Collections : [University of Michigan Bentley Historical Library]

Architect; professor of architecture at the University of Michigan. Client files, topical file, and miscellaneous presentation drawings.

The George Brigham collection consists of three linear feet and 10 oversize drawers of architectural drawings, photographs, correspondence, and subject files relating to his career as a practicing architect in southeastern Michigan (mainly Ann Arbor), but also including some materials when he was based in Pasadena, California.

The collection has been arranged into five series: Client Files; Client Drawings Files; Prefabrication Drawings Files; Miscellaneous Drawings Files; and Topical Files

The Client Files and the Topical Files have been placed together in the collection (boxes 1-3). The Client Drawings Files, the Prefabrication Drawings Files, and the Miscellaneous Drawings Files, consisting of oversized architectural materials, have been placed together in flat storage drawers.

The Client Files and the Client Drawings Files will be discussed here together as the distinction between them is primarily one of size rather than content. Each of these series is arranged alphabetically by the name of the client for whom Brigham either designed a structure (mainly private residences), additions to existing structures, or proposed a design for which the structure was never built. As a rule, the Client Files consist of photographs, specifications, smaller original drawings, correspondence, and other materials relating either to the project or to the client, while the Client Drawings Files, as the name states, consists of the original designs from conception to final revisions as given to the contractor. There is some mixing of materials between the two series with an occasional oversize photograph located in the Client Drawings Files and with some smaller-sized drawings located in the Client Files. The researcher should also note that while the lists of names for the two series are basically the same they are not identical. The disparities depend upon whether a structure was actually built or not and whether all of the materials have survived. As a group, these two series document Brigham's creative process from first contact with a client through to the construction phase. The series also documents the introduction of a new style of domestic architecture into the Ann Arbor community, particularly areas where the faculty of the University of Michigan resided such as Barton Hills.

The Prefabrication Drawings Files and the Miscellaneous Drawings Files are not client-based files and instead concern Brigham's design innovations in the area of low-cost, prefabricated structures. Unfortunately with the passage of time and the transfer of material about, the original order of these drawings has been lost. An attempt has been made to put the drawings into a subject arrangement but there are still many items imprecisely identified or fragments that were once part of a series of drawings. Some identification is of course possible with clearly defined units of material carrying such labels as 12 panel recreation shelter, a square folding portable shelter and plank wall construction. The largest grouping of drawings here is for Brigham's modular designs, which he called "Unit Built Structures." Perhaps the most significant portion of the Miscellaneous Drawings series relates to the Youtz Unit System of building on which Brigham worked during World War II.

The final series - Topical Files - contain a miscellanea of personal materials, speeches and articles, subject files on his general interest in architectural design. Of interest here in this series are several files relating to Brigham's work with Philip Youtz and his design work on the Youtz Unit House. As mentioned previously, there are also complementary drawings on the Youtz system.

The Martha Cook Building (MCB) opened in the fall of 1915 as the second all-women's dormitory on the University of Michigan campus. It was a gift of Mr. William Wilson Cook, a lawyer-philanthropist from New York City who was born and raised in Hillsdale, Michigan. The Martha Cook Building records are dated from circa 1913-2016 and include blueprints; chronological files; clippings; correspondence; financial records; minutes, particularly of both the MCB's Board of Governors and House Board; publications; reports; scrapbooks; subject files; and visual materials, such as negatives, photographs, and photograph albums.

The Martha Cook Building records (circa 1913-2016) document the activities of those involved with the Martha Cook Building and include blueprints; chronological files; clippings; correspondence; financial records; minutes; reports; scrapbooks; subject files; and visual materials, such as negatives, photographs, and photograph albums.

Significant people and groups featured in this collection include William. W. Cook; various House Directors, such as Sarah Rowe, G.J. Diekema, Olive Chernow, Josette Allen, and Rosalie Moore; the building's Board of Governors and House Board; and Martha Cook Building students and alumnae. Other notable topics include the construction, furnishing and remodeling of the Martha Cook Building; various scholarships; and activities, such as various anniversary events and the Messiah Dinner.

Ann Arbor, Michigan family. Architectural drawings and renderings for their Ann Arbor, Michigan home designed by Frank Lloyd Wright and his associates.

The Palmer Family collection consists of three oversized folders located in the basement blueprint cabinet. The folders contain topological maps of the property, a complete set (10) of blueprints for the house, an oversized floor plan, blueprints of perforate block, hand-colored drawings of the garden plans and a colored house plan signed by Wright. The collection also contains the first rendering of the Tea House with two pages of revisions, furniture design details for the Tea House and an outside lantern.

Since coming to the library in 1992, photocopies and photographic copies have been made of some of the more fragile items in the collection. The researcher is encouraged to consult these before inquiring about access to the originals. The number in parentheses at the end of each description is an identifying number assigned by the donor for individual drawings or a group of related drawings.

For an extensive selection of photographs of the Palmer house, the researcher should consult The Wright Style by Carla Lind (1992).

Architect, professor of architecture at the University of Michigan. Biographical information; subject files relating to his professional activities, his involvement with the International Congress for Modern Architecture, his interest in architectural education, and his own design work; photographs and architectural drawings. The collection includes correspondence exchanged with Buckminster Fuller and Walter Gropius. There is also a letter from Lewis Mumford.

The Walter Sanders collection consists of architectural drawings and photographs, correspondence, and subject files dating from the mid-1930s to his death in 1972. The collection begins with a folder of biographical material followed by a series of folders arranged alphabetically by topic or type of material. Judging by the fullness of his career, it is apparent that these materials represent but a fragment of the documents created and accumulated by Walter Sanders during his professional lifetime. The materials extant in this collection provide a sampling of Sanders' designs, his architectural philosophy, his professional associations, and his teaching career.

The richest portions of the collection include those files of correspondence with other architects and his association with CIAM (the Congrès Internationaux d'Architecture Moderne) or the International Congress for Modern Architecture. Some of Sanders' correspondents include Buckminster Fuller, Walter Gropius, and Lewis Mumford. There are few materials in this collection relating to Sanders' own designs. Except for photographs and drawings of his Ann Arbor residence, the most interesting drawings are for the Pencil Point Home Competition (undated) and for the Chile Pavilion at the 1939 New York World's Fair. Course and class material is also limited though something of Sanders' views on architecture will be found in the "Talks" folder.