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The Alexander family papers document the family, life, and early career of pianist Margaret June Alexander (also known as Vonya Alexandre) throughout the early 1900s. The collection is made up of two journals kept by her mother, Myrilla M. Anderson, plus letters, writings, artwork, family photographs, printed programs, sheet music, and other materials related to this Decatur County and Indianapolis, Indiana, family.

The Alexander family papers document the family, life, and early career of pianist Margaret June Alexander (also known as Vonya Alexandre) throughout the early 1900s. The collection consists of two journals kept by her mother, Myrilla M. Anderson, plus approximately 1 linear foot of letters, writings, artwork, family photographs, printed programs, sheet music, books, newspaper clippings, and other materials related to this Decatur County and Indianapolis, Indiana, family.

Margaret's mother, Myrilla Anderson Alexander, wrote two journals during Margaret's early life and stages of her musical career. The first, kept between 1894 and 1896, documents Myrilla's experiences during Margaret's infancy and a list of musical lessons, associated fees, and required books. The second journal covers 1907 to 1917, and focuses primarily on Margaret's musical performances, complemented by enclosed newspaper clippings, correspondence, and programs.

The Alexander family papers include Myrilla M. Anderson Alexander's sketchbook of ink, watercolor, and charcoal illustrations. A hand bound book appears in the collection, written for Myrilla Alexander by R. E. Sylvester, which contains poetry and sketches.

The collection includes 4 letters by Myrilla Alexander, picture postcards, calling cards, 2 blank living wills from the state of Florida, and a 1945 marriage certificate for Carl F. Grouleff and Vonya Kurzhene. A typed document titled "Remembrances of Anna Stover and Edith Surbey" recounts the friends' lives from their early education through their ongoing religious charity work. Other items include a handwritten description of Margaret June Alexander's 1913 performance at Carnegie Hall, a list of quotations, and a certificate regarding the eligibility of Mary Alexander Tarkington and Caroline Anderson Haugh to join the Daughters of the American Revolution.

Approximately 110 photographs depict Margaret June Alexander, her performance partner Mischel Kurzene, and members of the Alexander, Anderson, and Tarkington families. An address book kept by Myrilla Alexander includes addresses and birthdays of family and friends.

The collection's printed items include programs for musical events, sheet music, newspaper clippings, and two books. Approximately 50 programs reflect Margaret June Alexander's musical career between 1907 and 1927. Obituaries for members of the Alexander and Tarkington families appear within the collection's newspaper clippings. Multiple copies of an undated, printed advertisement for "Dr. Alexander's Effervescing Headache Powders" are also present. The collection's 2 books are G. W. H. Kemper's A Medical History of the State of Indiana (Chicago: American Medical Association Press, 1911) and Joseph Tarkington's Autobiography of Rev. Joseph Tarkington (Cincinnati: Curts & Jennings, 1899).

In the 1870s and 1880s Charles H. Lund of Nashua, New Hampshire, compiled this collection of letters, documents, essays and other writings (including a manuscript newspaper), artwork, and miscellaneous printed items relating to his education, social life, and participation in the Nashua City Guards. The collection is accompanied by the original album in which Lund housed them.

In the 1870s and 1880s Charles H. Lund of Nashua, New Hampshire, compiled this collection of letters, documents, essays and other writings, artwork, and miscellaneous printed items relating to his education, social life, and participation in the Nashua City Guards. The collection is accompanied by the original file which housed them.

The Correspondence Series consists of eleven letters, ten of which are addressed to Charles H. Lund. The bulk appear to have been written by former schoolmates and commented in some fashion on education. One was likely written by one of his teachers. A handful of others relate to politics, railroads, agriculture, and the Nashua City Guards.

The Documents Series consists of miscellaneous items relating to Lund's education, including report cards for Charles and Marcus Lund, a reward of merit, and notices for readings from the Taming of the Shrew. The series also contains a receipt for payment to the Nashua City Guards, a document relating to payment for use of the patented "Richardson's Centennial Gate," and a handmade advertisement for Charles Lund's "Crosses Cut to Order."

