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Collection

Buttolph family collection, 1872-1924 (majority within 1872-1890)

3 volumes

The Buttolph family collection contains two diaries and an account book chronicling the experiences and expenses of Larnard D. and Florence W. Buttolph of Corfu, New York, in the late 1800s. Florence W. Buttolph's 1872 diary concerns her social life in rural New York, Larnard D. Buttolph's 1873 diary covers his experiences working in California, and an account book reflects Larnard's farm expenses between 1882 and 1890.

The Buttolph family collection contains two diaries and an account book chronicling the experiences and expenses of Larnard D. and Florence W. Buttolph of Corfu, New York, in the late 19th century. Florence's diary (80 pages), kept between March 10, 1872, and September 28, 1872, relates her social life and daily experiences, including visits to neighbors and attendance at school; she frequently helped her mother around the house, and knitted in her spare time.

The first 40 pages of Larnard’s diary contain addresses and a correspondence record, and the remainder of the volume is a daily diary kept between April 8, 1873, and January 15, 1874, reflecting his experiences traveling by train to California and working at a mill in the northern part of the state. The first few entries, dated in April, cover his transcontinental railroad trip, during which he wrote about his impressions of Iowa, Nebraska, and Wyoming. He reached California by the end of that month, and spent the remainder of the year working various jobs near Sacramento, including mill work and ranching. Though he made some money and was able to travel to San Francisco in December, he decided to return to New York in mid-January 1874.

The final item is Larnard's account book, covering farm expenses between 1882 and 1889, with a few 20th-century items laid in. The first few pages reflect the general state of his finances in 1882 and 1883, and more specific later accounts cover his transactions with local butchers, shearers, and laborers; some record purchases and others sales. Among the items laid in is a printed document for stockholders, entitled "The Pennsylvania Railroad System in 1923" (May 15, 1924).

Visual material includes an ink drawing of a bird and butterfly, as well as tintypes and other photographs of Buttolph family members and anonymous individuals.

Collection

C. Earle Beckwith photograph album, [ca. 1885]

1 volume

The C. Earle Beckwith photograph album contains images of rural living and farming activities, possibly in Michigan.

The C. Earle Beckwith photograph album (17 x 22 cm) contains 18 photographic prints of rural living, possibly in Michigan. Includes two views of a mill; a photograph of two women in a boat; a photograph of a crowded event at a rural residence; a group shot of a brass band; two men and a boy holding farm implements; two images of a railroad track and water tower; and candid photographs of family at home. Also included are several photographs relating to farming activities; one is of a roadside display of vegetables after the harvest.

The album's brown cloth cover has an embossed title "Photographs." The album is inscribed "C. Earle Beckwith, Merry Christmas" and is housed in a light blue box.

Collection

Ferry Family (Dexter Ferry) papers, 1758-1989 (majority within 1855-1959)

23.5 linear feet (in 25 boxes) — 7 oversize volumes

A pioneer Detroit, Michigan family, established the Ferry Seed Company and other business enterprises, active in civic and cultural affairs. Papers document the family and its business, cultural, political and philanthropic activities.

The Ferry family papers document the rise to prominence of this family who first gained their fortune as seed merchants. The papers also reveal the workings of other Detroit businesses, the development of the Detroit Institute of Arts, turn-of-the-century Michigan politics, and the suburban development of Grosse Pointe. The papers span the years 1758 to 1989 with the bulk of the materials covering 1855 to 1959. The collection consists of: account books, ledgers, journals, and business reports; blue prints, deeds, titles, abstracts, and mortgages; correspondence (business and personal); appointment books, diaries, scrapbooks, and clippings; receipts and tax returns, photographs, and printed miscellanea. It is important to note that the Michigan Historical Collections does not house all extant Ferry materials. The donor, Dexter M. Ferry, III, retains possession of several early account books, ledgers, and journals related to D.M. Ferry & Co.; he also kept some family correspondence and virtually all photographs.

