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Collection

Dey-Scott papers, 1821-1822

56 items

This collection contains courtship letters written from a young divinity student to his future wife. These letters show how a religious young man perceived of and expressed himself to the woman he loved, and are perhaps most interesting because of the resistance he faced from her parents.

Fifty-one of the collection's 56 letters are those Richard wrote to Lavinia during their courtship in 1821 and 1822, while the last letter in the collection is one he wrote to her about two weeks after their wedding. Two contain locks of hair. In addition, the collection contains four letters Lavinia received from her cousin Walter in 1822. These letters show how a religious young man perceived of and expressed himself to the woman he loved, and are most interesting because of the resistance he faced from her parents.

Richard filled his letters with expressions of love for his "ever dearest Lavinia" and his desire to be with her and be married. "Oh, my beloved Lavinia, how eagerly have my hopes anticipated the time when we should share every hope and wish together." (1821 Oct 2).

Lavinia's parents did not approve of their young daughter's suitor. In a letter dated December 19, 1821, Richard reported to Lavinia a conversation that occured between her father and Capt. James VanDyke, which allegedly outlined why Col. Scott opposed his daughter's swain:

"Your Father replied, that 'he could not mention any particular reasons for not allowing me to visit you, but that he had various grounds for believing that I had not in the least degree altered my former idle habits, and that he had understood that I had supped at Mr. Runyon's tavern on Friday evening last with a party of dissipated fellows.' -- which was utterly false, as I was engaged at the college with our society."

Richard added that Col. Scott said "he firmly believed that I was not in earnest in professing my regard to you, and that he was sure after he had conversed with you upon the subject that you would yield to his wishes."

He did not understand her parents' opposition to him and expressed his frustrations at being unable to see Lavinia. Richard encouraged her to trust in God and rely on the Lord's strength to get them through their difficulties. "Let me ask my dear girl to reflect on what I wrote you some weeks ago, and seriously resolve to approach with all your sorrows to your Father in heaven, -- to open your heart before him, -- to cast all your cares upon him -- and to repose yourself entirely on the will of him who constantly wills and does what is best for you..."

In addition to relying on the Lord, the couple relied on third parties to further their courtship. Many of the letters mention arrangements the couple made to see one another or send letters via sympathetic friends and relatives. Lavinia's aunt, in particular, was a great source of support to them and offered advice about how to win over the skeptical parents.

Adding to the couple's relationship woes was the illness and death of Lavinia's mother, who died on the 5th of December, 1821. Richard tenderly expressed his concerns about Lavinia's attending the funeral in a letter two days later:

"I have been unable to remove from my thoughts for a moment the distress which I anticipate you will endure tomorrow. -- I know well by bitter experience that it will be a trying day for you.- I dread the hour when I shall follow your dear Mother to her grave. -- It will not only awaken my sorrows for you, but it will recall all the distress I suffered when I took a last look of the coffin which contained the lifeless body of my own beloved Mother. -- Oh, my dear, dear Lavinia, my heart bleeds for you. -- I cannot tell you what have been my feelings for the last two days. -- I have at times thought that all my troubles were greater than I could bear, and I have wished that I had never lived to see this day of sorrow to you. -- If I could only be with you, and if we could mingle our tears together, and unite in prayer to the God of our mercies, I should be less miserable. -- But to be separated from all that I hold dear upon earth, and to hear that you are suffering so much distress, -- this is the grief which weighs me down and makes me almost weary of my life."

The last letter in the collection is the only one written after the couple's marriage, while Richard is visiting relatives and looking at job prospects. He sent Lavinia greetings from many people and continued his loving, rather paternalistic tone, reminding his wife to "remember your promise to me, my beloved Lavina, to offer up your daily petitions to the God of our mercies, and let nothing prevent the discharge of this duty."

