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The Abigail Clark Farley collection is made up of essays, poetry, letters, and fiction that Farley wrote around the 1860s and 1870s. Topics include slavery, the Civil War, Seventh-day Adventists, and the state of Wisconsin.

The Abigail Clark Farley collection is made up of approximately 150 pages of essays, poetry, letters, and fiction that Farley wrote around the 1860s and 1870s. Some individual items contain more than one work, and she occasionally practiced decorated penmanship. The lengthiest item is a story entitled "Slander," a 52-page work (pages 5-8 are not present), and other essays or letters are as long as 4 pages. Though most items are attributed to Abigail Clark (later Abigail Farley), some are excerpts from other sources, such as "The Narative of Lewis Clark" [sic].

Around the time of the Civil War, Farley wrote essays expressing her opposition to slavery and her feelings about the war's high death toll. In many letters, poems, and essays, she commented on Seventh-day Adventism, various religious and moral topics, and friendship. Other essays and copied poems concern nature and the geography of Wisconsin. A group of elegiac poems are accompanied by genealogical notes. The collection includes a brief biographical note about Queen Victoria.

Abigail Farley's letters include an item written under a male pseudonym chastising a female acquaintance for unbecoming behavior (October 7, 1865) and a letter to Ellen G. White about her new husband's abusive behavior (March 28, 1871). One manuscript concerns a prophecy that came to Quaker minister Joseph Hoag. Small ink drawings of birds appear on one page of poems. One item documents partial terms for Abigail Clark's employment as a penmanship instructor. The collection includes recipes for lemon pies, rheumatic drops, several kinds of cake, and nerve ointment.

This slim volume contains a partial account of a trip from New York City to Niagara Falls in August 1825, with entries cutting off abruptly at Lockport, New York. The currently unidentified writer traveled on the incomplete Erie Canal aboard the safety barge Lady Clinton and by road on the last leg of their journey. The author included descriptions of scenery, geographic features, towns, and canal systems they passed. Within the volume are calligraphic headings, pressed leaves, and a color illustration of two birds and flowers.

This slim volume contains a partial account of a trip from New York City to Niagara Falls in August 1825, with entries cutting off abruptly at Lockport, New York. The currently unidentified writer traveled on the incomplete Erie Canal aboard the safety barge Lady Clinton and by road on the last leg of their journey. The author included descriptions of scenery, geographic features, towns, and canal systems they passed. Within the volume are calligraphic headings, pressed leaves, and a color illustration of two birds and flowers.

Major points of the route serve as headings within the volume, being visually differentiated from the main text by calligraphic headings. Observations on town layouts and architecture—including rough estimations of population count—provide a developmental snapshot of the region as perceived by the writer. Also mentioned is the construction on the Mt. Pleasant Prison at Sing Sing [Sing Sing Prison, Ossining, New York] and the quarry of white marble used by the builders.

The writer's travel by road was apparently not as easy as their travel by canal. After turning off the Ridge Road at Hartland, New York, descriptions of the woodland seem to indicate a host of obstructions in the form of mudholes, ruts, and stumps (p. 22). Apart from the entries on towns and landscapes, the writer noted a hotel landlord in Victor, New York, who kept two wolves, two small deer, and a fox in his yard (p. 16).

Yellowed imprints of larger leaves placed into the volume can be found on later pages, but only the smallest have lasted to the present day.

The Blanchard family papers document the lives and careers of several members of the Blanchard, Cobb, and Proctor families from the mid-nineteenth century through the late twentieth century. Includes visual materials, publications, personal writings, and extensive correspondence files.

The Blanchard Family Papers document the professional achievements and personal lives of several generations of a scientifically minded and artistically gifted family. The papers focus heavily upon the eminent plant pathologist and nematologist Nathan A. Cobb, his wife Alice Vara Cobb, their daughter, biologist Frieda Cobb Blanchard, and her husband, herpetologist Frank Nelson Blanchard (the latter two of whom were professors at the University of Michigan). In addition to the photographs, drawings, correspondence, journals, and writings of these four individuals, the collection is rich in family correspondence, diaries, and personal papers from other members of the Cobb and Blanchard families (and their forebears and branches, including the Bigelow, Proctor, Ross, White, and Randall families). The Blanchard Family Papers will be of value to researchers interested in a variety of topics: scientific endeavors and methodologies (and in particular those related to agronomy, nematology, botany, and herpetology); the visual arts and the development of photography in the late nineteenth and early twentieth centuries; colonial and provincial life in Australia and Hawaii (respectively); and the daily affairs of American (and Michigan) families throughout the twentieth century. The Blanchard Family Papers consist of seven series: Nathan A. Cobb, Alice Vara Cobb, Frieda Cobb Blanchard, Frank Nelson Blanchard, Blanchard and Cobb Family Letters, Other Family Members, and Isaac G. Blanchard.

In the 1870s and 1880s Charles H. Lund of Nashua, New Hampshire, compiled this collection of letters, documents, essays and other writings (including a manuscript newspaper), artwork, and miscellaneous printed items relating to his education, social life, and participation in the Nashua City Guards. The collection is accompanied by the original album in which Lund housed them.

