Collections

The Abraham Lincoln assassination book illustrations collection consists of 300 photographic reproductions likely produced during the 1960s of various 19th-century photographs, paintings, illustrations, maps, diagrams, posters, and ephemera related to the assassination of Abraham Lincoln.

The Abraham Lincoln assassination book illustrations collection consists of 300 photographic reproductions likely produced during the 1960s of various 19th-century photographs, paintings, illustrations, maps, diagrams, posters, and ephemera related to the assassination of Abraham Lincoln.

The collection provides a thorough pictorial history of Lincoln's assassination and its aftermath using photographic reproductions of select period sources. The reproductions are contained in three volumes that have been grouped into five thematic sections: "Assassination" and "Flight and Capture" (Volume 1); "Trial and Execution" and "The Funeral" (Volume 2); and "Funeral at Springfield" (Volume 3). Each thematic section is introduced with a typed index that identifies images and their original sources, which are often listed in abbreviated forms. Image sources that are cited include the Library of Congress (LC), National Park Service (NPS), Chicago Historical Society (CHS), National Archives (NA), New-York Historical Society (NYHS), Lincoln National Life Foundation (LNLF), Illinois State Historical Library (ISHS), Leslie's Illustrated, Harper's Weekly, Claude Simmons (C.S.), and more. While the subject and source of each image are noted, but there is no accompanying text or narrative concerning the events. This collection appears to have been assembled in relation to the prospective publication of an illustrated book on the topic, possibly during the 1960s as a centennial piece. Many of the photographs have chapter and page notations on the back, though there are no specific references to the author or the intended title of the prospective book.

The indexes for each thematic section are as follows:

• Second Inauguration - LC
• Mary Lincoln - LC
• Abraham Lincoln - LC
• Major Henry Rathbone - NPS
• Clara Harris - LC
• Lincoln Closed Coach - CHS
• Points in Downtown Washington - LC
• Ford's Theater from the South - ISHL
• Ford's from the North - ISHL
• Star Saloon Next to Ford's - NPS
• Simulated Night View
• Playbill April 14, 1865 - NPS
• Laura Keene - LC
• Dress Circle - NPS
• Orchestra and Parquette - NPS
• Interior Plan - NPS
• Box 7 and 8 - US Signal Corps
• Box, Orchestra, Dress and Family Circles - ISHL
• Stage and Box - Ford Museum
• Full Stage - NPS
• Diagram of Stage - From Pitman
• Stage with Explanatory Key
• Setee Used in Box - NPS
• Chair in Which Lincoln Sat - NPS
• Plan of Box - From Harper's Weekly, 4-29-65
• Doors Leading to Box - F. Leslie's Ill. News. 5-13-65
• Stick Used to Bar Door - NPS
• Seating Arrangement in Box - NPS
• Booth's Knife and Dagger - NPS
• John Wilkes Booth - NA
• The Deringer - NPS
• Berghaus Sketch from F. Leslie's I.N. 4-29-65
• Treasury Guards Flag - NPS
• Berghaus Sketch - F. Leslie's I.N. 5-6-65
• Booth's Spur - NPS
• Booth's Boot - NPS
• Berghaus Sketch - F. Leslie's I.N. 5-20-65
• Dr. Charles Leale - LC
• "Borne by Loving Hands" Bersch Painting - NPS
• Simulated Night View of Petersen House
• Room Where the President Died - NPS
• Front Parlor - NPS
• Back Parlor - NPS
• Plan of the Petersen House
• Plan with Key
• Contemporary Sketch - F. Leslie's I.N. 5-20-65
• The Alexander Ritchie Painting - LC
• Contemporary Sketch - F. Leslie's I.N. 4-29-65
• Enlargement from the Bachelder Painting - Brown U.
• Diagram of the Wound - from Eisenschiml
• Seringer with Probe, Bone and Ball - NPS
• The William Seward House - NPS
• Attack on Seward by Paine - from Hawley
• Secretary of State William Seward - LC
• Lewis Paine (Powell) - LC
• Frederick H. Seward - NA
• Paine's Revolver and Dagger - NPS
• Paine (LC) and Sketch from Harper's Weekly
• House Where Lincoln Died Present Day - NPS
• Ford's Theater Years Later - NPS
• William Clark, Occupant of the Rear Bedroom - NPS
• Corp. James Tanner - NYHS
• Secretary of the Navy Gideon Welles - NPS
• Secretary of [W]ar Edwin M. Stanton - LC
• The Rev. P. D. Gurley - LC
• Surgeon General J. K. Barnes - NA
• Journalist friend Noah Brooks - ISHL
• Close Friend Dr. Alonzo Henry - ISHL
• Robert Lincoln - ISHL
• Edwin Booth - NA
• John T. Ford - NPS
• Dr. Charles A. Leale - Nat. Lib. Medicine
• Kirkwood House - C.S.
• John Nicolay, Lincoln, John Hay - NPS
• The Fatal Deringer - NPS

