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The collection consists of a 172-page diary, composed in the summer of 1906 (July 3-Sept. 2) about Helen Moorhouse’s experience as a hired musician at a hotel on Cape Cod, and a series of 32 letters that Moorhouse wrote from the Nichewaug Inn in Petersham, Massachusetts, to Alice E. Brown, the woman with whom she was romantically involved, in the summer of 1915.

The collection consists of a 172-page diary, composed in the summer of 1906 (July 3-Sept. 2) about Helen Moorhouse’s experience as a hired musician at a hotel on Cape Cod, and a series of 32 letters that Moorhouse wrote from the Nichewaug Inn in Petersham, Massachusetts, to Alice E. Brown, the woman with whom she was romantically involved, in the summer of 1915. The diary includes numerous photographs, concert programs, and other clippings related to her summer. Both the diary and correspondence reflect Moorhouse’s interests in music, botany, art, and reading.

I. Diary, 1906

Helen Moorhouse’s 172-page diary from the two months she spent as a contracted musician at the Hotel Mattaquason in Chatham, Massachusetts, in the summer of 1906 offers a detailed account of daily life at a summer resort on Cape Cod.

Positioned somewhere between the hotel’s wait-staff and guests, Helen and her fellow trio members, Mary Molly Durgin and E. Isabel Foster, performed twice each day, but otherwise seem to have spent much of their time reading, sewing, and going on outings to the beach or into the village of Chatham. The diary entries record these activities, along with anecdotes about the hotel guests and employees, with particular attention paid to how the music the trio prepared and performed was selected and received. Other figures that appear throughout the diary are Mr. and Mrs. Frederick Wilkey, the Hotel Mattaquason’s proprietors; hotel guest Mrs. Edward Arthur James, of Chicago, and her son Sydney L. James, a violinist who often played with the Middlesex Trio over the course of the summer; Miss Ellen L. Cabot, a hotel guest who frequently commented on the trio’s music; Miss Haddock, a guest who also performed music; and Mr. Middlemass, the hotel’s head waiter and a student at Harvard. Other entries of note include a lengthy description of ice on the Great Lakes (29-31), the visits of an Armenian trader to the hotel (59; 113), a description of meeting journalist Lillian Whiting, who wrote The House Beautiful (83), and the complaints of an old crank of a Women’s Club Woman (99-103).

The journal contains various pieces of ephemera related to the concerts, activities, and places described in the written entries. These additions include 65 photographs (18 of which are cyanotypes), of beach scenes, the village of Chatham, the hotel, and its guests and staff; 2 real photo postcards; 2 hand-drawn sketches, one a diagram of her room and the other the view from her window; 2 news clippings; 6 concert programs from the Middlesex Trio’s performances at the Mattaquason; 3 visiting cards; 4 dinner menus from the hotel; a letter of music recommendations from Mr. Herbert H. White; and several other miscellaneous pieces of the hotel’s promotional literature. A couple of the photographs show men outfitted in dresses to play a hybrid game of baseball and tennis with the ladies of the hotel (132-133).

Moorhouse seems, in part, to have kept the diary as a record of the summer to share later with her parents, who were themselves vacationing for part of the summer at the shore in Mattapoisett, Massachusetts.

II. Correspondence, [1915]

This portion of the collection consists of thirty-two letters that Helen Moorhouse wrote between the end of June and mid-August 1915 to Alice E. Brown, a widow with whom she was romantically involved.

Moorhouse was in the midst of a nine-week contract to perform as a member of a music trio at the Nichewaug Inn in the central Massachusetts town of Petersham, while Brown was at home in Melrose, just outside Boston. During their time at the Nichewaug, Moorhouse and her fellow musicians, Susie Wells and a Miss Wilson, tended to practice music or paint landscape scenes in the mornings and performed each afternoon and evening in the hotel’s music room. The letters also reveal her keen interest in botany, art, and reading. In particular, she spent much of the summer reading the works of American philosopher John Fiske, whose son was the proprietor of the Nichewaug, as well as a history of architecture.

Moorhouse’s account of her days at the Nichewaug are interspersed with outpourings of longing for Alice, her Dear Heart, and candid reflections about how the couple was negotiating the familial and financial terrain of their relationship. News about Brown’s two children, Effie and George, as well as Moorhouse’s aunts feature prominently in the correspondence. A couple of the letters additionally contain Moorhouse’s thoughts on current events, including World War I, women’s suffrage, and the status of Native Americans living on reservations. In one of the letters, she included sketches of British war posters that a group of women fundraising for Belgian refugees had brought to the hotel to display and sell.