The Ferry family papers arrived at the Michigan Historical Collections in an order based on when the donor reviewed the materials. In the course of reprocessing, this order was altered, and an arrangement assigning primacy to the generation of Ferry who created the document was followed. This reprocessing has resulted in three series: Historical and Background, materials predating Dexter M. Ferry; Dexter M. Ferry; and Dexter M. Ferry, Jr. The few problems presented by overlap between generations are duly noted in the contents list. Within these generational series the materials are arrayed in business, personal, philanthropic, and political subseries. Given the natures of the family and the family business, the researcher should note that murkiness exists between subseries divisions. In general these dividing principles work well. They preserve Dexter M. Ferry, III's original order at the folder level while facilitating access by independent researchers.

The strengths of the Ferry collection are myriad. The family correspondence provide unique insight into a family which grew wealthy but remained close-knit. Especially interesting are the long runs of correspondence between Dexter M. Ferry and his mother, Lucy Ferry Crippen, and Dexter M. Ferry, Jr. and his mother, Addie Miller Ferry. The former run reveals much about the fluid society of late nineteenth-century Detroit, and the latter reflects the pressures of more rigidly defined social strictures. The correspondence between Ferry, Jr. and his sisters, Blanche Ferry Hooker and Queene Ferry Coonley, are illuminating on the handling of the family business in the changing economic climates of the twentieth century.

Some facets of the development of the Detroit business community are well documented as the family invested heavily in local real estate and business. The strengths of the present collection revolve around the Dexter M. Ferry, Jr. materials relating to business and finance in Detroit from 1920 to 1950, particularly the banking community's reaction to the crisis of the Depression. The links between automobile touring, the good roads movement, and the development of ancillary industries to support the burgeoning automotive industry are fairly well documented by Dexter M. Ferry, Jr.'s papers. Young Ferry's close association with the development of the Detroit Institute of Arts is extremely well documented and these papers provide a case study of twentieth century patronage.

A somewhat refracted view of Michigan politics at the turn of the twentieth century is provided through the scrapbooks and clippings on Dexter Ferry's failed campaign in 1900 for governor of the state. The papers are stronger in their documentation of Dexter Ferry, Jr.'s political involvement with the local governance of Grosse Pointe. Here the details of community control are thoroughly covered by correspondence, reports, and minutes.

Collection

Hutchins family papers, 1837-1951

4 linear feet — 2 oversize volumes — 1 oversize folder

Allegan County, Michigan, family; correspondence, diaries, photographs, and business papers.

The collection consists of family correspondence, genealogical materials pertaining to the history of the Hutchins and Robertson families, miscellaneous writings of Henry Hudson Hutchins, papers concerning the family's fruit growing interests, and the development of the Saugatuck and Ganges Telephone Co. The collection is of significance for materials relating to the history of Allegan County, Michigan.

Collection

Melvin R. Gilmore papers, 1905-1940, undated

4.25 linear feet

Melvin Randolph Gilmore was one of the preeminent ethnobotanists of his generation and served as Curator of Ethnology for the Museum of Anthropology at the University of Michigan from 1929 to 1939. The Gilmore Papers contain correspondence, topical files, field notes, photographs, and manuscripts related to his work among Native American groups of the Plains and Prairies, including the Arikara and the Omaha.

The Melvin R. Gilmore Papers consist of three series: Correspondence; Research, Writing, and Field Work; and Photographs. With the exception of the Correspondence series, much of the material in the papers is undated, but appears to date mainly from 1905 to 1930.

Collection

Michigan Bell Telephone Company Photographs, 1949-1983

63 linear feet (in 93 boxes)

Photographs (positive and negative), slides, and transparencies taken by the company's photographers to document company activities, products, services, employees at work and at leisure, company exhibits and commemorations, and the response of the company to natural disasters and civil disturbances.