• Rear of Ford's - NPS
• Escape from Theatre - NPS
• Area Behind Ford's - NPS
• Assumed Flight Through City - NPS
• Anacostia Bridge - NPS
• Distant View - LC
• Flight to Garrett's Farm - NPS
• Surratt House, Surrattsville - NPS
• Road from Surrattsville - NPS
• Dr. Mudd's House - NPS
• Bedroom at Dr. Mudd's, Dr. Mudd
• Path to Zekiah Swamp - C.S.
• St. Mary's Bryantown - C.S.
• Samuel Cox Residence - NPS
• Bryantown Hotel - NPS
• Thomas Jones - NPS
• Thomas Jones House - NPS
• Old Brawner House, Pt. Tobacco - NPS
• Pages from Booth's Diary - NPS
• Believed Departure Place Potomac - C.S.
• Dents Meadow - NPS
• Crossing the Potomac - Baker's Book
• Mrs. Quesenberry's House - NPS
• Dr. Stewart's Home - C.S.
• Remains of Dock, Port Conway - C.S.
• The William Lucas Cabin - NPS
• Historical Marker - C.S.
• A Controversial Poster - NPS
• Col. Baker, Lt. Baker, L. C. Conger - NYHS
• Lt. E. P. Doherty - NPS
• Col. Lafayette Baker - NA
• Boston Corbett, Lt. Doherty - NA
• Boston Corbett - LC
• Garrett's House - NPS
• Goldman Inn, Bowling Green - C.S.
• Highly Imaginative Sketch
• Contemporary Sketch - NPS
• Plan of Garrett's Yard - NPS
• Removal of Booth from Barn - CHS
• As above - from Frank Leslie's Ill. Mag.
• Booth's Death - from Baker's Book
• Booth's Guns Found in Barn - NPS
• Booth's Revolver - NPS
• Booth's Compass - NPS
• Keys Found on His Body - NPS
• Pictures on His Body - NPS
• " " " "
• " " " "
• Returning With Booth's Body - NPS
• Post-mortem on the Montauk - NPS
• Surious Burial - from F. Leslies Ill. Mag
• Burial of Booth - from Baker's Book
• Paine's Pickaxe - NPS
• Arrest of Paine at Mrs. Surratt's - NPS
• Boston Corbett - Boston U.

• Old Capitol Prison - NPS
• Monitor "Saugus" - NA
• Transferring the Prisoners - F. Leslie's I.N. 5-26-65
• Arrival at the Old Penitentiary - NPS
• Cell Block - Harper's Weekly 7-8-65
• Paine Hooded - F. Leslie's 5-27-65
• Lewis Paine - LC
• George Atzerodt - LC
• David Herold - LC
• Sam Arnold - LC
• Michael O'Luaghlin - LC
• Edmond Spangler - LC
• Dr. Samuel Mudd - NPS
• Mary Surratt - LC
• Sketch Surratt House - NPS
• Mrs. Surratt's House - LC
• Floor Plan Courtroom - from Pitman
• The Conspirators - LC
• Scene at the Trial - Harpers W. 6-10-65
• The Courtroom - LC
• The Military Commission - LC
• The Commission sketch - NPS
• Some Members of the Commission - NA
• " " " - NA
• " " " - NA
• Judge Joseph Holt - NA
• Reverdy Johnson - NA
• Maj. Gen. Thomas Ewing, Jr. - LC
• Attorneys John Clampitt, William E. Doster
• Benn Pitman - LC
• Louis Wiechmann - NPS
• Booth's Note for Andrew Johnson - NPS
• Spangler's Rope - NPS
• Howard's Livery Stable - LC
• Incriminating Picture from Surratt House - NPS
• Senator James Lane - NA
• Senator Preston King - NA
• President Andrew Johnson - NA
• Anna Surratt - NA
• Remodeled Old Penetentiary - C.S.
• Father Jacob A. Walter - NA
• Prison Scenes from Old Print
• Before the Execution - LC
• The Graves - LC
• Awaiting the Prisoners - LC
• Reading the Orders - LC
• Adjusting the Nooses - LC
• Final Scene - LC
• Mary Surratt Plaque - from Confederate Museum
• Mary Surratt's Grave - C.S.
• Fort Jefferson Dry Tortugas - NA
• Tunnel at Fort Jefferson - NPS
• Dr. Mudd Plaque at Fort Jefferson - NPS
• Old and New Gravestones for Dr. Mudd - C.S.
• Spangler's Grave at St. Peter's - C.S.
• Booth's Grave, Greenmount Cemetery, Baltimore
• John Wilkes Booth - Mus. City of New York
• John Surratt as a Papal Guard - LC
• Joh[n] Surratt - LC
• Returning John Surratt for Trial - Harper's W. 2-19-67
• David Herold. an early photo - NA

