Collections

The Abraham Lincoln assassination book illustrations collection consists of 300 photographic reproductions likely produced during the 1960s of various 19th-century photographs, paintings, illustrations, maps, diagrams, posters, and ephemera related to the assassination of Abraham Lincoln.

The Abraham Lincoln assassination book illustrations collection consists of 300 photographic reproductions likely produced during the 1960s of various 19th-century photographs, paintings, illustrations, maps, diagrams, posters, and ephemera related to the assassination of Abraham Lincoln.

The collection provides a thorough pictorial history of Lincoln's assassination and its aftermath using photographic reproductions of select period sources. The reproductions are contained in three volumes that have been grouped into five thematic sections: "Assassination" and "Flight and Capture" (Volume 1); "Trial and Execution" and "The Funeral" (Volume 2); and "Funeral at Springfield" (Volume 3). Each thematic section is introduced with a typed index that identifies images and their original sources, which are often listed in abbreviated forms. Image sources that are cited include the Library of Congress (LC), National Park Service (NPS), Chicago Historical Society (CHS), National Archives (NA), New-York Historical Society (NYHS), Lincoln National Life Foundation (LNLF), Illinois State Historical Library (ISHS), Leslie's Illustrated, Harper's Weekly, Claude Simmons (C.S.), and more. While the subject and source of each image are noted, but there is no accompanying text or narrative concerning the events. This collection appears to have been assembled in relation to the prospective publication of an illustrated book on the topic, possibly during the 1960s as a centennial piece. Many of the photographs have chapter and page notations on the back, though there are no specific references to the author or the intended title of the prospective book.

The indexes for each thematic section are as follows:

• Second Inauguration - LC
• Mary Lincoln - LC
• Abraham Lincoln - LC
• Major Henry Rathbone - NPS
• Clara Harris - LC
• Lincoln Closed Coach - CHS
• Points in Downtown Washington - LC
• Ford's Theater from the South - ISHL
• Ford's from the North - ISHL
• Star Saloon Next to Ford's - NPS
• Simulated Night View
• Playbill April 14, 1865 - NPS
• Laura Keene - LC
• Dress Circle - NPS
• Orchestra and Parquette - NPS
• Interior Plan - NPS
• Box 7 and 8 - US Signal Corps
• Box, Orchestra, Dress and Family Circles - ISHL
• Stage and Box - Ford Museum
• Full Stage - NPS
• Diagram of Stage - From Pitman
• Stage with Explanatory Key
• Setee Used in Box - NPS
• Chair in Which Lincoln Sat - NPS
• Plan of Box - From Harper's Weekly, 4-29-65
• Doors Leading to Box - F. Leslie's Ill. News. 5-13-65
• Stick Used to Bar Door - NPS
• Seating Arrangement in Box - NPS
• Booth's Knife and Dagger - NPS
• John Wilkes Booth - NA
• The Deringer - NPS
• Berghaus Sketch from F. Leslie's I.N. 4-29-65
• Treasury Guards Flag - NPS
• Berghaus Sketch - F. Leslie's I.N. 5-6-65
• Booth's Spur - NPS
• Booth's Boot - NPS
• Berghaus Sketch - F. Leslie's I.N. 5-20-65
• Dr. Charles Leale - LC
• "Borne by Loving Hands" Bersch Painting - NPS
• Simulated Night View of Petersen House
• Room Where the President Died - NPS
• Front Parlor - NPS
• Back Parlor - NPS
• Plan of the Petersen House
• Plan with Key
• Contemporary Sketch - F. Leslie's I.N. 5-20-65
• The Alexander Ritchie Painting - LC
• Contemporary Sketch - F. Leslie's I.N. 4-29-65
• Enlargement from the Bachelder Painting - Brown U.
• Diagram of the Wound - from Eisenschiml
• Seringer with Probe, Bone and Ball - NPS
• The William Seward House - NPS
• Attack on Seward by Paine - from Hawley
• Secretary of State William Seward - LC
• Lewis Paine (Powell) - LC
• Frederick H. Seward - NA
• Paine's Revolver and Dagger - NPS
• Paine (LC) and Sketch from Harper's Weekly
• House Where Lincoln Died Present Day - NPS
• Ford's Theater Years Later - NPS
• William Clark, Occupant of the Rear Bedroom - NPS
• Corp. James Tanner - NYHS
• Secretary of the Navy Gideon Welles - NPS
• Secretary of [W]ar Edwin M. Stanton - LC
• The Rev. P. D. Gurley - LC
• Surgeon General J. K. Barnes - NA
• Journalist friend Noah Brooks - ISHL
• Close Friend Dr. Alonzo Henry - ISHL
• Robert Lincoln - ISHL
• Edwin Booth - NA
• John T. Ford - NPS
• Dr. Charles A. Leale - Nat. Lib. Medicine
• Kirkwood House - C.S.
• John Nicolay, Lincoln, John Hay - NPS
• The Fatal Deringer - NPS

• Rear of Ford's - NPS
• Escape from Theatre - NPS
• Area Behind Ford's - NPS
• Assumed Flight Through City - NPS
• Anacostia Bridge - NPS
• Distant View - LC
• Flight to Garrett's Farm - NPS
• Surratt House, Surrattsville - NPS
• Road from Surrattsville - NPS
• Dr. Mudd's House - NPS
• Bedroom at Dr. Mudd's, Dr. Mudd
• Path to Zekiah Swamp - C.S.
• St. Mary's Bryantown - C.S.
• Samuel Cox Residence - NPS
• Bryantown Hotel - NPS
• Thomas Jones - NPS
• Thomas Jones House - NPS
• Old Brawner House, Pt. Tobacco - NPS
• Pages from Booth's Diary - NPS
• Believed Departure Place Potomac - C.S.
• Dents Meadow - NPS
• Crossing the Potomac - Baker's Book
• Mrs. Quesenberry's House - NPS
• Dr. Stewart's Home - C.S.
• Remains of Dock, Port Conway - C.S.
• The William Lucas Cabin - NPS
• Historical Marker - C.S.
• A Controversial Poster - NPS
• Col. Baker, Lt. Baker, L. C. Conger - NYHS
• Lt. E. P. Doherty - NPS
• Col. Lafayette Baker - NA
• Boston Corbett, Lt. Doherty - NA
• Boston Corbett - LC
• Garrett's House - NPS
• Goldman Inn, Bowling Green - C.S.
• Highly Imaginative Sketch
• Contemporary Sketch - NPS
• Plan of Garrett's Yard - NPS
• Removal of Booth from Barn - CHS
• As above - from Frank Leslie's Ill. Mag.
• Booth's Death - from Baker's Book
• Booth's Guns Found in Barn - NPS
• Booth's Revolver - NPS
• Booth's Compass - NPS
• Keys Found on His Body - NPS
• Pictures on His Body - NPS
• " " " "
• " " " "
• Returning With Booth's Body - NPS
• Post-mortem on the Montauk - NPS
• Surious Burial - from F. Leslies Ill. Mag
• Burial of Booth - from Baker's Book
• Paine's Pickaxe - NPS
• Arrest of Paine at Mrs. Surratt's - NPS
• Boston Corbett - Boston U.

• Old Capitol Prison - NPS
• Monitor "Saugus" - NA
• Transferring the Prisoners - F. Leslie's I.N. 5-26-65
• Arrival at the Old Penitentiary - NPS
• Cell Block - Harper's Weekly 7-8-65
• Paine Hooded - F. Leslie's 5-27-65
• Lewis Paine - LC
• George Atzerodt - LC
• David Herold - LC
• Sam Arnold - LC
• Michael O'Luaghlin - LC
• Edmond Spangler - LC
• Dr. Samuel Mudd - NPS
• Mary Surratt - LC
• Sketch Surratt House - NPS
• Mrs. Surratt's House - LC
• Floor Plan Courtroom - from Pitman
• The Conspirators - LC
• Scene at the Trial - Harpers W. 6-10-65
• The Courtroom - LC
• The Military Commission - LC
• The Commission sketch - NPS
• Some Members of the Commission - NA
• " " " - NA
• " " " - NA
• Judge Joseph Holt - NA
• Reverdy Johnson - NA
• Maj. Gen. Thomas Ewing, Jr. - LC
• Attorneys John Clampitt, William E. Doster
• Benn Pitman - LC
• Louis Wiechmann - NPS
• Booth's Note for Andrew Johnson - NPS
• Spangler's Rope - NPS
• Howard's Livery Stable - LC
• Incriminating Picture from Surratt House - NPS
• Senator James Lane - NA
• Senator Preston King - NA
• President Andrew Johnson - NA
• Anna Surratt - NA
• Remodeled Old Penetentiary - C.S.
• Father Jacob A. Walter - NA
• Prison Scenes from Old Print
• Before the Execution - LC
• The Graves - LC
• Awaiting the Prisoners - LC
• Reading the Orders - LC
• Adjusting the Nooses - LC
• Final Scene - LC
• Mary Surratt Plaque - from Confederate Museum
• Mary Surratt's Grave - C.S.
• Fort Jefferson Dry Tortugas - NA
• Tunnel at Fort Jefferson - NPS
• Dr. Mudd Plaque at Fort Jefferson - NPS
• Old and New Gravestones for Dr. Mudd - C.S.
• Spangler's Grave at St. Peter's - C.S.
• Booth's Grave, Greenmount Cemetery, Baltimore
• John Wilkes Booth - Mus. City of New York
• John Surratt as a Papal Guard - LC
• Joh[n] Surratt - LC
• Returning John Surratt for Trial - Harper's W. 2-19-67
• David Herold. an early photo - NA

• Abraham Lincoln - LC
• The White House - LC
• The Capitol - LC
• The East Room - NPS
• Services in the East Room - Harper's W. 5-6-65
• Pass Funeral Service Contemporary sketch
• Draped Treasury Building - NYHS
• The Casket - F. Leslie's I.N. 5-13-65
• Washington Hearse - LC
• The Procession - F. Leslie's I.N. 5-6-65
• " "
• The Procession Forming - NPS
• " " - LC
• Turning Into Pennsylvania Ave. - Harper's W. 5-6-65
• The Procession - London Illustrated News
• Route of the Funeral Train - LNLF
• Willie Lincoln - ISHL
• The Funeral Coach - NPS
• Interior of Car - NPS
• At Harrisburg - ISHL
• The State House Harrisburg - CHS
• Train at Harrisburg - LNLF
• The Train at Philadelphia - ISHL
• The Philadelphia Hearse - LNLF
• Independence Hall - from Peterson
• Philadelphia - ISHL
• Philadelphia Scene - ISHL
• The Philadelphia Hearse - CHS
• Scenes at Philadelphia - NA
• " "
• Portion of Train in Railroad Yards - LNLF
• Crossing the Ferry to New York - from Valentine
• Arrival in New York - from Valentine
• The Procession Forming New York - NYHS
• " " " "
• New York City Hall - LNLF
• At the City Hall - LNLF
• The Body at City Hall - ISHL
• New York Procession - ISHL
• " " " "
• The New York Hearse - LC
• Death Certificate - NPS
• Scene at New York - NYHS
• Scenes in New York - from Valentine
• " " " " "
• Notice of Ceremony Lincoln, Illinois - ISHL
• The Arch at Sing Sing - NPS
• After the Procession at Albany - Albany Institute
• Buffalo Hearse - Buffalo & Erie Co. Hist. Soc.
• Procession at Buffalo " " " " "
• " " " " " " " "
• Monument Park Cleveland - CHS
• At Cleveland - CHS
• Scene at Cleveland Contemporary sketch
• Cleveland - LNLF
• Cleveland - LNLF
• Monument Park - LNLF
• At the State House Columbus ISHL
• Procession at Columbus - LNLF
• Funeral Arch Indianapolis - LNLF
• Hearse and Horses Indianapolis - LNLF
• Hearse and Casket Indianapolis - LNLF
• Hearse and Casket Indianapolis - LNLF
• Stop at Michigan City - LNLF
• Typical Smalltown Depot - ISHL
• Train at Chicago Illinois Cent. RR
• Removal of Coffin Chicago Cont. Sketch
• The Chicago Arch - LC
• Chicago Procession - Harper's Weekly 5-27-65
• Entering the City Hall - CHS
• The People at City Hall - CHS
• The Catafalque in City Hall - Harper's W. 5-20-65
• Chicago & Alton Locomotive No. 57. - ISHL
• Railroad Timetable, Chicago to Springfield - ISHL
• Notice of Observance Ilion
• Memorial Paradeat San Francisco - Soc. of Calif. Pioneers
• Memorial Service at Bloomington - CHS
• Services in London, England - London Ill. News May 1865