In 1993, Michigan Bell as a corporate entity was subsumed within the Ameritech Corporation. As a by-product of this reorganization and the downsizing resulting from it, the company agreed to deposit with the Bentley Historical Library its extensive archive of photographic images. Totalling approximately one million images, the Michigan Bell Telephone Company photo archive consists of negatives, copy prints, and color transparencies taken in the period since World War II (the bulk beginning in 1949). The collection does not include photos taken since 1983; interspersed throughout, however, are numerous images from before 1949.

The collection has been maintained in the order received with two principal series: Positives and Negatives.

The content of the photographs in the two series varies considerably. Naturally the collection documents the products of the company (phones and other communication devices) and the services provided (e.g. employees at work or the company reacting to a specific customer need). These photos were taken both to inform the general public as accompaniment to press notices and advertising copy and as a communications vehicle within the company, informing employees through the company news publication, Tielines, of activities going on in other divisions of the company or among the various regional Bell offices.

More importantly perhaps, the collection has value for its documentation of events and activities that are common to all large companies. These include images relating to: 1. The activities of employees within the corporation at their work (office workers, repairmen, operators, various support personnel, managers, etc.); 2. The activities of employees outside their work routine as members of corporate social groups (i.e., the company baseball or ice hockey team), at home engaged in leisure time activities, or involved in company-sponsored charitable or public service functions; and 3. Commemorations of specific milestones or events (company parade floats, area office open houses, corporate displays at public events such as fairs, etc.).

In addition, the collection documents the extraordinary and unforeseen as the phone company reacts to events and emergencies not within its control (floods, tornadoes, fires, the 1967 Detroit riot, strikes, and the like) or as a participant in history-making events (the announcement in Ann Arbor of the success of the Salk polio vaccine or the preparation involved in the 1980 Republican National Convention that convened in Detroit).

Collection

Pratt family papers, 1854-1935 (majority within 1865-1895)

3.75 linear feet

The Pratt family papers present a chronicle of middle-class women's lives between the 1850's and 1890's.

The Pratt family papers present a chronicle of middle-class women's lives between the 1850's and 1890's. The writers are uniformly literate and attentive, and the majority of the letters are of a strongly personal nature. While some letters stand on their own, the collection should be seen as one large, continuous document presenting a nineteenth century "woman's" life in many of its aspects, from cleaning and cooking to marriage, childbirth, child rearing, sewing, gardening, travel, music, reading, teaching, religion, death, and friendships. The composite portrait that emerges is stronger than the portraits of any single woman, though the personalities of several of the correspondents are very strongly expressed. As a result, the Pratt Papers is a valuable resource for the study of women's work, as teachers, employees, and home makers, as well as their emotional and personal lives.

The primary focus of the Pratt papers is Emma Louise Pratt (b. 1864 April 8) of Revere, Mass. The collection includes several hundred letters addressed to her, as well as some of her diaries, the diaries of her only brother, Willie (d. 1888), 1881, 1883, and 1886, and notes between Emma and her mother, Emeline. Most of the letters were written by Emma's intimate friends and family members, including several of her aunts and cousins, and these provide the main dialogue of the collection and construct a fascinating image of the development of one young woman's personal relationships during the post-Civil War period. There are four women with whom Emma most consistently corresponded: Claribel M. Tilton Crane, Emma Lois Proctor, Mabel H. Drew Croudis, and Lola V. Jefferds.

Claribel (or Clara) M. Tilton Crane was a school chum of Emma's who moved from Revere to Malden, Mass., in 1873, and a few years later to Quincy. Their correspondence began when the girls were still teenagers, with Claribel describing her new home, her school, friends, pets, clothes, and fancy work, and she and Emma occasionally exchanged riddles and conundrums. The two developed a private code, words that had special meaning to each other, and Claribel often included words at the top of her letters that have no obvious relationship to the text. Over the Christmas holidays, which coincided with her birthday, Claribel always described her presents for that year, a practice that continued even after she and Emma became adults. The subject matter of Claribel's letters changed as she grew and began working in a dry goods store in Quincy owned by her brother, Charlie. Her letters include descriptions of her work, sewing, clothes, and her married life with a man named Crane. Claribel's health was never very good and a great many of the later letters describe her various convalescences. In some of these, Claribel includes floor plans of her home as well as written descriptions.

