Collections : [University of Michigan Bentley Historical Library]

Gamma Chapter at University of Michigan of Mu Phi Epsilon, established in 1904, part of professional music sorority. In 1976 membership opened to males. Organization is still active. Material includes minutes, correspondence, membership records, financial records, and scrapbooks.

The records for the Gamma Chapter of Mu Phi Epsilon contain minutes, correspondence, membership records, financial records, scrapbooks, and nationally published materials. These records are divided into Administrative, Membership, Correspondence, Publications, and Scrapbooks. The earliest records date from 1945, leaving the first 40 years of the chapter undocumented. Materials are arranged in chronological order, starting with most recent date except where noted.

This record group contains the records of the Ann Arbor Symphony Orchestra, the Women's Association for the Ann Arbor Symphony, and partial records for the Michigan Civic Orchestra Association. The record group includes administrative and functional records, photographs, and audio/visual concert recordings.

The Ann Arbor Symphony Orchestra (AASO) records document the founding and development of the orchestra and the Women's Association for the Ann Arbor Symphony. There are also some records of the Michigan Civic Orchestra Association. The records include administrative and functional records, photographs, and audio/visual concert recordings. The records are arranged into 11 series, History, Board of Directors, Symphony Business, Youth Activities, Fundraising, Publicity, Women's Association of the Ann Arbor Symphony (WA3S) Records, Michigan Civic Orchestra Association, Visual Materials, Scrapbooks, and Audio Materials.

Music critic for the Ann Arbor News and musical composer. Manuscripts of musical compositions, scrapbooks with newspaper clippings of his criticisms, and sound recordings of performances of his compositions, and microfilm of his compositions.

The Gehring collection consists of manuscripts of musical compositions, scrapbooks with newspaper clippings of his criticisms, and sound recordings of performances of his compositions, and microfilm of his compositions. The collection is organized into four series: Correspondence, essays and other materials; Scrapbooks; Musical Compositions; and Sound Recordings.

University of Michigan radio station, founded 1948. Administrative records documenting the development of radio broadcasting at the University of Michigan; radio scripts, transcripts of talks given by faculty, publicity, scrapbooks, and photographs; and sound recordings of radio programs produced and broadcast by WUOM, as well as recordings of various University conferences, ceremonies, etc.

The records of radio station WUOM document the development of radio broadcasting at the University of Michigan from the 1920s through the 1960s. The bulk of the material dating from the founding of the campus radio station WUOM in 1948. The records include administrative files; scripts, publicity material, course guides and other program related material; and recordings of select broadcasts. the WUOM records are organized into three subgroups: Paper Records (including visual materials), Audio Materials (sound recordings) and Printed Material. The content description and arrangement idiosyncrasies of each are presented below. Though the dates of the current accession continue only into the early 1980s, with the bulk of materials concentrated in the 1940s-1960s, WUOM is a continuing unit of the university, and future accessions are anticipated.

Professor of music at the University of Michigan, and founder and first violinist with the Stanley Quartet. Correspondence relating to music and musical performance and to his career at the University of Michigan; publications; photographs; scrapbooks containing clippings, programs, correspondence, and an occasional photograph; files relating to his violin performances and work with the Stanley Quartet.

The Gilbert Ross papers serve to document Ross' growth and development as a violinist, as well as the growth and development of the Stanley Quartet. With the exception of the alphabetical correspondence files the collection is in chronological order, wherever feasible. Some overlap of dates exists in the clippings files as well as the scrapbooks. The papers are arranged in eight series reflecting the various events and activities in Ross' life. These include: Correspondence, Teaching Career, Publications, Violin Performance, Stanley Quartet, Photographs, Scrapbooks and Notebooks, and Printed Music.

Singing group established in 1902 as the University of Michigan Girls' Club before changing the name to Women's Glee Club in the 1940s. The group performed on campus and throughout Michigan as well as touring nationally and internationally. The group disbanded in 1953 and was reactivated in 1976. This records include concert programs and posters, fundraising information, correspondence, photographs, audio/visual recordings of performances, newspaper clippings and scrapbooks. Also included are administrative papers including budget information, schedules, rosters and rules.