• The Chicago Delegation - ISHL
• Lincoln Herndon Law Office - Georg Studio
• Illinois State House - ISHL
• The Unused Tomb - ISHL
• Draped Lincoln Home - ISHL
• Draped Lincoln Parlor - ISHL
• Official Pass - ISHL
• Just Completed Catafalque - ISHL
• Second View Catafalque - ISHL
• Filing Into State House - ISHL
• Waiting to Enter - ISHL
• Across from the State House - ISHL
• Filing Past the Catafalque - Harper's Weekly 5-27-65
• Front of Lincoln Home - NPS
• "Old Bob" - ISHL
• Draped House and Horse
• Order of Procession to Oak Ridge - ISHL
• The Borrowed St. Louis Hearse - ISHL
• The Forming Procession - LNLF
• Route of the Procession
• Plan of Oak Ridge - ISHL
• The Gate at Oak Ridge - ISHL
• General View of Oak Ridge - ISHL
• Awaiting the Procession - NYHS
• The Temporary Tomb - ISHL
• The Services - ISHL
• Contemporary Sketch
• Directors of the Monument Association - ISHL
• Closeup of the Vault - ISHL
• Interior of the Temporary Tomb - ISHL
• The Present Tomb - Ill. Inf. Ser.
• Exterior of Present Tomb - Georg Studio
• Mary Todd Lincoln - NPS
• Thomas (Tad) Lincoln - ISHL
• Bishop Simpson - ISHL
• Interior of Catacomb as left by Thieves (From John Carroll Power)
• Funeral Procession Entering Oak Ridge Cemetery - NYHS

This collection is made up of three albums with cabinet card photographs of prominent actors and actresses from the late 19th century, often in costume.

This collection is made up of three albums with cabinet card photographs of prominent actors and actresses from the late 19th century, often in costume. Volume 1 (28cm x 19cm), bound in black cloth with the title "Photographs" on the front, has 48 photographs in windows and one loose item laid in. Volume 2 (23cm x 30cm), bound in thick padded boards covered in dark leather, has 72 photographs in windows and four loose items laid in. This album has a brass clasp with a wheel that increases or decreases the tension of the clasp. Volume 3 (40cm x 30cm), bound in thick padded boards covered in brown leather with two brass clasps, has 99 photographs in windows. At least one card is a lithograph and two cards are hand-colored.

Each of the albums contains portraits of well-known actors and actresses, including both studio portraits and pictures taken in costume in front of painted scenery, sometimes with props. Pictures of men, women, and children are present, with portraits taken both facing the camera and in profile, and some subjects are represented by more than one image. Many types of costume are depicted, such as contemporary and historic formal dress, military dress, Middle Eastern dress, and Elizabethan dress. Some of the photographs show gender cross dressing. Props are most often swords or canes, though some subjects posed with musical instruments such as violins, a piano, and a lute. The majority of the actors and actresses across all three volumes are identified either on the backs of cards, on the albums' pages, or in inventories (housed with the first two volumes).

These photograph albums contain pictures of scenery, people, and buildings in the Adirondack Region of northern New York and in Washington, D.C.

These photograph albums (19cm x 30cm) contain 49 pictures of scenery, people, and buildings in the Adirondack Region of northern New York. Labeled photographs show buildings, animals, and scenery in and around Ilion, New York; Clifton, New York; Oxbow, New York; Chippewa Bay, New York; the Grass River; the Oswegatchie River; and Washington, D.C. Houses and other buildings shown include a home on "Preston Isle" in Chippewa Bay, the "Old Morris House" (a colonial stone house), an abandoned iron furnace, the White House, and the United States Capitol. Photographs of construction equipment are also present. Of the individuals and groups pictured, only Jack Moffett, a young boy, is identified. Photographs of note include pictures of an encampment, the exterior of a log cabin decorated with pine boughs, game and fish, and replicas of the ships Niña, Pinta, and Santa Maria. Two photographs indicate the photographer's interest in capturing motion: one shows the Empire State Express at full speed and another shows a woman throwing water, captured at a shutter speed of 1/50 second. The albums have black or blue binding with "Photographs" embossed in gold on the covers.

The Admiral William Mead photograph album contains approximately 250 photographs related to the family and career of U.S. Navy Rear Admiral William Whitman Mead.

The Admiral William Mead photograph album contains approximately 250 photographs related to the family and career of U.S. Navy Rear Admiral William Whitman Mead.

The album (35.5 x 29 cm) has pebbled covers with partial leather bindings and "Photographs" stamped on the front cover and contains around 250 photographs of various sizes and formats, including collodion, gelatin silver, platinum, silver platinum and albumen prints, cyanotypes, and snapshots. The spine and edges show considerable wear. The photographs chronicle three periods in Admiral Mead's naval career: his time as lighthouse inspector in the Great Lakes, and his assignments as commandant of the Newport, Rhode Island naval base and Portsmouth Naval Shipyard in Kittery, Maine. Additionally, there is at least one photograph towards the front of the album from the Lomaland School in San Diego as well as a series of others mostly located towards the back of the album that were taken in an unidentified tropical location (possibly Florida).

Some of the album’s captions, primarily in beginning and the lighthouse section, appear to have been first added when it was originally assembled and many are partially erased. The majority of captions, however, were contributed at a later date by Admiral Mead’s niece, Annie Adelia Mead Ferguson. Annie appears to have come into possession of the album at some point and added her own annotations identifying people and places she recognized in the photographs. She also added a handwritten note to the inside of the album’s front cover in 1970 indicating that the album had once “belonged to William Whitman Mead” before explaining that she captioned certain images herself and speculating on which of her children might want to inherit the album. It is unclear who originally took many of the photographs, though there are indications that Annie's mother Unadilla Gazlay Mead may have contributed some material. One photograph on pg. 32 shows Unadilla and her husband Omar C. Mead, Admiral Mead’s brother, posing together on a dock in either Portsmouth or Newport while the former can be seen holding a camera in her hands, while on pg. 44 there is a self-portrait taken in a mirror of a woman with a camera that appears to be Unadilla.

The album provides extensive documentation of lighthouses along the shores of Lakes Superior and Huron in the mid-1890s, as well as views from Great Lakes locations such as Duluth, Copper Harbor, and the locks at Sault Ste. Marie. Specific lighthouses represented include Seul Choix Light, Old Mackinac Point Lighthouse, Sand Island Lighthouse, Huron Island Lighthouse, Isle Royale Light, an abandoned lighthouse on Isle Royale, a pair of unidentified lighthouses possibly located in the Keweenaw Peninsula, Windmill Point, a lighthouse in St. Clair Flats, Gull Rock, Stannard’s Rock, Rock Harbor Light, and other unidentified structures. Images related to Admiral Mead’s time at the Newport naval base include portraits of Mead both in and out of uniform, portraits of family members such as Julia Mead, a collotype postcard of Trinity Church, and various buildings and street scenes. Images related to Admiral Mead’s time at Portsmouth Naval Shipyard include views of the Commandant’s house, “The Admiral’s Yacht,” and portraits of various individuals including John W. Yerkes, Elizabeth O. Yerkes, Amelia R. Yerkes, Annie Meade Matthews, Omar C. Mead, and Annie Adelia Meade as a young child. Of particular interest are a number of candid shots of locations and participants in the Portsmouth peace talks that ended the Russo-Japanese War in 1905 (including several photographs of three unidentified Japanese men described as “servants” in one caption) that are present on pgs. 30, 36, 37, and 39. While most of the ships that appear in the album are unidentified, identified vessels include the passenger steamer North Land on pg. 16 and the lighthouse tender Marigold on pg. 23. Other individuals identified by caption include Robert A. Watts (Admiral Mead’s brother-in-law) and Margaret A. Watts (Admiral Mead’s mother-in-law). Also present are three outdoor portraits of unidentified African American men and women on pg. 21 captioned “Those good ole’ days!!” and “Same good ole days!” as well as a cyanotype of an unidentified African American girl on pg. 48.

This photograph album contains photographs of scenery in Alaska, Yellowstone National Park, and the Yosemite Valley in the late 19th century. Several photographs feature tourists or members of the photographer's traveling party, and others were taken onboard the steamer Queen.

This photograph album (25cm x 19cm) contains 87 photographic prints depicting scenes in Alaska, Yellowstone National Park, and the Yosemite Valley in the late 19th century. The photographs, all of which have captions, were taken during visits to four geographic areas: Muir Glacier (21 photographs); Tacoma, Washington, and Helena, Montana (8 items); Yosemite National Park (48 items); and the Yosemite Valley and Arizona (10 items). Most photographs show natural scenery such as mountains, rock formations, waterfalls, and geysers, and some are pictures of hotels. Many show tourists climbing or viewing natural formations and scenery, and some show members of the photographer's party posing for portraits.

The album has two identical prints of a group of amateur photographers holding box cameras onboard the Queen, which is shown in several other photographs. Views of buildings in Sitka, Alaska; Tacoma, Washington; Helena, Montana; and Yosemite National Park are also included. One photograph shows a woman modeling a Chilkat blanket and totem pole cane, and another shows a "Tamed Bear" standing on a raised platform. Also of note is a picture of a train, taken as the photographer's party disbanded near Chicago. The volume is a quarter-bound album with a title stamped on the cover in gold: "Photographs."

The Alaska Gold Rush photograph album contains approximately 300 photographic prints. Most photographs show scenery, people, and settlements in Alaska around the turn of the 20th century, as well as a small group of scenes from San Francisco, California.

The Alaska Gold Rush photograph album (25cm x 30cm, 92 pages) contains approximately 300 photographic prints. Around 280 prints, including around 270 mounted onto the album's pages and around 10 loose items laid into the volume, show settlements, natural scenery, and people in Alaska from 1898-1902. Settlements such as St. Michael, Dutch Harbor, and Dawson are shown, as are native settlements, tents, and log cabins; a few interior shots are present. Some of the buildings and people pictured were associated with the North American Transportation & Trading Company. Subjects include: United States military personnel, indigenous Alaskans, men and women (sometimes in heavy winter dress), landscape views, glaciers, native animals and other natural scenery, and military and civilian boats.

Most of the photographs are black-and-white prints, though the album also includes a small number of cyanotypes. Items of note include a small panorama (p. 14), a photograph taken at the "dawn of the century" (p. 7), and pictures of a totem pole (p. 77), an early telegraph pole (p. 81), and a hands-free pie-eating contest (p. 85). A partial manuscript list of captions, roughly contemporary with the photographs, is laid into the volume. The final four pages of the album contain small photographic prints of scenes from San Francisco, California, with a focus on missions and other architecture. Penciled captions accompany many of the album's prints, though many are difficult to read. The album has post binding with screw posts.

The Albert D. Noble, Jr., glass negatives collection consist of 92 glass plate negatives made by photographer Albert D. Noble, Jr. as well as 33 photographic prints, 2 newspaper clippings, and a computer disk with 180 digital images (including additional photographs by Noble, Jr. and copies of older family portraits).

The glass plate negatives are contained in two boxes and include images of Noble, Jr.'s childhood home in Grand Rapids and other private residences and public buildings in the area as well as views taken in Detroit of Noble, Jr.'s family's Christmas decorations, community ice skating, bicycling in the countryside, rural buildings, and regional parks including Belle Isle Park. The majority of images depict people, activities, and scenes from summer vacations to places like Orchard Lake and Upper Straights Lake; a group visit to the French Lick Springs Hotel in Indiana in 1902; views from the Pan-American Exposition in Buffalo, New York in 1901 (misidentified in Bayard C. Schoettle's publication Glass Negatives: Albert Dewitt Noble, Jr. as an event based in Grand Rapids); and numerous studio portraits of family members, acquaintances, and the noted elocution teacher Edna Chaffee Noble (no relation to Noble, Jr.). The glass plates are in a variety of sizes (16.5 x 21.5, 12.5 x 20.5, 11.5 x 16.5, and 10 x 12.5 cm) and each is stored in individual paper slipcases. Some but not all of the splipcases provide information regarding an image's subject matter. Most of the plates are in good condition, with only a few displaying cracks and none being broken. 33 photographic prints (31 unmounted and 2 mounted) are also present and include an image of several cows near a body of water, two mounted albumen prints of "Orchard Lake Cottage," two silver platinum prints showing an unidentified house and a sailboat, 16 unmounted gelatin silver prints showing various domestic, industrial, social and architectural scenes (most of which are represented in the glass negatives), and a series of 11 unmounted snapshots and 1 negative transparency showing scenes from Roseland Park Cemetery and the gravesite of Edna Chaffee Noble. Two newspaper clippings from the July 16 1899 Detroit Free Press Art Supplement related to Noble, Jr.'s second place finish in a photo competition are also included.

