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This album, compiled by Wilhelm Hasselbach in 1871, contains photographs of Chicago buildings before and after the Great Fire of 1871, as well as commercial illustrations of buildings and landmarks in Germany and Switzerland, and photographic portraits of women.

Wilhlem Hasselbach, a German druggist living in Chicago, Illinois, compiled this album (24cm x 20cm) in 1871 and 1872. The album has green pebbled leather covers and a title, "Scrap Book," appears in a stylized gold design on the front. Photographs and commercial illustrations are pasted directly onto the book's colored pages. Hasselbach first inscribed the volume in Chicago in November 1871; a second note on the same page (written in German) is dated in Munich on September 16, 1894. Three items are laid into the volume's front cover: a Christmas card from the Northern Trust Company with a colored illustration of Michigan Avenue, Chicago, as it appeared in 1870 (printed after 1871); a pamphlet, "Chicago Since 1837" by Gordon Best (1917); and a card from S. D. Childs & Company (undated).

The first group of items includes a printed advertisement for a meeting of Chicago citizens to be held on October 9, 1871, and a photograph of a collage of portraits of United States presidents. These are followed by 62 photographs showing Chicago buildings and street scenes before and after the Great Chicago Fire, including pictures of commercial and municipal structures, a factory, and churches. One page has a small manuscript map showing the location of Bodemann & Hasselbach's drugstore and several other businesses at the intersection of State Street and Harrison Street. The Chicago pictures are followed by groups of commercial engravings and other illustrations depicting prominent buildings and landmarks in Berlin, Germany; Dresden, Germany; Zurich, Switzerland; and other locales, as well as a painting of Germania and a photograph of a collage of small portraits of German royalty and generals arrayed on an iron cross (around 70 items total). The final items are clippings with a picture of a dog who survived under a pile of rubble for over a day during the Great Chicago Fire and an advertisement for a secure bank vault and safe deposit boxes. Nine portraits are pasted into the album's final pages, including one of a well-dressed man and eight of unidentified women.