Collections : [University of Michigan William L. Clements Library]

Thomas J. Bandfield, a native of England, compiled carte-de-visite photographs of friends and family members in this album before moving to the United States in 1870.

The inscription on page one indicates that Jane Rugg Bandfield of Chard, England, gave this photograph album to her son, Thomas John Bandfield, in London, England, in April 1870, before his departure for the United States. The volume (16cm x 14cm) contains 42 carte-de-visite portraits of Bandfield family members and acquaintances, both men and women. A later photographic print with a picture of an unidentified man, possibly Thomas J. Bandfield, is laid into the volume, as is an envelope addressed to Edna Bandfield of Portland, Michigan, Thomas Bandfield's daughter. The envelope has captions for most of the album's cartes-de-visite. A few individuals posed with children. One carte-de-visite has a photograph of a painted silhouette, and another shows "Four old Englishmen," otherwise unidentified. The subjects were photographed in studios in England. Some subjects may appear more than once.

The Episcopal bishops carte de visite album contains 35 carte de visite photographs of American episcopal bishops and reverends. The cartes de visite date from ca. 1860 to 1870. Most images include handwritten inscriptions stating the name of the subject.

The Episcopal bishops carte de visite album contains 35 carte de visite photographs of episcopal bishops and reverends from throughout the United States during the 1800s. The carte de visites date from ca. 1860 to 1870. Most images include handwritten inscriptions stating the name of the subject.

The album is 12.5 x 16 with brown leather covers.

The David V. Tinder Collection of Michigan Photography consists of over 100,000 images in a variety of formats including daguerreotypes, ambrotypes, tintypes, cartes de visite, cabinet photographs, real photo postcards, stereographs, and mounted and unmounted paper prints. The collection is primarily made up of vernacular photographs of everyday life in Michigan taken by both professional and amateur photographers from the 1840s into the mid-twentieth century. In addition to supporting local history research, the collection has resources for the study of specific events and subjects. Included are images related to lumbering, mining, suburbanization; the industrialization of cities; travel and transportation; the impact of the automobile; the rise of middle-class leisure society; fashion and dress; ethnicity and race; the role of fraternal organizations in society; and the participation of photographers in business, domestic, and social life. The collection is only partially open for research.

The subject contents of different photographic format series within the Tinder collection vary, depending in part upon how each format was historically used, and the date range of that format's popularity. For example, cartes de visite and cased images are most often formal studio portraits, while stereographs are likely to be outdoor views. Cabinet photographs are frequently portraits, but often composed with less formality than the cartes de visite and cased images. The postcards and the mounted prints contain very diverse subjects. The photographers' file contains many important and rare images of photographers, their galleries, promotional images, and the activities of photographers in the field. See individual series descriptions in the Contents List below for more specific details.

Included throughout are images by both professional and amateur photographers, although those by professionals are extant in far greater numbers.

The collection consists of correspondence related to the Griffin family of New York City and includes 58 letters that George Griffin and his family exchanged between 1833 and 1854 with author Lydia H. Sigourney of Hartford, Connecticut. Additional material includes letters written by Sigourney about her work and correspondence among members of the Griffin family that provides commentary on family life, two extended trips to Europe, Protestant theology, and higher education. The final series in the collection includes manuscript copies of several of Sigourney's poems, including one on the death of American poet John Trumbull and another on the "Death of a Missionary to Liberia."

The collection consists of correspondence related to the Griffin family of New York City and includes 58 letters that George Griffin and his family exchanged between 1833 and 1854 with author Lydia H. Sigourney of Hartford, Connecticut, as well as several other pieces of correspondence written by Sigourney and others. The second series of the collection includes several folders of correspondence among members of the Griffin family, especially letters of fatherly advice that George Griffin wrote to his sons Edmund Dorr Griffin (1804-1830) and George Griffin, Jr. (1811-1880). In addition to narratives of family life, the bulk of these letters involve accounts of two extended trips to Europe as well as discussions of Protestant theology and higher education. The final series in the collection is a 3-page manuscript copy of Sigourney's poem on the death, in 1831, of American poet John Trumbull.

Sigourney Correspondence, 1833-1854: This subseries consists primarily of Lydia H. Sigourney's correspondence with her close friend and intermediary, George Griffin, and his family in New York City. Thee letters from Lydia Sigourney, dated in 1857 and 1858, may or may not have been to Douglas Smith. In them, she offered a brief remark on her own aging and disclaimed the notion of striving to appear young; content on shipping books to the U.S. Consul; and an interest in agricultural sciences.

Much of Sigourney's correspondence with George Griffin directly involves her work as an author and her position as a woman in that profession. She frequently sent him copies of her written pieces, some of which had already been published in periodicals, asking for advice about the content of the work and about how she might pursue publication. In the course of doing so, she remarked upon her writing and revision process. These letters also specifically address her negotiations, often through Griffin's work as intermediary, with the Key & Biddle, Harpers, Leavitt, Lord & Co., D. Appleton, and Van Nostrand publishing firms, as well as the publication of her Letters to Young Ladies (1833 and 1841), Poems (1834), Sketches (1834), Girl's Reading-book (1838), and Letters to Mothers (1838). Additionally, a small number of letters from 1840 deal with Sigourney's trip to Europe.