Samuel Philbrick of Brookline, Massachusetts, kept this diary (53 pages) between January 10, 1857, and September 12, 1859, one week prior to his death. He wrote of the weather, his agricultural pursuits, and news of friends, family, and the local community. His entries reflect an interest in political and international affairs, touching on such topics as slavery and abolition, the Panic of 1857, the transatlantic telegraph, and more. Several entries regard his religious faith, and the concluding pages document his final illness and awareness of his impending death. Four loose manuscripts are laid into the volume, including condolence letters from Theodore Dwight Weld, Angelina Emily Grimké Weld, Sarah Moore Grimké, and Maria Weston Chapman, and a handwritten copy of a letter, possibly written by Samuel Philbrick, regards his youth growing up in New Hampshire.

Samuel Philbrick of Brookline, Massachusetts, kept this diary (53 pages) between January 10, 1857, and September 12, 1859, one week prior to his death. Philbrick wrote in great detail about the weather, making comparisons to former years, noting its impact on his agricultural pursuits and the local vegetation, and commenting on larger weather events like the disruptive blizzard and extreme weather in early 1857 (pages 1-6). He wrote about news of friends and family, including descriptions of his children's activities like the construction of William’s house and its associated costs (page 13), Edward’s marriage (page 16), and William’s business practices (page 24). He noted social visits, including one trip where he stopped at the Eagleswood School run by his friends Theodore Dwight Weld, Angelina Emily Grimké Weld, and Sarah Moore Grimké (page 49). Their son Charles Stuart Weld later visited the Philbrick family while traveling to Cambridge for entrance exams (page 53).

In addition to commentary on household activities and maintenance, farming, and local affairs, Philbrick remarked on notable events of the day, like the Panic of 1857 and its impact on currency, banking, and speculation (pages 18-25); the completion of the first transatlantic telegraph (pages 34-40, 43); Donati's Comet (page 41); and the Treaty of Tianjin (pages 40, 43-44).

Philbrick wrote several times about matters relating to slavery and abolition. He followed the disputed 1857 Kansas election regarding the inclusion of slavery in its constitution, noting with dismay, "It now seems probable that Congress, which is strongly democratic, which party goes all lengths in support of slavery, will accept Kanzas as a state with this vile Constitution, which will require all the United States Troops to enforce. And for this purpose a bill is now before Congress providing for a large increase of our standing Army that freedom & liberty may be subject to despotism" (pages 1 and 27). He noted his pessimism about how the growing demand for cotton, sugar, rice, and tobacco was fueling slavery (page 25). He recorded his attendance at a lecture by Wendell Phillips (page 10) and visits with William Lloyd Garrison (pages 41, 51, 52).

Several entries relate to his religious faith. He wrote of a visit to Seabrook, New Hampshire, pointing out changes in the community since he lived there and his first time attending a public Quaker Meeting since his departure from the Society of Friends (pages 14-15). In a later entry, he recorded being awoken in the night "with a clear and strong impression of these words from the Prophet Isaiah . . . and must have been presented by some guardian Angel for my benefit" (page 39). He also documented his birthday, and in 1859 attributed his prosperity to "constant attention and strict regard to the known Laws of Divine Providence" (page 46). Philbrick described his illness in the months preceding his death, those who visited him, and (in his final entry) his decline, mental state, and awareness of his impending death. "I am now approaching a change, the greatest of all others to which life is subjected..." (pages 51-53). Beneath the final entry, a note written in a different hand reads: "died Sep 19th about 9 A.M."

Three newspaper clippings are pasted onto page 54 of the volume, one regarding Samuel Philbrick's resignation from the Massachusetts Anti-Slavery Society and two relating to his death.

• 1859 August 10. Rob[er]t F. Wallcut, AMsS; [Boston, Massachusetts]. 2 pages. Extract from the Massachusetts Anti-Slavery Society minutes regarding their acceptance of Samuel Philbrick's resignation as treasurer and gratitude for his service.
• [1859] September 22. Angelina [Grimké Weld], S[arah] M. G[rimké], and Theodore D. Weld ALS to Eliza [Philbrick] and Edward [Philbrick]; s.l. 4 pages. Condolences upon Samuel Philbrick's death. Remarks on his character, faith, and consolation of having family nearby. One-page transcript of Theodore Weld's message included.
• [1859] September 23. Maria Weston Chapman ALS to [Edward] Philbrick; Weymouth, [Massachusetts]. 7 pages. Attended Samuel Philbrick's funeral. Reflections on how his encouragement in the anti-slavery cause influenced her and her husband. Notes on bereavement.
• [Undated]. Letter Copy to C. H. Shipman; s.l., 4 pages. A handwritten copy of a letter, possibly written by Samuel Philbrick, to Shipman with comments on the education of children and abiding by the Divine Laws. Gives an account of his youth growing up in New Hampshire exposed to "vulgar & corrupted classes of workmen" and alcohol. Describes his turn to temperance and education. Religious reflections and beliefs.