• Abraham Lincoln - LC
• The White House - LC
• The Capitol - LC
• The East Room - NPS
• Services in the East Room - Harper's W. 5-6-65
• Pass Funeral Service Contemporary sketch
• Draped Treasury Building - NYHS
• The Casket - F. Leslie's I.N. 5-13-65
• Washington Hearse - LC
• The Procession - F. Leslie's I.N. 5-6-65
• " "
• The Procession Forming - NPS
• " " - LC
• Turning Into Pennsylvania Ave. - Harper's W. 5-6-65
• The Procession - London Illustrated News
• Route of the Funeral Train - LNLF
• Willie Lincoln - ISHL
• The Funeral Coach - NPS
• Interior of Car - NPS
• At Harrisburg - ISHL
• The State House Harrisburg - CHS
• Train at Harrisburg - LNLF
• The Train at Philadelphia - ISHL
• The Philadelphia Hearse - LNLF
• Independence Hall - from Peterson
• Philadelphia - ISHL
• Philadelphia Scene - ISHL
• The Philadelphia Hearse - CHS
• Scenes at Philadelphia - NA
• " "
• Portion of Train in Railroad Yards - LNLF
• Crossing the Ferry to New York - from Valentine
• Arrival in New York - from Valentine
• The Procession Forming New York - NYHS
• " " " "
• New York City Hall - LNLF
• At the City Hall - LNLF
• The Body at City Hall - ISHL
• New York Procession - ISHL
• " " " "
• The New York Hearse - LC
• Death Certificate - NPS
• Scene at New York - NYHS
• Scenes in New York - from Valentine
• " " " " "
• Notice of Ceremony Lincoln, Illinois - ISHL
• The Arch at Sing Sing - NPS
• After the Procession at Albany - Albany Institute
• Buffalo Hearse - Buffalo & Erie Co. Hist. Soc.
• Procession at Buffalo " " " " "
• " " " " " " " "
• Monument Park Cleveland - CHS
• At Cleveland - CHS
• Scene at Cleveland Contemporary sketch
• Cleveland - LNLF
• Cleveland - LNLF
• Monument Park - LNLF
• At the State House Columbus ISHL
• Procession at Columbus - LNLF
• Funeral Arch Indianapolis - LNLF
• Hearse and Horses Indianapolis - LNLF
• Hearse and Casket Indianapolis - LNLF
• Hearse and Casket Indianapolis - LNLF
• Stop at Michigan City - LNLF
• Typical Smalltown Depot - ISHL
• Train at Chicago Illinois Cent. RR
• Removal of Coffin Chicago Cont. Sketch
• The Chicago Arch - LC
• Chicago Procession - Harper's Weekly 5-27-65
• Entering the City Hall - CHS
• The People at City Hall - CHS
• The Catafalque in City Hall - Harper's W. 5-20-65
• Chicago & Alton Locomotive No. 57. - ISHL
• Railroad Timetable, Chicago to Springfield - ISHL
• Notice of Observance Ilion
• Memorial Paradeat San Francisco - Soc. of Calif. Pioneers
• Memorial Service at Bloomington - CHS
• Services in London, England - London Ill. News May 1865

• The Chicago Delegation - ISHL
• Lincoln Herndon Law Office - Georg Studio
• Illinois State House - ISHL
• The Unused Tomb - ISHL
• Draped Lincoln Home - ISHL
• Draped Lincoln Parlor - ISHL
• Official Pass - ISHL
• Just Completed Catafalque - ISHL
• Second View Catafalque - ISHL
• Filing Into State House - ISHL
• Waiting to Enter - ISHL
• Across from the State House - ISHL
• Filing Past the Catafalque - Harper's Weekly 5-27-65
• Front of Lincoln Home - NPS
• "Old Bob" - ISHL
• Draped House and Horse
• Order of Procession to Oak Ridge - ISHL
• The Borrowed St. Louis Hearse - ISHL
• The Forming Procession - LNLF
• Route of the Procession
• Plan of Oak Ridge - ISHL
• The Gate at Oak Ridge - ISHL
• General View of Oak Ridge - ISHL
• Awaiting the Procession - NYHS
• The Temporary Tomb - ISHL
• The Services - ISHL
• Contemporary Sketch
• Directors of the Monument Association - ISHL
• Closeup of the Vault - ISHL
• Interior of the Temporary Tomb - ISHL
• The Present Tomb - Ill. Inf. Ser.
• Exterior of Present Tomb - Georg Studio
• Mary Todd Lincoln - NPS
• Thomas (Tad) Lincoln - ISHL
• Bishop Simpson - ISHL
• Interior of Catacomb as left by Thieves (From John Carroll Power)
• Funeral Procession Entering Oak Ridge Cemetery - NYHS

This collection is made up of three albums with cabinet card photographs of prominent actors and actresses from the late 19th century, often in costume.

This collection is made up of three albums with cabinet card photographs of prominent actors and actresses from the late 19th century, often in costume. Volume 1 (28cm x 19cm), bound in black cloth with the title "Photographs" on the front, has 48 photographs in windows and one loose item laid in. Volume 2 (23cm x 30cm), bound in thick padded boards covered in dark leather, has 72 photographs in windows and four loose items laid in. This album has a brass clasp with a wheel that increases or decreases the tension of the clasp. Volume 3 (40cm x 30cm), bound in thick padded boards covered in brown leather with two brass clasps, has 99 photographs in windows. At least one card is a lithograph and two cards are hand-colored.

Each of the albums contains portraits of well-known actors and actresses, including both studio portraits and pictures taken in costume in front of painted scenery, sometimes with props. Pictures of men, women, and children are present, with portraits taken both facing the camera and in profile, and some subjects are represented by more than one image. Many types of costume are depicted, such as contemporary and historic formal dress, military dress, Middle Eastern dress, and Elizabethan dress. Some of the photographs show gender cross dressing. Props are most often swords or canes, though some subjects posed with musical instruments such as violins, a piano, and a lute. The majority of the actors and actresses across all three volumes are identified either on the backs of cards, on the albums' pages, or in inventories (housed with the first two volumes).

These photograph albums contain pictures of scenery, people, and buildings in the Adirondack Region of northern New York and in Washington, D.C.

