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The Jersey Shore, Pennsylvania, Boston, and Canada travel photograph album contains approximately 240 photographs of a trip to several locations around the eastern United States and Canada.

The Jersey Shore, Pennsylvania, Boston, and Canada travel photograph album contains approximately 240 photographs documenting a trip to several locations around the eastern United States and Canada.

The album (25.5 x 31.75 cm) is a "Ward's Album for Unmounted Photographs" with green cloth covers. Images of interest include views of a beachside town with palm trees in what appears to be New Jersey; the Elephantine Colossus at Coney Island, New York; a railroad likely near the Delaware Water Gap; John Bartram's House and various other buildings in Philadelphia; the railroad depot at Landsdowne, Pennsylvania; the Longfellow House and Trinity Church in Boston; as well as the interior of what appears to be a summer cabin. Also present are images of Baltimore, Maryland, including views of the Basilica of the National Shrine of the Assumption of the Blessed Virgin Mary; and images from Canadian locations including the Ontario Provincial Legislation Building in Toronto as well as the Château de Ramezay and Market Day at Place Jacques-Cartier in Montreal.

The John D. Bagley photograph albums consist of three photograph albums created by John DuCharme Bagley IV of the Bagley family of Detroit, Michigan.

The John D. Bagley photograph albums consist of three photograph albums belonging to John DuCharme Bagley IV of the Bagley family of Detroit, Michigan.

The photograph albums document the life of John DuCharme Bagley IV over a period of twenty years or so. Bagley IV was clearly an enthusiastic amateur photographer who enjoyed documenting his family and friends. The photos in all three albums are snapshot-sized and mostly taken outdoors. While the earliest album (Volume I) is extensively captioned, the other two are not.

Volume 1:

The first volume (14 x 30 cm) includes images taken between 1903 and 1905, including numerous photographs taken during a Bagley family trip to Europe. Bagley IV was a teenager at the time. Identified family members documented in this album include his older sister Frances, younger brother Phil, parents John N. and Esther, and an “Aunt Frankie” who was likely Esther’s sister. This trip appears to have lasted several months, perhaps the better part of an entire year. Locations visited included the German Alps, Naples, Rome, Pompeii, Lake Lucerne, Amsterdam, and London. The family’s return to New York by steamship is also represented. The remainder of this album documents experiences on Woodcote Farm in Ionia, Michigan, as well as family life in Detroit and outdoor summer activities at Long Lake in Grand Traverse County, Michigan.

Volume 2:

The second volume (20.5 x 30.5 cm) contains material compiled during World War I and afterwards. Views of the U.S. Naval Academy and of Washington D.C. are included, and Bagley IV is shown in many images wearing a naval uniform. Several warships (including what appears to be the USS Pennsylvania, commissioned in 1916) are pictured from afar throughout the album. One series of snapshots shows an Armistice celebration taking place at an unidentified location. Several pages showcase scenic views taken during a train journey through an unidentified mountainous region. The bulk of the remaining pictures in this album consist of portraits of family and friends posing informally in urban, domestic, and rural settings. Bagley IV appears regularly, usually in a business suit, and in a couple of cases he can be seen standing next to a Bagley & Co. company vehicle. Also present is a large loose photo that shows John J. Bagley’s birthplace in Medina, New York, which was photographed in 1895.

Volume 3:

The third volume (20.5 x 30.5 cm) contains numerous photographs taken during visits to New Mexico and Colorado in 1908 as well as Oregon in 1909. Images in the New Mexico section highlight operations and personnel of the Maxwell Irrigated Land Company. Bagley IV’s younger brother Phil may have been involved with this company. While it is not entirely clear which photos were taken in Colorado, numerous images of logging operations and logging camps were most likely taken in Oregon. Also present are personal photos showing Bagley IV and his wife Mary visiting forests and beaches. The final section of the album includes photos of Bagley IV in a navy uniform and views of the U.S. Naval Academy at Annapolis, Maryland.

This collection is made up of 4 albums containing photographs related to the United States Army Air Corps and United States Air Force during World War II and the Korean War, including items showing the Tuskegee Airmen, and family photographs related to an African American family. Some materials, including several manuscript and ephemera items, indicate that the albums may have belonged to John Ellis Edwards, a native of Steubenville, Ohio.

This collection is made up of 4 albums (220 total pages) containing photographs related to the United States Army Air Corps and United States Air Force during World War II and the Korean War, including items showing the Tuskegee Airmen, and family photographs related to an African American family. Additional items, including manuscripts, newspaper clippings, and ephemera, are laid into each volume. One of the albums has embossed illustrations of three military planes and a military aviation badge on its front cover, along with the printed title "Tuskegee Army Flying School." Some of the materials indicate that the albums may have belonged to John Ellis Edwards, a native of Steubenville, Ohio.