The Writings Series includes school essays and compositions on topics like American history and the causes of the American Revolution, the seasons, the last day of school, railroads, "A Kiss in School," secret societies, Edmund Burke, and others. Lund annotated one essay from 1870 with the message, "First Composition and a poor one too." The verso of an undated essay entitled "Railroads" includes a manuscript drawing of a school desk along with diagrams of how the interior was organized. A manuscript newspaper, "The Star," was dated March 17, 1887, and proclaimed itself "The leading grange paper in Nashua. Is adapted to the farmer, the mechanic, the business and professional man." It features poetry, jokes and riddles, advertisements, and articles relating to farming, religion, cities, manhood, and other topics. Two poems are also present in the series.

The Original Artwork Series includes calling cards for Charles H. Lund and several of his acquaintances, featuring manuscript drawings of birds, flora, and calligraphic embellishments. Other drawings in the series include pencil illustrations of flowers, a bicycle, a train engine, dogs, Charles Lund's initials done in colored pencil with graphic elements added, and a pencil and colored pencil rendering of the Lund homestead, showing the main residence and outbuildings.

The Printed Materials Series consists of programs, two catalogs for the Nashua Literary Institution, a printed calling card for Lund, a menu for the Profile House, and a newspaper clipping of a government bond.

The album in which the collection was originally housed is located at the back of the box.

This collection contains correspondence that Charlotte Henrietta Winslow (née Pettibone) received in the mid-1800s. She corresponded with several potential suitors in the latter half of the 1840s, including her future husband, Horace Winslow. Other correspondence includes personal letters she received from family and friends, as well as letters addressed to her sister-in-law, Philinda Winslow. Other items include poems and religious notes.

This collection (1 linear foot) contains over 500 letters related to Charlotte Henrietta Winslow (née Pettibone), as well as poetry, religious notes, and other items. In the mid-1800s, Charlotte Pettibone Winslow received letters from potential suitors, family members, and friends. The collection also contains letters written and received by her husband, Horace Winslow, as well as letters received by her sister-in-law, Philinda Winslow. Most of the correspondence concerns social life in New York City and Connecticut in the early 19th century.

The bulk of the collection consists of correspondence that Charlotte Pettibone Winslow received both before and after her marriage to Presbyterian and Congregational pastor Horace Winslow. She received 3 letters from Delia Bacon between 1844 and 1845 related to her desire to study under Bacon, as well as letters from friends and family members describing their social lives in New York City and in Connecticut towns such as Norfolk and Hartford. Many of the letters discuss courtship and marriage; multiple correspondents also mentioned their acquaintances' visits to Niagara Falls.

Charlotte Pettibone corresponded with several potential suitors in the mid- to late-1840s, and the collection contains many letters she received from suitors, as well as her responses, which include both original items and contemporary copies that Pettibone transcribed herself. Two letters are apologies to potential suitors with whom she did not wish to engage in correspondence and courtship (February 18, 1843 and January 1, 1848). The collection contains 3 letters that Sanford Horton wrote to Pettibone between 1845 and 1846, regarding the possibility of correspondence and the potential for mutual affections, as well as her responses. She also received 4 similar letters from William Long, to whom she responded 3 times. The letters between Pettibone and Long often relate to religious views and to Charlotte's religious studies; the final 2, written in December 1846, discuss the discontinuation of their correspondence.

Other suitors included Harvey Loomis (23 letters and 12 responses, 1847-1848); Nat B. Stevens (7 letters and 2 responses, 1846-1847); and J. H. W. Wing (2 letters and 6 responses, 1848). Horace Winslow wrote 3 letters to Charlotte during their courtship, and 13 during the first two years of their marriage, expressing his affections and providing news of his health and activities.