These photograph albums (19cm x 30cm) contain 49 pictures of scenery, people, and buildings in the Adirondack Region of northern New York. Labeled photographs show buildings, animals, and scenery in and around Ilion, New York; Clifton, New York; Oxbow, New York; Chippewa Bay, New York; the Grass River; the Oswegatchie River; and Washington, D.C. Houses and other buildings shown include a home on "Preston Isle" in Chippewa Bay, the "Old Morris House" (a colonial stone house), an abandoned iron furnace, the White House, and the United States Capitol. Photographs of construction equipment are also present. Of the individuals and groups pictured, only Jack Moffett, a young boy, is identified. Photographs of note include pictures of an encampment, the exterior of a log cabin decorated with pine boughs, game and fish, and replicas of the ships Niña, Pinta, and Santa Maria. Two photographs indicate the photographer's interest in capturing motion: one shows the Empire State Express at full speed and another shows a woman throwing water, captured at a shutter speed of 1/50 second. The albums have black or blue binding with "Photographs" embossed in gold on the covers.

The Admiral William Mead photograph album contains approximately 250 photographs related to the family and career of U.S. Navy Rear Admiral William Whitman Mead.

The Admiral William Mead photograph album contains approximately 250 photographs related to the family and career of U.S. Navy Rear Admiral William Whitman Mead.

The album (35.5 x 29 cm) has pebbled covers with partial leather bindings and "Photographs" stamped on the front cover and contains around 250 photographs of various sizes and formats, including collodion, gelatin silver, platinum, silver platinum and albumen prints, cyanotypes, and snapshots. The spine and edges show considerable wear. The photographs chronicle three periods in Admiral Mead's naval career: his time as lighthouse inspector in the Great Lakes, and his assignments as commandant of the Newport, Rhode Island naval base and Portsmouth Naval Shipyard in Kittery, Maine. Additionally, there is at least one photograph towards the front of the album from the Lomaland School in San Diego as well as a series of others mostly located towards the back of the album that were taken in an unidentified tropical location (possibly Florida).

Some of the album’s captions, primarily in beginning and the lighthouse section, appear to have been first added when it was originally assembled and many are partially erased. The majority of captions, however, were contributed at a later date by Admiral Mead’s niece, Annie Adelia Mead Ferguson. Annie appears to have come into possession of the album at some point and added her own annotations identifying people and places she recognized in the photographs. She also added a handwritten note to the inside of the album’s front cover in 1970 indicating that the album had once “belonged to William Whitman Mead” before explaining that she captioned certain images herself and speculating on which of her children might want to inherit the album. It is unclear who originally took many of the photographs, though there are indications that Annie's mother Unadilla Gazlay Mead may have contributed some material. One photograph on pg. 32 shows Unadilla and her husband Omar C. Mead, Admiral Mead’s brother, posing together on a dock in either Portsmouth or Newport while the former can be seen holding a camera in her hands, while on pg. 44 there is a self-portrait taken in a mirror of a woman with a camera that appears to be Unadilla.

The album provides extensive documentation of lighthouses along the shores of Lakes Superior and Huron in the mid-1890s, as well as views from Great Lakes locations such as Duluth, Copper Harbor, and the locks at Sault Ste. Marie. Specific lighthouses represented include Seul Choix Light, Old Mackinac Point Lighthouse, Sand Island Lighthouse, Huron Island Lighthouse, Isle Royale Light, an abandoned lighthouse on Isle Royale, a pair of unidentified lighthouses possibly located in the Keweenaw Peninsula, Windmill Point, a lighthouse in St. Clair Flats, Gull Rock, Stannard’s Rock, Rock Harbor Light, and other unidentified structures. Images related to Admiral Mead’s time at the Newport naval base include portraits of Mead both in and out of uniform, portraits of family members such as Julia Mead, a collotype postcard of Trinity Church, and various buildings and street scenes. Images related to Admiral Mead’s time at Portsmouth Naval Shipyard include views of the Commandant’s house, “The Admiral’s Yacht,” and portraits of various individuals including John W. Yerkes, Elizabeth O. Yerkes, Amelia R. Yerkes, Annie Meade Matthews, Omar C. Mead, and Annie Adelia Meade as a young child. Of particular interest are a number of candid shots of locations and participants in the Portsmouth peace talks that ended the Russo-Japanese War in 1905 (including several photographs of three unidentified Japanese men described as “servants” in one caption) that are present on pgs. 30, 36, 37, and 39. While most of the ships that appear in the album are unidentified, identified vessels include the passenger steamer North Land on pg. 16 and the lighthouse tender Marigold on pg. 23. Other individuals identified by caption include Robert A. Watts (Admiral Mead’s brother-in-law) and Margaret A. Watts (Admiral Mead’s mother-in-law). Also present are three outdoor portraits of unidentified African American men and women on pg. 21 captioned “Those good ole’ days!!” and “Same good ole days!” as well as a cyanotype of an unidentified African American girl on pg. 48.

This photograph album contains photographs of scenery in Alaska, Yellowstone National Park, and the Yosemite Valley in the late 19th century. Several photographs feature tourists or members of the photographer's traveling party, and others were taken onboard the steamer Queen.

This photograph album (25cm x 19cm) contains 87 photographic prints depicting scenes in Alaska, Yellowstone National Park, and the Yosemite Valley in the late 19th century. The photographs, all of which have captions, were taken during visits to four geographic areas: Muir Glacier (21 photographs); Tacoma, Washington, and Helena, Montana (8 items); Yosemite National Park (48 items); and the Yosemite Valley and Arizona (10 items). Most photographs show natural scenery such as mountains, rock formations, waterfalls, and geysers, and some are pictures of hotels. Many show tourists climbing or viewing natural formations and scenery, and some show members of the photographer's party posing for portraits.