The earliest materials pertain to the military service of African-American servicemen during World War II, including formal portraits of pilots and other members of the United States Army Air Corps who trained at the Tuskegee Institute and pictures of military aircraft. Other items concern United States Air Force operations during the Korean War, including numerous photographs of African-American and white servicemen attending dinners with one another and with local women; several images show a live performance by Les Brown & His Band of Renown and female singers. Many of these images also feature military aircraft and radio equipment, and some are scenic views of the Philippines and Okinawa. The albums also include photographs of civilian airplanes and aerial views of unidentified lands. A small number of the military photographs are official images licensed by the United States Army and Air Force.

The remaining items are primarily informal family photographs taken in Ohio, Atlanta, Georgia, and other unidentified locales between the 1950s and mid-1970s. Many show family members posing near a decorated Christmas tree, and others show automobiles and neighborhood streets. The latest photographs include color photographic prints and school photographs of children. Other non-military pictures include an autographed group portrait of Three B's and a Honey and photographic postcards with studio portraits.

Each of the albums contains several loose items such as additional photographs, manuscripts, newspaper clippings, and ephemera. Most of the clippings pertain to military aviation during World War II and the Korean War, particularly regarding the Tuskegee Airmen. Other printed items are invitations and graduation programs related to the Tuskegee Institute, a church program from Griffiss Air Force Base, colored illustrations of the Republic P-47 Thunderbolt and Bell P-39 Airacobra aircraft, a military memorandum about radio codes, and a sheet with several reproductions of United States Army and Air Force insignia. The collection includes three letters written by John Ellis Edwards, including a V-mail letter to his father.

The John Hendrickson Yale class album contains numerous engraved and lithographed portraits of members of the Yale College Class of 1852, professors, and administrators.

The John Hendrickson Yale class album contains numerous engraved and lithographed portraits of members of the Yale College Class of 1852, professors, and administrators.

The album (25.5 x 19.75 cm) has green leather covers with “John B. Hendrickson’” stamped on the front in gold. Contents begin with four engraved views of New Haven, Connecticut, before progressing to engraved portraits of Yale College professors and administrators. Subsequent images are primarily lithographic portraits of members of the class of 1852, many of which are inscribed with sentimental notes, birthdays, and hometowns. Numerous signatures belong to men who went on to fight in the Civil War. Other signatures of note include those of Daniel Colt Gilman, William Preston Johnston, and Homer Baxter Sprague. The portraits of the students were produced by F. Michelin and George E. Leefe of New York City.

The John Irwin Griffith photograph album contains tintype and carte de visite portraits of members of the family of Democratic politician and writer, John Irwin Griffith.

The John Irwin Griffith photograph album (15 x 19 cm) contains 33 cartes-de-visite, and 37 tintype photographs of members of the family of Democratic politician and writer, John Irwin Griffith. Included are portraits of infants and one photograph of a man with a long beard. One man is appears standing, wearing a Masonic sash. The photographs were taken in Ohio, Indiana, Iowa, and Nevada.

The album's brown leather cover is embossed in high relief; double clasp with one clasp missing and is housed in a light blue box.

The John P. Cook photograph collection contains 9 photographs associated with U.S. Army officer John Pope Cook, including 7 images given to Cook by Dakota Territory-based Indian trader Charles Philander Jordan.

The John P. Cook photograph collection contains 9 photographs associated with U.S. Army officer John Pope Cook, including 7 images given to Cook by Dakota Territory-based Indian trader Charles Philander Jordan.

Among the photographs that were given to Cook by Jordan are a heavily retouched cabinet card studio portrait of Sitting Bull and a stereograph view on a cabinet card-sized mount captioned "No. 45 Spotted Tail's Tepee," both taken by photographer W. R. Cross; a studio group portrait of Red Cloud and Charles P. Jordan on a mount of Washington, D.C.-based photographer John Nephew bearing the verso inscription "To my most esteemed friend Gen. John Cook. C. P. Jordan July 9/89"; and five studio portrait photographs taken by John Alvin Anderson of six of Jordan's children born to his Lakota wife Julia Walks First Jordan (1859-1913; a niece of Red Cloud's, also known as Winyan Hoaka, True Woman, Weah-Wash-Tay, The Beautiful One), identified through verso inscriptions as "Mary J. Jordan," "Everard Cady Jordan," "Collins Custer Jordan," "Edwin E. & Wm Ward Jordan," and "Ella Adaline Jordan." The date and location of the portrait of Red Cloud and Jordan may point to the possibility of that image having been produced while the subjects were in Washington, D.C., during the 1889 Sioux Land Commission negotiations.

Also present are two photomechanically-illustrated postcards that date to the early 20th-century. One postcard bearing an advertisement for the Northern Pacific Railway was postmarked June 11, 1915 and addressed to John P. Cook's daughter Nina Cook in Frontier, Michigan, with the message "Dear Nina: I am on my way wish you were with me love Fred." The second postcard bears a profile view of the U.S.S. Nebraska and appears to have been postmarked August 1, 1910 and was addressed to Cook at his residence in Ransom, Michigan, with the message "Dear cousin sorry to make you all wait so long for ans (sic) to your kind letters but can't be helped this is a photo of one of the ships with the Atlantic fleet."

The John W. Christie Princeton University photograph albums pertain to college life in the early 20th century. Events depicted include academic processions, costumed parades, bonfire preparations, and sporting events. The albums also contain numerous views of campus architecture and an image of the Liberty Bell on tour.

