Collections : [University of Michigan William L. Clements Library]

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Collection

Bandfield family photograph album, ca. 1870

1 volume

Thomas J. Bandfield, a native of England, compiled carte-de-visite photographs of
Thomas J. Bandfield, a native of England, compiled carte-de-visite photographs of friends and family members in this album before moving to the United States in 1870.

The inscription on page one indicates that Jane Rugg Bandfield of Chard, England, gave this photograph album to her son, Thomas John Bandfield, in London, England, in April 1870, before his departure for the United States. The volume (16cm x 14cm) contains 42 carte-de-visite portraits of Bandfield family members and acquaintances, both men and women. A later photographic print with a picture of an unidentified man, possibly Thomas J. Bandfield, is laid into the volume, as is an envelope addressed to Edna Bandfield of Portland, Michigan, Thomas Bandfield's daughter. The envelope has captions for most of the album's cartes-de-visite. A few individuals posed with children. One carte-de-visite has a photograph of a painted silhouette, and another shows "Four old Englishmen," otherwise unidentified. The subjects were photographed in studios in England. Some subjects may appear more than once.

Collection

Episcopal bishops carte de visite album, ca. 1860-1870

1 volume

The Episcopal bishops carte de visite album contains 35 carte de visite photographs of episcopal[...]The Episcopal bishops carte de visite album contains 35 carte de visite photographs of
The Episcopal bishops carte de visite album contains 35 carte de visite photographs of American episcopal bishops and reverends. The cartes de visite date from ca. 1860 to 1870. Most images include handwritten inscriptions stating the name of the subject.

The Episcopal bishops carte de visite album contains 35 carte de visite photographs of episcopal bishops and reverends from throughout the United States during the 1800s. The carte de visites date from ca. 1860 to 1870. Most images include handwritten inscriptions stating the name of the subject.

The album is 12.5 x 16 with brown leather covers.

Folder

II. Cartes de visite

Online
The David V. Tinder Collection of Michigan Photography Carte de Visite Photographs series includes[...] cartes de visite: Cartes de visite photographers list . Series II is sorted by subject. For all but the

The David V. Tinder Collection of Michigan Photography Carte de Visite Photographs series includes upwards of 17,000 photographs produced by approximately 1,270 professional photographers from across the state of Michigan between 1859 and ca. 1910. A majority of the subjects are unidentified people of middle and upper classes, with some notable persons, performers, comic poses, occupational portraits, and people of various ethnic backgrounds represented. A smaller number of pictures of objects and outdoor views are also included. Series I includes mostly anonymous individual portraits taken by known photographers. The Clements Library has created a complete list of photographers represented in the Tinder cartes de visite: Cartes de visite photographers list. Series II is sorted by subject. For all but the broadest categories (such as children, men, or women), the subject groupings include almost all of the photos in the collection on that subject.

Collection

New Hampshire carte-de-visite album, [ca. 1865]

1 volume

The carte-de-visite photographs in this album were taken in locations in New Hampshire and
The New Hampshire carte-de-visite album contains photographic portraits of unidentified individuals and lithographic portraits of prominent Union Army officers, and President and Mrs. Abraham Lincoln.

The New Hampshire carte-de-visite album (15cm x 12cm) contains 20 studio portraits of unidentified individuals and 8 lithographs of famous individuals. The photographs show men, women, children, and infants -- one, Louize M. Rollins [sic], is identified. The lithographs are portraits of Union officers Elmer Ellsworth (2 items), William Rosecrans, Samuel Francis Du Pont, Ulysses S. Grant, and George Meade, and of Abraham and Mary Todd Lincoln. The volume's brown leather cover has a geometric design in relief, with additional floral designs stamped in gold, and two metal clasps.

Collection

New York, Michigan, and Vermont carte-de-visite album, 1865-1881

1 volume

additional carte-de-visite photograph collage. Two of the items are dated November 3, 1865, and September 3
This carte-de-visite album primarily contains formal studio portraits of men, women, and children taken in various locations in northeast North America from the 1860s to 1880s. One photograph shows an artistic rendering of the text of the Lord's Prayer, and a colored cutout is pasted into the volume.