Collection

E. C. Tillotson papers, 1862-1908

80 letters, 1 diary

E. C. Tillotson enlisted in the 14th Ohio Infantry during the Civil War, but was unable to serve on active duty because of frequent ill health. Among his papers are 29 letters to his daughter Mary and one each to his wife Angeline and son Charles, which describe the fate of Union dead at Chickamauga, the fortifications at Chattanooga, and other topics. His diary covers a one month period during the summer of 1863 and includes a description of the engagement at Hoover's Gap, Tennessee in June. A series of documents collected during his service include ordnance stores reports and surgeons' evaluations of Tillotson. The collection is completed by letters concerning Tillotson's death and the dispute between Angeline and Mary over his estate.

The Tillotson papers appear to be only a portion of his war-time correspondence, with only one letter present prior to 1863. Among the 80 letters, 29 were written by Lt. Tillotson to his daughter, Mary, and one each to his wife and son. The collection includes three letters from Benjamin St. James Fry and two from Lt. Van Meter concerning Tillotson's death and the dispute between Angeline and Mary over his estate. Finally, there are a series of documents collected by Tillotson during his service, including ordnance stores reports and seven surgeons' evaluations of Tillotson as unfit for duty.

As might be expected from a man so often removed from action, the collection is slight on military news. The diary, which covers only a one month period during the summer of 1863, includes a good description of the engagement at Hoover's Gap, Tenn., in June, 1863. Two letters mention the fortifications at Chattanooga, and one interesting letter discusses three soldiers in the 111th Pennsylvania Regiment and two servants, who froze to death while being transported by rail to Bridgeport, Ala. The best letter by far, however, is a grisly description of the supposed fate of Union dead at Chickamauga. Tillotson charges that Braxton Bragg refused to allow the Union to reclaim their bodies, and that the Confederate Army dismembered bodies, exposed them for hogs to devour, placed skulls on stumps, and took bones to carve into rings and other souvenirs for Southern ladies. An unusual printed poem "On Picket Guard at Stones River" is also noteworthy. On the home front, one letter mentions a gang of escaped prisoners from Johnson's Island who were terrorizing the neighborhood of Cedar Point.

The Tillotson papers will most likely be of interest as an unusual record of a soldier who spends much of his service sitting at home convalescing. Tillotson's mood swings and occasional dark thoughts during his long battle with "neuralgia" and other complaints, and his equally obvious inability either to serve or to secure a discharge are very interesting. The strained relations in his family are also of considerable interest, particularly after they develop into open hostility between mother and daughter over Tillotson's estate.

Collection

Hoit family papers, 1803-1918 (majority within 1803-1873)

2 linear feet

The Hoit Family Papers are made up of correspondence, diaries, documents, financial papers, photographs, and other items related to the family of New Hampshire state legislator Daniel Hoit (1778-1859) and Sally Hoit (1786-1837); their children Julia Maria, Eliza Flanders, portrait painter and artist Albert Gallatin, and Reverend William Henry Harrison Hoit; and their children-in-law Ira A. Bean, Susan Ann Hanson Hoit, and Enoch P. Sherman. The family was based in Sandwich, New Hampshire.

The Hoit Family Papers are made up of 965 letters; 21 diaries, account books, and notebooks; 11 speeches, poems, and other writings; 49 documents and financial papers; six photographs, and other items related to New Hampshire state legislator Daniel Hoit (1778-1859) and Sally Hoit (1786-1837); their children Julia Maria, Eliza Flanders, portrait painter and artist Albert Gallatin, and Reverend William Henry Harrison Hoit; and their children-in-law Ira A. Bean, Susan Ann Hanson Hoit, and Enoch P. Sherman. The family lived primarily in Sandwich, New Hampshire.

The Correspondence Series contains 965 letters, including 39 by Sarah "Sally" Flanders / Sarah "Sally" Flanders Hoit, dating between December 3, 1803, and January 30, 1837. She wrote largely from Loudon and Sandwich, New Hampshire. In her courtship letters to Daniel Hoit, she offered her thoughts on marriage, the state of their relationship, the future, virtue, and remarks on living a good life. After their marriage, the topics of her correspondence turned to the health and welfare of their family. To her daughters Eliza and Julia she gave motherly advice while they attended a female academy in Concord, New Hampshire (beginning in 1822).