Charlotte Pettibone Winslow also received letters from her mother, Fanny Pettibone, who provided news from Norfolk, Connecticut, and from her extended family. Fanny Pettibone received several letters from Jeffrey O. Phelps between 1876 and 1877, most of which concern finances. Charlotte Pettibone Winslow received 4 letters from her niece, Molly P. Phelps, about her studies at Amherst College between 1838 and 1840. Winslow also wrote to her sister-in-law, Philinda Winslow, after 1850, and wrote to other friends and family members throughout the early 1800s.

Philinda Winslow received social letters from friends and family members, including 19 from her brother Horace. Friends, cousins, and other correspondents discussed social news; her most frequent correspondent, Corinna A. Fisher, wrote 50 letters between 1845 and 1853, most from Lansingburg, New York. On April 17, 1862, Corinna A. Shearer responded to news of Horace Winslow's appointment as chaplain to the 5th Connecticut Volunteer Regiment, and wrote of the sacrifice of lives for the preservation of the Union. Two other items relate to Horace Winslow's Civil War service, including a paper listing his name and regiment and an undated printed form for declaring "Arrears of Pay."

The collection also contains a letter written to Timothy Stanley from a woman's rights convention held in Connecicut in 1854, in which the author claimed that women possessed superior qualities to men, advocated that women retain their surnames after marriage, and discussed women's civil rights.

Additional materials include a colored picture of a flower, miscellaneous fragments and notes, and a document respecting Charlotte Pettibone's performance at Miss Hillyer's School. The collection also contains 12 poems and poetic fragments, 13 sets of notes on sermons and Bible verses, a receipt, a printed letter that Horace Winslow addressed "For the Freedmen," a program for the Fourth Annual New England Conference of Christian Workers, and an advertisement for religious tracts.

Christian Hoffman, of Cincinnati, Ohio, and Newport, Kentucky, compiled this 201-page book of poetry, largely in the German language, with eight poems in English. Hoffman's selections include poems or poem fragments by Henry Kirke White, Lord Byron, Agnes Franz, Friedrich Rückert, Christian Hoffmann von Hoffmannswaldau, Friedrich von Sallet, August Henrich Hoffmann, and others. Christian Hoffmann apparently included several original spiritual poems, such as "Des Kinder schwingender Geist" (pages 18-24) and "Die Absched des Prindes Gottes" (pages 169-170). Several blackletter script titles, decorative initials, and illustrations are present. The three illustrations include an urn with flowers (page 69), an angel with a harp (page 168), and a vignette of three maidens holding a banner with the words "O laube", "Liebe und" and "Hoffman" (page 76).

Christian Hoffman, of Cincinnati, Ohio, and Newport, Kentucky, compiled this 201-page book of poetry, largely in the German language, with eight poems in English. Hoffman's selections include poems or poem fragments by Henry Kirke White, Lord Byron, Agnes Franz, Friedrich Rückert, Christian Hoffmann von Hoffmannswaldau, Friedrich von Sallet, August Henrich Hoffmann, and others. Christian Hoffmann apparently included several original spiritual poems, such as "Des Kinder schwingender Geist" (pages 18-24) and "Die Absched des Prindes Gottes" (pages 169-170). Several blackletter script titles, decorative initials, and illustrations are present. The three illustrations include an urn with flowers (page 69), an angel with a harp (page 168), and a vignette of three maidens holding a banner with the words "O laube", "Liebe und" and "Hoffman" (page 76).

Edith A. Moore Frost's commonplace book includes material dating from 1860 to 1893, with signatures, poetry, and comments predominantly written by her classmates and teachers from Ashland High School in Ashland, Massachusetts, and the Massachusetts State Normal School in Framingham, Massachusetts. Acquaintances in Kansas wrote additional entries in the 1880s. Thirty-two photographs of signatories are pasted or tipped into the volume, along with other materials like a fabric swatch with a hair clipping attached, embellished paper, and a pressed leaf.

Edith A. Moore Frost's commonplace book includes material dating from 1860 to 1893, with signatures, poetry, and comments predominantly written by her classmates and teachers from Ashland High School in Ashland, Massachusetts, and the Massachusetts State Normal School in Framingham, Massachusetts. Some entries include notations written in another hand, primarily indicating if someone was a teacher. Acquaintances in Kansas contributed additional entries in the 1880s.