This carte-de-visite album (15cm x 13cm) primarily contains formal studio portraits of men, women, and children taken in various locations in northeast North America from around the mid-1860s to early 1880s. The pictures are comprised of 42 carte-de-visite and 2 tintype portraits, as well as an additional carte-de-visite photograph collage. Two of the items are dated November 3, 1865, and September 3, 1881; few of the people pictured are identified. One woman is shown holding an infant in her lap. One tintype shows a young man dressed in costume wearing a plumed hat. The additional carte-de-visite depicts a printed version of the Lord's Prayer that utilizes several ornate fonts; a picture of Jesus Christ appears amidst the text, which is surrounded by drawn scenes of angels. A cutout pasted into the volume is a colored drawing of a woman standing next to a grazing sheep, framed by three large flowers. The album's brown leather cover has geometric designs stamped in gold and metal clasps; a floral design is carved into the sides of the pages. "Photographs" is stamped in gold on the spine.

Collection

Marsh family papers, 1855-1888 (majority within 1865-1881)

0.5 linear feet

-visite Photographs include 2 studio portraits of unidentified men and a view of unidentified buildings[...]The Bills and Receipts series (18 items) pertains to Rolph Marsh's finances. Three carte-de
This collection is made up of correspondence, financial records, photographs, and ephemera related to members of the Marsh and Capron families of Rahway, New Jersey, and Walden, New York.

This collection contains correspondence, financial records, photographs, and ephemera related to members of the Marsh and Capron families of Rahway, New Jersey, and Walden, New York.

The Correspondence series (161 items) begins with letters to Caroline Capron ("Carrie") from her future husband, Edward Marsh, and other correspondence. Marsh wrote to H. B. Sears, a mutual friend, while living in Germany in the mid-1860s. Edward Marsh provided news of family members, described his travels, and discussed his studies in chemistry. Members of the Capron family later discussed Carrie's intention to marry Marsh and the couple's proposed move to Germany. Later items include business and personal letters to Rolph Marsh, and correspondence regarding his donation of land to a Rahway church.

The Bills and Receipts series (18 items) pertains to Rolph Marsh's finances. Three carte-de-visite Photographs include 2 studio portraits of unidentified men and a view of unidentified buildings. The collection also contains Calling and Business Cards (13 items) and Printed Items (11 items) pertaining to Catherine Marsh's funeral, religious associations and churches, property assessments, and other subjects.

Collection

Hiram W. Coppernall collection, 1864

2 items

received from the United States government for his military service. The diary is accompanied by a carte-de[...]-visite photograph of Coppernall and a framed photograph of two Union cavalry officers, with the message
This collection contains a diary chronicling Hiram W. Coppernall's service in the 24th New York Cavalry Regiment throughout 1864, as well as a photograph. Coppernall recorded his daily movements and activities with the regiment, which saw action at the Battle of Petersburg.

The Hiram W. Coppernall collection pertains to his service in the 24th New York Cavalry Regiment, Company H, during the Civil War. Throughout 1864, he kept a diary (120 pages), which concerns his military training, his unit's marches through Virginia, his participation in the Battle of Petersburg, and his affliction with severe sunstroke. He began writing shortly after his enlistment, and a woman named "Eliza" contributed some early entries in which she apologized for intruding and encouraged Coppernall to remember and write to her. After training and performing police duty in Washington, D.C., the regiment left for Virginia in late April. On May 7, they constructed a breastwork, and on May 18-19 they traveled to Spotsylvania Court House. Coppernall occasionally reported on military engagements that often ended in Union defeats. On June 18, he participated in an assault on Petersburg, Virginia, and on July 30 he mentioned a tunnel explosion and the resulting Battle of the Crater. He wrote less frequently after August 6, when he suffered from severe sunstroke, and he spent much of the rest of the year recuperating and on furlough in New York. He rejoined his regiment in December. In addition to Coppernall's diary entries, the volume has a list of men in his regiment and financial accounts, which include a list of the clothing he received from the United States government for his military service. The diary is accompanied by a carte-de-visite photograph of Coppernall and a framed photograph of two Union cavalry officers, with the message "Same here" (1864).