Sally Flanders's husband Daniel Hoit authored around 300 letters from June 6, 1808, to June 19, 1859. He sent over half of them to his wife, Sally Hoit (between 1808 and 1835), and his daughters Julia Hoit Sherman (between 1821 and 1859) and Eliza Hoit Bean (between 1822 and 1856). In them, he showed concern for the education and welfare of his children and family, and advised his wife on home and financial matters. Daniel appears to have had a close relationship with his daughter, Julia. In over 70 letters to her, he reflected on the importance of parenthood and morality; discussed politics, his speeches, elections, and other business matters; and praised her for her academic prowess. To Eliza, he sent 37 letters on the health and welfare of family members and friends. Many of these were co-authored by other Hoit family members. Daniel Hoit's letters include content respecting the state legislature and a small number of items during and after the War of 1812 pertain to recruiting. He remarked twice on local extramarital relationships (June 18, 1815, and June 20, 1830) and attended public Shaker worship in Concord, New Hampshire (June 20, 1814).

The Hoit's oldest child, Eliza Flanders Hoit / Eliza Flanders Hoit Bean, sent 22 letters between April 27, 1822, and September 16, 1859. She wrote the first six letters to her mother and sister while attending school in Concord, New Hampshire, from April to September 1822. The remainder of the letters date from 1836 to 1859, mostly from Urbana, Ohio. These letters focus on the health of friends and family, housework, and her spiritual life. She wrote several travel letters to her father from Ohio, New York, and Pennsylvania. Her husband Ira A. Bean wrote 30 letters, December 30, 1828-December 30, 1863, regarding his business and political endeavors, largely to his father-in-law, Daniel Hoit.

Julia Maria Hoit / Julia Maria Hoit Sherman sent around 110 letters to her mother, father, siblings, and other family members between February 3, 1827, and March 24, 1876. The majority of them originated from Sandwich, New Hampshire. In her often-lengthy correspondence, she discussed fashion, gossip about friends and family, weddings, marriages, clothing, and current events. She was independent and highly opinionated about the social behaviors of those around her. Particularly notable is her criticism of the fashion and diet of the women in Boston (1829). The Hoit Family Papers also contain around 50 political, financial, and property-related letters of her husband, Enoch P. Sherman, dating between June 9, 1828, and February 6, 1843, and around 10 from their son, Daniel H. Sherman between 1849 and 1873.

The Hoit's oldest son Albert Gallatin Hoit / Albert Gallatin Hoyt wrote approximately 110 letters between November 27, 1820, and October 21, 1853. His earliest correspondence, largely to his parents and sisters, covers his time at Effingham Academy, Wolfeborough & Tuftonborough Academy (1825), and Dartmouth College (1826-1829). In 1829, he established a school at Newport, Connecticut, but quickly found himself in debt. Struggling to remedy his plight, he took a trip to Rochester, New York, in 1830, where he decided to embark on a career as a portrait painter. He then wrote from Portland and Bangor, Maine, until 1839 when he settled in Boston with his wife Susan. His letters regard his everyday life, education, career, and relationship with his father. Susan A. Hanson Hoyt, originally of Conway, New Hampshire, wrote approximately 40 letters between March 28, 1837, and February 11, 1873. They focus on health and her daily routine, anxieties about her husband Albert's career as an artist, the art scene in Boston in the early 1840s, and the activities of her husband. Albert traveled a great deal, and stayed in Europe from 1842 to 1844 to paint. Susan also wrote about her stillborn children (i.e. March 30, 1845), concerns over the presidential election of 1844, sewing, dressmaking, and her efforts to learn how to draw. By 1853, she moved to Roxbury, Massachusetts, with her husband. In a series of letters from there, she wrote about the sickness and death of Albert in 1856. She then returned to Conway. In early 1872, she traveled to Minneapolis where she apparently remained.