The album has two identical prints of a group of amateur photographers holding box cameras onboard the Queen, which is shown in several other photographs. Views of buildings in Sitka, Alaska; Tacoma, Washington; Helena, Montana; and Yosemite National Park are also included. One photograph shows a woman modeling a Chilkat blanket and totem pole cane, and another shows a "Tamed Bear" standing on a raised platform. Also of note is a picture of a train, taken as the photographer's party disbanded near Chicago. The volume is a quarter-bound album with a title stamped on the cover in gold: "Photographs."

The Alaska Gold Rush photograph album contains approximately 300 photographic prints. Most photographs show scenery, people, and settlements in Alaska around the turn of the 20th century, as well as a small group of scenes from San Francisco, California.

The Alaska Gold Rush photograph album (25cm x 30cm, 92 pages) contains approximately 300 photographic prints. Around 280 prints, including around 270 mounted onto the album's pages and around 10 loose items laid into the volume, show settlements, natural scenery, and people in Alaska from 1898-1902. Settlements such as St. Michael, Dutch Harbor, and Dawson are shown, as are native settlements, tents, and log cabins; a few interior shots are present. Some of the buildings and people pictured were associated with the North American Transportation & Trading Company. Subjects include: United States military personnel, indigenous Alaskans, men and women (sometimes in heavy winter dress), landscape views, glaciers, native animals and other natural scenery, and military and civilian boats.

Most of the photographs are black-and-white prints, though the album also includes a small number of cyanotypes. Items of note include a small panorama (p. 14), a photograph taken at the "dawn of the century" (p. 7), and pictures of a totem pole (p. 77), an early telegraph pole (p. 81), and a hands-free pie-eating contest (p. 85). A partial manuscript list of captions, roughly contemporary with the photographs, is laid into the volume. The final four pages of the album contain small photographic prints of scenes from San Francisco, California, with a focus on missions and other architecture. Penciled captions accompany many of the album's prints, though many are difficult to read. The album has post binding with screw posts.

The Albert D. Noble, Jr., glass negatives collection consist of 92 glass plate negatives made by photographer Albert D. Noble, Jr. as well as 33 photographic prints, 2 newspaper clippings, and a computer disk with 180 digital images (including additional photographs by Noble, Jr. and copies of older family portraits).

The glass plate negatives are contained in two boxes and include images of Noble, Jr.'s childhood home in Grand Rapids and other private residences and public buildings in the area as well as views taken in Detroit of Noble, Jr.'s family's Christmas decorations, community ice skating, bicycling in the countryside, rural buildings, and regional parks including Belle Isle Park. The majority of images depict people, activities, and scenes from summer vacations to places like Orchard Lake and Upper Straights Lake; a group visit to the French Lick Springs Hotel in Indiana in 1902; views from the Pan-American Exposition in Buffalo, New York in 1901 (misidentified in Bayard C. Schoettle's publication Glass Negatives: Albert Dewitt Noble, Jr. as an event based in Grand Rapids); and numerous studio portraits of family members, acquaintances, and the noted elocution teacher Edna Chaffee Noble (no relation to Noble, Jr.). The glass plates are in a variety of sizes (16.5 x 21.5, 12.5 x 20.5, 11.5 x 16.5, and 10 x 12.5 cm) and each is stored in individual paper slipcases. Some but not all of the splipcases provide information regarding an image's subject matter. Most of the plates are in good condition, with only a few displaying cracks and none being broken. 33 photographic prints (31 unmounted and 2 mounted) are also present and include an image of several cows near a body of water, two mounted albumen prints of "Orchard Lake Cottage," two silver platinum prints showing an unidentified house and a sailboat, 16 unmounted gelatin silver prints showing various domestic, industrial, social and architectural scenes (most of which are represented in the glass negatives), and a series of 11 unmounted snapshots and 1 negative transparency showing scenes from Roseland Park Cemetery and the gravesite of Edna Chaffee Noble. Two newspaper clippings from the July 16 1899 Detroit Free Press Art Supplement related to Noble, Jr.'s second place finish in a photo competition are also included.

The CD-R accompanying the collection contains about 180 scanned images including all 92 of the glass plates present in the collection, approximately 75 additional photographs produced by Noble, Jr., and several photographs of trophies awarded to Noble, Jr., by the Grand Rapids camera club. The CD-R also includes images of early Noble family portraits that were scanned and retouched by Schoettle during his preparation for Glass Negatives: Albert Dewitt Noble, Jr.

This album contains pressed algae specimens and a photograph of Fort Jefferson, Florida. Possibly compiled and owned by someone named Stuart.

This album (24cm x 24cm) contains 305 algae specimens collected around the mid-1860s, comprised of 294 items pressed onto 10cm x 6cm cards and 11 items pressed onto larger cards. Only one specimen is identified. The smaller cards are mounted six to a page and the larger cards are laid into the volume between pages of specimens. Numerous types of algae are represented, in a multitude of colors. The bottom cards on the first two facing pages spell the name "Stuart," which is also stamped in gilt on the front cover. The album is bound in brown leather and cloth with the title "Algae from Fort Jefferson, 'Tortugas,' Florida" is stamped on the back cover and "Album" stamped on the spine. A photograph of Florida's Fort Jefferson is pasted onto the first page as a frontispiece.

The Allen family photograph album contains carte-de-visite and tintype portraits of various individuals, including members of the Allen family of Mayville, Michigan.