Griffin, in turn, kept Sigourney apprised of developments with publishing firms as well as on the sale and review of her work. He candidly offered his response to works she had sent him, as well as general advice on the direction of her literary career. As a writer himself, he too sought feedback for his work, which took the form of theological essays. A manuscript copy of one of the reviews of his book, The Gospel its Own Advocate , appears in this series. Both correspondents also reflected on the challenges facing the publishing industry during the financial crisis of the late 1830s (especially the Panic of 1837) and shared their opinions on the state of American literary culture.

This series also includes letters that Sigourney exchanged with George Griffin's wife, Lydia Butler Griffin, and daughter Caroline. These pieces tended to relate family news and household matters but also included reflections on reading and Sigourney's involvement in various charitable societies. She briefly remarked on her relationship with her African American servant, Ann Prince. In addition, Sigourney conveyed in her letters to George Griffin that she valued the responses of his wife and daughters to her work. Finally, the series contains 2 letters composed by Charles Sigourney, Lydia Sigourney's husband, and ten letters written by Lydia Sigourney relating to her work, public appreciation of it, school celebrations, and social matters.

Griffin Family Correspondence, 1807-1885: The Griffin Family correspondence contains over 150 letters, dated between 1807 and 1885, that relate to George Griffin (1778-1860) of New York City and his family.

Most of the letters from the 1820s deal with Edmund Dorr Griffin (1804-1830), the second son of George and Lydia Butler Griffin. A handful of these items chart his religious convictions and pathway to becoming an Episcopal minister. The bulk of these letters, however, are ones that Edmund exchanged with his parents, siblings, and friends during the extended trip he took to Europe between October 1828 and April 1830. George Griffin's letters to Edmund during this trip are full of advice and directives about where to travel, what to observe, and practicalities about money. He also kept his son informed about matters that were unfolding among the Episcopal churches in New York and at Columbia College. Although George Griffin was the primary writer of these letters, many of them include notes from other family members as well, with accounts of family life, including the courtship and marriage of Edmund's older brother Francis to Mary Sands.

Edmund's letters home narrate his journey and impressions of Europe in extensive detail. George Griffin actively compiled his son's epistles to have them published in periodicals, and upon Edmund's death in September 1830, these travel accounts (not all of which are included in the collection) made up the bulk of the "Remains" compiled by Francis Griffin and published in his brother's memory in 1831. Letters pertaining to the preparation and reception of this document, as well as a 12-page account of Edmund's final days, can be found in Series I and II of the collection.

Another group of letters from 1830 chart George Griffin, Jr.'s (1811-1880) sudden religious awakening and decision to pursue ministerial training under the care of his uncle, Edward Dorr Griffin (1770-1837), a Congregational minister and the president of Williams College. Later letters in the collection reveal that George Griffin, Jr., eventually became a farmer in Catskill, New York, and deal with his efforts to sell his hay. He would also travel to Europe, in 1850, with his ailing sister Caroline (1820-1861). While they were away, their father conveyed advice regularly and procured letters of introduction, some of which remain in the collection.

Additional materials include subjects related to male and female friendship; family financial matter; the births, deaths, or marriages of family members; education; Protestant theology; health and medicine; early telegraph communication; and family genealogy. The handful of items that date to the 1870s and 1880s include a printed piece called "Dear Erskie!" which contains a series of riddles, and a fifteen-page booklet that includes two poems titled "Picnic" and "Archery."

Lydia Sigourney Poems, Notes, and Photograph

This series consists of six items: a 3-page manuscript copy of Sigourney's poem on the death of American poet John Trumbull in 1831; a manuscript copy of "Death of a Missionary to Liberia" written for theColonization Herald; her poem "Tomb of Josephine"; Sigourney's manuscript copy of an 1849 printed notice regarding Whisper to a Bride that she sent to an autograph collector; a "List of L. H. Sigourney's published poetical works" (ca. 1857? in her hand); and a carte-de-visite seated portrait of Lydia H. Sigourney. The photograph was published by E. & H. T. Anthony & Co., New York, from a photographic negative in Brady's National Portrait Gallery. It is signed by Lydia H. Sigourney to her friend Mrs. E. Douglas Smith.

The Letters, Documents, and Other Manuscripts of the Duane Norman Diedrich Collection is a selection of individual items compiled by manuscript collector Duane Norman Diedrich (1935-2018) and the William L. Clements Library. The content of these materials reflect the life and interests of D. N. Diedrich, most prominently subjects pertinent to intellectual, artistic, and social history, education, speech and elocution, the securing of speakers for events, advice from elders to younger persons, and many others.

The Letters, Documents, and Other Manuscripts of the Duane Norman Diedrich Collection is a selection of individual items compiled by manuscript collector Duane Norman Diedrich (1935-2018) and the William L. Clements Library. The content of these materials reflect the life and interests of D. N. Diedrich, most prominently subjects pertinent to intellectual, artistic, and social history, education, speech and elocution, the securing of speakers for events, advice from elders to younger persons, and many others.

