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The collection documents the history of Saint Charles, Michigan, the Bad and Shiawassee rivers, canals, steamboats, sawmills, public waterways and routes, coal mines, river restoration, and the Greve family.

This is an excellent local history collection of Saint Charles, Michigan, 1800-2011, collected, researched and created by a local historian and researcher, Dale Greve, from 1980 through 2011. The collection documents the history of Saint Charles, Michigan, the Bad and Shiawassee rivers, canals, steamboats, sawmills, public waterways and routes, coal mines, river restoration, and the Greve family in research notes, scrapbooks, maps, reminiscences, photographs, newspaper clippings, reel-to-reel tapes, videos, archaeological surveys and studies, articles, and mitigation plans and project reports.

The collection is organized first by size with oversized materials placed at the end of the finding aid. Letter-size materials are in Boxes 1-23 and legal-sized materials are in boxes 24-27 and 29.Boxes 1-18 are each cubic foot boxes, 19-28 are .5 cubic foot and Box 29 is .25 cubic foot.

After size, the collection is organized by topic and format, and then alphabetically. Boxes 1-18 consist of materials previously in binders, documenting Saint Charles, the Bad and Shiawassee rivers route, canals, steamboats, and sawmills. Boxes 19-22 document the river route from Saginaw to Saint Charles, canals, coal mines, the Bad and Shiawassee rivers, the Greve family, houseboats, motor boating, fishing, the Saginaw Valley waterways, and river and steamboats charts, graphs, and history documented in a variety of formats. Box 23 consists mostly of river studies. Box 24 consists mostly of Greve’s original notes on his research. Boxes 25-26 include most of the Saint Charles history photographs, although some are found also in Box 19. Boxes 26-27 consist mostly of reminiscences on reel-to-reel tapes and videos.

The oversized Saint Charles materials include a volume on the Coal Mine Era in Saint Charles. The first two oversized folders include folder 1) mostly oversized photographs and other oversized related materials; and folder 2) mostly oversized maps and related materials.

2021 Addition: In 2021, boxes 28-29 and four oversized folders were added to the collection. These materials are arranged alphabetically. Box 28 contains St. Charles materials gathered by Dale Greve, including: interviews, maps, certificates, research notes, articles, a report, and a CD, Up River from Saginaw to St. Charles, a forgotten history, 2019. The majority of the collection is a gathered history report of St. Charles, 1822-2020. Additionally, there is a detailed report of the history of coal mines in St. Charles with location, details, and images of almost all the coal mines there. There are two typed transcriptions of 1982 oral history interviews of Aldo Hulien (1905-1986), probably conducted by Dale, and of Jeannette Mason (1890-1986), conducted by Aldo’s wife, Lillian Hulien (1907-1995), who adds her memories. (Their vital statistic dates from Social Security Death Index.)The interviewees tell their story and experience of what it was like living in St. Charles. There are no permission/release forms for these interviews in the collection. There are also maps and research notes composed by Greve of the Bad and Shiawassee Rivers.

Box 29 has legal-sized materials that include Abstracts, a letter, a list, and a story. The letter was written by Dale Greve and sent to Bob Przybyzski. The letter outlines all of Greve’s research on St. Charles mines, and his offer to help Przybyzski if he ever needed it (see Letter to Bob Przybyzski, 2017). The list is items compiled by Greve that were lost from the past and present in St. Charles (See Items Lost to the Village of St. Charles, Past and Present, 016). The story is nine pages long and is about the life of a St. Charles coal miner in 1929 (see St. Charles Coal miner’s life, 1929).

The four oversized folders, #3-6, include St. Charles architecture blueprints, maps, abstracts, a certificate, a graph, and a panorama. Folder 3) is a Certificate of First-Aid Training by the Bureau of mines for Charles Krause. Folder 4) has two blueprints, one of an engineer’s office from a mine and the other being the complete 1946 St. Charles sewer system. Folder 5) has a panoramic picture of Shiawassee Lake, a chronological timeline of St. Charles coal mines, and abstracts. Folder 6) has a map of the Bad and Shiawassee rivers routes and park plan for St. Charles.