The CD-R accompanying the collection contains about 180 scanned images including all 92 of the glass plates present in the collection, approximately 75 additional photographs produced by Noble, Jr., and several photographs of trophies awarded to Noble, Jr., by the Grand Rapids camera club. The CD-R also includes images of early Noble family portraits that were scanned and retouched by Schoettle during his preparation for Glass Negatives: Albert Dewitt Noble, Jr.

This album contains pressed algae specimens and a photograph of Fort Jefferson, Florida. Possibly compiled and owned by someone named Stuart.

This album (24cm x 24cm) contains 305 algae specimens collected around the mid-1860s, comprised of 294 items pressed onto 10cm x 6cm cards and 11 items pressed onto larger cards. Only one specimen is identified. The smaller cards are mounted six to a page and the larger cards are laid into the volume between pages of specimens. Numerous types of algae are represented, in a multitude of colors. The bottom cards on the first two facing pages spell the name "Stuart," which is also stamped in gilt on the front cover. The album is bound in brown leather and cloth with the title "Algae from Fort Jefferson, 'Tortugas,' Florida" is stamped on the back cover and "Album" stamped on the spine. A photograph of Florida's Fort Jefferson is pasted onto the first page as a frontispiece.

The Allen family photograph album contains carte-de-visite and tintype portraits of various individuals, including members of the Allen family of Mayville, Michigan.

The Allen family photograph album (13cm x 10cm) contains 22 cartes-de-visite, 13 tintypes, one lithograph, and one printed card. The cartes-de-visite and tintypes are studio portraits of men, women, and children. Most items show a single person, though some, such as a woman and a young baby, were photographed in pairs. The lithograph depicts a young girl holding a dog. An educational card, one of a series of "Little People Lesson Pictures" issued by the American Sunday-School Union (volume IV, number 1, part 5), is laid into the volume. The card has a colored print of a Biblical scene entitled "Beginning of the Hebrew Nation," and the reverse side has questions and answers about Abraham's journey to Canaan. The cartes-de-visite were made by photographers in locations such as Imlay City, Michigan; Owosso, Michigan; and Peterborough, Ontario. The volume's covers are leather, with a Maltese gold-embossed cross stamped in relief on each side.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

Envelope A (photographs): includes unmounted oval portraits of Parker’s children Eda and Ray from the early 1900s; studio portraits of Eda and his wife Alice from the 1910s, two of them from the Philadelphia studio of Gilbert and Bacon; an mounted school class photo (ca. 1890s?)

Envelope B (sheet music): includes three examples of World War I songs from the Eagle Publishing Company of Philadelphia with "music by Geo. L. Robertson and lyrics by Al. Parker."

Envelope C (letters, clippings, etc.): includes a letter appointing Dr. Ray Parker head of plastic surgery at a hospital in Johnstown, PA; a magazine article on “Flood Free Johnstown”; letters and clippings about Dr. Ray Parker; article on World War II factory workers; newspaper article on Theodore Roosevelt urging U.S. entry into World War I; and a note from Christmas 1926 from Parker’s grandson Donald addressed to “Ganco."

Scrapbook: The volume (37 x 28) is cloth-bound and has 66 pages total. Materials are not arranged in any chronological or thematic order and so unrelated items often appear together on the same page.

The album begins with photographs of Parker’s family members while the next few pages focus on scenes from his professional life, including a magazine cover from April 1900 and documentation of his break with Willis & Clements in 1910. Portraits of Parker at every stage of his life appear throughout the scrapbook, though not in any chronological order. The earliest is a tintype from the 1850s that shows him as a young boy with his brothers. Many portraits and casual snapshots of Parker's daughter Eda and son Ray from their early childhood into adulthood are included, while a collection of clippings reflects Parker’s pride in Ray's success as a doctor. His delight in playing the doting grandfather is clear from the drawings Parker made for Eda’s son Donald and in the notes that Donald wrote to Parker using the nickname “Ganco.”

A handful of portraits that were taken by Parker show that he was a capable studio photographer in addition to being a successful promoter of platinum photography products while working for Willis & Clements. Requests for his opinions from Eastman Kodak Company, Photo Era magazine, and the Photographers’ Association of New England testify to his recognized expertise. Numerous portraits of Parker in the company of other well-regarded photographers of the day confirm his acceptance in that professional circle.

Many ephemeral items also help illuminate the arc of Parker's career including programs from his minstrel show days; an advertisement for his Australian window blind company; the initial offer of employment from Willis and Clements; business cards from various stages of his career; and an ad for a new camera shutter he invented. Interspersed amongst these items are letters and photographs from various colleagues and employers along with miscellaneous poems, cartoons, programs, drawings, song lyrics, newspaper clippings, and so on.

This photograph album contains 57 photographs of the Jinan Station of the American Presbyterian Shantung Mission from ca. 1923 to 1928. Much of the images show the Murray High School for Girls and its students.

This photograph album 57 photographs of the Jinan Station of the American Presbyterian Shantung Mission from ca. 1923 to 1928. Many of the images show the Murray High School for Girls and its students. Young girls are shown in the school yard being led through routines and stretches, in class portraits, on a riverboat, and likely participating in May Day celebrations dancing around a maypole. The girls are shown wearing two-piece qipao uniforms with a white blouse and black skirts or trousers. In several photographs students can be seen waving the first national flag of the Republic of China. Two images include a stamp on the back that reads, "Dr. Evalena S. C. Fleming, American Presbyterian Mission, Tsinanfu North China." Dr. Fleming was an amateur photographer and likely the owner of the album. The accordion style album also contains five loose photographs in a mylar sleeve.

The album is 18.25 x 12 cm with decorative cloth covers.

The American Tour photograph album contains 96 Photographs of a tour taken of the United States and Canada, featuring the World's Columbian Exposition of 1893 in Chicago.

The American Tour photograph album (24 x 18 cm) contains 96 Photographs of a tour taken of the United States and Canada, featuring the World's Columbian Exposition of 1893 in Chicago. The photographic narrative follows a trip from Southampton, England, across the Atlantic to New York City; Richmond, Virginia; Chicago, Ill.; the Niagara region; Saratoga, New York; the Hudson River valley; and finally New York City and Coney Island, New York. Images from the trans-Atlantic trip include the dock at Southampton, the Steamship SS Paris at sea; the Sandy Hook pilot boat; views of the Statue of Liberty; and steerage passengers on an ocean liner. Several images of Richmond, Va., and rural homes in Amelia County, Va. appear. One view showing a three adults and one child on a wagon "leaving Sherwood" may be of the travelers. Numerous views of the Columbian Exposition grounds in Chicago are at the center of the album. Photographs of Niagara Falls and the Niagara River include an image of Clifford Calverley crossing the river on a tightrope. Other images include barges on both the Saint Lawrence Seaway and Hudson River; boating and scenery at Lake George; and ice houses and sailboats along the Hudson River. Photographs of New York City depict Wall Street; Brighton Beach and Coney Island; the Statue of Liberty; and Jersey City Ferry Boat "Orange." The album's half-bound brown cloth cover is stamped in gilt "American Tour. 1893."

The Amherst, Massachusetts photograph album contains 13 photoprints taken in and around North Amherst, Mass., including images of churches, the post office, and parks. Also includes an image of the Amherst College campus and a photograph of a railroad bridge.

The Amherst, Massachusetts photograph album (18 x 26 cm) contains 13 photoprints taken in and around North Amherst, Mass., including images of churches, the post office, and parks. Also includes an image of the Amherst College campus and a photograph of a railroad bridge.

The album cover has black textured paper over boards, with gold printed title "Photographs," bound with string. Housed in a pale blue cardboard box.

The Appalachian Mountain Club photograph album contains approximately 270 photographs showing members of the Appalachian Mountain Club, including men, women, and occasionally children, in a variety of outdoor settings and activities.

The Appalachian Mountain Club photograph album contains approximately 270 photographs showing members of the Appalachian Mountain Club, including men, women, and occasionally children, in a variety of outdoor settings and activities. The album (26 x 31 cm) has black cloth covers. Activities depicted include boating, fishing, ice skating, hiking, golfing, and swimming. One series of photographs show a large group of men snowshoeing in the mountains and eating around a large table in a log building. Also included are views of loggers with peavey hooks, horse-drawn sledges, several lodge interiors, and scenic mountain views. Five additional photographs show a wedding party, possibly from the 1916 wedding of Leverett S. Saltonstall and Alice Wesselhoeft in Jaffrey, New Hampshire.

Additional laid-in items include the following: luggage tags from the Appalachian Mountain Club marked with the name "F.M. Howe," with destinations of Gorham, N.H. Westport, N.Y., and Au Sable Chasm; newpaper clippings from the 1930s featuring the Harvard football team; newspaper article from 1917 regarding the retirement of Federal Reserve governor Alfred L. Aiken; cartoon showing the participants in the National Shawmut Bank Tournament including Florrimon Howe and Leverett Saltonstall; certificate of appreciation from the Federal Reserve Bank, inscribed to Florrimon M. Howe for assistance with the Liberty Loan of 1917.

The Arabella Chapman carte-de-visite albums primarily contain carte-de-visite and tintype photographic portraits of members of the Chapman family, middle-class African Americans from Albany, New York. Also pictured are friends, neighbors, and a few prominent abolitionists and public figures.

The Arabella Chapman carte-de-visite albums (16cm x 13cm) contain 95 carte-de-visite and tintype photographic studio portraits of the family, friends, and associates of Arabella Chapman, along with public figures and role models. The photos were taken from the 1860s to the turn of the century, with the bulk from the 1870s and 1880s. An inscription indicates that "Bella" Chapman received the second album from R. H. Bundy on October 3, 1878. The albums' covers are bound in blue leather, with designs carved in relief and metal clasps.

The first volume has 32 cartes-de-visite and 17 tintypes, including commercially produced photographs of Abraham Lincoln, Frederick Douglass, and John Brown. Also included is an autographed carte de visite by New York State Representative and Underground Railroad organizer William Henry Johnson (1833-1918). The second volume has 24 cartes-de-visite and card photographs, as well as 22 tintypes. Each volume has a partially completed index, with some manuscript captions written directly on some mounts and album pages. The sequence of photographs does not correspond to the indices.

Many of the photographs were taken by photographers in Albany, New York, along with a few images taken during visits to Pleasure Island Park; Saratoga, New York; and other locations. Arabella Chapman appears in six photographs taken at different times in her life.

Portraits of Arabella Chapman's immediate and extended family make up the largest portion of the photographs, including repeated photographs of her parents, future husband, siblings, cousins and nieces, daughter, and in-laws. The majority of the remaining images show Chapman's school friends, family friends, and neighbors from Albany. These include William Brent, a hotel waiter born in Washington, D.C.; Jim Goines, a porter; Charlie Butler, the son of a billiard hall owner and also employed as a waiter; and Anna Latour, the Chapmans' next-door neighbor, whose brother William was a waiter. Some portraits show Arabella's female peers, such as Elizabeth Myers, the daughter of Stephen Myers; Anna Bolden, listed both as a student and as a servant in a white household; and Mary Crosby, who with Chapman formed the only recitation team from Wilberforce in Albany's 1868 annual public school exhibition. A photograph pasted into the last page of the second volume shows Arabella's children and their neighbors, the Spragues.

The Arizona photograph album contains 70 images taken by an unknown photographer showing scenes from Flagstaff, Arizona Territory, and the surrounding area.