William Henry Harrison Hoit / William Henry Hoyt's approximately 70 letters date from May 13, 1826, to November 15, 1882. Beginning at around age 11 with letters from school at Wolfborough & Tuftonborough Academy (where he studied along with his brother Albert), informed his parents about his studies and asked them to send books and educational advice. He then wrote to his parents, sisters, and brother-in-law while studying at Dartmouth College (1827-1831). From 1835 to 1836, he sent letters from the Episcopal Theological Seminary in New York, and, by 1838, he settled in to his parish at St. Alban's, Vermont. His conversion from the Episcopal Church to Catholicism in the later 1840s is the subject of a portion of his correspondence. The collection includes three letters by William Hoyt's wife, Anne Deming Hoyt, dated October 6, 1838; March 30, 1856; and July 11, 1867.

The collection's remaining 190 or letters are from almost as many correspondents. They are addressed to members of the Hoit family, particularly Sally, Daniel, Eliza, and Julia, from various members of their extended family and business associates. Updates on deaths, marriages, health, education, and children predominate in the letters by women. Of interest are letters pertinent to Albert Hoyt's debt in the early 1830s and five letters from Julia's niece, Frances Prescott, a teacher in Ellenburg, New York. She briefly remarked on her school and wages (late 1850s).

The Diaries, Account Books, and Notebooks Series includes 10 daily diaries and account books of Daniel Hoit (1814-1817, 1851-1859), one diary by Sally Flanders Hoit (1823, 1830), two diaries of Ira A. Bean (1829-1859), one volume of notes and accounts of Enoch P. Sherman's estate (1843-1849), three sparse diaries and two notebooks by Daniel H. Sherman (1870, 1873, 1878, 1900, and 1918), and one daily diary of Julia M. Hoit Sherman (1884).

The Speeches, Poems, and Other Writings Series includes a poem by William Burleigh to Mr. and Mrs. Hoit (March 4, 1812) a fragment of a verse by Sarah F. Hoit (undated), three essays by Albert G. Hoit (two from his school days and one entitled "Early Recollections" (undated), and a written renewal of vows to God by Julia M. Hoit on her 24th birthday (November 15, 1831). Also present are a temperance address by Ira A. Bean (October 1823), an incomplete address to the Franklin Society (November 1, 1824), and a 4th of July 1834 temperance speech by Daniel Hoit.

The Hoit Family Papers contain 49 Documents, Accounts, and Receipts, dating from [1809?] to 1863. The various financial papers include good documentation of the Hoit children's educational expenses and Albert G. Hoit's expenditures and debts of the later 1820s and early 1830s. Among the documents are Enoch P. Sherman's June 11, 1840, resignation from a colonelcy in the 19th Regiment New Hampshire Militia.

The Photographs Series is made up of seven carte-de-visite photographs, all bearing Civil War era tax stamps. Identified individuals include "Mrs. E. G. Weaver" and "A. J. Church & wife & daughter."

The collection includes two Maps:

  • Rand Avery Supply Co. Map of Lake Winnipesaukee and Surroundings issued by Passenger Dept. Concord & Montreal R.R. [Boston]: Concord & Montreal R.R., 1891.
  • [Tamworth Township, Carroll County, New Hampshire], 1870s.

The collection also contains 14 Printed Items, among which are The Dairyman’s Daughter (religious tract, 1831), a copy of a bill to extend an 1838 act to grant half-pay and pensions to certain widows (1841), Final Notes on Witchcraft in Massachusetts by George H. Moore (1885), a program for the Semi-Centennial celebration of the New Hampshire Conference Seminary and Female College (1895), The Shepherd of Salisbury Plain, by Mrs. Hannah More, and a children's book Jocko and Minette (1846). See the box and folder listing below for a complete list of the printed materials.

Collection

Masten family papers, 1799-1899

122 items

The Masten family papers contain correspondence documenting the everyday lives of the Hastings and Masten families in 19th-century New York, as well as the Civil War service and subsequent endeavors of Henry Masten in Grandville, Michigan.