Collection

James Lough papers, 1897-1905 (majority within 1899-1901)

0.5 linear feet

items include a carte-de-visite photograph of a child, made by J. W. Black & Co., a metal nameplate for
This collection contains letters that James Edwin Lough and his wife, Dora A. Bailey, exchanged around the turn of the 20th century. During the year before their marriage, Bailey wrote to Lough about her life in Somerville, Massachusetts; Lough later wrote to Bailey about his life in Oshkosh, Wisconsin, where he was a college professor.

This collection (0.5 linear feet) contains approximately 340 letters that James Edwin Lough and his wife, Dora A. Bailey, exchanged around the turn of the 20th century. During the year before their marriage, Bailey wrote to Lough about her life in Somerville, Massachusetts; Lough later wrote to Bailey about his life and work in Oshkosh, Wisconsin, where he was a college professor.

Dorothy Albonetta Bailey ("Dora") wrote around 280 letters to James Edwin Lough ("Ed") between September 1899 and June 1900. She commented on her life and social activities in Somerville, Massachusetts; shared her feelings for Lough; and discussed their upcoming marriage. James Lough also received letters from other correspondents, including cousins and acquaintances; his father wrote him a letter about marriage on June 22, 1900. Most items dated after June 1900 are Lough's letters to his wife from Oshkosh, Wisconsin, and New York City, where he was a college professor. Lough discussed travel between Wisconsin and the East Coast, and occasionally referred to his teaching; he sometimes enclosed newspaper clippings. In a series of letters from 1905, Dora Bailey Lough provided news of their young son. Additional items include a carte-de-visite photograph of a child, made by J. W. Black & Co., a metal nameplate for James Edwin Lough, a list of addresses, and a page of the Boston Herald from October 1, 1899.

Collection

John Barbour papers, 1840-1899 (majority within 1883-1899)

1.25 linear feet

Online
The Photographs and portraits series holds 5 carte-de-visite photographs of members of the
This collection consists primarily of incoming personal and professional correspondence received by John Barbour, an Episcopal minister and professor at Berkeley Divinity School, concerning religious life in Connecticut in the late 1800s.

This collection consists primarily of approximately 1,150 incoming personal and professional letters received by John Barbour, an Episcopal minister and professor at Berkeley Divinity School, concerning religious life in Connecticut in the late 1800s. The papers also include 5 photographs, 4 printed portraits, and a small group of additional printed items.

The Correspondence series spans most of Barbour's career. The bulk is comprised primarily of letters John Barbour received between 1883 and 1899, reflecting the everyday lives of clergy in Connecticut and New England, as well as Barbour's work with the Episcopal Church and at Berkeley Divinity School. Many of the letters contain professional inquiries and reports of the writers' daily lives and work with local churches. Several relate to Barbour's role as the librarian of the Berkeley Divinity School, including factual questions and inquiries about specific volumes. Other letters request his services as a minister, including several from the Connecticut Hospital for the Insane in Middletown, Connecticut, and from other clergy requesting substitutes. Additionally, many of the letters concern religious education and mention prominent bishops and others in the Episcopal Church.

Two early items relate to John Barbour's father, Henry S. Barbour, and to administrative affairs of the town of Torrington, Connecticut, in 1852 and 1857. The series also includes a timetable for trains between Hartford, Connecticut, and New York City, and a manuscript complaint from attorney John R. Wittig to the Rt. Rev. Bishop Williams, issued against John Barbour, claiming that Barbour colluded with Wittig's wife in a conspiracy to "get rid" of him and seize his property (March 17, 1885).

The Photographs and portraits series holds 5 carte-de-visite photographs of members of the Barbour family, including Henry S., Sylvester, Herman H., Julia, and Joseph L. Barbour, as well as 4 printed portraits of Episcopal clergy.

The Printed items series contains biographical sketches of bishops, Episcopal clergy, and other figures, removed from published books and newspapers. Among those represented are Bishop John Williams and librarian Melvil Dewey. The series also includes approximately 20 invitations, programs, circular letters, and advertisements. One advertising card for the Fannie C. Paddock Memorial Hospital of Tacoma, Washington Territory, bears an engraved image of the facility.