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Collection

Peter McGivney manuscript poetry and song lyrics album, [ca. 1870s?]

1 volume

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are largely copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. A few patriotic titles were included. Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members. One watercolor illustration of an African American man accompanies the lyrics of a minstrel song.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are primarily copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. Some patriotic titles are also included. Titles like "Little Low Cabin" and "Half Way Doings" were likely minstrel songs, and include racist dialect. One is accompanied by a watercolor painting of an African American man in striped pants and a blue overcoat standing at a table with a Bible on it and a whitewash bucket on the floor.

Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members.

Attributable poetry and song titles include, among many others:
  • "The Lady’s Yes," by Elizabeth Barrett Browning
  • "Write Me a Letter [from] Home," by Will S. Hays
  • "[Darling] Minnie Lee," by Dexter Smith
  • "Ella Ree," by Charles E. Stewart
  • "God Bless My Boy at Sea," by T. Brigham Bishop
  • "Little Robin, Tell Kitty," by Frank Howard
  • "Killarney," by E. Falconer
  • "Sunny Days," by Edwin Ransford
  • "Remember Me," by M. W. Balfe
  • "We Parted by the River Side," by Will S. Hays
  • "The Last Rose of Summer," by Thomas Moore
  • "Lottie Lee," by C. T. Lockwood
  • "Kiss the Little Ones," by W. F. Wellman, Jr.
  • "Kiss Me Mother E'er I Die," by W. Dexter Smith, Jr.
  • "To a Beloved Woman," translated from Sappho
  • "Driven from Home," by Will S. Hays
  • "Bessy O'er the Lea" [e.g. "Darling Bessie of the Lea"], by George Cooper
  • "Our Own," by Margaret Elizabeth Sangster
  • "[When] The Corn is Waving, Annie Dear," by Charles Blamphin
  • "A Woman's Question," by Adelaide Anne Proctor
  • "Daisy O'Lynn," by M. H. McChesney
  • "I'll Remember You Love in my Prayers," by Will S. Hayes
  • "Don't be Angry With Me, Darling," by W. L. Gardner
  • "The Good Bye at the Door," by J. E. Carpenter
  • "Love On," by Eliza Cook
  • "Sweet Genevieve," by George Cooper
  • "When the [Autumn] Leaves are Falling," by J. E. Carpenter
  • "Mother, Is the Old Home Lonely," by Arthur W. French
  • "The Golden Side," by Mary Ann Kidder
  • "Wait Till the Moonlight Falls on the Water," by Sam Bagnall
  • "The Bells of Shadow" [e.g. "The Shandon Bells"], by Francis Mahony
  • "Annie of the Vale," by G. P. Morris
  • "My Pretty Jane," by Edward Fitzball
  • "Silver Threads among the Gold," by Eben E. Rexford
  • "When I Saw Sweet Nellie Home," by John Fletcher
  • "Come Like a Beautiful Dream," by George Cooper
  • "What Will I Do Without Thee," by Elmer Ruan Coates
  • "Star of the Evening," by James M. Sayles
  • "The Good Bye at the Door," by J. E. Carpenter
  • "Memory Bells," by Henry Tucker
  • "I Love the Merry Sunshine," by J. W. Lake
  • "Every Home has Lost a Darling," by George Cooper
  • "Wilt thou say Farewell Love," by Thomas Moore
  • "A Sweet Face at the Window," by W. C. Baker
  • "Faded Flowers," by I. H. Brown
  • "The Blind Girl," by Joshua Swan
  • "What Will I Do Without Thee," by Elmer Ruan Coates
  • "Why Was I Looking Out," by Claribel
  • "God Save the Flag," by Oliver Wendell Holmes
Images with titles include:
  • "Fair Maid of Perth"
  • "Arabella Dolora"
  • "A little Puss"
  • "Rebecca at the Well"
  • "E Pluribus Unum"
  • "Excelsior"
  • "The French Iron Clad Solferino"
  • "Volcano of Turrialba (Mexico)."
  • "View of Paknam on the Memam. Farther - India"
  • "The Rose of Orleans"
  • "The Queen of Flowers"
  • "Marriot's Aerial Steam Carriage. 'Avitor.'"
  • "Love in Winter"
  • "Dressing for the Masquerade"
  • "William Penn first Settler of Pennsylvania 1675"
  • "The Tambourine Player"
  • "Love in Summer"
Collection