Emma's cousin, Emma Lois Proctor, moved to LaCrosse, Wisc., when very young to live with her father, Alfred, and new stepmother. The collection includes a few letters from Mary Ann Proctor dating from the 1860's, which refer to Emma Proctor and other family members, and it appears that when Mary Ann Proctor's mother died, Emma returned east to live with the Pratt's until she grew up. Emma Proctor's early letters describe her trip to Wisconsin, her father's farm and family, her work there, her sewing and fancy work, and her efforts to become a teacher. Other members of the Proctor family had also gone west to live, some in Wisconsin, others in Chicago, or as far west as Montana and Washington Territory, and Emma Proctor kept in close contact with all. She eventually became a teacher, and considered moving to Kallispell, Mont., to join a brother and his wife and teach school. The letters she wrote during an 1890 trip to Kallispell include some fine descriptions of the state and of the Flathead Indians. She decided that she would return to Wisconsin, though five years later she returned to Montana.

Mabel H. (Drew) Croudis from Medford, Mass., was another of Emma Pratt's cousins, though from which side of the family she is related is not clear. Mabel and Emma began corresponding in 1881 and their letters continue throughout the entire collection. The two women were exceptionally close and wrote to each other with great regularity, almost every week, and visited each other often. Mabel usually addressed Emma as "Susan" and signed her letters "Betsy". Her letters are filled with family news, discussions of her work as a bookkeeper in her brother's store, and with inside jokes and stories that she and Emma shared. Because of their closeness and the regularity with which they wrote and visited, Mabel's letters tend not to provide a very complete picture of their relationship, though their intimacy comes through very clearly. It appears that neither Emma nor Mabel planned on getting married, even when they reached their early twenties, and Mabel often commented on their plans to grow old together and live in their own "snuggery." Mabel eventually married George Croudis, and this event appears to have put a strain on the friendship. Soon after Mabel's marriage, Mabel complained to Emma about never hearing from her anymore, and implored her to understand that their friendship need not change simply because she has gotten married.

Lola V. Jefferds was another friend of Emma Pratt's who, like Claribel, moved from Revere to Livermore Falls, Me. She and Emma corresponded regularly, though not quite as frequently as Claribel or Mabel. Lola was a spirited person who wrote interesting, usually very descriptive letters. Like Emma, she did not plan on marrying, occasionally expressing a disdain for the men she met, stating that she would prefer to remain single if these men were her only options. Lola's father owned a furniture store in Livermore Falls where Lola worked along with her parents. The family took charge of the local post office at some point, probably through political patronage, and Lola soon began to work there.

Emma Pratt spent a month's holiday with Lola in August, 1891. During this time, she wrote an average of two letters per day to her parents, representing some of the few extant letters written by Emma. These include descriptions of her vacation, the landscape, Lola and her family, and, above all, her homesickness and feelings of guilt at being away from her home and mother. Emma worried constantly that she should not be on vacation, but nevertheless appeared to have a good time. It is unfortunate that Emma's letters to her friends and cousins are not present, for these would be particularly helpful in rounding out the picture. From the letters written to Emma it is known that she was a very descriptive and lively letter writer. Her friends often comment on the pleasure, comfort and amusement they derive from Emma's letters. The collection includes one letter, or rather story, that Emma sent to her cousin Mabel (Betsy) describing a lawn-party at Lola's, that offers a good glimpse into the wit and powers of observation that made Emma such a popular correspondent.

