection has been arranged into three series: two series of negatives and a series containing positive photographs. The first series contains photographic negatives dated from 1928 to 1944 (32 photos), apparently not taken by Ouradnik. The second series, running from 1934 to 1968, numbers 389 negatives identified as being taken by Ouradnik. Each series is arranged chronologically with a very few exceptions.

All negatives and photographs are black and white, and only a few scattered copies are not identified by date. Ouradnik composed a list of his negative file of plays and a copy is enclosed with the collection. Only three productions for these years cannot be located. All there are for the year 1947: "In Spite of Heaven," "Candida," and "In the Zone."

Grand Rapids, Michigan businessman and politician; correspondence, business papers; scrapbooks, and photographs.

The Frank D. McKay collection is divided into the following series: Correspondence; Topical Files; Business and financial papers; Newspaper clippings and scrapbooks; and Photographs.

University of Michigan microbiologist; correspondence, student notebooks, San Francisco Plague Commission records, research files and laboratory notebooks, visual materials

The Frederick G. Novy collection documents the career and research interests of this noted bacteriologist, including information from the period of time when he was a member of the San Francisco Plague Commission (1901).

The collection has been divided into the following series:

1. Biographical/Personal
2. Correspondence
3. University of Michigan Student Notebooks
4. University of Michigan Medical School
5. San Francisco Plague Commission
6. Research Files/Laboratory Notebooks
7. Reprints and Writings
8. Miscellaneous; and Visual Materials.

Minutes, 1888-1919, including; correspondence, newspaper clippings, and scrapbooks concerning party affairs; also papers, 1929-1970, concerning Prohibition Party in Michigan; papers, 1918-1930, concerning prohibition in Great Britain; papers, 1951-1958, concerning the National Temperance and Prohibition Council; and minutes, 1872, of the State Central Committee of the Prohibition Party of Michigan; also photographs and films.

The Prohibition National Committee record group is arranged into the following series: Correspondence; Minutes and other papers; Press and printed; Sound recordings; Other organizations; and Visual materials. Except for the significant minute books of the party's national executive committee in the 1880s, most of the record group dates from the 20th century after the passage of the 18th Amendment. Information regarding the earliest years of the Prohibition Party in unfortunately missing in this record group.

The Rudolf Arnheim collection is composed of over 6,000 35mm slides used by Dr. Arnheim during the course of his research and teaching. The collection includes slides of architecture throughout Europe and North America, as well as photography and artwork, both ancient and modern, including artists such as Michelangelo, Matisse, and Edgar Degas.

The Rudolf Arnheim collection is composed of over 6,000 35 mm slides, which Dr. Arnheim used during the course of his study and teaching. Many of the slides depict art objects which are now unavailable from commercial sources and Arnheim's slides are often superior quality than reproductions made obtainable through copy photography. Arnheim's research focused on the science behind how humans experience art and the sensory world. Much of his research focused on architecture, paintings, sculpture, film, and music. The collection contains slides that capture the architecture of Italy, Germany, the Netherlands, France, Austria, Spain, England, Scotland, Sweden, Canada, and America, among others. Slides depicting photography and sculpture, both modern and ancient, make up a significant portion of the collection, as well. The works of artists such as Michelangelo, Matisse, and Edgar Degas are also included in the collection. The Arnheim slides were re-sorted into their current boxes by Dr. Rudolf Arnheim himself.

The Russell C. Shaul photograph album contains images and ephemera related to the life and career of photographer Russell Clifford Shaul, who owned a studio in Chicago in the 1930s and 1940s.

The Russell C. Shaul photograph album contains images and ephemera related to the life and career of photographer Russell Clifford Shaul, who owned a studio in Chicago in the 1930s and 1940s.

The album (36.5 x 28 cm) has string-bound brown covers with the words "Scrap Book" and a depiction of a boy and girl wearing wooden clogs embossed on the front; the covers and pages are in poor condition. The structure of the album is roughly chronological, with material from the 1920s appearing towards the beginning and material from the 1940s appearing towards the end. However, candid snapshots and studio portraits made in Milwaukee, Wisconsin, in the early 1930s are scattered throughout and mixed in with photos from other periods. At least one page includes dated photos from the early 1930s and late 1940s that appear side by side. Certain names and people reappear often, but exactly how they relate to one another is not entirely clear. Many photographs document people drinking as well as posing in a humorous manner.

Photographer Russell Clifford Shaul appears to have been the compiler of this album. Shaul’s name appears on numerous images as the credited photographer, including portraits taken in Milwaukee in the early 1930s and a Chicago cityscape view from the mid-1940s. Several photos are also inscribed with messages to “Russell,” while snapshots arranged on a page captioned “The Shauls” show him and his third wife Sarah visiting various U. S. tourist destinations between 1944 and 1949. At some point during the 1930s it appears that Shaul relocated from Milwaukee to Chicago and set up a new photography business. Several pages in the album suggest that Shaul and his colleagues practiced door-to-door operations.

Two pages document a man’s World War II service. He is pictured driving a Jeep and wearing a uniform bearing an “Official U.S. War Photographer” patch, training on a shooting range, interacting with people on the streets “In India,” and taking photographs with both still and motion picture cameras. This man appears throughout the album (identified elsewhere as “Carl”), including in the earliest Milwaukee shots in 1927. He may have been Shaul’s friend and/or business partner.

Items placed toward the end of the album include some scrapbook materials including letterheads advertising a company called Chicago Thrill Tours and Chicago-based radio host called “The Nitehawk,” as well as business cards identifying a fellow photographer in Chicago named Charles Lonk and a trailer park in Eau Gallie, Florida.

In addition to the album there is also an envelope containing several loose photographs and ephemeral items including portraits of various people and groups; pictures of people drinking at bars; photographs of the man elsewhere identified as Carl drinking at a Milwaukee bar in 1927 as well as posing in a bathtub while another man bathes him; an image of a photo supply storefront with a cutout of an unidentified man pasted over the front door (possibly shop owner I. Dobkin); photography-related clippings; aerial images of Baton Rouge, Louisiana, taken in 1938; and a portrait by Acme Newspictures of a man in the radio studio of “The Nitehawk - WBBM” captioned “J. W. Clark.” Also present is an enveloped typed letter signed by “The Nitehawk” written to Shaul in 1948 asking him to be on the lookout for early copies of Reader’s Digest.