The Allen family photograph album (13cm x 10cm) contains 22 cartes-de-visite, 13 tintypes, one lithograph, and one printed card. The cartes-de-visite and tintypes are studio portraits of men, women, and children. Most items show a single person, though some, such as a woman and a young baby, were photographed in pairs. The lithograph depicts a young girl holding a dog. An educational card, one of a series of "Little People Lesson Pictures" issued by the American Sunday-School Union (volume IV, number 1, part 5), is laid into the volume. The card has a colored print of a Biblical scene entitled "Beginning of the Hebrew Nation," and the reverse side has questions and answers about Abraham's journey to Canaan. The cartes-de-visite were made by photographers in locations such as Imlay City, Michigan; Owosso, Michigan; and Peterborough, Ontario. The volume's covers are leather, with a Maltese gold-embossed cross stamped in relief on each side.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

Envelope A (photographs): includes unmounted oval portraits of Parker’s children Eda and Ray from the early 1900s; studio portraits of Eda and his wife Alice from the 1910s, two of them from the Philadelphia studio of Gilbert and Bacon; an mounted school class photo (ca. 1890s?)

Envelope B (sheet music): includes three examples of World War I songs from the Eagle Publishing Company of Philadelphia with "music by Geo. L. Robertson and lyrics by Al. Parker."

Envelope C (letters, clippings, etc.): includes a letter appointing Dr. Ray Parker head of plastic surgery at a hospital in Johnstown, PA; a magazine article on “Flood Free Johnstown”; letters and clippings about Dr. Ray Parker; article on World War II factory workers; newspaper article on Theodore Roosevelt urging U.S. entry into World War I; and a note from Christmas 1926 from Parker’s grandson Donald addressed to “Ganco."

Scrapbook: The volume (37 x 28) is cloth-bound and has 66 pages total. Materials are not arranged in any chronological or thematic order and so unrelated items often appear together on the same page.

The album begins with photographs of Parker’s family members while the next few pages focus on scenes from his professional life, including a magazine cover from April 1900 and documentation of his break with Willis & Clements in 1910. Portraits of Parker at every stage of his life appear throughout the scrapbook, though not in any chronological order. The earliest is a tintype from the 1850s that shows him as a young boy with his brothers. Many portraits and casual snapshots of Parker's daughter Eda and son Ray from their early childhood into adulthood are included, while a collection of clippings reflects Parker’s pride in Ray's success as a doctor. His delight in playing the doting grandfather is clear from the drawings Parker made for Eda’s son Donald and in the notes that Donald wrote to Parker using the nickname “Ganco.”

A handful of portraits that were taken by Parker show that he was a capable studio photographer in addition to being a successful promoter of platinum photography products while working for Willis & Clements. Requests for his opinions from Eastman Kodak Company, Photo Era magazine, and the Photographers’ Association of New England testify to his recognized expertise. Numerous portraits of Parker in the company of other well-regarded photographers of the day confirm his acceptance in that professional circle.

Many ephemeral items also help illuminate the arc of Parker's career including programs from his minstrel show days; an advertisement for his Australian window blind company; the initial offer of employment from Willis and Clements; business cards from various stages of his career; and an ad for a new camera shutter he invented. Interspersed amongst these items are letters and photographs from various colleagues and employers along with miscellaneous poems, cartoons, programs, drawings, song lyrics, newspaper clippings, and so on.

This photograph album contains 57 photographs of the Jinan Station of the American Presbyterian Shantung Mission from ca. 1923 to 1928. Much of the images show the Murray High School for Girls and its students.

This photograph album 57 photographs of the Jinan Station of the American Presbyterian Shantung Mission from ca. 1923 to 1928. Many of the images show the Murray High School for Girls and its students. Young girls are shown in the school yard being led through routines and stretches, in class portraits, on a riverboat, and likely participating in May Day celebrations dancing around a maypole. The girls are shown wearing two-piece qipao uniforms with a white blouse and black skirts or trousers. In several photographs students can be seen waving the first national flag of the Republic of China. Two images include a stamp on the back that reads, "Dr. Evalena S. C. Fleming, American Presbyterian Mission, Tsinanfu North China." Dr. Fleming was an amateur photographer and likely the owner of the album. The accordion style album also contains five loose photographs in a mylar sleeve.

The album is 18.25 x 12 cm with decorative cloth covers.

The American Tour photograph album contains 96 Photographs of a tour taken of the United States and Canada, featuring the World's Columbian Exposition of 1893 in Chicago.

The American Tour photograph album (24 x 18 cm) contains 96 Photographs of a tour taken of the United States and Canada, featuring the World's Columbian Exposition of 1893 in Chicago. The photographic narrative follows a trip from Southampton, England, across the Atlantic to New York City; Richmond, Virginia; Chicago, Ill.; the Niagara region; Saratoga, New York; the Hudson River valley; and finally New York City and Coney Island, New York. Images from the trans-Atlantic trip include the dock at Southampton, the Steamship SS Paris at sea; the Sandy Hook pilot boat; views of the Statue of Liberty; and steerage passengers on an ocean liner. Several images of Richmond, Va., and rural homes in Amelia County, Va. appear. One view showing a three adults and one child on a wagon "leaving Sherwood" may be of the travelers. Numerous views of the Columbian Exposition grounds in Chicago are at the center of the album. Photographs of Niagara Falls and the Niagara River include an image of Clifford Calverley crossing the river on a tightrope. Other images include barges on both the Saint Lawrence Seaway and Hudson River; boating and scenery at Lake George; and ice houses and sailboats along the Hudson River. Photographs of New York City depict Wall Street; Brighton Beach and Coney Island; the Statue of Liberty; and Jersey City Ferry Boat "Orange." The album's half-bound brown cloth cover is stamped in gilt "American Tour. 1893."

