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Republican U. S. Congressman from Lapeer, Michigan, 1946-1952; U.S. Senator, 1952-1959. Scrapbooks containing clippings, press releases, speeches, newsletters, and photographs; senatorial campaign files, 1952 and 1958; statements about state and national issues; files relating to legislation which he introduced; Potter's voting record in Congress; and photographs and motion pictures.

The Potter collection, except for a copy of his 1965 account of the Army-McCarthy controversy, Days of Shame, begins with his first term in Congress following his election in 1947 and concludes with his defeat for reelection to the Senate in 1958. The collection includes a small series of Biographical/personal information followed by several files detailing his senate election campaigns in 1952 and 1958. Other series in the collection include Congressional Papers; Scrapbooks and Clippings; and Visual Materials.

The George Philip Hooke journal is a 21-page officer roster and journal of the 1st Battalion of Grenadiers in the British army, which describes their travel from New York to South Carolina. The volume also contains copies of 30 catch tunes, many with lyrics.

The George Philip Hooke journal (21 pages) is comprised of an officer roster and a journal of the 1st Battalion of Grenadiers in the British army under Henry Clinton, from December 1779 to May 1780. Hooke described the battalion's voyage from New York to South Carolina; gave the movements of his battalion during the landing at St. Simons Island, Georgia; and provided eye-witness accounts of various scrimmages in the southern campaign, including the siege and surrender of Charleston. Hooke described sinking the damaged "Judith Transport" (January 16, 1780); meeting the British fleet under Admiral Mariot Arbuthnot, at Tybee Harbor, [Georgia] (February 3, 1780); and positioning and attacking the rebel forces at Charlestown, South Carolina, between March 29 and April 13, 1780.

At the back of the journal, after 48 blank pages, are copies of 30 catch tunes (comic rounds). The British baroque master Henry Purcell and popular composer Henry Harington wrote several of the songs, though many are unattributed, such as "The Quaker Wedding: A Catch for three voices," and "Come Honest Friends" (52 pages of music in total).

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Maxson collection provides a valuable resource for the study of 19th-century visual culture, commercial advertising, and humor in addition to the role of gender, ethnicity, and race in advertising. American businesses are the predominant focus of the collection, though many international businesses are also represented. While trade cards are by far the most prevalent type of ephemera found in this collection, an extensive array of genres are present including die cut scrapbook pieces, photographs, engravings, maps, serials, and manuscript materials.

The 23 binders that house the Maxson collection were arranged by the collectors themselves. Items are organized somewhat randomly in terms of topical arrangement. While pockets of related materials can be found here and there (for instance, the entirety of Volume 16 contains circus-related items while Volume 11 contains an extensive number of Shaker-related materials), for the most part any given subject may appear in any given volume. In some cases, items are clustered as a result of having been acquired together or due to a documented common provenance. Occasional typed annotations written by the Maxsons help provide additional context for certain items.

The Maxson Collection Subject Index serves as a volume-level subject index for materials found throughout the binders. The subjects indexed here are generally representative of both visual and commercial content. In addition to more general subjects, many names of specific people, places, buildings, events, and organizations that appear in the materials have also been listed. Researchers engaging with this collection should be aware that they will encounter numerous examples of racist caricatures, especially ones depicting African American, Native American, Irish, and Chinese people.

The Institute for the Humanities, founded in 1987, was developed in response to a recognized need for renewed dialogue across disciplines. Originally oriented around the humanities and the arts, the center soon evolved into a widely recognized venue for international scholarship. The records are largely comprised of video and sound cassettes documenting a diverse range of events.

There are two series in the Institute for the Humanities record group: Administrative Records and Audio-Visual Material. The records, largely comprised of videotapes and cassette tapes, provide dynamic evidence of the steady growth and refinement of an initiative that greatly enriched teaching and scholarship in the humanities at the University of Michigan.

The Letters, Documents, and Other Manuscripts of the Duane Norman Diedrich Collection is a selection of individual items compiled by manuscript collector Duane Norman Diedrich (1935-2018) and the William L. Clements Library. The content of these materials reflect the life and interests of D. N. Diedrich, most prominently subjects pertinent to intellectual, artistic, and social history, education, speech and elocution, the securing of speakers for events, advice from elders to younger persons, and many others.

The Letters, Documents, and Other Manuscripts of the Duane Norman Diedrich Collection is a selection of individual items compiled by manuscript collector Duane Norman Diedrich (1935-2018) and the William L. Clements Library. The content of these materials reflect the life and interests of D. N. Diedrich, most prominently subjects pertinent to intellectual, artistic, and social history, education, speech and elocution, the securing of speakers for events, advice from elders to younger persons, and many others.

For an item-level description of the collection, with information about each manuscript, please see the box and folder listing below.

The E. L. Diedrich Collection is a selection of manuscript items compiled by his son Duane Norman Diedrich and dedicated to his memory. The content of these letters, documents, and other manuscripts reflect the life and interests of E. L. "Bud" Diedrich (1904-1988), most prominently subjects pertinent to government, business, and patriotic music.

The E. L. Diedrich Collection is a selection of manuscript items compiled by his son Duane Norman Diedrich and dedicated to his memory. The content of these letters, documents, and other manuscripts reflect the life and interests of E. L. "Bud" Diedrich (1904-1988), most prominently subjects pertinent to government, business, and patriotic music. Items include correspondence from early United States politicians, discussing aspects of the developing Federal government and political parties; letters respecting the U.S. Presidency; holograph manuscripts and correspondence respecting patriotic music, such as the Battle Hymn of the Republic; and much more.

The collection is comprised of over 50 letters, documents, manuscript songs, and photographs, and other items. For a comprehensive inventory and details about each item in the collection, please see the box and folder listing below.

Ninth president of the University of Michigan, 1967-1978, later president of the Corporation for Public Broadcasting, chairman of the National Institute for Dispute Resolution, and member of the boards of the MacArthur and Johnson Foundations. Personal files, including general and family correspondence, papers detailing service with the U. S. Army military police in Europe during World War II, records concerning activities as labor arbitrator, topical files relating to work at universities of Illinois, Wisconsin, and Michigan; files relating to activities with the Corporation for Public Broadcasting concerning in part the Annenberg/CPB project; and photographs relating to his life and career.

The Robben Fleming collection documents a career marked by diversity in the areas of his public service. The cornerstone of his life is no doubt his years as ninth president of The University of Michigan. While this role is certainly documented in these papers, there is considerable other materials relating to his service in World War II, his work as a labor arbitrator and law professor, his work with the Corporation for Public Broadcasting, and his advocacy in other arenas of the importance of higher education. As Fleming worked in various educational and corporate settings, the records of that service properly belonged to those agencies. This collection, by and large, consists of personal materials retained by Fleming or copies of records given to Fleming as his own. Thus, for example, while this collection includes speeches, invitations, and personal correspondence, maintained while he was President of The University of Michigan, the records of the Office of the President for Fleming's tenure have been received and cataloged separately. Even so, the content of these materials is highly valuable on any number of topics, but specifically higher education broadly defined.

The series in the collection are Correspondence; World War II service; School materials; Labor Arbitration files; Career Activities to 1967; University of Michigan President, 1967-1978; Corporation for Public Broadcasting; Other Organizational Activities; Topical Files, 1978-2000; Knight v. State of Alabama; Publications, speeches, and reports; Personal and Autobiographical Materials; Travel Records; Clippings and Scrapbooks; Photographs; and Other visual and audio materials.