The Women's Glee Club collection dates from 1903 to 2017 and is comprised of multiple accessions. Because these accessions came with little discernible structure, and because their contents overlapped, they were combined into one collection made up of printed and manuscript materials, as well as posters, scrapbooks, sound and video recordings in a few different formats. The collection has been divided into four series: Audio/Visual Materials, Topical File, Scrapbooks and Concert Posters. The first two series of the collection have been arranged alphabetically by topic, and chronologically within the files. The Scrapbooks series is contained in Box 2, and each scrapbook has retained its original organization.

Records, 1897-1921,of the Stearns Collection of Musical Instruments of the University of Michigan; include correspondence and other papers relating to the development of the collection; also scrapbooks,1890's,containing illustrations of musical instruments. Correspondents include: Francis W. Kelsey, Albert A. Stanley, Frederick Stearns, Frederick Kimball Stearns, George R. Swain, Levi D. Wines, and Dean C. Worcester.

The records include correspondence regarding the acquisition and care of the instruments (1897-1921), annual reports, a statement of loan policy, and articles by Robert Austin Warner on the history and content of the collection. Also included are two scrapbooks containing bills and letters regarding Stearns' acquisitions, clippings, and illustrations from 1890s catalogs.

Established by students in 1896, the University of Michigan Band had its first salaried director in 1915. The William Revelli era (1935-1971) brought the Band to prominence as the marching, concert, and symphony bands toured and performed extensively, including a tour of Eastern Europe and the Soviet Union by the Symphony band in 1961, the Jazz Band's 1965 tour of Latin American, and the Symphony Band 2011 tour of China. Records include scrapbooks of band activities (including photographs); bound volumes ("Blue Books"), 1936-present, containing band formations, newsletters, and announcements of band activities, also topical files relating to band tours and concerts. The Marching Band is best documented, although concert band, symphony band, and related ensembles are represented.

The University of Michigan Band records are divided into eight series: Tours and Concerts, Yearbooks, Photographs and Posters, Audio-Visual Material, Band Books ("Blue Books"), Scrapbooks, Publications, and Director's Records. The majority of the records consist of bound volumes of band formations, announcements, and publications, and oversized scrapbooks of band activities. Additional material includes topical files documenting tours and performances. The bulk of the documentation pertains to the Marching Band.

University of Michigan choral group founded in 1859; includes correspondence, administrative records, musical scores, publicity material, photographs, posters and sound recordings in addition to digitized versions of records and born digital audio, video, and still images

The records of the Men's Glee Club date from 1886 to 2012 and were received in several major accessions. The first accession, covering 1886-1985 and 1991, includes four linear feet of manuscript, printed, and photographic material as well as posters, scrapbooks, and sound recordings in a variety of formats. The first accession has been divided into five series: Chronological File, Philip A. Duey Material, Photographs, Sound Recordings, Scrapbooks, and Archived Website.

The 1995 accession of the records of the Men's Glee Club were comprised of two linear feet of correspondence, photographs, and topical files ranging from 1919 to 1994. Items of particular interest include a folder of historical writings, which provides anecdotes, reflections, and facts about the club prepared for an exhibit on club history. The Press Releases folder is also of note, as it reflects information given out by the club to newspapers and other media of the towns they visited. Both of these folders are found in the Topical series. The records of this accession are divided into 3 series: Correspondence, Topical, and Visual Materials.

The 2010 accession to the University of Michigan Men's Glee Club records is organized into one series. The Sound Recordings series, 1952-1987, (10 linear feet) is comprised of University of Michigan Men's Glee Club concert recordings, including its annual fall and spring concert series. Many of the boxes of tape reel also include a concert program and concert set list.

The 2012 accession consisted entirely of digital materials (scanned images, audio files, video files, and still images) that added content to the Chronological Files series and established a China Concert Tour series. The 2018 accession consisted of phonograph records, which have been added to the Sound Recordings series, and publications.

Ann Arbor, Mich. musicians and music teachers, and businesspeople. Correspondence, clippings and memorabilia, photographs, and a scrapbook collected by Edith Staebler Kempf relating to the Kempf, Widenmann and Staebler families of Ann Arbor, Michigan.

This collection consists of a scrapbook, 1880-1897, on musical performances of Reuben H. Kempf and his wife Pauline Widenmann Kempf; and miscellaneous correspondence, clippings and memorabilia.

It also includes a photograph of the cast of University of Michigan Junior Girls' Play, 1921 and a print made in 1960 of 1894 photo of the Lyra Gesangverein of Ann Arbor, Michigan.