The Arizona photograph album contains 70 images taken by an unidentified photographer showing scenes from Flagstaff, Arizona Territory, and the surrounding area. The album (21 x 31 cm) has black pebbled cloth covers and a leather spine. Images of interest include views of men visiting cliff dwellings near Flagstaff; a group visiting the Grand Canyon by carriage and horseback; past the John Hance house and trail; scenic shots of the Grand Canyon taken from the Grand View Hotel; trailside cooking; and a wagon breakdown on the return trip. Additional photographs show Timothy Riordan, president of the Arizona Lumber & Timber Company, and his family at the rustic Thomas' Hotel in Oak Creek Canyon; an excursion to the lava beds including amateur photographer Father Daniel McGillicuddy of Worcester, Massachusetts, who is shown setting up his camera among the rocks; 11 views of the 1902 Fourth of July celebrations in Flagstaff, with masked participants, horse-drawn floats, soldiers in formation, and the former homes of Michael and Timothy Riordan decked out in bunting. Also present are photographs of the home of Frederick Sisson, a manager with the Arizona Lumber & Timber Company, including views of a porch or interior decorated with Native American rugs, pottery, textiles, baskets, and animal skins.

The Artin Hovsepian photograph collection contains heavily colored portrait crayon enlargements and other portrait photographs created by Artin M. Garabed Hovsepian, an Armenian immigrant who worked as a photographer in Detroit, Michigan during the first half of the twentieth century.

The Artin Hovsepian Collection contains 78 photographic prints, predominantly portrait crayon enlargements. The majority of the subjects are young women, but portraits of men and children are also included. A number of images include props and outfits suggesting first communions, confirmations, and graduations. Other images suggest related religious themes, including a portrait series of a priest, and a group photograph of a religious school class, possibly at St. Albertus School in Detroit, Michigan. Also included in the collection are photographs of buildings from Hovsepian's Detroit neighborhood; animals; one portrait of an African American male; a man in a uniform; a costumed couple; and a group photograph of a 1925 meeting of the National Council of Women. Of special interest is an enlarged carte de visite of the "904-lb. Woman, Big Laura Wolford."

More than half of the collection is comprised of oval hand colored or tinted crayon enlargements colored with a variety of artistic media and techniques including crayon, pastels, airbrushing, and paint. Many of the images are on a convex molded cardboard or paper meant to create the illusion of three-dimensionality when framed in an oval domed "bubble" glass frame.

The Atlantic City photograph album contains approximately 90 photographs related to an unidentified couple and their daughter, Jane, during a trip to Atlantic City in April and May of 1914.

The Atlantic City photograph album contains approximately 90 photographs related to an unidentified couple and their daughter, Jane, during a trip to Atlantic City in April and May of 1914. The album (18.5 x 27 cm) is bound in hand-painted varnished leather on paper boards with wood overlay. Images of particular interest include views of horseback riding on the beach, strolling on the boardwalk, and riding in rolling chairs and a pony-drawn cart. Atlantic City is seen largely as a backdrop to family activities. Additional photographs show the young girl sledding and with toys and friends at home. Also includes a photograph of Eleanor R. and Frederick D. Countiss and their daughter, Henrietta, in a studio portrait.

The At Peace Street photograph album contains 14 photographs of upper middle class home and family in Providence, R.I. Possibly the home of Linwood O. Towne, who inscribed the volume to the Prescotts in 1900. Several images of family members reading and photographs featuring the family cat.

The At Peace Street photograph album (16 x 23 cm) contains 14 photographs of upper middle class home and family in Providence, R.I. Possibly the home of Linwood O. Towne, who inscribed the volume to the Prescotts in 1900. Several images of family members reading and photographs featuring the family cat.

The album has brown burlap covers with inscribed title "At Peace Street," bound with string, and is housed in a gray wrapper with dark brown cloth spine.

The Augustus J. J. Thibaudeau family photograph album contains approximately 308 photographs and 4 manuscript items related to the family and friends of Augustus J. J. Thibaudeau, a prominent lawyer based in Niagara Falls, New York, and a representative of the Photo-Pictorialist movement in photography.

The Augustus J. J. Thibaudeau family photograph album contains approximately 308 photographs and 4 manuscript items related to the family and friends of Augustus J. J. Thibaudeau, a prominent lawyer based in Niagara Falls, New York, and a representative of the Photo-Pictorialist movement in photography.

The album (26 x 31 cm) has black cloth covers with “Snap Shots” embossed in silver on the front. The 4 loose manuscript items are contained in a Mylar enclosure at the beginning of the album and include two letters from Marie Thibaudeau written to her mother and father while abroad in England in 1923; a booklet made of faux-bark paper containing a watercolor illustration and poem about fishing titled “Stower’s Fish”; and a hand-written recipe booklet containing 18 recipes for various dishes.

Around 111 loose photographs of various sizes and formats are also contained in a Mylar enclosure and mostly include individual and group portraits (both indoors and outdoors), natural landscape views, and images of homes. A small percentage of these photographs have captions on their versos, including some that identify subjects. Of the loose photographs, images of interest include a group portrait of young women at Wellesley College in 1918 during their freshman year; portraits of Marie Thibaudeau, including several showing her posing with her beloved dog Sam-Sam; snapshots taken during a trip to Rome in 1932; and numerous images showing exterior views of houses as well as swimming, fishing, boating, and other outdoor activities taking place near the Thibaudeau family cottage on the Georgian Bay in Ontario.

Approximately 197 photographs are pasted into the album proper. A number of these photographs are partially unglued and in some cases writing on their versos is accessible. The album has many photographs showing waterfront summer vacation scenes from what appears to be different trips to the family cottage over a span of several years; some of these images in the front end of the album have inscriptions on their versos which indicate those photographs were taken in August 1910 by “D.B.” Other images of note include a picture showing a group of young women in a large sleigh with the verso caption reading “Marie Thibaudeau ΖΣΕ Jan, 24, 1912”; a pair of photographs showing siblings Kenneth Fraser Allan and Dorothy Elizabeth Allan when aged 3 and 6 respectively; two group portraits of young men in military uniforms standing in formation; photographs taken at Wellesley College showing buildings, students, campus scenes, large group activities, and a commencement ceremony; two photographs of a biplane mid-flight; and a series of interior views of an unidentified home that appears to have a menorah above the fireplace.

A Week Among the Mosquitoes photograph album (16 x 10.5 cm) contains snapshots from a July 1896 camping trip on the White River near Mt. Carmel, Indiana.

A Week Among the Mosquitoes photograph album (16 x 10.5 cm) contains 26 snapshots on 52 pages, with humorous inscriptions on many images. Six are landscapes, four are snapshots of the campsite, and sixteen are of the men camping, hunting, and fishing. The cover bears the names of the five men, plus two late joiners with more trip information on the inside cover. The back cover bears the maker’s mark of Verne E. Joy.

Thomas J. Bandfield, a native of England, compiled carte-de-visite photographs of friends and family members in this album before moving to the United States in 1870.

The inscription on page one indicates that Jane Rugg Bandfield of Chard, England, gave this photograph album to her son, Thomas John Bandfield, in London, England, in April 1870, before his departure for the United States. The volume (16cm x 14cm) contains 42 carte-de-visite portraits of Bandfield family members and acquaintances, both men and women. A later photographic print with a picture of an unidentified man, possibly Thomas J. Bandfield, is laid into the volume, as is an envelope addressed to Edna Bandfield of Portland, Michigan, Thomas Bandfield's daughter. The envelope has captions for most of the album's cartes-de-visite. A few individuals posed with children. One carte-de-visite has a photograph of a painted silhouette, and another shows "Four old Englishmen," otherwise unidentified. The subjects were photographed in studios in England. Some subjects may appear more than once.

The Beauties of The Sea photograph album contains five small commercial photographs of scenes on Nantucket along with four alternating sheets of decoratively arranged pressed algae.

The Beauties of The Sea photograph album (12 x 14 cm ) contains five small commercial photographs of scenes on Nantucket (The Old Windmill; Brant Point Light; Harbor and Sailboats; the Town Crier; and Bank and Methodist Church) glued into small album along with four alternating sheets of decoratively arranged pressed algae. The photographs are possibly by Henry S. Wyer. The album's faded green paper covers are tied with gold tasseled string with a wash drawing and inscribed title "Beauties of The Sea" in ink. Album is housed in light green folder.

The Blairstown (N.J.) photograph album (18.5 x 25.5 cm) contains 1 clipping and 91 snapshots of young adults. The clipping is from the marriage of Janith Tate Edgerton. The majority of the images within the album capture candid moments in and around the Delaware Water Gap in New Jersey.

The Blairstown (N.J.) photograph album (18.5 x 25.5 cm) contains 1 clipping and approximately 91 snapshots of young adults. The clipping is from the marriage of Janith Tate Edgerton. The majority of the images within the album capture candid moments in and around the Delaware Water Gap in New Jersey, including a mix of people, buildings, farm animals, and scenic shots. Descriptive captions are written on some of the photographs.

The second page of the album features members of the Blairstown High School Class of 1915 while the third page features views of what is likely Rutgers University. Page 11 includes an aerial view of a parade for the 150th anniversary of Rutgers. Pages in the back of the album include a photograph of women cross-dressing while "looking for a dear," images of a new car, medieval reenactors, and a group of people dressed as "Bandits." Nine loose photographs of Washington, D.C., soldiers boarding a train during World War I, and snapshots of people are contained in an envelope within the ablum.

The Bonynge family photograph collection consists of ten photograph albums and approximately 600 loose photographs pertaining to the Bonynge family of New Jersey. The albums center on Henry Arthur Bonynge Jr., M.D., his wife Elizabeth and daughter Marjorie. Images include snapshots of family life in the northeastern United States, trips to Wyoming, El Salvador, Bermuda, Cuba, and Europe.

The Bonynge family photograph collection consists of ten photograph albums and approximately 600 loose photographs pertaining to the Bonynge family of New Jersey. The albums center on Henry Arthur Bonynge Jr., M.D., his wife Elizabeth and daughter Marjorie. Images include snapshots of family life in northeastern United States, trips to Wyoming, El Salvador, Bermuda, Cuba, and Europe. The albums are roughly arranged in chronological order while the loose photographs are organized by location.

Volume One: The Bonynge family Hoboken album (27.25 x 36.25 cm, lacks covers) contains approximately 90 snapshots of Henry Bonynge Jr.'s family when he was a young man. A majority of these images are dated from 1898-1901 and were taken at 931 Washington Street in Hoboken. Images of note include domestic interior views, a Christmas tree, charming casual portraits, street snapshots, photographs of Henry Bonynge Sr.’s sister Florence graduating from high school, an October 1899 trip to visit landmarks in New York City, and visits to the Jersey Shore.

Volume Two: The Christ Church Hospital, Jersey City album (26.5 x 30.5 cm, black leather cover with gilt title) contains approximately 30 professional quality photographs related to Henry Bonynge Jr.'s medical internship in 1906-1907. There are several carefully composed views of hospital exteriors, interiors, equipment, and staff in uniform. Of note is a view across Hoboken rooftops, the Hudson River, to New York City. Also a fine image of the hospital kitchen and staff. Includes one card photograph of employees with a stretcher in front of a hospital ambulance.

Volume Three: The Bonynge family early snapshots album (26.75 x 36.75 cm, black leather cover in poor condition) contains approximately 400 photographs documenting Henry and Elizabeth Bonynge's early years of marriage as well as Marjorie's infancy. Images of interest include photographs of daily life and family trips from 1910 to 1917 in the Bahamas, Bermuda, Lake Waramaug (Connecticut), Prince Edward Island, Lake George (New York), Newport, Rhode Island, Maine, Atlantic City, New Jersey and Mount Vernon, Virginia. Includes notable images of recreational activities, early automobile travel, horseback riding, construction of the Prospect Street house in Ridgewood, New Jersey, and a July 4th parade. Later notes from Susan B. Strange identify many individuals represented in the album in addition to captions written by Elizabeth and/or Henry.

Volume Four: The Bonynge family snapshots album (27.25 x 36.75 cm, black leather cover, poor condition) contains approximately 250 photographs of Henry, Elizabeth and Marjorie. While some of the images included in this album were taken in 1911, most date to ca. 1918-1925. Images of interest include photographs of Marjorie as a young child riding horses (including ‘Lightning’, a Shetland Pony), trips to Niagara Falls, Quebec, and Lake George in 1921, a trip to Mohonk Mountain House in New Paltz, New York in 1922 and a pictures from a "Charley trip," possibly to Wyoming.

Volume Five: The New Preston, Ridgewood, and Nantucket album (24.25 x 36.75 cm, black leather cover) contains approximately 45 high quality photographic prints of people and places in New Preston, Connecticut, and Nantucket, Massachusetts as well as the family home in Ridgewood, New Jersey. There is a partial index for the album which was likely filled out by Marjorie. Images of note include Elizabeth and Marjorie with a pony in 1918, interior photographs of the house at 107 Prospect Street and ten photographs of Nantucket.