Many persons signing the album added elements to their entries, such as poems, proverbs, comments, and drawings. Twenty-seven photographs of women were pasted into the volume alongside their signatures, with an additional five photographs enclosed in a letter written by Mrs. E. A. Husey to Mrs. F. W. Frost in 1893 (concerning classmates from the State Normal School). The volume includes various other materials tipped or pasted in, such as a fabric swatch with an attached hair clipping, embellished paper, and a pressed leaf.

Edith A. Moore Frost first inscribed the volume on December 25, 1860, indicating this "Forget Me Not Album," which features engraved illustrations of women, may have been given to her as a Christmas gift. She later wrote, beneath a photograph of herself, "Edith A. Frost. Class of 1868. Mass. State Normal School. Framingham Mass. Pictures of graduating Class 1868."

Eleanor I. Moss collected poems, sketches, and engravings in this volume in the early 19th century. Male and female acquaintances contributed poems about friendship, nature, and religion. The visual material depicts buildings, people, and nature.

The Eleanor I. Moss autograph book contains 54 pages of poems, proverbs, engravings, and manuscript drawings and sketches. Moss's acquaintances contributed poems and extracts in the late 1820s, on subjects such as friendship, nature, and religion. Some entries are dedicated to "Ellen." "Caroline W." wrote a poem entitled "Thoughts by a sailor" (page 13), and "Life" (attributed to Byron) was copied with gold ink (page 39). Pages 108-109 and 115 have proverbs and prose passages with moral advice, dated 1845. The volume includes hand-drawn sketches and illustrations. Several engravings are pasted in. Most illustrations depict buildings in the British isles and country scenes.

• Couple under an arch (page 1)
• Dublin Castle (page 7)
• Two men and a woman, colored (page 11)
• Quarry Hill, Kent (page 11)
• Building by a body of water (page 21)
• Castle Acre Castle, Norfolk (page 29)
• Castle by a body of water (page 49)
• Stone building and cemetery (page 61)

• Open book (page 3)
• Boy holding paper (page 7)
• Bird, colored (page 59)
• People on a bridge, next to a man in a small boat, colored (page 63)
• Various flowers (page 122-125)

This collection contains documents, correspondence, and a journal related to German immigrant Carl Gallwitz and to the Mathes family, Alsatian immigrants who were later related to the Gallwitz family by marriage. Included are German-language documents from the early 19th century as well as a journal that Carl Gallwitz kept while traveling to and around the United States in the 1820s.

This collection contains 9 documents, 2 letters, and a journal related to German immigrant Carl Christ Wilhelm Gallwitz and to the Mathes family, Alsatian immigrants who were later related to the Gallwitz family by marriage.

The first 5 items, all in German, are 3 baptism certificates, a printed poem about baptism, and a document. The poem is surrounded by a colored printed floral border, and the document is written on a sheet with a colored illustration of two birds in a floral setting. Other documents are a naturalization certificate for Martin Mathers [sic], issued in Wooster, Ohio (April 2, 1855), and a German and French document from the 1860s certifying the 1833 birth of George Mathes to Martin Mathes and Marguerite Rott of the Alsatian town of Wissembourg.

Correspondence includes a German letter from Martin Mathes, Jr., to his father (July 19, 1850) and a letter signed by several men in Coloma, California, about the death of Martin Mathes, Jr., and funeral costs (December 8, 1850). A manuscript poem in German and an illustration of the Sun are undated.

Carl Christ Wilhelm Gallwitz kept a journal (459 pages) between March 22, 1820, and January 1832. He documented his travels in Europe and in the United States, as well as his life in Ohio. Gallwitz wrote brief entries almost daily between 1820 and 1822, and less frequently through January 1832. Gallwitz occasionally drew illustrations, including a kite's stringing system (July 1, 1820, p. 68), various types of fish (July 4, 1820, pp. 71-73), a "May apple" plant (August 6, 1820, p. 94), and an unidentified mammal (19 August, 1820, p. 99). The journal includes a list of cities that Gallwitz visited while traveling between Pittsburgh, Pennsylvania, and New Orleans, Louisiana (pp. 270-271), as well as several pages of watercolor and ink manuscript maps of his traveling route, usually made on riverboats (pp. 273-299). A translated copy of the journal and Gallwitz's itinerary are housed with the collection.

