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The Elmer Neill sketchbook, dating between 1893 and 1896, contains pencil, ink, and crayon/pastel drawings likely produced as educational exercises. Also in the volume are manuscript maps of North America, South America, and Africa, as well as calligraphic drawings of birds.

The Elmer Neill sketchbook, dating between 1893 and 1896, contains pencil, ink, and crayon/pastel drawings likely produced as educational exercises. Also in the volume are manuscript maps of North America, South America, and Africa, as well as calligraphic drawings of birds. The drawings in this volume include landscapes, geometric shapes, animals, flowers, a woman outside a log house, a ship, and others. The name Elmer Neill appears once.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

Professor of zoology at the University of Michigan, scientist for the Rockefeller Foundation, and scientific writer for both professional and popular publications. Correspondence, journals, manuscripts of writings, and class materials, including papers detailing his work with the United Fruit Company in Central America, 1928-1931, his later activities with the International Health Division of the Rockefeller Foundation, especially his interest in mosquito research and malaria control programs during the 1930's and 1940's, and his demographic studies of the people of the Ifalik Atoll in the South Pacific in 1953; and photographs.

The Bates papers cover the period 1913-1974 and include material relating to all phases of his career, including his research in Guatemala and Honduras with the United Fruit Company, his studies of mosquito biology and malaria control programs during the 1930's and 1940's in Albania, Egypt, Colombia, and elsewhere and his later investigations into problems of demography and human ecology. The collection includes correspondence, personal and scientific journals, miscellaneous entomological notes, manuscripts of many of his books, articles, and book reviews, copies of the scripts of his television appearances, and University of Michigan class notes. The collections also includes personal photographs and photographs relating to his scientific research.

The collection has been arranged into six series: Correspondence; University of Michigan; Journals, diaries, research; Writings; Notes/miscellaneous personal; and Photographs.