Emma Pratt corresponded regularly with several other women, including her cousins Nettie Maria Fellows (47), Edith Dann (43), Georgie Renton (23), Anna Linn Renton (15), and her aunt, C. Augusta Renton (27). The collection also includes other correspondence of Augusta's, mostly with her sisters, Emeline Pratt and Olive M. Homans (29). The letters from Nettie and Edith are not very illuminating, consisting primarily of brief discussions of family and the weather. The letters from Augusta and her daughters, Georgie and Anna Linn, however, are interesting when placed together. The Rentons owned a boarding house in East Gloucester, Mass., in which all three women worked, and Augusta's letters include interesting discussions of her life as a mother, boarding house keeper, and friend. Augusta also described the health problems of her son, Freddie, who suffered from a diseased leg. Georgie and Anna Linn began to write to Emma when they were very, through the period in which Georgie entered Wellesley College as a student in the late 1880s. Augusta Renton died in 1890, leaving Georgie, Anna Linn, and a cousin(?) Edith Dann, grief stricken and doing their best to cope with Augusta's death.

The 29 letters from Emeline Pratt's sister, Olive M. Homans, are especially interesting. Olive was a lively writer with a good sense of humor and a strong sense of what she felt was right and wrong. Her correspondence with Emeline began in 1867 after she has moved to Hannibal, Mo., with her husband, Willie Homans. She describes her new home in Missouri, her friends, and vacations to Minnesota, Ohio and Michigan. Olive taught Sunday school to freedmen in Missouri.

Emma's diaries, written in 1883-1887 and 1889-1892, consist only of one page entries, and are not particularly introspective. However, there are a few instances in which Emma manages to express her feelings within this space. It is in here that Emma's relationship with her father and mother becomes clearer, as well as Emma's frustration at feeling that she is a financial burden to her father because, at the age of 19 and unmarried, she still lives at home and is not contributing to the family's income. This frustration influenced her feelings toward both her parents, though in very different ways. Emma grew very protective of her mother, and assumed the role of the dutiful daughter trying to ease her mother's burden. At the same time, she seemed to grow angrier and angrier with her father, though her basic love for him always remained. Emma expressed an interest in becoming a dressmaker, but complained that she never had the time to learn, as she was so busy with housework, church activities, and (apparently) letter writing. At the end of each entry in her diary, she kept track of the Bible verse she had read for the day.

In August, 1888, Emma's brother, Willie, died in a drowning accident. Her diary from this year is absent, however in 1889, almost every entry mentions Willie, Willie's death, and Emma's grief and disbelief that her brother was taken from her. The collection includes a substantial number of letters of condolence as well. At about this time, both Emma and Emeline began a correspondence with a woman, Emma Aldrich, whose daughter had recently died. The daughter and Willie were buried in the same cemetery, and the letters from Emma Aldrich deal mainly with the cemetery plots and the death of her daughter and Willie.

Parallel to the letters of the Pratt and Proctor family is a very significant series of correspondence relating to the Stebbins family. This series forms a self-contained body of approximately 75 letters dating between 1854 and 1869, which may have been collected by Emma or written by relatives, but connections to either the Pratt or Proctor families is unclear. The focus of these letters is a woman, Laura Stebbins, from Springfield, Mass., whose teaching career took her into positions in the Deep South in the 1850s, and to Washington, D.C., to teach freedmen in the 1860s, and also includes a number of letters from a man, Eugene, probably her brother. Laura appears to have suffered from poor health, experiencing a great deal of trouble with her eyes. It is also apparent that her family and friends admired her greatly. She was considered to be an unselfish friend and teacher, selfless, and always thinking of others. From their perspective, Stebbins was the "perfect" woman who represented the "angel in the house," so to speak.

The Stebbins correspondence includes some excellent descriptions of the life of a woman teacher during the late ante-bellum period, her attitudes toward teaching, her students, and the south, and there are several letters that concern the education of freedmen and the end of the war and early Reconstruction period in Virginia. Like Laura, Eugene worked with freedmen in Norfolk, Va., both for an unidentified employer and the Freedmen's Bureau, and his letters are packed with interesting description and thoughts about his work, his home, Laura's teaching and health, and the aftermath of the Civil War. The collection also includes several letters written to Laura from family members and friends, including two women teachers with whom Laura seems to have been particularly close, Martha E. Swan and "Jennie."