In the 1870s and 1880s Charles H. Lund of Nashua, New Hampshire, compiled this collection of letters, documents, essays and other writings, artwork, and miscellaneous printed items relating to his education, social life, and participation in the Nashua City Guards. The collection is accompanied by the original file which housed them.

The Correspondence Series consists of eleven letters, ten of which are addressed to Charles H. Lund. The bulk appear to have been written by former schoolmates and commented in some fashion on education. One was likely written by one of his teachers. A handful of others relate to politics, railroads, agriculture, and the Nashua City Guards.

The Documents Series consists of miscellaneous items relating to Lund's education, including report cards for Charles and Marcus Lund, a reward of merit, and notices for readings from the Taming of the Shrew. The series also contains a receipt for payment to the Nashua City Guards, a document relating to payment for use of the patented "Richardson's Centennial Gate," and a handmade advertisement for Charles Lund's "Crosses Cut to Order."

The Writings Series includes school essays and compositions on topics like American history and the causes of the American Revolution, the seasons, the last day of school, railroads, "A Kiss in School," secret societies, Edmund Burke, and others. Lund annotated one essay from 1870 with the message, "First Composition and a poor one too." The verso of an undated essay entitled "Railroads" includes a manuscript drawing of a school desk along with diagrams of how the interior was organized. A manuscript newspaper, "The Star," was dated March 17, 1887, and proclaimed itself "The leading grange paper in Nashua. Is adapted to the farmer, the mechanic, the business and professional man." It features poetry, jokes and riddles, advertisements, and articles relating to farming, religion, cities, manhood, and other topics. Two poems are also present in the series.

The Original Artwork Series includes calling cards for Charles H. Lund and several of his acquaintances, featuring manuscript drawings of birds, flora, and calligraphic embellishments. Other drawings in the series include pencil illustrations of flowers, a bicycle, a train engine, dogs, Charles Lund's initials done in colored pencil with graphic elements added, and a pencil and colored pencil rendering of the Lund homestead, showing the main residence and outbuildings.

The Printed Materials Series consists of programs, two catalogs for the Nashua Literary Institution, a printed calling card for Lund, a menu for the Profile House, and a newspaper clipping of a government bond.

The album in which the collection was originally housed is located at the back of the box.

Collector of books, maps, artifacts primarily relating to the Harbor Springs area of Michigan. Artifacts include black ash baskets, porcupine quill and birch bark boxes, and miscellaneous stone and metal implements; and miscellaneous collected material.

This finding aid only describes the artifacts and historical documents collected by Earl De La Vergne. The many books he collected have been individually cataloged. The artifacts in the collection include Native American black ash baskets and quill boxes, as well as various stone and metal tools and hardware. The collected documents include a diary of an 1879 trip from Kent County, Michigan, to Emmet County, Michigan, by Etta Carpenter [mimeograph of typescript]; 1902 list of birds seen near Harbor Springs, by O. Widmann and Judge Stephenson; notes relating to Michigan history; photographs; and a citation.

Edith A. Moore Frost's commonplace book includes material dating from 1860 to 1893, with signatures, poetry, and comments predominantly written by her classmates and teachers from Ashland High School in Ashland, Massachusetts, and the Massachusetts State Normal School in Framingham, Massachusetts. Acquaintances in Kansas wrote additional entries in the 1880s. Thirty-two photographs of signatories are pasted or tipped into the volume, along with other materials like a fabric swatch with a hair clipping attached, embellished paper, and a pressed leaf.

Edith A. Moore Frost's commonplace book includes material dating from 1860 to 1893, with signatures, poetry, and comments predominantly written by her classmates and teachers from Ashland High School in Ashland, Massachusetts, and the Massachusetts State Normal School in Framingham, Massachusetts. Some entries include notations written in another hand, primarily indicating if someone was a teacher. Acquaintances in Kansas contributed additional entries in the 1880s.

Many persons signing the album added elements to their entries, such as poems, proverbs, comments, and drawings. Twenty-seven photographs of women were pasted into the volume alongside their signatures, with an additional five photographs enclosed in a letter written by Mrs. E. A. Husey to Mrs. F. W. Frost in 1893 (concerning classmates from the State Normal School). The volume includes various other materials tipped or pasted in, such as a fabric swatch with an attached hair clipping, embellished paper, and a pressed leaf.

Edith A. Moore Frost first inscribed the volume on December 25, 1860, indicating this "Forget Me Not Album," which features engraved illustrations of women, may have been given to her as a Christmas gift. She later wrote, beneath a photograph of herself, "Edith A. Frost. Class of 1868. Mass. State Normal School. Framingham Mass. Pictures of graduating Class 1868."

Eleanor I. Moss collected poems, sketches, and engravings in this volume in the early 19th century. Male and female acquaintances contributed poems about friendship, nature, and religion. The visual material depicts buildings, people, and nature.