Robert Lackhove papers, 1915-1946 (majority within 1942-1945)

2.25 linear feet

This collection primarily consists of around 500 letters that Lieutenant Robert N. Lackhove of Altoona, Pennsylvania, wrote to his girlfriend and future wife, Myrle Hoffman of Camp Hill, Pennsylvania, between 1942 and 1945. Lackhove, a bombardier with the United States Army Air Forces, described his training in Texas, his experiences while stationed in Lavenham, England, and his participation in combat missions.

This collection primarily consists of around 500 letters that Lieutenant Robert N. Lackhove of Altoona, Pennsylvania, wrote to his girlfriend and future wife, Myrle Hoffman of Camp Hill, Pennsylvania, between 1942 and 1945. Lackhove, a bombardier with the United States Army Air Forces, described his training at camps throughout Texas and his experiences while stationed in Lavenham, England, where he flew combat missions.

The Correspondence series comprises the bulk of the collection. Three letters pre-date the war, including one letter from 1915 and two letters that Lackhove wrote to Myrle Hoffman in 1938. The bulk of his correspondence with Hoffman began in January 1942. He occasionally wrote about his work in York, Pennsylvania, until December 1942, when he joined the United States Army Air Forces. Lackhove corresponded regularly with Hoffman throughout his military service, and often wrote once every two or three days. He provided his initial impressions of military life and described his daily routine at the San Antonio Aviation Cadet Center in San Antonio, Texas, which included frequent interactions with upperclassmen, drills, and classroom work. He continued to write after his transfer to Bruce Field in Ballinger, Texas, and during bombardier training in San Angelo, Texas. He participated in practice bombing runs and often mentioned his flying time and other activities. Some of Lackhove's letters from this period include drawings of his uniform, bombing targets, and additional subjects. Lackhove was promoted to second lieutenant in January 1944, and attended a training course in Laredo, Texas, until around March, when he was assigned to Tampa, Florida; Avon Park, Florida; and Georgia, where he awaited overseas deployment.

In July 1944, Lackhove reported his arrival in England, where he was based throughout his time overseas. Though censorship prevented him from sharing many details, he mentioned his participation in bombing runs and recalled hearing German radio propaganda aimed at English speakers. He also provided detailed descriptions of people and occasionally mentioned trips to London. On August 6, 1944, he enclosed Icelandic currency in his letter to Myrle. After flying his required number of missions, he returned to the United States in early 1945.

Lackhove was briefly stationed in Miami Beach before being transferred to Midland, Texas, where he remained until June 1945, when he moved to Childress, Texas. He continued to attend navigation classes and to comment on daily camp life. His leisure time became more frequent, and he attended movies and played golf with his friends. Lackhove increasingly mentioned his feelings for Myrle, and urged her to make preparations for a wedding; the couple wed during one of his leaves in May 1945. After V-E Day, he began to anticipate his return to Pennsylvania, and after V-J Day he looked forward to a discharge. His final military letter is dated September 11, 1945, and he wrote one additional personal letter to Myrle in July 1946.

Though the vast majority of the correspondence consists of Lackhove's letters to Myrle, occasional letters from other family members and friends are interspersed throughout the series. Lackhove's parents, Louis and Mary, occasionally wrote letters to Myrle, and she also received letters from other acquaintances. Lackhove also enclosed letters from his parents and, on at least one occasion, a friend, in some of his letters to Myrle. A small number of letters that she wrote to Lackhove are also included, particularly after his return to the United States in 1945. She discussed her feelings about their upcoming wedding and her life in Camp Hill.

The Poetry series contains three typed poems relating to love and separation.

The Ephemera series contains 21 greeting cards that Robert Lackhove sent to Myrle Hoffmand and to his parents, celebrating birthdays and other holidays. The series also has an invitation, an announcement, and a thank-you card. Additional items include a photograph of a small girl named Vickie holding a telephone, a document regarding Robert Lackhove's military salary, and stamps.