Volume Six: The Marjorie Bonynge childhood album (19 x 29.25 cm, black leather cover) contains approximately 40 photographs, including numerous portraits of people and of Marjorie as a child from 1920-1929. Of note is an image of children dressed for a Halloween party.

Volume Seven: The Bonynge European travel album (23.5 x 35.5 cm, black leather cover) contains approximately 70 photographs of a Atlantic crossing aboard the U.S.S. Minnetonka in 1925. The photographs focus on Cherbourg (France), Edinburgh (Scotland), Stratford-upon-Avon, (England), and Volendam (the Netherlands). Images of interest include several views of Henry Bonynge Jr.'s mother's home in Bath, England.

Volume Eight: The Bonynge Wyoming trips album (23.5 x 35.5 cm, black leather cover) contains approximately 65 photographs of a family trip to the Fred Richard Ranch near Cody, Wyoming in 1922. Images include views of hunting, mountain vistas, and horseback riding. There are also copies of three newspaper clippings describing Henry Bonynge Jr.'s near death experience on the trip while hunting.

Volume Nine: The Bonynge Nantucket trips album (23.5 x 35.5 cm, black leather cover) contains approximately 150 photographs of two trips to Nantucket in 1923 and 1924.

Volume Ten: The Bonynge Yellowstone trip album (24.25 x 36.75 cm, black leather cover) contains approximately 150 photographs of a trip to Yellowstone National Park and Shoshone Canyon ca.1920-1922. Notes have been added by both Susan B. Strange and likely Henry Bonynge Jr. Images of interest include photographs of a ranch and horseback riding in an unmarked location, probably near Cody, Wyoming.

The 600 loose photographs in this collection are stored in 11 separate envelopes and have been sorted according to the location they were taken. The majority of these images were taken during a number of family vacations during the 1930s. There are several images that are duplicates of photographs that appear in the albums.

Envelope One and Envelope Two contain approximately 60 images of family, pets, school groups and Ridgewood and Hoboken, New Jersey.

Envelope Three contains approximately 30 images of a cruise to what appears to be Bermuda.

Envelope Four contains approximately 38 images of horses and views of locations in Kentucky.

Envelope Five contains approximately 70 images of multiple trips to Salmon, Idaho. Photographs document the Bonynge family partaking in horseback riding and rodeo at a friend's ranch.

Envelope Six contains approximately 80 images of trips to various locations in the United States from 1936 until ca. 1940. The images have been separated by note cards with locations and dates.

Envelope Seven contains approximately 60 images of a trip taken by Marjorie in March of 1937 to El Salvador and Central America in order to visit a friend from high school named Eva Duke.

Envelopes Eight and Nine contain approximately 170 images from a 1937 Caribbean Cruise aboard the S.S.Quirigua. Many of the images depict Havana, Cuba.

Envelope Ten contains approximately 58 images from a number of unidentified places as well as two photographs from a 1932 trip to Venice, Italy.

Envelope Eleven contains approximately 45 images of unidentified people. Some images appear to be from ca. 1900, though most of the photographs are of friends or neighbors of the Bonynge family in the 1930s.

This collection consists of photographs of Boston, Massachusetts, and other New England towns, taken around the turn of the 20th century. The collection includes pictures of commercial and municipal buildings, battleships, and city landmarks.

This collection consists of photographs of Boston, Massachusetts, and other New England towns, taken around the turn of the 20th century. The collection includes pictures of commercial and municipal buildings, battleships, and city landmarks.

Large format photographs show a variety of Boston scenes, including commercial streets and buildings, harbor views, waterfront parks, the USS Hartford and USS New York, a streetcar station and tracks, a horse-drawn firefighting ladder truck, and a crowd waching the launch of an unrigged yacht in Boston Harbor. Buildings depicted include Faneuil Hall, the Jordan Marsh department store, and the U.S. Customhouse. A scene on the Boston Common shows the statue of George Washington being decorated, with a crowd of pedestrians including a Civil War veteran wearing a uniform with medals. Also included is a photograph of the Witch House in Salem, Mass., former residence of Joseph Corwin, a judge at the Salem witch trials; and a collision of two locomotives with a photographer on the scene, possibly staged. The first image (10cm x 14.5cm), an overhead view of Charlestown and the Bunker Hill Monument, is affixed to a wall calendar for the year 1884; all of its removable monthly pages are still intact. The calendar was presented with "Compliments of Annie T. Smith."

The Boston Mob Pennsylvania Tour and Cross-Country Tour photograph albums contain pictures taken during travels in the Mid-Atlantic States, the northern Midwest, Colorado, and California in the early 1890s. The photographs show city scenes and buildings, natural scenery, and travelers.

The Boston Mob Pennsylvania Tour and Cross-Country Tour photograph albums contain 213 pictures taken during travels in the Mid-Atlantic States, the northern Midwest, Colorado, and California in the early 1890s. Each album is 29cm x 35cm with titles stamped in gold on the front covers. Most photographs are captioned.

The first volume, "Pennsylvania Tour 1891," contains 77 items, comprised of 15.5cm x 20cm prints pasted one to a page and 9cm x 12cm prints pasted three or four to a page. The first 7 pictures and the final picture were taken at Gettysburg, Pennsylvania, including views of battlefield monuments and a military cemetery. The photographer also traveled to Luray, Virginia; Baltimore, Maryland; Washington, D.C.; and Richmond, Virginia. A few shots are group portraits of male and female tourists, who posed once in a railroad car by a banner reading "Boston Mob," and many others are images of city streets and natural scenery, including a series taken in and around a natural bridge and Cedar Creek in Virginia. While visiting Washington, D.C., the compiler photographed landmarks such as the Washington Monument, United States Treasury, White House, and State, War, and Navy Building. Ferries, horse-drawn trolleys (running on tracks), trains, bridges, and railroad depots are visible in many photographs. Of note is an aerial photograph of the White House and surrounding buildings taken from the top of the Washington Monument and a group of 5 items showing African American children playing on a street in Luray, Virginia.

The second volume, "Across the Continent 1892," contains 136 photographs (9cm x 12cm each), usually pasted four to a page. Most items are views of buildings and natural scenery in locations such as Niagara Falls; Sioux City, Iowa; Denver, Colorado; San Francisco, California; Los Angeles, California; Seattle, Washington; and Duluth, Minnesota, as well as other towns in Colorado and California. The pictures show donkeys, town and city buildings, a cattle ranch, and rock formations, particularly in the Garden of the Gods; the photographer visited Seattle during a snowy winter. A number of photographs show a smelter in Denver, Colorado. One group of California photographs features orange trees. Other items of note are a "Spirit Picture" of two overlapped city scenes and a shot of Grover Cleveland's inauguration on March 4, 1893.

The Boston, Revere Beach & Lynn Railroad photograph album consists of 43 photographs taken in various locations in Massachusetts most likely along the Boston, Revere Beach & Lynn Railroad line.

The Boston, Revere Beach & Lynn Railroad photograph album consists of 43 photographs taken in various locations in Massachusetts most likely along the Boston, Revere Beach & Lynn Railroad line. The album (39 x 29 cm) is hardbound with a green cover. Images include views of urban street scenes in several Massachusetts towns, including Lynn; railroad passenger stations; a trolley car; street car tracks; the Bay State House in Worcester, Massachusetts; various storefronts; a locomotive with a plow attachment; numerous horse-drawn carriages; a sign stating "Railroad crossing. Look out for the engine while the bell rings."; a woman identified by a handwritten caption as "Louise" posing outside of a carriage stable; and what appears to be either two horse cars or two electric automobiles parked on a street.

The Brearley-Pingree collection consists of approximately 166 autographed photographs of notable individuals that were originally compiled by Detroit-based newspaperman William H. Brearley and later added to by Detroit mayor and Governor of Michigan Hazen S. Pingree. In addition to the photographic materials, 36 manuscript items and two bound volumes are also included in the collection.

The Brearley-Pingree collection consists of approximately 166 autographed photographs of notable individuals that were originally compiled by Detroit-based newspaperman William H. Brearley and later added to by Detroit mayor and Governor of Michigan Hazen S. Pingree. An additional 36 manuscript items and 2 bound volumes are also included in the collection.

The collection appears to have been first started by Brearley during the mid-1860s, possibly during or immediately after his Civil War service. He seems to have solicited the autographs of a variety of famous individuals (including authors, performers, musicians, scientists, spiritual leaders, politicians, foreign rulers, and military officers) primarily by mailing them photographs of themselves and requesting their signatures. Possession of the collection appears to have been transferred to Pingree at some point, and he continued to make further contributions. Pingree’s daughter Hazel retained possession of the collection after her father’s death before eventually donating it to the Clements Library. All components of the collection are stored together in one box.

While most portraits in the collection are original studio photographs taken by a variety of photographers including Mathew Brady and Napoleon Sarony, a relatively small number of photographic reproductions of non-photographic portraits are also present (including depictions of James Monroe, Stonewall Jackson, and Henry and Clara Ford).

Volume 1: Brearley collection reproduction souvenir album

This album (16.5 x 15 cm) has green leather covers with lines of poetry from Henry W. Longfellow’s A Psalm of Life stamped in gold on the front. An index included at the beginning lists the names of 96 individuals represented across the album’s 24 pages. After the index, a passage written by William H. Brearley and dated August 1st 1874 explains that he created a limited number of facsimile copies of his original autographed portrait collection at the “urgent solicitation” of many interested friends. Brearley also explains that he acquired the original photographs and autographs in his collection “by long and patient effort, & tending over a period of ten years, and involving an expense of several Hundred dollars.” Subsequent album pages each contain four individually pasted 5.5 x 4 cm albumen print photographic reproductions of original portraits found in Brearley’s collection. This item was acquired from a separate source and was not part of the original collection of materials donated to the Clements Library by Hazel Hope Pingree Mills.

Volume 2: Brearley-Pingree collection original album

This album (30 x 26 cm) has brown leather covers and the words “Portraits. Autographs” and “Brearley” stamped in gold on the spine. The original autographed portraits of the Brearley-Pingree collection were once housed in this album before Clements Library staff removed the original photographs and substituted them with photocopies in 2010 for conservation and preservation purposes. Manuscript captions were also added by Clements Library staff. The original photographs are housed separately in smaller boxes and have been arranged according to size/format and ordered alphabetically by subject surname. See below for a complete list of photographic subjects contained in each box.

Of additional interest are three manuscript items, including the clipped signature of Hyacinthe Loyson and an October 15th 1873 letter from Henry W. Longfellow containing the same lines of poetry from A Psalm of Life that appear on the cover of the Brearley collection souvenir album. Also present is a letter from Buckingham Palace sent to Brearley in 1873 by Sir Thomas Biddulph explaining that the “enclosed Photograph” of Queen Victoria is being returned but that “The Queen’s Autograph is never given away.” Three wax seals are also included in the volume including an “Imperial Chancellor’s seal” (associated with a portrait of Otto von Bismarck); “the Napoleon Seal” (associated with a portrait of Jérôme Bonaparte); and a Great Seal of the Realm attached to the 1873 letter from Buckingham Palace.