The David V. Tinder Collection of Michigan Photography consists of over 100,000 images in a variety of formats including daguerreotypes, ambrotypes, tintypes, cartes de visite, cabinet photographs, real photo postcards, stereographs, and mounted and unmounted paper prints. The collection is primarily made up of vernacular photographs of everyday life in Michigan taken by both professional and amateur photographers from the 1840s into the mid-twentieth century. In addition to supporting local history research, the collection has resources for the study of specific events and subjects. Included are images related to lumbering, mining, suburbanization; the industrialization of cities; travel and transportation; the impact of the automobile; the rise of middle-class leisure society; fashion and dress; ethnicity and race; the role of fraternal organizations in society; and the participation of photographers in business, domestic, and social life. The collection is only partially open for research.

The subject contents of different photographic format series within the Tinder collection vary, depending in part upon how each format was historically used, and the date range of that format's popularity. For example, cartes de visite and cased images are most often formal studio portraits, while stereographs are likely to be outdoor views. Cabinet photographs are frequently portraits, but often composed with less formality than the cartes de visite and cased images. The postcards and the mounted prints contain very diverse subjects. The photographers' file contains many important and rare images of photographers, their galleries, promotional images, and the activities of photographers in the field. See individual series descriptions in the Contents List below for more specific details.

Included throughout are images by both professional and amateur photographers, although those by professionals are extant in far greater numbers.

The collection consists of 2077 scans of images and 18 CDs of a miscellaneous photographic collection, 1901-1962, mostly 1925-1945, and undated, which were scanned in 2010.

The collection includes 2077 scans of images and 18 CDS of the Society’s miscellaneous photographic collection of glass-plate negatives, photographs and negatives, 1901-1960s, mostly 1925-1945, and undated. The collected was temporarily loaned to the Clarke so it could be scanned for preservation purposes in 2010. These images include Burt Lake, Pickerel Lake, Bay View, Charlevoix, Harbor Springs, Oden, Petoskey, Pellston, and Walloon Lake, Michigan, people, stores, and buildings and tourist sites on Mackinac Island. Major topics documented include Camp Algonquin, now a YMCA camp in Hastings, Old Petoskey Hospital, little Traverse Hospital, winter sports and queens, portraits of many unidentified people, boats, cottages, logging, fishing, Miss Ethel Shepherd’s art classes, and a wedding at the cottage of O. J. Laylander at Burt Lake. Some images were taken by Foley Photography Studio (Traverse City, Michigan). A descriptive list of folder labels of the originals is in the front of Box 1.

The collection consists of 2,000 scans of images and 47 CDs of a miscellaneous nineteenth century photographic collection, which were scanned in 2013.

The collection includes approximately 2,000 scans of images and 47 CDs of the LTHBM miscellaneous photographic collection of glass-plate negatives, photographs and negatives, mostly nineteenth century. The collection was loaned temporarily to the Clarke Historical Library so it could be scanned for preservation purposes in 2013. Images in the collection include mostly Petoskey (Mich.) centennial, buildings, churches, hotels, the hospital, railroads, streets, numerous people, and businesses, as well as mills located along Bear River, the waterfront, boats, and steamships. Other Michigan locations documented in the collection include Alanson, Pellston, Bay View, Boyne City, Boyne Falls, Carson, Carp Lake, Charlevoix, Cross Village, Harbor Springs, Oden, Onaway, Pellston, Sturgeon Bay, and Walloon Lake, as well as Camp Daggett.

Boxes 1-7 include an inventory of images and prints of all scanned images. Images were scanned both at 600 and 72 dpi. Box 8 contains the CD-ROMS. The original collection was returned to the LTBHM. For further information see the inventory in Box 1.

A backup copy of all the scans and CDs is in a separate location in the stacks.

The collection was kept in its original order during processing. The collection contains only scans of original photographs, while the LTBHM maintains the originals. All digital CDs contained in the collection are housed in CD cases, but are not individually stored in folders.

