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As a youth, Cletus Setley of Reading, Pennsylvania, kept this 31-page sketchbook around the period of the American Civil War. He created pencil doodles, pencil sketches, and pencil and watercolor illustrations of people, ships, caricatures (including anthropomorphic creatures), and a possible story narrative. One page is headed "1864 Members of Company," including Cletus Setley and other names organized by military rank. The volume has brown leather wrappers, and the cover reads, "No. 1 Meredith Henderson & Co."

As a youth, Cletus Setley of Reading, Pennsylvania, kept this 31-page sketchbook around the period of the American Civil War. He created pencil doodles, pencil sketches, and pencil and watercolor illustrations of people, ships, caricatures (including anthropomorphic creatures), and a possible story narrative. One page is headed "1864 Members of Company," including Cletus Setley and other names organized by military rank. The volume has brown leather wrappers, and the cover reads, "No. 1 Meredith Henderson & Co."

• Woman doing laundry/ holding washtub
• A person on horseback
• A building [bearing a similarity to John Setley's storefront]
• Woman holding a key next to a door marked "East," beside a small anthropomorphized quadruped
• Male performer or dandy
• Red and blue block text, "UNION"
• Ships in the shape of a horse, with men holding spears and shields
• Hunter aiming a gun at a stag
• Hunters shooting at elephants
• American sailing ships
• People and anthropomorphic creatures
• Man fleeing from dark-skinned persons armed with spears and other weapons
• Shipwrecks
• A lifeboat
• A storefront with a sign reading "JOHN SETLEY" listing flour, seed, and other dry goods
• Sidewheel steamboat
• One page of caricatures, anthropomorphic beings, women, witches, and devils
• Self-portrait, "The names of my valentines Squirt irish women & the Laundry women & to a Zouvave [Zouave] stingy man & the gallent [?]ing the [queshten?] grocer & long shanks"
• Self-portrait and building
• Sketch of a woman with a pipe in her teeth, labelled "IRISH WOMAN". On the same page is a pencil sketch of what may be a quilt block design.
• Performers, possibly for a circus or side-show

A few of the pencil and watercolor illustrations appear to relate to a story of hunters, possibly in Africa, their encounters with indigenous peoples, and a subsequent shipwreck.

The George A.C. Barnett papers consists of a set of letters written to a woman named "Dotty" between November 30, 1864, and December 25, 1864, while Barnett was serving as 1st Lieutenant in the 17th New York Veteran Volunteer Infantry.

The correspondence of George A.C. Barnett consists of a set of 27 letters written to a woman named "Dotty" between the dates of November 30, 1864, and December 25, 1864. The letters were written from Chattanooga, Tennessee. Just as Barnett arrived in Tennessee, the railroad was cut, making it impossible to send or receive mail. As a result, Barnett collected his daily correspondence, numbered each page, and eventually sent the batch of letters as a collected work. The letters, totaling 192 pages, describe Barnett's daily activities, thoughts, and feelings.

A small printed etching of the Three Graces is affixed to the November 30th letter. Pen and ink drawings illustrate the letters of December 18th (a man in tall boots), 19th (a pair of elegant "breeches"), and 20th (a horse).

Gladys Galvin kept this school notebook between winter and summer terms of 1888. She filled 107 pages with vocabulary lists (pages 1-46), copies of poetry (pages 47-48, 62-66), and arithmetic and algebra (pages 49-61, 67-107). She apparently copied the mathematical exercises from a textbook; the poetry is by John G. Whittier and Charles Kingsley. The volume has printed two-color (blue and red plus black and white) covers depicting "Buffalo Bill's Wild West" show, with one vignette of the show and portraits of a buffalo, Chief Good Face, William F. Cody, and Chief Red Shirt. The back cover bears a history of Buffalo Bill and the Wild West Show.

Gladys Galvin kept this school notebook between winter and summer terms of 1888. She filled 107 pages with vocabulary lists (pages 1-46), copies of poetry (pages 47-48, 62-66), and arithmetic and algebra (pages 49-61, 67-107). She apparently copied the mathematical exercises from a textbook; the poetry is by John G. Whittier and Charles Kingsley.

The volume has printed two-color (blue and red plus black and white) covers depicting "Buffalo Bill's Wild West" show, with one vignette of the show and portraits of a buffalo, Chief Good Face, William F. Cody, and Chief Red Shirt. The vignette shows Native American men on horseback in the background with Buffalo Bill on horseback in the foreground. The cover text states, "The CONGRESS of the "ROUGH RIDERS" gathered from various parts of the world. BUFFALO BILL on his famous horse 'DUKE'. The back cover bears a history of Buffalo Bill and the Wild West Show.

Herman Beck created this book of German-English language practice exercises on ethics, business administration, letter writing, bookkeeping, and other subjects. The volume includes some teacher corrections as well as printed, colored illustrations and a map of Europe.

Herman Beck created this book of German-English language practice exercises on ethics, business administration, letter writing, bookkeeping, and other subjects. Beck wrote his German in Fraktur and Kurrent; his English contains many misspellings and some teacher corrections. Three printed, colored illustrations of a scene from William Tell and poems or lyrics ("Der kleine Tambour" and "Der kleine Grenadier") are included, as well as a printed, colored map of Europe. The names B. J. Beck and Johan Beck are legible on the cover and inside flyleaf; Herman Beck signed his name and initials throughout the volume.