Box 1.1: Brearley-Pingree collection cartes de visite, A-E

This box contains 47 cartes de visite. Represented individuals include the following:

• Adams, Charles Francis, 1807-1886.
• Agassiz, Louis, 1807-1873.
• Alcott, Louisa May, 1832-1888.
• Anderson, Richard Heron, 1821-1879.
• Anderson, Robert, 1805-1871.
• Anthony, Susan B. (Susan Brownell), 1820-1906.
• Bancroft, George, 1800-1891.
• Barnum, P. T. (Phineas Taylor), 1810-1891.
• Barrett, Lawrence, 1838-1891.
• Beauregard, G. T. (Gustave Toutant), 1818-1893.
• Beecher, Henry Ward, 1813-1887.
• Billings, Josh, 1818-1885. [Henry Wheeler Shaw]
• Birney, David Bell, 1825-1864.
• Bishop, Anna, 1810-1884. [Anna Riviere Schultz]
• Bismarck, Otto, Fürst von, 1815-1898.
• Bonaparte, Jérôme, King of Westphalia, 1784-1860.
• Bonner, Robert, 1824-1899.
• Booth, Edwin, 1833-1893.
• Breckinridge, John C. (John Cabell), 1821-1875.
• Bright, John, 1811-1889.
• Bryant, William Cullen, 1794-1878.
• Buchanan, James, 1791-1868.
• Bülow, Hans von, 1830-1894.
• Bunker, Chang, 1811-1874. [in portrait with Eng Bunker]
• Bunker, Eng, 1811-1874. [in portrait with Chang Bunker]
• Burnside, Ambrose Everett, 1824-1881. [two portraits included]
• Butler, Benjamin F. (Benjamin Franklin), 1818-1893.
• Carleton, Will, 1845-1912.
• Chapin, E. H. (Edwin Hubbell), 1814-1880.
• Clem, John Lincoln, 1851-1937.
• Clough, J. E. (John Everett), 1836-1910.
• Coan, Titus, 1801-1882.
• Colfax, Schuyler, 1823-1885.
• Collins, Wilkie, 1824-1889.
• Cook, Eliza, 1818-1889.
• Coombs, Jane, 1842- .
• Curtis, George William, 1824-1892.
• Cushman, Charlotte, 1816-1876.
• Dana, Charles A. (Charles Anderson), 1819-1897.
• Darwin, Charles, 1809-1882.
• Davis, Jefferson, 1808-1889.
• Dickinson, Anna E. (Anna Elizabeth), 1842-1932.
• Dix, John A. (John Adams), 1798-1879.
• Doré, Gustave, 1832-1883.
• Doubleday, Abner, 1819-1893.
• Douglass, Frederick, 1818-1895.
• Emerson, Ralph Waldo, 1803-1882.
• Emory, William H. (William Hemsley), 1811-1887.

Box 1.2: Brearley-Pingree collection cartes de visite, F-N

This box contains 46 cartes de visite. Represented individuals include the following:

• Farragut, David Glasgow, 1801-1870.
• Ferrero, Edward, 1831-1899.
• Field, Cyrus W. (Cyrus West), 1819-1892.
• Field, Kate, 1838-1896. [Mary Katherine Keemle Field]
• Fillmore, Millard, 1800-1874.
• Forrest, Nathan Bedford, 1821-1877.
• Fowler, O. S. (Orson Squire), 1809-1887.
• Garrison, William Lloyd, 1805-1879.
• Gladstone, W. E. (William Ewart), 1809-1898.
• Grant, Ulysses S. (Ulysses Simpson), 1822-1885.
• Greeley, Horace, 1811-1872.
• Greenwood, Grace, 1823-1904. [Sarah Jane Clarke Lippincott]
• Hall, John, 1829-1898.
• Halleck, H. W. (Henry Wager), 1815-1872.
• Hancock, Winfield Scott, 1824-1886.
• Hay, John, 1838-1905.
• Heintzelman, Samuel Peter, 1805-1880.
• Hoar, E. R. (Ebenezer Rockwood), 1816-1895.
• Holland, J. G. (Josiah Gilbert), 1819-1881.
• Holmes, Oliver Wendell, 1809-1894.
• Hooker, Joseph, 1814-1879.
• Howard, O. O. (Oliver Otis), 1830-1909.
• Hugo, Victor, 1802-1885.
• Jackson, Stonewall, 1824-1863.
• Johnson, Andrew, 1808-1875.
• Kirby-Smith, Edmund, 1824-1893.
• Lee, Fitzhugh, 1835-1905.
• Lee, Robert E. (Robert Edward), 1807-1870.
• Lincoln, Abraham, 1809-1865.
• Locke, David Ross, 1833-1888. [Petroleum V. Nasby]
• Logan, John Alexander, 1826-1886.
• Longstreet, James, 1821-1904.
• Loring, Charles G. (Charles Greely), 1794-1867.
• Loyson, Hyacinthe, 1827-1912.
• Lucca, Pauline, 1841-1908.
• Mario, Giovanni, 1810-1883. [Mario, T.]
• McClellan, George Brinton, 1826-1885.
• Mitchell, Maggie, 1837-1918.
• Moltke, Helmuth, Graf von, 1800-1891.
• Monroe, James, 1758-1831.
• Morse, Edward Sylvester, 1838-1925.
• Motley, John Lothrop, 1814-1877.
• Nāṣir al-Dīn Shāh, Shah of Iran, 1831-1896.
• Nast, Thomas, 1840-1902.
• Nilsson, Christine, 1843-1921.
• Nutt, Commodore, 1848-1881. [group portrait with Minnie Warren]

Box 1.3: Brearley-Pingree collection cartes de visite, O-Z

This box contains 36 cartes de visite. Represented individuals include the following:

• Ord, Edward Otho Cresap, 1818-1883.
• Parepa-Rosa, Euphrosyne, 1836-1874.
• Patti, Adelina, 1843-1919.
• Phillipps, Adelaide, 1833-1882.
• Porter, David D. (David Dixon), 1813-1891.
• Rogers, Randolph, 1825-1892.
• Salvini, Tommaso, 1829-1915.
• Saxe, John Godfrey, 1816-1887.
• Schurz, Carl, 1829-1906.
• Scott-Siddons, Mary Frances, 1844-1896.
• Sheridan, Philip Henry, 1831-1888.
• Sherman, William T. (William Tecumseh), 1820-1891.
• Sothern, Edward Askew, 1826-1881.
• Spinner, Francis Elias, 1802-1890.
• Spurgeon, C. H. (Charles Haddon), 1834-1892.
• Stanley, Henry M. (Henry Morton), 1841-1904.
• Stephens, Alexander H. (Alexander Hamilton), 1812-1883.
• Strakosch, Max, 1835-1892.
• Sumner, Charles, 1811-1874.
• Tennyson, Alfred Tennyson, Baron, 1809-1892.
• Terry, Alfred Howe, 1827-1890.
• Thiers, Adolphe, 1797-1877.
• Thomas, George H. (George Henry), 1816-1870.
• Thomas, Theodore, 1835-1905.
• Thumb, Tom, 1838-1883. [Charles Sherwood Stratton; group portrait with Lavinia Warren]
• Twain, Mark, 1835-1910. [Samuel L. Clemens; both names signed on photograph]
• Vanderbilt, Cornelius, 1794-1877.
• Waite, Morrison R. (Morrison Remick), 1816-1888.
• Warren, G. K. (Gouverneur Kemble), 1830-1882.
• Welles, Gideon, 1802-1878.
• Willcox, Orlando B.
• Wilson, Henry, 1812-1875.
• Woodhull, Victoria C. (Victoria Claflin), 1838-1927.
• Wright, Horatio Gouverneur, 1820-1899.
• Yates, Edmund, 1831-1894.
• Young, Brigham, 1801-1877.

Box 2: Brearley-Pingree collection cabinet cards

This box contains 27 cabinet cards. Represented individuals include the following:

• Andrade, Ignacio, 1836-1925.
• Arthur, Chester Alan, 1829-1886.
• Bernhardt, Sarah, 1844-1923.
• Booth-Tucker, Emma, 1860-1903.
• Booth-Tucker, Frederick St. George de Lautour, 1853-1929.
• Bull, Ole, 1810-1880.
• Cable, George Washington, 1844-1925.
• Chamberlain, Joseph, 1836-1914.
• Dickinson, Donald McDonald, 1846-1917.
• Garfield, James A. (James Abram), 1831-1881.
• Garfield, Lucretia Rudolph, 1832-1918.
• Hayes, Rutherford B., 1822-1893.
• Janauschek, Francesca Romana Magdalena, 1830-1904.
• Kellogg, Clara Louisa, 1842-1916.
• Kennan, George, 1845-1924.
• Kruger, Paul, 1825-1904.
• Longfellow, Henry Wadsworth, 1807-1882.
• Phillips, Wendell, 1811-1884.
• Ranavalona III, Queen of Madagascar, 1861-1917.
• Reed, Thomas B. (Thomas Brackett), 1839-1902.
• Stead, W. T. (William Thomas), 1849-1912. [three portraits included]
• Stowe, Harriet Beecher, 1811-1896.
• Urso, Camilla, 1842-1902.
• Victoria, Queen of Britain, 1819-1901.
• Whittier, John Greenleaf, 1807-1892.

Box 3: Brearley-Pingree collection large photographs and manuscript materials

This box contains 9 large format mounted photographs and 33 manuscript items. Represented individuals among the photographs include the following:

• Cleveland, Frances Folsom, 1864-1947.
• Cleveland, Grover, 1837-1908.
• Ford, Clara Bryant, 1866-1950.
• Ford, Henry, 1863-1947.
• Gibbons, James, 1834-1921.
• Guzmán Blanco, Antonio, 1828-1899.
• Mace, Aurelia Gay, 1835-1910.
• Milles, Carl, 1875-1955.
• Wilder, Marshall P.

Manuscript materials of interest include a number of letters dating to the mid-1870s from various individuals (including John A. Dix, C. H. Spurgeon, H. W. Longfellow, and Lucretia R. Garfield) possibly sent to William H. Brearley in response to autograph solicitations and other requests; and numerous letters addressed to Hazen S. Pingree from various individuals (inlcuding William Thomas Stead, Ignacio Andrade, Benjamin Harrison, Grover Cleveland, and William McKinley) dating to the 1890s. Other items of interest include a copy of "Special Order No. 166 'Extract' Head Quarters 2d Brigade 3d Div 2d A.I." dated June 15th 1865 stating that the 1st Mass Heavy Artillery had been ordered by Brig. Gen. Franklin Pierce to repost to General Hancock; calling cards for "Sixto Sanchez Director General de Coreeos - Postmaster" as well as "The Admiral of the Navy" George Dewey from "when he called on Gov. Pingree in Detroit"; a clipped signature of "Louis Botha Commandant General"; an undated note to poet Louise Chandler Moulton; a document dated August 1st 1892 detailing financial investment information related to the Michigan-Peninsular Car Company with pasted clippings of wealthy politicians and their net worths as well as annotations by Pingree; a letter dated Feb 19th 1892 from Don M. Dickinson to Pingree regarding the prospective visit of Grover Clevland to Detroit, Ann Arbor, and the University of Michigan; a letter dated March 9th 1949 from Hazel Hope Pingree Mills to Director of the William L. Clements Library Randolph G. Adams regarding progress being made on research regarding the life of William H. Brearley; and an undated typed copy of a short essay titled "Brearley - Man of Action, Started Many Important Detroit Activities" by historian George B. Catlin.

The Bremen, Germany photograph album contains 22 photographs of Heligoland and the Bremen region along the Weser River from 1935 to 1936.

The Bremen, Germany photograph album contains 22 photographs of Heligoland and the Bremen region along the Weser River from 1935 to 1936. Each photograph contains notation in German stating date, time, and location. Images show the Weserwehr (dam), Weserdeich (dike), Oberneuland, Wesermünde, the shoreline in Bremerhaven, and a fish auction at Fischereihafen (Bremerhaven). Also included are images of a trip to Heligoland; a steamer traveling to/from Roter Sand lighthouse, and views from the main island. The album ends with a family photograph.

The album is 10.5 x 7.5 cm with brown paper covers.

The Brown-Danskin Company photograph album contains photographs of farm properties in the Red River Valley (North Dakota and Minnesota), offered for sale by the Brown-Danskin Company.

The Brown-Danskin Company photograph album (15 x 20 cm) contains 50 photoprints of farm properties in the Red River Valley (North Dakota and Minnesota), offered for sale by the Brown-Danskin Company. Photographs show large fields of clover, rye and wheat, often with a lone figure standing at a distance. Also shown are farmhouses, barns, and outbuildings on properties, with occasional livestock. Cars, telephone lines, and windmills appear in multiple photographs, and several images relate to harvests. Typescript captions describe the buildings, available amenities, soils, and prices. Images appear to be professionally composed and developed.

The album has a black cloth cover with printed title: Eastern North Dakota and Red River Valley Farms, the Brown-Danskin Company, Minneapolis, Minn. and is housed in a pale blue cardboard box.

The Brown family photograph album contains approximately 100 photographs (mostly cyanotypes) showing the home, neighborhood, family members, and friends of Phildelphia textile manufacturer Crosby M. Brown (1857-1906) and his wife Addie O. Brown (1857-?).

The Brown family photograph album contains approximately 100 photographs (mostly cyanotypes) showing the home, neighborhood, family members, and friends of Phildelphia textile manufacturer Crosby M. Brown (1857-1906) and his wife Addie O. Brown (1857-?).

