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University of Michigan staff photographer, 1913-1947 and commercial photographer in Ann Arbor, Michigan. Collection includes some manuscript material but is primarily photographic prints and negatives made by Swain. Photo subjects include university buildings, faculty, and student activities, archeological expeditions to the Near East and, Ann Arbor scenes and landscapes form his travels in the western United States and Canada.

The papers and photographs of George R. Swain mainly document Swain's accomplishments as university photographer at the University of Michigan from 1913 to 1947. Researchers should note, however, that this is only a sampling of the photographer's work during these years. The Kelsey Museum of Archaeology at the University of Michigan has an extensive collection of Swain's archaeological negatives and prints, and researchers interested in his full career will want to also look at the Kelsey collection. The Bentley Library material, while including several folders of fine photographs Swain made on his travels with Professor Frances Kelsey, for the most part documents Ann Arbor and the University of Michigan.

The collection at the Bentley Library consists of three series: Miscellaneous Papers; Photographers Log; and Photographs (prints; negatives; and lantern slides. Since the bulk of the collection is comprised of early twentieth century images of Ann Arbor and the University of Michigan, the materials will be of most interest to researchers searching for visual documentation of this part of the state in that time period. There are very few materials beyond the visual, although the lengthy captions attached to many overseas images and the essays, diaries, and letters, are extremely interesting and offer insight into how Swain approached his craft, both as a professional photographer and in his personal work.

Ann Arbor, Michigan photographer. Photographic images taken to accompany articles in the Ann Arbor Observer. Images include Ann Arbor businesses, buildings, neighborhoods, parks, landmarks; also photos of local personalities, politicians, business people, and University of Michigan faculty and staff members.

The Peter Yates collection is made up of approximately 5200 negative strips, or 26,000 images, of photographs taken for the Ann Arbor Observer between 1978 and 1990. The collection documents both the ordinary and the eccentric in Ann Arbor, as photographs of politicians, professors and business people are interspersed with images of local "characters" and unusual events. Neighborhoods, parks and buildings are also represented in the collection. The negatives are stored in chronological order, according to the date of the issue in which they appeared.

The index is arranged in alphabetical order by subject, and each entry includes the date of the Observer issue in which the photograph was published. The index is not comprehensive, but provides access to photographs of notable people, institutions and trends in Ann Arbor. For example, not every restaurant review photograph has been indexed, but "institutions" such as the Fleetwood Diner and the Gandy Dancer do appear on the list.

For further subject access to the Ann Arbor Observer, please consult the Index to the Michigan Alumnus, LSA Magazine and Ann Arbor Observer in the Bentley Library reading room.

General secretary of the Alumni Association of the University of Michigan and editor of the Michigan Alumnus; correspondence, drawings and etchings, photographs and other visual materials

The Shaw collection is an assemblage of personal materials such as correspondence, essays and student notebook, and of Shaw's work as an artists including drawings, etchings, and other examples of artistic expression that he used in connection with his work with the University's Alumni Association and its publications. Records of Shaw's activities with the university will be found in the record groups for the Alumni Association and the Bureau of Alumni Relations also located at the Bentley Library. The collection has been divided into five series: Correspondence, Essays, Drawings and Etchings, Miscellaneous, and Photographs and other Visual Materials.