Among other items, the Stebbins letters include two particularly interesting letters from a woman, Marcia A. Gleaner, that describe her experiences as an employee in a wholesale cloak store on Broadway in New York City in 1862. In the first letter, Marcia expressed her disgust with New York City and with her working and living conditions. In the second, she described an accident at work in which a women fell down the stairs while she and the other 150 others were leaving for the day.

Finally, there is a sequence of letters that is difficult to trace to the Pratt, Proctor or Stebbins families. These are a group of letters from the French, West, and Richardson families in Oberlin and Pittsfield, Ohio, Potsdam, N.Y., Jaffrey and Rindge, N.H., Cornish, Me., and Fitchburg, Mass.. There are several interesting letters from Abijah French from California where he has gone to see his brother Levi. Levi has "gone mad" and was unable to recognize Abijah as his brother, though he was able to remember all of his brothers and sisters' names -- Abijah, Alvira, Augusta, and Maria -- as well as his parents', Richard and Percilia. Abijah also describes California and his trip westward. It is possible that these families are related to the Pratts and Proctors; there is a letter from Carrie L. Richardson from Cornish, Me. (1893 January 26) to Emma which makes a reference to Grandma Pratt and to Emma's mother's health. An expense account book and miscellaneous receipts and notes belonging to Oscar W. Grover may represent items relating to Emma Pratt's would-be, or actual, husband.

Collection

P.S. Lovejoy Papers, 1918-1941

5 linear feet

Professor of forestry in the School of Natural Resources at the University of Michigan, active in conservation movement, first head of the Michigan Game Division and a popular writer on conservation topics; papers consist of correspondence (including Aldo Leopold and Gifford Pinchot and leading conservationists), reports, writings and photographs.

The collection consists of five linear feet of correspondence and articles, and other materials relating to Lovejoy's work on behalf of forest conservation, forestry in general, his work with various state and local organizations, and his career as a writer for different national magazines.

Though the collection dates from 1918 to 1941, it bulks largest (except for the Articles series) in the period beginning in 1931. This was after Lovejoy had left the University of Michigan and after his pioneering work in the 1920s.

Collection

Robert D. Aldrich Collection, 1783-1983

17 linear feet — 28 oversize volumes — 1 oversize folder

Papers and photographs collected by Robert D. Aldrich relating to the history, people and institutions of Concord village in Jackson County, Michigan; include correspondence, diaries, account books and other papers of Concord residents; records of Concord social organizations, businesses, schools, and church and governmental bodies.

The Robert D. Aldrich collection consists of materials--manuscript, printed, and photographic--documenting the history of Concord, Michigan, in western Jackson County. The collection spans the period from the arrival of the first settlers in 1831 to the 1980s. There are a few items dating back into the eighteenth century (as early as 1783) since the papers of some pioneer families predate their arrival in Concord. The bulk of the collection, though, falls in the period since the Civil War.

The collection documents every facet of life in Concord. Included are the papers of numerous Concord citizens consisting of personal correspondence, diaries, account books and newspaper clippings about them. In addition, Aldrich collected the records of various Concord businesses and organizations, as well as some church, school, and governmental records.

The collection has been divided into two series: Manuscript and Printed Materials, and Visual Materials. Both series are arranged alphabetically either by personal name or name of organization, or by general subject area, such as Circus, Underground Railroad, etc.

Collection

Theodore Hawley Tapping papers, 1909-1916, 1937-1961

2.3 linear feet — 1 oversize volume

Secretary of University of Michigan Alumni Association; correspondence, scrapbooks, and photographs.

The T. Hawley Tapping collection includes material documenting his student days at the University of Michigan and University of Iowa, the Acacia fraternity and his work as consultant to f University in the Philippine Islands and service to the University of Michigan Alumni Association. The papers are arranged into three series: Correspondence; Scrapbooks; and Photographs.