The Amherst, Massachusetts photograph album contains 13 photoprints taken in and around North Amherst, Mass., including images of churches, the post office, and parks. Also includes an image of the Amherst College campus and a photograph of a railroad bridge.

The Amherst, Massachusetts photograph album (18 x 26 cm) contains 13 photoprints taken in and around North Amherst, Mass., including images of churches, the post office, and parks. Also includes an image of the Amherst College campus and a photograph of a railroad bridge.

The album cover has black textured paper over boards, with gold printed title "Photographs," bound with string. Housed in a pale blue cardboard box.

The Appalachian Mountain Club photograph album contains approximately 270 photographs showing members of the Appalachian Mountain Club, including men, women, and occasionally children, in a variety of outdoor settings and activities.

The Appalachian Mountain Club photograph album contains approximately 270 photographs showing members of the Appalachian Mountain Club, including men, women, and occasionally children, in a variety of outdoor settings and activities. The album (26 x 31 cm) has black cloth covers. Activities depicted include boating, fishing, ice skating, hiking, golfing, and swimming. One series of photographs show a large group of men snowshoeing in the mountains and eating around a large table in a log building. Also included are views of loggers with peavey hooks, horse-drawn sledges, several lodge interiors, and scenic mountain views. Five additional photographs show a wedding party, possibly from the 1916 wedding of Leverett S. Saltonstall and Alice Wesselhoeft in Jaffrey, New Hampshire.

Additional laid-in items include the following: luggage tags from the Appalachian Mountain Club marked with the name "F.M. Howe," with destinations of Gorham, N.H. Westport, N.Y., and Au Sable Chasm; newpaper clippings from the 1930s featuring the Harvard football team; newspaper article from 1917 regarding the retirement of Federal Reserve governor Alfred L. Aiken; cartoon showing the participants in the National Shawmut Bank Tournament including Florrimon Howe and Leverett Saltonstall; certificate of appreciation from the Federal Reserve Bank, inscribed to Florrimon M. Howe for assistance with the Liberty Loan of 1917.

The Arabella Chapman carte-de-visite albums primarily contain carte-de-visite and tintype photographic portraits of members of the Chapman family, middle-class African Americans from Albany, New York. Also pictured are friends, neighbors, and a few prominent abolitionists and public figures.

The Arabella Chapman carte-de-visite albums (16cm x 13cm) contain 95 carte-de-visite and tintype photographic studio portraits of the family, friends, and associates of Arabella Chapman, along with public figures and role models. The photos were taken from the 1860s to the turn of the century, with the bulk from the 1870s and 1880s. An inscription indicates that "Bella" Chapman received the second album from R. H. Bundy on October 3, 1878. The albums' covers are bound in blue leather, with designs carved in relief and metal clasps.

The first volume has 32 cartes-de-visite and 17 tintypes, including commercially produced photographs of Abraham Lincoln, Frederick Douglass, and John Brown. Also included is an autographed carte de visite by New York State Representative and Underground Railroad organizer William Henry Johnson (1833-1918). The second volume has 24 cartes-de-visite and card photographs, as well as 22 tintypes. Each volume has a partially completed index, with some manuscript captions written directly on some mounts and album pages. The sequence of photographs does not correspond to the indices.

Many of the photographs were taken by photographers in Albany, New York, along with a few images taken during visits to Pleasure Island Park; Saratoga, New York; and other locations. Arabella Chapman appears in six photographs taken at different times in her life.

Portraits of Arabella Chapman's immediate and extended family make up the largest portion of the photographs, including repeated photographs of her parents, future husband, siblings, cousins and nieces, daughter, and in-laws. The majority of the remaining images show Chapman's school friends, family friends, and neighbors from Albany. These include William Brent, a hotel waiter born in Washington, D.C.; Jim Goines, a porter; Charlie Butler, the son of a billiard hall owner and also employed as a waiter; and Anna Latour, the Chapmans' next-door neighbor, whose brother William was a waiter. Some portraits show Arabella's female peers, such as Elizabeth Myers, the daughter of Stephen Myers; Anna Bolden, listed both as a student and as a servant in a white household; and Mary Crosby, who with Chapman formed the only recitation team from Wilberforce in Albany's 1868 annual public school exhibition. A photograph pasted into the last page of the second volume shows Arabella's children and their neighbors, the Spragues.

The Arizona photograph album contains 70 images taken by an unknown photographer showing scenes from Flagstaff, Arizona Territory, and the surrounding area.

The Arizona photograph album contains 70 images taken by an unidentified photographer showing scenes from Flagstaff, Arizona Territory, and the surrounding area. The album (21 x 31 cm) has black pebbled cloth covers and a leather spine. Images of interest include views of men visiting cliff dwellings near Flagstaff; a group visiting the Grand Canyon by carriage and horseback; past the John Hance house and trail; scenic shots of the Grand Canyon taken from the Grand View Hotel; trailside cooking; and a wagon breakdown on the return trip. Additional photographs show Timothy Riordan, president of the Arizona Lumber & Timber Company, and his family at the rustic Thomas' Hotel in Oak Creek Canyon; an excursion to the lava beds including amateur photographer Father Daniel McGillicuddy of Worcester, Massachusetts, who is shown setting up his camera among the rocks; 11 views of the 1902 Fourth of July celebrations in Flagstaff, with masked participants, horse-drawn floats, soldiers in formation, and the former homes of Michael and Timothy Riordan decked out in bunting. Also present are photographs of the home of Frederick Sisson, a manager with the Arizona Lumber & Timber Company, including views of a porch or interior decorated with Native American rugs, pottery, textiles, baskets, and animal skins.