The album (31 x 26 cm) begins with the birth of May Marguerite Brown in October or November, 1888, and focuses on the subsequent visits of relatives and neighbors, including the Mayers, Crosby M. Wright, and Aunt Ellen Smedley. Images include family group portraits, exterior and interior views of the large family home at 63rd and Median Streets, winter scenes at nearby parks, and views of the neighboring homes of John Bell, Mr. Hess, and Jacob Jones. Other photographs depict Brown family visits to Ellen Smedley at "Bala" in Bryn Mawr (Pennsylvania), to Norwalk (Ohio), and a fishing trip to Waterville (New Hampshire). Also included are views of mill clerk F. A. Reinstein in his office, and industrial buildings from 33rd and Walnut Streets in Philadelphia (possibly the family textile mills).

The Buffalo Soldiers carte-de-visite album contains cartes-de-visite and tintype photographs of African American soldiers, civilian men and women. Some of the photographs were taken in Webster, Dakota Territory (now South Dakota).

The Buffalo Soldiers carte-de-visite album contains 16 cartes-de-visite and 7 tintype photographs taken circa 1870s and 1880s, now housed separately. Included are formal studio portraits of unidentified African American and Caucasian civilians and soldiers. Some individuals posed in pairs or groups. Many of the photographs, including some of the cartes-de-visite of African American soldiers, were taken in the Dakota Territory. The original album (12cm x 15cm) has covers bound in blue cloth; a metal shield is attached to the front cover.

This photograph album contains 10 albumen prints related to the Bunker Hill Monument in Charlestown, Massachusetts.

This souvenir photograph album (12cm x 18cm), which contains 10 albumen prints, is bound in blue pebbled book-cloth and has the title "Album Photographs[,] Bunker Hill Monument" stamped in gold on its cover. The first 2 pictures show the Bunker Hill Monument (a stone obelisk) and the statue of Colonel William Prescott, respectively. The remaining 8 photographs are aerial views of Charlestown and the surrounding area taken from the monument, showing residences, industrial buildings, the Charlestown Navy Yard, and the Charles and Mystic Rivers. Sailing ships are visible in many of the aerial views. The album belonged to Lucia K. Hathaway, who inscribed her name on its first page on November 15, 1884.

This photograph album contains tintype, carte-de-visite, and other portraits of various individuals taken in Burlingame, Kansas, and other locations in the late 19th century.

This photograph album (13.5cm x 17cm) contains 10 tintypes, 5 cartes-de-visite, and 4 additional studio portrait photographs of men and women. Some of the cartes-de-visite were taken in Burlingame, Kansas, and some may have been taken near "Dent Lake." One photomechanical print of Dora E. Hough may have been clipped from a published book or magazine. The photographs depict individuals and groups of young women and men, who are sometimes identified in captions. Captions are also present on many blank pages, though the photographs are no longer present. The volume has the title "Album" stamped in gold on its spine and additional stamped floral and decorative designs on its covers. The album, which is bound in brown leather, once had two metal clasps; only one remains.

The California and Washington holiday photograph album contains approximately 110 photographs related to an excursion on the West Coast made by an unidentified couple.

The California and Washington holiday photograph album contains approximately 110 photographs related to an excursion on the West Coast made by an unidentified couple. The album (18.5 cm x 29 cm) has black cloth covers and is tied with black string. Towards the beginning of the album there are 20 photographs of Native Americans (likely members of the Confederated Tribes of the Umatilla Indian Reservation) with tipis at an encampment and on horseback in full regalia during a parade in Walla Walla, Washington; a river view with paddle steamers; and two views of a parade with the marching band from the U.S. Indian School in Chemawa, Salem, Oregon. Subsequent images from further south along the Pacific coast include views of Golden Gate Park; Sutter Fort and the Capitol building in Sacramento, California; the outdoor organ from the Panama-Columbian Exposition in San Diego; Balboa Park; an early Loughead Model G seaplane on a dock with a sign offering passenger rides; and the Santa Barbara Mission and rocky coastline nearby. Also present are views of Multnomah Falls, Oregon, and giant redwoods. Towards the back end of the album are four photographs showing a parade on a suburban street with 5 women wearing uniform caps, possibly factory workers, sitting in an open automobile decorated with American flags and a sign on the back that reads "Doing our bit."

The California and Western Tour photograph album contains commercial and amateur photographs of scenes in Yosemite National Park, Yellowstone National Park, California, New Mexico, and other locales. The volume includes a group of photographs taken at the World's Columbian Exposition in Chicago, Illinois, in 1893.

This album (23cm x 30cm) contains 67 commercial and amateur prints of scenes in various locales, particularly in the western United States. The album is bound in red pebbled leather with small gold trim. Many of the photographs are commercial prints as large as 19cm x 24cm, with captions and negative numbers. Manuscript captions accompany some of the items, often with information about the size of natural features shown. Pictures of rock formations, waterfalls, rivers and lakes, and geysers are most common, along with shots of architectural landmarks and groups of tourists. Prominent photograph locations include Yosemite National Park (9 items), Garden of the Gods (4 items), New Mexico (3 items), the Columbia River (3 items), and Yellowstone National Park (20 items). The album has 2 pictures of Niagara Falls, one of which was taken in winter.

Though the album focuses on natural scenery, several photographs show various types of buildings, such as missions in California and New Mexico, hotels in California, the Lick observatory, a group of buildings at the Shasta Springs retreat, a railroad dining car interior, and the exterior of a Chinese restaurant in San Francisco, California. Scenes of horse-drawn carriages fording the Fire Hole River in Yellowstone National Park and passing through a tunnel cut into the trunk of a large tree in Yosemite National Park are present, as are other group photographs. One shows "Miss E. P. Gould" riding a horse, and another shows a group of men fishing on Yellowstone Lake. An 1888 portrait of John C. Frémont, his wife Jessie, and their daughter shows them standing in front of the "Fremont tree" in Redwood Grove. A final group of photographs consists of pictures of various buildings constructed for the 1893 World's Columbian Exposition in Chicago, Illinois.

The California, Colorado, and Long Island vacation photograph album consists of 65 snapshot photographs from 1904 to 1906.

The California, Colorado, and Long Island vacation photograph album consists of 65 snapshot photographs from 1904 to 1906. The album begins with scenes of Colorado. These images show views from a railway through the Rocky Mountains and a trip to Garden of the Gods in Colorado Springs.

A majority of the photographs were taken in San Francisco, California. These photos date from May, 1906, just after the San Francisco earthquake and fire. Many of the images show refugee camps and temporary housing, displaced businesses, and damage on Van Ness Ave, which was used as a firebreak by the United States Army. The McKinley Parade, also known as Fiesta de Los Angeles is photographed as well. Other California scenes include Cliff House in San Francisco, an ostrich farm in Pasadena, vineyards, and orchards of olive trees, palm trees, and lemon trees.

The last portion of the album is of Long Island, New York State. These scenes include people on a boat in the water near Westhampton, people swimming in Jamaica Bay, and Apacuck Point.

The album is 18.5 x 14 cm with red cloth covers.

The California travel photograph album (17.5 x 14 cm) contains twelve gelatin silver print views of various travel destinations in California in 1898.

The California travel photograph album (17.5 x 14 cm) contains twelve gelatin silver print photographs of various travel destinations in California in 1898. Captions are written below each photograph.

The Camp Funston, Kansas, and Camp Lee, Virginia, photograph album contains approximately 100 photographs related to World War I army training activities and facilities at Camp Funston, Kansas (later Fort Riley); Camp Lee, Virginia; and Fort Myer, Virginia.

The Camp Funston, Kansas, and Camp Lee, Virginia, photograph album contains approximately 100 photographs related to World War I army training activities and facilities at Camp Funston, Kansas (later Fort Riley); Camp Lee, Virginia; and Fort Myer, Virginia. The album (21 x 28 cm) has brown suede covers stamped with a U.S. Army design and is bound with string. Most photographs include manuscript captions on versos. Images include photographs of training activities including bayonet drills, hand-to-hand combat, digging trenches, and practicing maneuvers; Basil M. Stevens standing at the front of African American guard troops; and individual portraits of officers in uniform, autographed and inscribed to Basil M. Stevens. Additional photographs taken in Washington, D.C., show Stevens with military officers and his wife, Helen.

The Camp Lin-E-Kin photograph album (16 x 24 cm) contains 36 photographs of people and activities at a girls' camp in Maine.

The Camp Lin-E-Kin photograph album (16 x 24 cm) contains 36 photographs of people and activities at a girls' camp in Maine. Images depict varied activities: hiking, boating, dancing, and calisthenics. Of interest are numerous photographs of girls wearing costumes and a group wearing swimming outfits, an image of a cabin interior with girls writing letters and knitting, and two photographs of girls holding cameras. An envelope with 10 additional photographs is laid in the album.

The album has a black cloth cover tied with string; housed in a grey board wrap with blue cloth spine.

The Caribbean photograph album contains photographs of towns, scenery, and people in Jamaica, Saint Vincent, Barbados, and Trinidad.

This photograph album (19cm x 26cm) contains 77 photographs of towns, scenery, and people throughout the Caribbean. Most pictures are 14cm x 22cm, though a few are 10cm x 15cm, and many have lengthy captions with additional information about locales pictured; many are numbered. Captions include information about hotel rates, population figures, vegetation, geographic features, and local customs. The photographs show Jamaica (43 items), Barbados (13 items), Trinidad (12 items), local residents (4 items), Saint Vincent (3 items), and other scenes (2 items). The album has many views of city streets and towns taken from street level and from higher vantage points, as well as views of rivers in Saint Vincent and Jamaica and of Carlisle Bay, Barbados. Structures such as sugar plantation windmills, railroad stations, hotels, markets, a prison, and churches are visible in many pictures, as are residents and, less often, tourists. A group of 4 photographs at the end of the album show East Indian women who worked in Trinidad, and 3 photographs show members of the West Indian Regiment and its band, including 1 picture of the band playing in a gazebo. Harbor views show Royal Navy ships and other vessels. The album's covers have a hard cloth covering, and the pages are bound together with rope. One loose page has been removed from the volume.

The Caspar Wistar Miller photograph albums contain approximately 172 photographs stored in two albums that document travels in the western United States, Alaska, and Europe by Philadelphia-area physician Caspar Wistar Miller during the late 19th-century.

Volume 1 (33.5 x 40 cm) has maroon and black leather covers with “Photographs” stamped in gold on the spine and contains 87 photographs related to Miller’s travels in the western United States and Alaska from May to August of 1888. Many images appear to include glass plate negative numbers. Traveling mostly by rail, Miller’s itinerary and layovers can be tracked from the photographs, almost all of which note the date and location. Miller appears to have held an interest in photos of valleys looking first in one direction (“up”) and then the other (“down”), and he also regularly sought out possibilities for bird’s-eye views of towns. The album opens with a photo of a cantilever bridge in Niagara, New York, before documenting Miller’s time in Pullman, Illinois, where he observed the railroad baron George Pullman’s newly built factory town. It is likely that Miller traveled in Pullman railroad cars during this journey. Subsequent images show scenes from Colorado, New Mexico, and California, where Miller spent a month photographing various towns and cities along the Pacific coast before heading into the Northwest. Included are images of the area surrounding the Las Vegas, New Mexico hot springs; street scenes, historic sites, and Native Americans in Santa Fe; and views of buildings, historic sites and natural scenery in Californian locations including Pasadena, Los Angeles, Santa Barbara, Yosemite, Monterrey (including views of the Hotel Del Monte), Santa Cruz, San Francisco, and the Lick Observatory on Mount Hamilton. Images related to the Northwest include a bird’s-eye view of Portland, Oregon, and a series of photographs of acrobats performing in Tacoma, Washington. Also present are a series of images taken in early July 1888 after Miller joined a few dozen other travelers on a three-week Alaskan cruise exploring inlets, harbors, and villages. Alaskan images include a group portrait of Tlingit women and infants; photos showing a grave totem and totem poles at Fort Wrangell; Tlingit men and women selling wares on a wharf in Juneau; views of Juneau and Sitka; a block house in Sitka; the face of Muir Glacier; a Tlingit camp at Pyramid Harbor; a group portrait of officers in command of the sidewheel steamship “Ancon”; and group portraits of fellow travelers posing with various Tinglit items including a chilkat blanket. A newspaper clipping regarding Alaskan totem poles is also included opposite one of the totem pole images. Photographs taken during Miller’s return home include scenes from Port Townsend, Washington; Yellowstone National Park; and Minnehaha Falls in Minnesota.