Captain H. H. Gillum's narrative of Sheridan's final great raid, from Winchester to White House, Va. (February 27-March 19, 1865) is written from the perspective of a quartermaster and overseer of supply trains.

Capt. H.H. Gillum's narrative of Sheridan's final great raid, from Winchester to White House, Va., February 27-March 19, 1865, is written from the perspective of a quartermaster and overseer of supply trains. Composed after the fact, but apparently shortly after, the narrative is highly polished, literate, legible, and engaging, and may have been intended for public eyes, either as a report or for publication. Throughout, Gillum's narrative is concerned primarily with three factors: his duties in moving the creaky supply train along, the devastating effect of the war upon the civilians and their response, and the successes of the Union Army.

Although the details of Gillum's duties are sometimes difficult to extract, the narrative is valuable as an account of the emotions and camaraderie among the quartermasters and supply crews, and the difficult issues they encountered in keeping the army moving. While many Civil War collections focus on the dramatic moments of combat or the boredom of camp, Gillum presents the banalities of mud, mules, and meat and makes them interesting, making the challenge of moving supplies for 10,000 cavalrymen as interesting as any cavalry charge. Equally valuable, Gillum's position in the rear provides him a different perspective altogether in describing the few engagements involving Sheridan's force, most notably Waynesboro, and in dealing with the citizens. His descriptions of the arrival of the column in Charlottesville, enlivened by a visit to the University of Virginia and a vignette of a Confederate prisoner of war meeting his wife, is particularly interesting (March 4-5), as is his account of the punitive destruction of a mill (March 10).

The collection also includes a bill of fare (menu) from John Brewer's Restaurant, Petersburg, Va., apparently kept to show the fluctuating, inflationary prices near the end of the war. It is unclear whether the menu is a Confederate or Union imprint.

The John H. Dixon diary provides a day-in-the-life account of a young man, trying to establish himself in Indiana, in 1861. Dixon described his move from Ohio to Indiana and his daily activities working as an itinerant laborer.

The John H. Dixon diary is a 4"x2¾", 142-page leather-bound journal. The diary opens with Dixon's trip from Tuscarawas County, Ohio, to Daviess County, Indiana, from September 5-24, 1861. He made the journey with a group of westward migrants, though he rarely mentioned his companions. Dixon noted each county through which they passed, the terrain, and the food they ate. He often slept in hay or in his wagon and ate in taverns when he could. He also noted when they set off each day (they rested on Sundays) and when they stopped for breakfast and dinner.

The next set of entries, starting on September 25, 1861, is entitled: "An account to things common and general, that may take place during my stay in Indiana." Dixon recorded his daily work activities as a laborer (building and painting houses, maintaining carriages, caring for horses, chopping wood, husking corn, and making apple butter) and his social life (talking, singing, attending a prayer meeting at a United Brethren church, and writing letters). He spent most of his time in and around Clarksburg and Washington, Indiana. On October 1, 1861, Dixon applied for a teaching certificate, for which he was asked to read and write, and was quizzed on geography and grammar. The journal ends with a 7-page "true and correct history" of his life from September 5-October 31, 1861. In these pages, Dixon stated his plans to send this diary back to his friends in Ohio to "keep it to remember me when I am dead and gone."

Dixon often worked with Esrom Redman of Madison, Indiana. When work was slow, Dixon washed dishes, swept the floor, and tended the horses. He spent much of his social time with a man named Clark. His diary entries provide a day-in-the-life account of a young man, trying to establish himself in Indiana, in 1861.

1774 Philadelphia reprint of the first volume of The Works of Laurence Sterne (Tristram Shandy, Gentleman), containing manuscript orders for a brigade possibly encamped in Morristown, New Jersey, around May 1781.

The four pages of notes written in the flyleaf of Laurence Sterne's novel, Tristram Shandy, Gentleman, contain orders from a brigade commander and from General George Washington, likely given in May 1781 at Morristown, New Jersey. Orders were typically written in regimental orderly books, but, for an unknown reason, they were instead copied into the novel. The first portion of the document contains the orders of the brigade commander, which concern the shoeing of artillery and ammunition horses, the distribution of 50 pairs of stockings, and the securing of a hogshead of rum. Below this are orders from General George Washington, which establish a "standing Rule" forbidding the impressment of horses and wagons, except by commanding officers and colonels. The document also provides for punishment of violators, including arrest and "39 Lashes whithout Ceremony of a Cour[t] mar[tial]."

The William Yardley Mathematics and Surveying Exercise Book contains solved geometric, trigonometric, and surveying exercises, including practical problems and illustrated examples that feature drawings of buildings, animals, and landscape elements.

The William Yardley Mathematics and Surveying Exercise Book contains solved geometric, trigonometric, and surveying exercises, including practical problems and illustrated examples that feature drawings of buildings, animals, and landscape elements. Calligraphic lettering appears throughout.

One letter written by Harry [Crockett?] to his mother, Mrs. L. F. Crockett, from Portland, Maine, on October 8, 1903, is laid into the volume. Written on John W. Perkins Company, Wholesale Druggists, illustrated stationery, the letter comments on family matters, business, and deaths of acquaintances, including one gentleman who was killed by an electric car.