The journal also includes a colorful illustration of a man painting the portrait of a woman in an interior setting, featuring details such as a patterned rug, a side table with teacups, and paintings hung on the wall (p. 486). Two additional illustrations depict store signs for "L. Weeman & Comp. Store" and "1823. L. Ewing's Office" (p. 491). The inside of the back cover bears a pencil sketch of three figures at the base of a bluff.

The Irene Levis Roberts album, entitled "Flowers of Loveliness," contains poems by W. H. Green and A. H. Roberts of Smyrna, Delaware, and Edmund Brewster Green of New York, New York. A note about Roberts's baptism is also present.

The Irene Levis Roberts album, which has the title "Flowers of Loveliness" imprinted on the cover, includes 9 entries (17 total pages): 8 poems and 1 note. The poetry, mostly written by A. H. Roberts, concerns topics such as nature and the seasons, religion, travel, and death (see below for a full list of titles). The note by Thomas C. Murphy, pastor of the Methodist Episcopal church in Smyrna, Delaware, pertains to the baptism of Irene L. Roberts on performed on March 11, 1855. Colorful crayon scribbles appear over one of the poems and on several of the later pages.

The book contains a series of colored prints show women dressed and decorated as flowers, each representative of a virtue.

• "To My Niece," by W. L. Green, November 25, 1852 (1 page)
• "The Flight of Time," by Edmund Brewster Green, September 7, 1844 (2 pages)
• "To My Friends," by A. H. Roberts, undated (2 pages)
• "On the Death of Mrs. S. M. of This Place," by A. H. Roberts, undated (2 pages)
• "Lines Suggested on Witnessing the Burial of Mr. D. Carr, Respectfully Addressed to His Widow," by A. H. Roberts, undated (2 pages)
• "The Home of the Christian," by A. H. Roberts, undated (2 pages)
• "The Hindoo Mother," by A. H. Roberts, undated (3 pages)
• "Reflections on My Past Visits to Cantwells Bridge, Addressed to E. D. Clark," by A. H. Roberts, copied by I. Roberts, May 1863 (2 pages)

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album-like entries in German (Kurrentschrift), French, and English.

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album like entries in German (Kurrentschrift), French, and English.

The newspaper clippings appear to be mostly from Worcester, Massachusetts, and contain a variety of topics ranging from social events to poetry, local news, and more. A clipping dated December 18, 1882, celebrates the Turn Verein Society's new hall, and another undated clipping describes a hot air balloon basket being woven by J. F. Byer for an upcoming marriage.

Much of the artwork within the volume is signed, and many signatures also feature the word "Basel." Of the two Stevengraph woven pieces, one is of the Pope (dated 1846) and one features a woman with the name "Halle.Hoffmann.Basel" at the bottom. Many of the sketches are of houses with trees or flowers nearby, and some are more pastoral in nature.

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album-like entries in German (Kurrentschrift), French, and English.

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album like entries in German (Kurrentschrift), French, and English.

The newspaper clippings appear to be mostly from Worcester, Massachusetts, and contain a variety of topics ranging from social events to poetry, local news, and more. A clipping dated December 18, 1882, celebrates the Turn Verein Society's new hall, and another undated clipping describes a hot air balloon basket being woven by J. F. Byer for an upcoming marriage.

Much of the artwork within the volume is signed, and many signatures also feature the word "Basel." Of the two Stevengraph woven pieces, one is of the Pope (dated 1846) and one features a woman with the name "Halle.Hoffmann.Basel" at the bottom. Many of the sketches are of houses with trees or flowers nearby, and some are more pastoral in nature.