The Masten family papers are comprised of 120 letters and two miscellaneous items, dating from 1799 to 1899. The daughters of Jonas and Nancy Hastings were the primary writers of the earliest letters, which concern mainly family and farming news, specifically births, marriages, and deaths of relations and neighbors. Caroline (Hastings) Pennell’s letters to her siblings in New York shed light on the family’s struggle in Northville, Michigan, where they settled sometime in the 1830s. In a letter dated October 14, 1840, Caroline mourned the death of her infant Ebenezer, “his little body was laid in the silent grave by the side of little Andrew and it appears at times as though a part of my heart was buried with them. I find in the midst of life we are in Death and the most promising flowers are nipt in the bud…”

Several letters from the 1850s refer to problems between Samuel Hastings and his wife Mary. On September 25, 1851, Caroline wrote to her sister Nancy, stating, “Mary tells me she and the children talk of coming back this fall they cannot live there with Sam in any peace the children are afraid of him….” Caroline blames the strife on “cursed Drag Alcahol.”

Also noteworthy is the long series of letters between Henry Masten (son of Nancy and Ephraim Masten) and his sisters during the 1860s and 1870s. Henry’s Civil War letters cover camp life in Virginia, such as marching, food, weather, and equipment. In a letter of October 24, 1864, he describes being surprised by the Confederate Army at the Battle of Cedar Creek. The letters from the 1870s, when Henry lived in Grandville, Michigan, portray the work, recreation, family relations, and social setting of a farming family of that era. They contain details of farm work, birth and death of children, health and sickness, church activities, and religious beliefs. Later letters detail his activities with his grocery business, Masten & Hammond.

Collection

Pond family drawings, [ca. 1880s]

0.25 linear feet

The collection consists of hand-made sketchbooks and loose sheets of paper featuring drawings likely made by children Edith, Jennie, and Theodore Pond while residing in Syria (present-day Lebanon) with their missionary parents, Theodore S. Pond and Julia Pond. Prominent imagery depicted includes domestic scenes, women and children at work and play, and women tending to the sick. The Ponds rarely specified locations in their drawings, and while they may have been generic or imagined scenes some may have been made to reflect the Pond family's residence or experience while in Syria (present-day Lebanon).

The collection consists of hand-made sketchbooks and loose sheets of paper featuring drawings likely made by children Edith, Jennie, and Theodore Pond while residing in Syria (present-day Lebanon) with their missionary parents, Theodore S. Pond and Julia Pond. Prominent imagery depicted includes domestic scenes, women and children at work and play, and women tending to the sick. The Ponds rarely specified locations in their drawings, and while they may have been generic or imagined scenes some may have been made to reflect the Pond family's residence or experience while in Syria (present-day Lebanon).

The bulk of the drawings were done in pencil, but several were made using pen and ink, pen and wash, and pastels. A large portion of the images depict interior domestic scenes of women and young girls reading, sewing, dining, visiting, sleeping, and at play with toys in parlors, living rooms, and bedrooms. These drawings include details like clothing, accessories, furniture, and decorations. Several show women wearing the Christian cross as jewelry, head coverings or veils, and chopines (a platformed shoe), possibly representing adherents of the Eastern Orthodox Church. Several of the drawings feature women at work doing tasks like cooking, sewing, washing dishes or floors, sweeping, gardening, tending to the ill, or bathing children. Older women are represented alongside middle-aged women, young girls, and infants. Adult men and young boys appear occasionally in the scenes.

Several illustrations appear to show women laboring as domestic servants, and at least four of these images represent dark-skinned women. One additional drawing shows a family scene with three dark-skinned women knitting or resting in a hammock.

Outdoor scenes are also represented, showing women and children walking and travelling in the streets, playing games, visiting the beach, riding horses, shopping, sleighing, or picking fruit. One drawing depicts a family standing beside a sphinx with pyramids in the background. Other locales outside of the home are also featured, including a store, a church, a theater, a photographer's studio, and possibly a school.

Miscellaneous other topics were drawn, such as angels, Grecian women, a dream, a centaur statue, a shield with an American crest, and two singing girls who appear to be impoverished.

