Search

This collection contains two poems, one letter and various ephemera of the prominent poet and abolitionist writer Elizabeth Margaret Chandler.

This small collection holds two poems, one letter, various ephemera, and printed materials. The first, and most substantial poem is Elegy (1793): On a Negroe Woman of the name of Rose, deceased in Philadelphia, remarkable for her innocent and sincerely pious life. Wrote by a person well acquainted with her conduct and virtues. The poem, which was written before Chandler's birth, is unattributed, and apart from its abolitionist sentiment, its relation to Chandler is unclear. The second poem is a small piece of paper with three short undated stanzas, written by Chandler. The letter, dated December 20, 1830, is addressed to the "Female Antislavery Society of Philadelphia" (not the eponymous society founded by Lucretia Mott in 1833), and sent from Lucy Townshend and Mary L. Lloyd of the Female Society, for Birmingham, West-Bromwich, Wednesbury, Walsall, and Their Respective Neighborhoods, for the Relief of British Negro Slaves. The ephemera items are two small calling cards, one "Lady's Ticket" to lectures at the Franklin Institute, and 1 cut-out silhouette of a female.

Printed material includes 5 prints regarding slavery, 3 books, and a small broadside (see Separated Items for descriptions and locations of this material). The graphic materials are black and white prints depicting: an image of a kneeling slave, often captioned "Am I not a Woman and a Sister?" taken from, and popularized by, Chandler's "Female Repository" page of The Genius of Universal Emancipation (October 16, 1829); a black man being held and whipped by a party of four other black men, all watched by a white man; overhead and cross-section views of a slave ship, with a detail showing the tiny slave quarters; and a black man on one knee looking forlorn as a white master whips a four-man working party in the background; and a picture entitled "United States Slave Trade" that shows well-to-do white men, one on a horse, inspecting and choosing chained male slaves as a black female and two children watch on. Visible in the background of this last piece are the United States Capitol Building, black work parties, and a slave being whipped.

This collection consists of personal information, journal entries, poems, and correspondence of Gene Stratton-Porter, 1904, 1914 - 1924, 2019, and undated.

This collection consists of personal information, journal entries, poems, and correspondence of Gene Stratton-Porter, 1904, 1914 - 1924, 2019, and undated, .5 Cubic Feet (in 1 box). The collection is organized alphabetically. All the correspondence is photocopies.

A large portion of the collection consists of letters sent from Gene Stratton-Porter to Mr. and Mrs. Robert Cochrane, close friends of hers. These letters talk about her writing, surroundings (people, objects), and the environments (nature) she was in. There are also journal entries, where Stratton-Porter makes observations about the world around her. The box also includes poems with markings and edits that were probably made by Gene Stratton-Porter herself. At times, the markings themselves appear to be in another’s handwriting other than Stratton-Porter, in which the reader can make out through the content notes. Topics in her poems typically are nature and emotions. Gene made frequent mention of what her writing meant to her and how it made her feel. This correspondence helps to understand Stratton-Porter on a deeper, more emotional level. Some collection highlights include “A Collection of Poems” by Gene Stratton-Porter, edited poems and short stories, and letters revealing a deeper understanding of her love for nature. Most of the letters are typed. Some letters, from her later life, are addressed from California, her final permanent residence, to various parts of the country, including Arkansas, New York, and Indiana. Most of the letters, however, do not contain a location.

Processing Note: One folder of duplicates was withdrawn from the collection during processing.

Naomi Long Madgett is a prominent poet, educator, and editor, recognized for her significant contribution to African-American letters. Since 1972 she has run, single-handedly, Lotus Press, which publishes poetry by African-Americans and others. The collection documents Madgett's career and the operation of Lotus Press, through correspondence, manuscripts (both by Madgett and by authors published by Lotus Press), ephemera, audiovisual material, and photographs.

The Naomi Long Madgett Papers document the prominent career of Ms. Madgett as a poet and a teacher, and her operation of Lotus Press, which Madgett has run single-handedly for more than 30 years. Thus, the collection makes a good source of insight both into Madgett's own writing and aesthetic sensibility, and into the cultures of lyric poetry and African-American letters in the latter decades of the 20th Century. The bulk of the material covers the 1980s, the 1990s, and the first few years of the 21st century, with Madgett's activities in the 1970s being fairly well represented as well. From the correspondence collected here a vivid picture emerges of Madgett's relationships with some of the authors whose work she published--such as James Emanuel and Gayl Jones--as well as with other authors, such as Gwendolyn Brooks. In addition, correspondence and ephemera evidence the growth of Madgett's own reputation, documenting her many professional activities, awards, and honors over the years. While manuscripts by Madgett herself do not comprise a large part of the collection, the fortunes of one of her most famous poems, "Midway," are documented in detail, and an unpublished autobiography ( Pilgrim Journey) provides an extensive synthesis by the author of her own influences and career (a section of which has been published by Gale's Contemporary Authors' Autobiography Series). Finally, the collection provides a close look at the daily operation, from its inception, of a small literary press.

The Naomi Long Madgett papers have been arranged into nine series: Personal, Writings, General Correspondence, Workshops and Events, Author Files, Business Records, Ephemera, Photographs, and Audiovisual. Books published by Lotus Press, as well as other books and periodicals from Madgett's library, have been catalogued individually and are shelved by call number in the Special Collections Library. Within the collection, however, much material is available from the production of certain Lotus Press books; see below Writings and Author Files.