Volume 2 (28.5 x 39 cm) also has maroon and black leather covers and contains 85 photographs related to Miller’s European travels between May and August of 1892. The vast majority of these images are high-quality commercially-made photographic prints documenting typical tourist attraction subjects such as historic buildings, street scenes, cathedrals and churches, sculptures, and landscape views. Many of these images were likely produced from glass plate negatives that were originally created in the 1870s and 1880s. A small number of half-tone reproduction images clipped from printed sources are also present. Many of the commercially-produced images include captions within the photographs that provide site information and negative or series numbers, while some also contain blind stamps bearing photographer or studio names. The album begins with images of scenes in Le Havre and Paris, France; the two Le Havre-related photographs appear to have possibly been taken by Miller, while the Parisian views were all purchased from the gallery “A Jeanne D’Arc Paris 3, Place Rivoli, 3.” Most, if not all, of the remaining photographs in the album were also purchased by Miller. Subsequent images include views of sites, sculptures, and Alpine scenery in the Swiss locales of Geneva, Vevey, Montreux, La Tour-de-Peilz, Bern, Zurich, Fribourg, Thun, Oberhofen, Interlaken, and Lucerne. Other Swiss-related images include views of the Lauterbrunnen Valley; the Jungfrau; the Lion of Luzern monument; a wall tower and hotel in Zug; a man operating a dog-powered milk cart; and the Rheinfall. Austrian views include scenes from locations such as Innsbruck, Kufstein, and Rattenberg, while German destinations such as Lindau, Munich, Nuremburg, Heidelberg, Frankfurt am Main, Koblenz, and Cologne are also represented. The back-end of the album contains images from Brussels, Belgium, including another photograph of a dog-powered milk cart.

The C. Earle Beckwith photograph album contains images of rural living and farming activities, possibly in Michigan.

The C. Earle Beckwith photograph album (17 x 22 cm) contains 18 photographic prints of rural living, possibly in Michigan. Includes two views of a mill; a photograph of two women in a boat; a photograph of a crowded event at a rural residence; a group shot of a brass band; two men and a boy holding farm implements; two images of a railroad track and water tower; and candid photographs of family at home. Also included are several photographs relating to farming activities; one is of a roadside display of vegetables after the harvest.

The album's brown cloth cover has an embossed title "Photographs." The album is inscribed "C. Earle Beckwith, Merry Christmas" and is housed in a light blue box.

The C. E. DuBois photograph album contains photographic prints taken in and around Hoboken, New Jersey, circa 1870s. Many of the pictures are group portraits and views of building exteriors, including firefighters posed with a hose carriage, and the Hoboken Yacht Club.

Collection Scope and Content Note:

The C. E. DuBois photograph album (27cm x 34cm) contains 42 photographic prints taken in and around Hoboken, New Jersey, circa 1870s. The prints range in size from about 5.5cm x 6.5cm to 21cm x 13cm. Many are framed with hand-drawn, colored borders, sometimes with decorative or floral designs; one border has small drawings of an anchor and United States flag and one has small drawings of firefighters' equipment. Four items' borders include captions: "A Votre Santé" (a group of men sitting around a table with drinks), "H.Y.C." (Hoboken Yacht Club), "Oceana Hose" (horse-drawn firefighters' hose carriage), and "Martha Institute." The album's green cloth cover has a plate with the name "C. E. Dubois" in block letters.

The majority of photographs show individuals or groups of people and building exteriors, including urban residential and commercial buildings. The first seven pictures are studio portraits of unidentified individuals, and the album contains 13 additional photographs of two or more people on a porch and in gardens. Images include two men playing a game of chess on a porch, a group of men relaxing and drinking on the same porch, and a group standing on the dock at the Hoboken Yacht Club. The remaining pictures focus primarily on other subjects. Fifteen are images of homes, commercial buildings, gardens, a gazebo, and a view of the Cranford (New Jersey?) train station, and the Martha Institute of Hoboken. The album contains four views of the Hoboken Yacht Club in which ships' masts are sometimes visible. The final two photographs are related to the "Oceana Hose" firefighting company a picture of a horse-drawn hose carriage and a view of the firehouses for "Oceana" and "Excelsor" alongside a saloon and another business. Firefighters in top hats appear in both of these photographs. Also of note is a photograph of a group of women on a porch viewing a photograph album.

The Charles J. Merz photograph album contains approximately 147 images, the majority of which show places and people around the area of Detroit, Michigan, during the late 19th and early 20th-centuries.

The album (27 x 36 cm) has maroon faux leather covers with "Photographs" stamped on the front and shows signs of considerable wear, including a damaged spine and detached front cover. While the album contains some traditional formal portraits, the majority of the photographs of people are more candid snapshots in nature. Images are presented on 9 x 12.5 cm prints with four to a page. Most photographs were taken in the Detroit-area (presumably all or mostly by Merz), with images including pictures of Belle Isle Park, elevated perspectives of city streets, boats (such as ferries, sailboats, and cargo boats) on the Detroit River, scenes from the aftermath of the Buick and Sherwood factory fire, Elmwood Cemetery, bridges, railroads, carriages, and family and friends in informal settings, including one portrait of an individual dressed in blackface. Also of interest are 32 photographs related to a militia group, with images showcasing training sessions such as rifle practice and marching drills, tongue-in-cheek portraits of militia members posing humorously in front of their tents at camp, and four views of a military parade in Washington, D.C. near the U.S. Capitol. The militia group being documented was likely the volunteer militia known as the Detroit Grays; one photograph is captioned “Detroit Gray’s Camp Sylvan Lake” while “Detroit Grays” also appears on flags present in some of the images. It may be the case that Merz was a member of the Detroit Grays. There are also a few images taken in Chicago and Colorado, including views of Michigan Avenue and the Garden of the Gods.

Several details help provide a date range for this album. One caption below a photograph of young men with bicycles simply reads “1888,” while the Buick and Sherwood factory fire (the aftermath of which is depicted in several images) took place in 1892. A flag visible in one of the militia camp photographs also reads, “Detroit Grays Organized May 7, 1895,” and a picture of the side paddle ferry Greyhound indicates that it was part of the White Star Line, which acquired the Greyhound in 1902. Finally, the caption of a view of the Belle Isle Power House states that the site represented is “where the casino is today.” Since a casino was built at that location in 1907, this would suggest that the album may have been compiled a number of years after the photos were taken.

Merz himself is identified in a photograph showing him holding a box camera and standing next to two other young men on a city street. He is identified in the caption as “Charles J. Merz Photographer,” and stands alongside two other young men identified as "Charles Rapp" and "Gus Hartman." A self-portrait of an unidentified young man and his camera taken in a mirror could also possibly be Merz, and he appears to show up in other photographs as well. He may also be pictured some of the militia photos, but due to the general lack of captions it is difficult to be certain. Two unused pages at the end of the album are covered with childish doodling, including one drawing adjacent to the inscribed name “Olive Merz”, Charles’s daughter, which would suggest that the album was once in the possession of the Merz family.

The Charles R. Underhill, Jr. collection consists of approximately 103 photographs, 3 letters, and 10 items of miscellaneous documentation and ephemera related to Charles R. Underhill, Jr.’s employment with RCA Photophone, which saw him travel around the country installing motion picture theater projector equipment.

The Charles R. Underhill, Jr. collection consists of approximately 103 photographs, 3 letters, and 10 items of miscellaneous documentation and ephemera related to Charles R. Underhill, Jr.’s employment with RCA Photophone, which saw him travel around the country installing motion picture theater projector equipment.

Many of the photographs present in this collection appear to have once been part of an album or scrapbook which may have been compiled and captioned by Underhill, Jr.’s sister, Marguerite Allare Underhill Goetz (1895-1970). Images of interest include views of numerous movie theaters, street scenes, and landscapes in various locations in Pennsylvania, Kentucky, North Carolina, Tennessee, Maryland, Virginia, West Virginia, and Washington, D.C; photos of P-2 projector equipment manufactured for RCA by General Electric; snapshots of Underhill, Jr. and family members including his parents, wife, and daughter taken in various locations during work-related travels; photos of movie theater managers John M. Bernardi (Roxy Theatre, Williamsport, Pennsylvania) and Paul O. Klingler (Rialto Theatre, Lewiston, Pennsylvania); a portrait of Harold Graffius, projectionist for the Rowland Theatre in Phillipsburg, Pennsylvania; and pictures of several theatre organists.

Additional items include Underhill, Jr.’s projected service schedule beginning June 1, 1935; his service schedule for the month of July 1931; a list of films reviewed by Box Office for the year 1933; an undated letter from Rialto Theatre manager Paul O. Klingler regarding an unknown article that had originally been attached; a letter from Ike Benny of Pastime Theatre in Lewiston requesting Underhill, Jr.’s help regarding equipment issues dated October 9 1930; a letter from W. K. Glodfelter regarding an upcoming local meeting of the International Alliance of Theatrical Stage Employees dated November 9 1931; and a broadside advertising the Rivoli Theatre of Johnstown, Pennsylvania ; posters advertising the McVeytown Theatre in McVeytown, Pennsylvania; an issue of the Charleroi Mail advertising the opening of the 1935 fall film season at the Menlo Theatre in Charleroi, Pennsylvania.

The Chicago photograph album contains pictures of buildings, park landscapes, and people in Chicago, Illinois; Grand Rapids, Michigan; and Detroit, Michigan. Items include interior and exterior views of a Chicago home, portraits of small groups of individuals, views of gardens in John Ball Park (Grand Rapids, Michigan), and a photograph of a steamboat in the Detroit River.

The Chicago photograph album (14cm x 18cm) contains 24 photographic prints, each placed in a 9cm x 11.5cm window. The first item is an exterior view of a home located at 5828 Indiana Avenue in Chicago, Illinois, and the following eight items are interior views of parlors and a dining room; one shows a woman sewing. The album includes six photographs of John Ball Park in Grand Rapids, Michigan, with various garden scenes and a shot of two women in a small horse-drawn carriage, and one photograph of the steamer "The North Land" passing Belle Isle near Detroit, Michigan. One item features the Michigan Soldiers' Home in Grand Rapids, Michigan, and another shows a woman feeding a group of birds there. The remaining six items are informal group and individual portraits taken in Washington Park (Chicago, Illinois) (2 items), Palmer Park (Detroit, Michigan) (1 item), "Our Back Yard" (Chicago, Illinois) (1 item), and unidentified outdoor locales (2 items); two men posed by a bicycle in Washington Park. The album's cover is decorated with a colored floral pattern, with a gray geometric pattern near and covering the spine.

The Chicago to Colorado photograph album contains approximately 210 photographs taken by an unidentified photographer related to a tour from Chicago, Illinois, to Colorado and back again through Milwaukee, Wisconsin.

The Chicago to Colorado photograph album contains approximately 210 photographs taken by an unidentified photographer related to a tour from Chicago, Illinois, to Colorado and back again through Milwaukee, Wisconsin. The album (26 x 32 cm) has black paper covers and a manuscript note inside the front cover that reads: "Tour of 1903." Chicago-related photographs include a commercial street view, the Chicago River, and Lincoln Park. The following 191 photographs were taken in various locations around Colorado, including 20 images of commercial streets, residential streets, and parks in Denver and Colorado Springs; an early motorized sightseeing bus on a Colorado Springs street; and scenic views documenting visits to the Garden of the Gods, Pikes Peak, and the Gunnison River.

Several photographs show the main building and a small cabin at Sprague's Ranch in Moraine Park, Colorado. The travelers, a party of two men and a woman, are shown fishing, posing beside their platform tents, and sightseeing with larger groups. Also shown is the dramatic scenery of Ouray, Colorado, with views of the mountains, the box canyon, Silver Plume mines, and street scenes which include a stagecoach and loaded burros. Following several photographs of hotels in Glenwood Springs, Colorado, and a view of the Grand Canyon of the Arkansas, there are three images that show streets in Milwaukee, including the Schlitz Brewery, as well as two additional images of Chicago street scenes.

The Children at play photograph album contains 55 photographs of young children playing outside from 1916 to 1928.

The Children at play photograph album contains 55 photographs of young children playing outside from 1916 to 1928. Images show children with parents and dogs, at the beach, and playing with toys including wagons, tricycles, and a pedal car.

The album is 15.5 x 9.75 cm with brown cloth covers.