The Artin Hovsepian photograph collection contains heavily colored portrait crayon enlargements and other portrait photographs created by Artin M. Garabed Hovsepian, an Armenian immigrant who worked as a photographer in Detroit, Michigan during the first half of the twentieth century.

The Artin Hovsepian Collection contains 78 photographic prints, predominantly portrait crayon enlargements. The majority of the subjects are young women, but portraits of men and children are also included. A number of images include props and outfits suggesting first communions, confirmations, and graduations. Other images suggest related religious themes, including a portrait series of a priest, and a group photograph of a religious school class, possibly at St. Albertus School in Detroit, Michigan. Also included in the collection are photographs of buildings from Hovsepian's Detroit neighborhood; animals; one portrait of an African American male; a man in a uniform; a costumed couple; and a group photograph of a 1925 meeting of the National Council of Women. Of special interest is an enlarged carte de visite of the "904-lb. Woman, Big Laura Wolford."

More than half of the collection is comprised of oval hand colored or tinted crayon enlargements colored with a variety of artistic media and techniques including crayon, pastels, airbrushing, and paint. Many of the images are on a convex molded cardboard or paper meant to create the illusion of three-dimensionality when framed in an oval domed "bubble" glass frame.

The Atlantic City photograph album contains approximately 90 photographs related to an unidentified couple and their daughter, Jane, during a trip to Atlantic City in April and May of 1914.

The Atlantic City photograph album contains approximately 90 photographs related to an unidentified couple and their daughter, Jane, during a trip to Atlantic City in April and May of 1914. The album (18.5 x 27 cm) is bound in hand-painted varnished leather on paper boards with wood overlay. Images of particular interest include views of horseback riding on the beach, strolling on the boardwalk, and riding in rolling chairs and a pony-drawn cart. Atlantic City is seen largely as a backdrop to family activities. Additional photographs show the young girl sledding and with toys and friends at home. Also includes a photograph of Eleanor R. and Frederick D. Countiss and their daughter, Henrietta, in a studio portrait.

The At Peace Street photograph album contains 14 photographs of upper middle class home and family in Providence, R.I. Possibly the home of Linwood O. Towne, who inscribed the volume to the Prescotts in 1900. Several images of family members reading and photographs featuring the family cat.

The At Peace Street photograph album (16 x 23 cm) contains 14 photographs of upper middle class home and family in Providence, R.I. Possibly the home of Linwood O. Towne, who inscribed the volume to the Prescotts in 1900. Several images of family members reading and photographs featuring the family cat.

The album has brown burlap covers with inscribed title "At Peace Street," bound with string, and is housed in a gray wrapper with dark brown cloth spine.

The Augustus J. J. Thibaudeau family photograph album contains approximately 308 photographs and 4 manuscript items related to the family and friends of Augustus J. J. Thibaudeau, a prominent lawyer based in Niagara Falls, New York, and a representative of the Photo-Pictorialist movement in photography.

The Augustus J. J. Thibaudeau family photograph album contains approximately 308 photographs and 4 manuscript items related to the family and friends of Augustus J. J. Thibaudeau, a prominent lawyer based in Niagara Falls, New York, and a representative of the Photo-Pictorialist movement in photography.

The album (26 x 31 cm) has black cloth covers with “Snap Shots” embossed in silver on the front. The 4 loose manuscript items are contained in a Mylar enclosure at the beginning of the album and include two letters from Marie Thibaudeau written to her mother and father while abroad in England in 1923; a booklet made of faux-bark paper containing a watercolor illustration and poem about fishing titled “Stower’s Fish”; and a hand-written recipe booklet containing 18 recipes for various dishes.

Around 111 loose photographs of various sizes and formats are also contained in a Mylar enclosure and mostly include individual and group portraits (both indoors and outdoors), natural landscape views, and images of homes. A small percentage of these photographs have captions on their versos, including some that identify subjects. Of the loose photographs, images of interest include a group portrait of young women at Wellesley College in 1918 during their freshman year; portraits of Marie Thibaudeau, including several showing her posing with her beloved dog Sam-Sam; snapshots taken during a trip to Rome in 1932; and numerous images showing exterior views of houses as well as swimming, fishing, boating, and other outdoor activities taking place near the Thibaudeau family cottage on the Georgian Bay in Ontario.

Approximately 197 photographs are pasted into the album proper. A number of these photographs are partially unglued and in some cases writing on their versos is accessible. The album has many photographs showing waterfront summer vacation scenes from what appears to be different trips to the family cottage over a span of several years; some of these images in the front end of the album have inscriptions on their versos which indicate those photographs were taken in August 1910 by “D.B.” Other images of note include a picture showing a group of young women in a large sleigh with the verso caption reading “Marie Thibaudeau ΖΣΕ Jan, 24, 1912”; a pair of photographs showing siblings Kenneth Fraser Allan and Dorothy Elizabeth Allan when aged 3 and 6 respectively; two group portraits of young men in military uniforms standing in formation; photographs taken at Wellesley College showing buildings, students, campus scenes, large group activities, and a commencement ceremony; two photographs of a biplane mid-flight; and a series of interior views of an unidentified home that appears to have a menorah above the fireplace.