Only two of the drawings were signed, both landscapes by Theodore H. Pond, one dated 1882 shows a building in the countryside and the other depicts a village street scene leading towards a church. Two other unsigned landscapes are also present, one labelled "St. Augustines Canterbury." Two other illustrations -- one a portrait of a young woman and the other an interior scene with four children blowing bubbles-- have the name "Edith" inscribed with ink on the verso. Several of the drawings were labelled by a child in block letters. One of the drawings was made on a sheet of paper that had previously been used to write notes on the Letters of Paul.

The drawings were enclosed in an Upsala College envelope labeled: "'Drawings of Edith & Elsie Pond when they were little girls in Syria.' (Be Sure To Save These)"

Collection

Pratt family papers, 1854-1935 (majority within 1865-1895)

3.75 linear feet

The Pratt family papers present a chronicle of middle-class women's lives between the 1850's and 1890's.

The Pratt family papers present a chronicle of middle-class women's lives between the 1850's and 1890's. The writers are uniformly literate and attentive, and the majority of the letters are of a strongly personal nature. While some letters stand on their own, the collection should be seen as one large, continuous document presenting a nineteenth century "woman's" life in many of its aspects, from cleaning and cooking to marriage, childbirth, child rearing, sewing, gardening, travel, music, reading, teaching, religion, death, and friendships. The composite portrait that emerges is stronger than the portraits of any single woman, though the personalities of several of the correspondents are very strongly expressed. As a result, the Pratt Papers is a valuable resource for the study of women's work, as teachers, employees, and home makers, as well as their emotional and personal lives.

The primary focus of the Pratt papers is Emma Louise Pratt (b. 1864 April 8) of Revere, Mass. The collection includes several hundred letters addressed to her, as well as some of her diaries, the diaries of her only brother, Willie (d. 1888), 1881, 1883, and 1886, and notes between Emma and her mother, Emeline. Most of the letters were written by Emma's intimate friends and family members, including several of her aunts and cousins, and these provide the main dialogue of the collection and construct a fascinating image of the development of one young woman's personal relationships during the post-Civil War period. There are four women with whom Emma most consistently corresponded: Claribel M. Tilton Crane, Emma Lois Proctor, Mabel H. Drew Croudis, and Lola V. Jefferds.

Claribel (or Clara) M. Tilton Crane was a school chum of Emma's who moved from Revere to Malden, Mass., in 1873, and a few years later to Quincy. Their correspondence began when the girls were still teenagers, with Claribel describing her new home, her school, friends, pets, clothes, and fancy work, and she and Emma occasionally exchanged riddles and conundrums. The two developed a private code, words that had special meaning to each other, and Claribel often included words at the top of her letters that have no obvious relationship to the text. Over the Christmas holidays, which coincided with her birthday, Claribel always described her presents for that year, a practice that continued even after she and Emma became adults. The subject matter of Claribel's letters changed as she grew and began working in a dry goods store in Quincy owned by her brother, Charlie. Her letters include descriptions of her work, sewing, clothes, and her married life with a man named Crane. Claribel's health was never very good and a great many of the later letters describe her various convalescences. In some of these, Claribel includes floor plans of her home as well as written descriptions.

Emma's cousin, Emma Lois Proctor, moved to LaCrosse, Wisc., when very young to live with her father, Alfred, and new stepmother. The collection includes a few letters from Mary Ann Proctor dating from the 1860's, which refer to Emma Proctor and other family members, and it appears that when Mary Ann Proctor's mother died, Emma returned east to live with the Pratt's until she grew up. Emma Proctor's early letters describe her trip to Wisconsin, her father's farm and family, her work there, her sewing and fancy work, and her efforts to become a teacher. Other members of the Proctor family had also gone west to live, some in Wisconsin, others in Chicago, or as far west as Montana and Washington Territory, and Emma Proctor kept in close contact with all. She eventually became a teacher, and considered moving to Kallispell, Mont., to join a brother and his wife and teach school. The letters she wrote during an 1890 trip to Kallispell include some fine descriptions of the state and of the Flathead Indians. She decided that she would return to Wisconsin, though five years later she returned to Montana.