The Eleanor I. Moss autograph book contains 54 pages of poems, proverbs, engravings, and manuscript drawings and sketches. Moss's acquaintances contributed poems and extracts in the late 1820s, on subjects such as friendship, nature, and religion. Some entries are dedicated to "Ellen." "Caroline W." wrote a poem entitled "Thoughts by a sailor" (page 13), and "Life" (attributed to Byron) was copied with gold ink (page 39). Pages 108-109 and 115 have proverbs and prose passages with moral advice, dated 1845. The volume includes hand-drawn sketches and illustrations. Several engravings are pasted in. Most illustrations depict buildings in the British isles and country scenes.

• Couple under an arch (page 1)
• Dublin Castle (page 7)
• Two men and a woman, colored (page 11)
• Quarry Hill, Kent (page 11)
• Building by a body of water (page 21)
• Castle Acre Castle, Norfolk (page 29)
• Castle by a body of water (page 49)
• Stone building and cemetery (page 61)

• Open book (page 3)
• Boy holding paper (page 7)
• Bird, colored (page 59)
• People on a bridge, next to a man in a small boat, colored (page 63)
• Various flowers (page 122-125)

This collection contains Ella St. John Whallon's personal correspondence, including letters from friends and family members in Michigan and love letters from her husband, James M. Whallon of Dowagiac, Michigan. The collection also has letters to Lizzie Wittle of Columbia, Pennsylvania, from Edward E. Seifred, a member of the United States Army's 18th Infantry Regiment who served in the Philippines during the early twentieth century. Other items include financial documents, tintype photographs, a commemorative ribbon, and a leather postcard.

This collection (63 items) contains Ella St. John Whallon's personal correspondence, including letters from friends and family members in Michigan, as well as love letters from her husband, James M. Whallon of Dowagiac, Michigan. The collection also has letters to Lizzie Wittle of Columbia, Pennsylvania, from Edward E. Seifred, a member of the United States Army's 18th Infantry Regiment who served in the Philippines, and another correspondent, dated between 1903 and 1909. Other items include financial documents, tintype photographs, a commemorative ribbon, and a leather postcard.

The Correspondence series (58 items) contains correspondence related to Ella St. John Whallon and Lizzie Wittle. During the final years of the Civil War, Philena Hood of Saline, Michigan, wrote to Ella St. John about her experiences in school; one of her letters encloses a small piece of fabric (October 16, 1864). Several of Ella's cousins wrote to her during the late 1860s, mostly about family news from Clinton and Lansing, Michigan. One cousin, Wallace J. Hunt, commented on his experiences while serving with the Union Army in Winchester, Virginia; his letter of January 31, 1865, encloses a tintype photograph.

From 1871-1874, James M. Whallon wrote 27 letters and postcards to Ella St. John, pertaining to his life in Dowagiac, Michigan, his feelings for Ella, and their anticipated marriage. After their wedding, he sometimes wrote brief postcards while traveling. In 1872, Ella wrote 1 letter to James and received 2 letters from her mother. In August 1876, a relative wrote to Ella about his experiences at the Centennial Exhibition in Philadelphia. She received a postcard from her brother Frank in Grand Rapids, Michigan, in 1917, and a partial letter from a friend in 1923.

The second group of correspondence is comprised of 5 letters to Lizzie Wittle of Lancaster County, Pennsylvania. Edward E. Seifred wrote 3 letters while serving with Company I of the United States Army's 18th Infantry Regiment in Manila, Philippines, in 1903 and 1904. He discussed his feelings for Wittle, proposed marriage, and reflected on his life as a soldier. In 1909, she received 2 letters from "Andrew," who explained his decision to delay marriage until achieving financial security and reported on a couple who had eloped in York, Pennsylvania. Undated items include a leather postcard addressed to Lizzie Wittle with an ink drawing of a bulldog on the back.

Five receipts are integrated with the correspondence, including documentation of wages paid to James M. Whallon during his Civil War service (October 24, 1863) and 4 receipts for Samuel St. John's contributions to a church building (1869-1872).

The Photographs series (3 items) contains a tintype portrait of Ella St. John Whallon, a tintype portrait of Samuel St. John, and a carte-de-visite portrait of Ella St. John Whallon.

Ephemera items include a poem that Philena Hood wrote for Ella St. John, with a pencil drawing of a bird on the back, and a ribbon from the 11th Michigan Cavalry Regiment's 1889 reunion in Battle Creek, Michigan.

The Elmer Neill sketchbook, dating between 1893 and 1896, contains pencil, ink, and crayon/pastel drawings likely produced as educational exercises. Also in the volume are manuscript maps of North America, South America, and Africa, as well as calligraphic drawings of birds.

The Elmer Neill sketchbook, dating between 1893 and 1896, contains pencil, ink, and crayon/pastel drawings likely produced as educational exercises. Also in the volume are manuscript maps of North America, South America, and Africa, as well as calligraphic drawings of birds. The drawings in this volume include landscapes, geometric shapes, animals, flowers, a woman outside a log house, a ship, and others. The name Elmer Neill appears once.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.