The Log of the Wiheda photograph album contains six pages of typescript narrative followed by 31 numbered photographs that together describe a six-day journey by motor-boat from Coopersville, New York, to Sorel, Quebec, by way of Lake Champlain, the Richelieu, and Saint Lawrence Rivers in August, 1908.

The Log of the Wiheda photograph album (15 x 19 cm) contains six pages of typescript narrative referring to 31 numbered photographs that follow, one to a page. The album describes a six-day journey by motor-boat from Coopersville, New York, to Sorel, Quebec, by way of Lake Champlain, the Richelieu, and Saint Lawrence Rivers in August, 1908. The photographs appear to have been taken by David P. Harris, "First Officer and part owner;" the narrative was written by William N. Harris, "Tenderfoot and scribe." Also on the trip were William H. Robinson, "Master and part owner;" Merritt M. Harrus, "Pedagogue and chief cook;" Fred Rainey, "Collegian and bottle washer;" and George Anderson, "Motor expert and utility man."

The photographs show views of the waterways, buildings, and people encountered on the trip. Views of Fort Lennox in Quebec, a shoe factory, and the town of Sorel are featured, also a few views of the Wiheda en route.

The album has a tan, embossed cover with braided string binding.

Marion Shipley compiled this volume while a pre-adolescent and teenager in Portsmouth, New Hampshire. She made collages and colored pencil drawings of domestic scenes, exteriors of residences and gardens, animals, and more. The volume also includes diary entries relating to her social life, humor, and experiences at a school at or near the Naval Academy in Portsmouth. She wrote about getting in trouble in class, passing notes, and flirtatious or romantic relationships. Shipley also pasted and laid in correspondence sent to her by young men courting her, and she added brief comments in the volume speaking to her current romantic interests. Several newspaper clippings also feature male actors and royalty, providing additional information about teenage romantic exploration.

Marion Shipley compiled this volume while a pre-adolescent and teenager in Portsmouth, New Hampshire. She made collages and colored pencil drawings of domestic scenes, exteriors of residences and gardens, animals, and more. The volume also includes diary entries relating to her social life, humor, and experiences at a school at or near the Naval Academy in Portsmouth. She wrote about getting in trouble in class, passing notes, and flirtatious or romantic relationships. Shipley also pasted and laid in correspondence sent to her by young men courting her, and she added brief comments in the volume speaking to her current romantic interests. Several newspaper clippings also feature male actors and royalty, providing additional information about teenage romantic exploration.

The first page is inscribed "Marion Shipley's Picture Book. Naval Academy, November 1898," and is followed by a section of drawings and collaged scenes. The collages include colored pencil drawings of the exterior of residences and gardens; a river scene with boats, bridges, and monuments; a church; a tent (an exhibition tent?); a circus; a kitchen; and living rooms. These have printed clippings of animals, furniture, boats, women and children, crowds, circus entertainers, cars and wagons, and vegetation pasted in. One loose page tipped into the volume is titled "THE FAMILY NEXT DOOR!!!" and features clippings of young children crying, swearing, and being spanked, with added pencil annotations. Other pages are filled with colored pencil drawings of birds and animals, a fishing boat, a horse-drawn vehicle, buildings, a decorated tree, and faces.

Shipley also documented the social life of adolescent boys and girls in her circle, in particular their play at school and their emerging romantic interests. Page 35 is dated June 1, 1907, and is labelled "PRIVET. NO TRESPASSING. ALL RIGHTS RESERED [sic]. For Spelling & Writing." It is followed by a diary entry dated June 7, 1907, describing Shipley's day at school, where she commented on having a substitute teacher, getting in trouble, disliking spelling, and drawing pictures of each other's backs and passing it in the class. The passed note is laid into the volume, featuring six pencil drawings of the back of girls' heads to show their hairstyles, each identified by the girl's names and age. One is of Shipley. She used rebus drawings and numerical substitutes to replace foul language (e.g. "7734" for "Hell"). On page 39, Shipley recorded her favorite expression of 1907, "23 SKIDOO & STUNG," and noted students in her school passing slips pairing boys and girls who apparently liked each other. She claimed to not "like any of the boys in the whole school" of about 400 students. This is followed by two columns of names, one for boys and the other for girls.