Mabel H. (Drew) Croudis from Medford, Mass., was another of Emma Pratt's cousins, though from which side of the family she is related is not clear. Mabel and Emma began corresponding in 1881 and their letters continue throughout the entire collection. The two women were exceptionally close and wrote to each other with great regularity, almost every week, and visited each other often. Mabel usually addressed Emma as "Susan" and signed her letters "Betsy". Her letters are filled with family news, discussions of her work as a bookkeeper in her brother's store, and with inside jokes and stories that she and Emma shared. Because of their closeness and the regularity with which they wrote and visited, Mabel's letters tend not to provide a very complete picture of their relationship, though their intimacy comes through very clearly. It appears that neither Emma nor Mabel planned on getting married, even when they reached their early twenties, and Mabel often commented on their plans to grow old together and live in their own "snuggery." Mabel eventually married George Croudis, and this event appears to have put a strain on the friendship. Soon after Mabel's marriage, Mabel complained to Emma about never hearing from her anymore, and implored her to understand that their friendship need not change simply because she has gotten married.

Lola V. Jefferds was another friend of Emma Pratt's who, like Claribel, moved from Revere to Livermore Falls, Me. She and Emma corresponded regularly, though not quite as frequently as Claribel or Mabel. Lola was a spirited person who wrote interesting, usually very descriptive letters. Like Emma, she did not plan on marrying, occasionally expressing a disdain for the men she met, stating that she would prefer to remain single if these men were her only options. Lola's father owned a furniture store in Livermore Falls where Lola worked along with her parents. The family took charge of the local post office at some point, probably through political patronage, and Lola soon began to work there.

Emma Pratt spent a month's holiday with Lola in August, 1891. During this time, she wrote an average of two letters per day to her parents, representing some of the few extant letters written by Emma. These include descriptions of her vacation, the landscape, Lola and her family, and, above all, her homesickness and feelings of guilt at being away from her home and mother. Emma worried constantly that she should not be on vacation, but nevertheless appeared to have a good time. It is unfortunate that Emma's letters to her friends and cousins are not present, for these would be particularly helpful in rounding out the picture. From the letters written to Emma it is known that she was a very descriptive and lively letter writer. Her friends often comment on the pleasure, comfort and amusement they derive from Emma's letters. The collection includes one letter, or rather story, that Emma sent to her cousin Mabel (Betsy) describing a lawn-party at Lola's, that offers a good glimpse into the wit and powers of observation that made Emma such a popular correspondent.

Emma Pratt corresponded regularly with several other women, including her cousins Nettie Maria Fellows (47), Edith Dann (43), Georgie Renton (23), Anna Linn Renton (15), and her aunt, C. Augusta Renton (27). The collection also includes other correspondence of Augusta's, mostly with her sisters, Emeline Pratt and Olive M. Homans (29). The letters from Nettie and Edith are not very illuminating, consisting primarily of brief discussions of family and the weather. The letters from Augusta and her daughters, Georgie and Anna Linn, however, are interesting when placed together. The Rentons owned a boarding house in East Gloucester, Mass., in which all three women worked, and Augusta's letters include interesting discussions of her life as a mother, boarding house keeper, and friend. Augusta also described the health problems of her son, Freddie, who suffered from a diseased leg. Georgie and Anna Linn began to write to Emma when they were very, through the period in which Georgie entered Wellesley College as a student in the late 1880s. Augusta Renton died in 1890, leaving Georgie, Anna Linn, and a cousin(?) Edith Dann, grief stricken and doing their best to cope with Augusta's death.

The 29 letters from Emeline Pratt's sister, Olive M. Homans, are especially interesting. Olive was a lively writer with a good sense of humor and a strong sense of what she felt was right and wrong. Her correspondence with Emeline began in 1867 after she has moved to Hannibal, Mo., with her husband, Willie Homans. She describes her new home in Missouri, her friends, and vacations to Minnesota, Ohio and Michigan. Olive taught Sunday school to freedmen in Missouri.