These three albums, compiled by Princeton University student John Watson Christie around 1904, contain 219 photographs of college buildings, events, and student life in the early 20th century. Volumes 1 and 2, each 15cm x 18cm, have green cloth covers with the word "Photographs" printed on the front in gold. Volume 3 (18cm x 28cm) has a deteriorating brown leather cover. Each album contains prints of various sizes, usually no larger than 8.5cm x 12cm, and the first two volumes include inscriptions by John W. Christie. A number of photos have come loose from the pages, and a few loose captions are laid into the first volume. An envelope that once housed a letter to Christie, postmarked in 1907, is laid into the second album.

Many of the photographs, including all but a few items in the third volume, are exterior shots of Princeton University buildings, grounds, and unidentified private or university residences. Interior views feature animal skeletons, religious ornamentation, and athletic banners and memorabilia. Most of the remaining items depict social events such as preparations for a bonfire, processions, and graduation ceremonies. Students are often shown in costumes, masks, or women's clothing, and the first two albums contain a few informal portraits of unidentified men and women. Also included are pictures taken during baseball and football games and during a parade that featured Native American costume. Christie also collected pictures of an ornate ship's bell that Princeton alumni presented to the United States Gunboat Princeton and of the Liberty Bell surrounded by a crowd. One photograph of a campus building in the third album is hand-colored.

The J.R. Dixon Canada tour photograph album (28 x 20 cm) contains photographs from a camping expedition in the Canadian backcountry undertaken ca. 1909-1910.

The J.R. Dixon Canada tour photograph album (28 x 20 cm) contains photographs from a camping expedition in the Canadian backcountry undertaken ca. 1909-1910. Images include photographs of canoeing, fishing and hunting, and a rustic game of croquet at Lac Clair. Also shown are multiple views of campsite areas, and men portaging a canoe over a corduroy road. Scenic photographs include river views and the Banff mountains in winter.

The album has a green cloth cover and is stored in a three-part wrap with a red cloth spine.

The Kate and Robert Johnson photograph album contains interior and exterior images of the Johnsons' homes and grounds in San Francisco, and Menlo Park, California, as well as portraits of the Johnsons, their family members, and friends photographed at these locations. The pictures, taken by Eadweard Muybridge circa 1880, also include examples of spirit photography.

The Kate and Robert Johnson photograph album (30 x 25 cm) contains 84 images of the Johnsons' homes on O'Farrell Street in San Francisco, California, and "Heartsease" near Menlo Park, California, taken by Eadweard Muybridge circa 1880. The album has a pebbled brown cover with a binder's ticket from Partridge & Cooper, 192 Fleet St. [London].

The first group of 42 images consists of exterior and interior views of their San Francisco mansion, including views of parlors, bedrooms, and children's rooms. A few individual portraits taken on the premises are included. Of particular note are several spirit photographs of Robert and Kate Johnson, both of whom were alive at the time (20, 21, 24, 29). The couple's art collection is often visible including the painting "Elaine" by Toby Rosenthal. Furniture and decorative arts objects appear and reappear in different rooms and positions in the carefully composed images. In one image (37), it is possibly the photographer Muybridge who appears in a mirror reflection. The section ends with a close portrait of Robert C. Johnson.

The remaining 42 photographs are scenes from the Johnsons' "Heartsease" estate near Menlo Park, California. While the San Francisco photographs focus primarily on room interiors, the Menlo Park photographs mostly show the grounds and surroundings. Two images include sporting activities: a girl riding a young pony (70) and a group of men and women playing croquet (60). A photographic title page image for this section includes Muybridge's pseudonym "Helios" (44). Also included is a portrait of one of Kate Johnson's numerous cats, her affinity for which was well-documented (43).

This album showcases Muybridge’s interest in urban architecture and landscape photography, his success in earning commissions from notable men and women, while also touching on San Francisco’s rapidly developing wealth. It highlights the Johnsons' ornate mansion, their expansive art collection, and features both their urban homestead and rural retreat simultaneously. Moreover, with portraits, staged "spirit" photographs, and landscape scenes placed alongside more traditional photographs of the Johnsons' homes, the album speaks to Muybridge’s multiple artistic talents and the nuances of the Johnson’s personalities.

The Kellogg family photograph album contains formal carte-de-visite and tintype portraits of men, women, and children taken mostly in Morenci, Michigan, and Wauseon, Ohio, around the mid-1860s.

The Kellogg family photograph album (14cm x 21cm) contains formal studio portraits of men, women, and children taken mostly in Morenci, Michigan, and Wauseon, Ohio, around the mid-1860s. The photographs, comprised of 41 cartes-de-visite and 4 tintypes, show men, women, and children, sometimes photographed in pairs or groups. Some photographers are identified, such as "traveling artist" W. H. Cunningham. Mary McKenzie Stranahan presented the album to Mrs. Reba Kellogg, her daughter, in Wauseon, Ohio, on June 5, 1865. The brown leather cover has a tooled geometric design, and the title "Album" is stamped in gold on the spine.