Shipley included a number of love letters sent to her. On pages 37 and 38 she affixed five letters (by pasting in the envelopes) from Ralph Dana, sent during his stay at the Hawthorne Inn of Gloucester, Massachusetts, from July to September, 1906. He wrote of local entertainments, engagements with friends, his romantic interest in her, guarded concerns about her activities and who she was spending time with, and his suspicion that she did not reciprocate his feelings. Shipley wrote beneath the letters: "These are some letters I got from who was my best fellow. He is not now. My letter were just as bad to his as his were to me. Now I just love H. S. C. (His picture is in the back of my watch) & have every since June of 1907 & this is Jan. 1908." Shipley also laid in nine pieces of correspondence from a suitor named John, mostly dated from early February 1908. They profess his love for her, ask if she loves him, and request kisses. One is on a piece of paper cut in the shape of a heart, and three others include hearts and arrows painted in gold metallic paint. One letter signed "Fred" is addressed to "K," expressing excitement about her upcoming visit and requesting a photo of a beautiful girl. A doily and a page from a calendar with a quote from the Merchant of Venice is also tipped into the volume.

The final diary entry is written on page 41, where Shipley notes attending Hamlet, which she mentioned liking almost as much as Peter Pan. Elsewhere in the volume, Shipley tipped in newspaper clippings of the actor E. H. Sothern and Dom Manuel II, King of Portugal.

An undated petition from eighteen men requesting admittance to the first parish in Plympton, Massachusetts, appears on the first page of an otherwise empty nineteenth-century blank book produced by Tappan & Whittemore of Boston, "Wholesale dealers in School Books, School Stationery, Drawing, Letter, Writing and Fancy Paper, Envelopes of every description, Slates, Gold and Steel Pens, Ink, Quills, Wafers, etc." It has printed covers with illustrations of Boys and girls fishing, boating, and flying kites on a riverbank, and "Lessons In Drawing" with sixteen various images of fruit, animals, body parts, and a house and boat.

An undated petition from eighteen men requesting admittance to the first parish in Plympton, Massachusetts, appears on the first page of an otherwise empty nineteenth-century blank book produced by Tappan & Whittemore of Boston, "Wholesale dealers in School Books, School Stationery, Drawing, Letter, Writing and Fancy Paper, Envelopes of every description, Slates, Gold and Steel Pens, Ink, Quills, Wafers, &c." It has printed covers with illustrations of Boys and girls fishing, boating, and flying kites on a riverbank, and "Lessons In Drawing" with sixteen various images of fruit, animals, body parts, and a house and boat.

An undated petition from eighteen men requesting admittance to the first parish in Plympton, Massachusetts, appears on the first page of an otherwise empty nineteenth-century blank book produced by Tappan & Whittemore of Boston, "Wholesale dealers in School Books, School Stationery, Drawing, Letter, Writing and Fancy Paper, Envelopes of every description, Slates, Gold and Steel Pens, Ink, Quills, Wafers, etc." It has printed covers with illustrations of Boys and girls fishing, boating, and flying kites on a riverbank, and "Lessons In Drawing" with sixteen various images of fruit, animals, body parts, and a house and boat.

An undated petition from eighteen men requesting admittance to the first parish in Plympton, Massachusetts, appears on the first page of an otherwise empty nineteenth-century blank book produced by Tappan & Whittemore of Boston, "Wholesale dealers in School Books, School Stationery, Drawing, Letter, Writing and Fancy Paper, Envelopes of every description, Slates, Gold and Steel Pens, Ink, Quills, Wafers, &c." It has printed covers with illustrations of Boys and girls fishing, boating, and flying kites on a riverbank, and "Lessons In Drawing" with sixteen various images of fruit, animals, body parts, and a house and boat.