Emma's diaries, written in 1883-1887 and 1889-1892, consist only of one page entries, and are not particularly introspective. However, there are a few instances in which Emma manages to express her feelings within this space. It is in here that Emma's relationship with her father and mother becomes clearer, as well as Emma's frustration at feeling that she is a financial burden to her father because, at the age of 19 and unmarried, she still lives at home and is not contributing to the family's income. This frustration influenced her feelings toward both her parents, though in very different ways. Emma grew very protective of her mother, and assumed the role of the dutiful daughter trying to ease her mother's burden. At the same time, she seemed to grow angrier and angrier with her father, though her basic love for him always remained. Emma expressed an interest in becoming a dressmaker, but complained that she never had the time to learn, as she was so busy with housework, church activities, and (apparently) letter writing. At the end of each entry in her diary, she kept track of the Bible verse she had read for the day.

In August, 1888, Emma's brother, Willie, died in a drowning accident. Her diary from this year is absent, however in 1889, almost every entry mentions Willie, Willie's death, and Emma's grief and disbelief that her brother was taken from her. The collection includes a substantial number of letters of condolence as well. At about this time, both Emma and Emeline began a correspondence with a woman, Emma Aldrich, whose daughter had recently died. The daughter and Willie were buried in the same cemetery, and the letters from Emma Aldrich deal mainly with the cemetery plots and the death of her daughter and Willie.

Parallel to the letters of the Pratt and Proctor family is a very significant series of correspondence relating to the Stebbins family. This series forms a self-contained body of approximately 75 letters dating between 1854 and 1869, which may have been collected by Emma or written by relatives, but connections to either the Pratt or Proctor families is unclear. The focus of these letters is a woman, Laura Stebbins, from Springfield, Mass., whose teaching career took her into positions in the Deep South in the 1850s, and to Washington, D.C., to teach freedmen in the 1860s, and also includes a number of letters from a man, Eugene, probably her brother. Laura appears to have suffered from poor health, experiencing a great deal of trouble with her eyes. It is also apparent that her family and friends admired her greatly. She was considered to be an unselfish friend and teacher, selfless, and always thinking of others. From their perspective, Stebbins was the "perfect" woman who represented the "angel in the house," so to speak.

The Stebbins correspondence includes some excellent descriptions of the life of a woman teacher during the late ante-bellum period, her attitudes toward teaching, her students, and the south, and there are several letters that concern the education of freedmen and the end of the war and early Reconstruction period in Virginia. Like Laura, Eugene worked with freedmen in Norfolk, Va., both for an unidentified employer and the Freedmen's Bureau, and his letters are packed with interesting description and thoughts about his work, his home, Laura's teaching and health, and the aftermath of the Civil War. The collection also includes several letters written to Laura from family members and friends, including two women teachers with whom Laura seems to have been particularly close, Martha E. Swan and "Jennie."

Among other items, the Stebbins letters include two particularly interesting letters from a woman, Marcia A. Gleaner, that describe her experiences as an employee in a wholesale cloak store on Broadway in New York City in 1862. In the first letter, Marcia expressed her disgust with New York City and with her working and living conditions. In the second, she described an accident at work in which a women fell down the stairs while she and the other 150 others were leaving for the day.

Finally, there is a sequence of letters that is difficult to trace to the Pratt, Proctor or Stebbins families. These are a group of letters from the French, West, and Richardson families in Oberlin and Pittsfield, Ohio, Potsdam, N.Y., Jaffrey and Rindge, N.H., Cornish, Me., and Fitchburg, Mass.. There are several interesting letters from Abijah French from California where he has gone to see his brother Levi. Levi has "gone mad" and was unable to recognize Abijah as his brother, though he was able to remember all of his brothers and sisters' names -- Abijah, Alvira, Augusta, and Maria -- as well as his parents', Richard and Percilia. Abijah also describes California and his trip westward. It is possible that these families are related to the Pratts and Proctors; there is a letter from Carrie L. Richardson from Cornish, Me. (1893 January 26) to Emma which makes a reference to Grandma Pratt and to Emma's mother's health. An expense account book and miscellaneous receipts and notes belonging to Oscar W. Grover may represent items relating to Emma Pratt's would-be, or actual, husband.