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The Fiske carte-de-visite album contains formal studio portraits of various men and women, most of whom are unidentified. The photographs were taken in locations such as New York City; New Haven, Connecticut; and Litchfield, Connecticut.

The Fiske carte-de-visite album (13cm x 9cm) contains 9 cartes-de-visite and 3 tintypes, all of which are formal studio portraits of men, women, and a young boy. With the exceptions of a young boy named "Ralph," a woman identified as a daughter of [Sereno] Scranton, and Reverend Samuel A. Fisk, a Civil War officer pictured in his uniform, the subjects are anonymous. Some of the pictures were taken in locations such as New York City; New Haven, Connecticut; and Litchfield, Connecticut. The album, which may have belonged to Albert Mentandon of "Geneva," has a cloth cover with a floral pattern stamped in gold.

Collection includes 264 glass-plate negatives of people, some identified as living in Clare or Isabella County, Michigan, and some miscellaneous images, undated [1880-1920].

Collection of 264 glass-plate negatives measuring either 4 inches x 6 inches or 4 inches x 5 inches, mostly unidentified, and all undated [1880-1920]. Included in the collection are portraits and group images of men, women, and children, as well as some buildings, instruments, a band, camping with tents, and horses and buggies. A few identified images are Godon Ripenburg of Clare, Michigan, the Clare Bakery, two Fish family gravestones of Isabella County, Michigan, John D. Oren of Michigan, and the ferry "Manistee." The creator is unknown. There are also two positive images, one of a seated woman cut down into an oval shape on a broken glass plate. The other is a small, partial black and white print of a church and factory taken from negative #97.

Federal census for Michigan show John D. Oren (born about 1868) lived in Duplain, Clinton County, Michigan, in 1910 and in Seneca, Lenawee County, Michigan, in 1930; David Fish (born about 1833) lived in Denver Township, isabella County, Michigan, in 1900; and Gordon Ripenburg (born about 1883) lived in Clare, Michigan, from 1910 to 1918.

Collection includes 1334 film negatives of people, [1920-1945].

Collection of 849 film negatives measuring 3.5 inches x 5 inches, and 485 measuring 5 inches x 7 inches, [1920-1945]. The creator is unknown. Negatives are organized into the topics of babies, boys, children, couples, girls, men, including some in graduation caps and gowns and various World War II uniforms, and women, including some in graduation caps and gowns. There are both portraits and group images, including some wedding and anniversary photographs. There are also miscellaneous images, including pets, buildings, caskets and grave sites, and a few sets of multiple images on one negative. Also included are three small photographs of women. None of the people or locations are identified.

This collection is made up of correspondence, legal documents, and newspaper clippings related to Winnie Ruth Judd and George W. Stephens. Judd was sentenced to death after being found guilty of the murder of her friend and roommate Agnes LeRoi, but avoided capital punishment after being declared insane at a later trial. The focus of the collection is on Judd's mental health and her second trial.

The Correspondence series consists of incoming and outgoing letters of George W. Stephens (24) and Winnie Ruth Judd (5). Stephens, superintendent of the Arizona State Hospital, sent and received 24 letters in the early 1930s. On June 13 and November 4, 1931, he wrote to George S. Adams of Yorkton State Hospital in South Dakota, discussing his salary, hospital funding, and his involvement as a witness in a murder trial. The remaining items are letters that Stephens received from various correspondents about his involvement with the Judd trial and his work at the hospital. Some criticized Stephens for testifying on behalf of Judd at her insanity trial and otherwise discussed the mental health aspects of the case. One correspondent suggested that exposure to aluminum had contributed to Judd's insanity (February 10, 1932), and a longtime acquaintance of the Judd family suggested that Winnie had always been slightly unstable (April 15, 1933). Additional items include a lengthy letter from Juanita Rose Baker, possibly a patient at the Napa State Hospital in Imola, California (January 30, 1932), and an open letter from H. C. Reichenbach of Detroit, Michigan, to the "Supreme Justice" about the religious aspects of capital punishment (April 16-17, 1933).

Winnie Ruth Judd wrote letters to George W. Stephens on October 17 and December 30, 1932. She complained of her poor treatment by "Dr. Stewart," including her imprisonment in a "death cell" where she could hear executions, and thanked Stephens for his assistance in her case. In letters to H. Richardson (October 26, 1932) and her husband, William C. Judd ([December 7, 1932]), she discussed her many health problems and related treatments. Judd received an unsigned letter of support dated December 12, 1932.

The Legal Documents series (13 items) contains materials related to Winnie Ruth Judd's physical and mental health around the time of her murder and insanity trials. Some items mention family members' own mental health issues. Items include a judge's decision regarding Judd's initial appeal of her conviction and sentence (December 12, 1932), and undated transcripts of testimonies by Dr. H. E. Pinkerton and George W. Stephens, both of whom believed that Judd suffered from dementia praecox.

The Newspaper Clippings and Other Printed Items series (37 items) is made up of articles related to the murders of Agnes LeRoi and Hedvig Samuelson and to Winnie Ruth Judd's trials. The materials cover several aspects of the case, including initial reports of the murders, lawyers and other legal personnel involved in Judd's trials, and trial proceedings and judgments. Some materials concern Jack Halloran, a Phoenix businessman and acquaintance of the three women who may have been involved in the murders. Included is Burton McKinnell's printed defense of his sister, entitled "The Truth About Winnie Ruth Judd."

The Photograph is a studio portrait of a young boy.