For an item-level description of the collection, with information about each manuscript, please see the box and folder listing below.

The New Hampshire carte-de-visite album contains photographic portraits of unidentified individuals and lithographic portraits of prominent Union Army officers, and President and Mrs. Abraham Lincoln.

The New Hampshire carte-de-visite album (15cm x 12cm) contains 20 studio portraits of unidentified individuals and 8 lithographs of famous individuals. The photographs show men, women, children, and infants -- one, Louize M. Rollins [sic], is identified. The lithographs are portraits of Union officers Elmer Ellsworth (2 items), William Rosecrans, Samuel Francis Du Pont, Ulysses S. Grant, and George Meade, and of Abraham and Mary Todd Lincoln. The volume's brown leather cover has a geometric design in relief, with additional floral designs stamped in gold, and two metal clasps.

This carte-de-visite album primarily contains formal studio portraits of men, women, and children taken in various locations in northeast North America from the 1860s to 1880s. One photograph shows an artistic rendering of the text of the Lord's Prayer, and a colored cutout is pasted into the volume.

This carte-de-visite album (15cm x 13cm) primarily contains formal studio portraits of men, women, and children taken in various locations in northeast North America from around the mid-1860s to early 1880s. The pictures are comprised of 42 carte-de-visite and 2 tintype portraits, as well as an additional carte-de-visite photograph collage. Two of the items are dated November 3, 1865, and September 3, 1881; few of the people pictured are identified. One woman is shown holding an infant in her lap. One tintype shows a young man dressed in costume wearing a plumed hat. The additional carte-de-visite depicts a printed version of the Lord's Prayer that utilizes several ornate fonts; a picture of Jesus Christ appears amidst the text, which is surrounded by drawn scenes of angels. A cutout pasted into the volume is a colored drawing of a woman standing next to a grazing sheep, framed by three large flowers. The album's brown leather cover has geometric designs stamped in gold and metal clasps; a floral design is carved into the sides of the pages. "Photographs" is stamped in gold on the spine.

This collection is made up of correspondence, financial records, photographs, and ephemera related to members of the Marsh and Capron families of Rahway, New Jersey, and Walden, New York.

This collection contains correspondence, financial records, photographs, and ephemera related to members of the Marsh and Capron families of Rahway, New Jersey, and Walden, New York.

The Correspondence series (161 items) begins with letters to Caroline Capron ("Carrie") from her future husband, Edward Marsh, and other correspondence. Marsh wrote to H. B. Sears, a mutual friend, while living in Germany in the mid-1860s. Edward Marsh provided news of family members, described his travels, and discussed his studies in chemistry. Members of the Capron family later discussed Carrie's intention to marry Marsh and the couple's proposed move to Germany. Later items include business and personal letters to Rolph Marsh, and correspondence regarding his donation of land to a Rahway church.

The Bills and Receipts series (18 items) pertains to Rolph Marsh's finances. Three carte-de-visite Photographs include 2 studio portraits of unidentified men and a view of unidentified buildings. The collection also contains Calling and Business Cards (13 items) and Printed Items (11 items) pertaining to Catherine Marsh's funeral, religious associations and churches, property assessments, and other subjects.

This collection contains a diary chronicling Hiram W. Coppernall's service in the 24th New York Cavalry Regiment throughout 1864, as well as a photograph. Coppernall recorded his daily movements and activities with the regiment, which saw action at the Battle of Petersburg.

The Hiram W. Coppernall collection pertains to his service in the 24th New York Cavalry Regiment, Company H, during the Civil War. Throughout 1864, he kept a diary (120 pages), which concerns his military training, his unit's marches through Virginia, his participation in the Battle of Petersburg, and his affliction with severe sunstroke. He began writing shortly after his enlistment, and a woman named "Eliza" contributed some early entries in which she apologized for intruding and encouraged Coppernall to remember and write to her. After training and performing police duty in Washington, D.C., the regiment left for Virginia in late April. On May 7, they constructed a breastwork, and on May 18-19 they traveled to Spotsylvania Court House. Coppernall occasionally reported on military engagements that often ended in Union defeats. On June 18, he participated in an assault on Petersburg, Virginia, and on July 30 he mentioned a tunnel explosion and the resulting Battle of the Crater. He wrote less frequently after August 6, when he suffered from severe sunstroke, and he spent much of the rest of the year recuperating and on furlough in New York. He rejoined his regiment in December. In addition to Coppernall's diary entries, the volume has a list of men in his regiment and financial accounts, which include a list of the clothing he received from the United States government for his military service. The diary is accompanied by a carte-de-visite photograph of Coppernall and a framed photograph of two Union cavalry officers, with the message "Same here" (1864).

This collection contains letters that James Edwin Lough and his wife, Dora A. Bailey, exchanged around the turn of the 20th century. During the year before their marriage, Bailey wrote to Lough about her life in Somerville, Massachusetts; Lough later wrote to Bailey about his life in Oshkosh, Wisconsin, where he was a college professor.

This collection (0.5 linear feet) contains approximately 340 letters that James Edwin Lough and his wife, Dora A. Bailey, exchanged around the turn of the 20th century. During the year before their marriage, Bailey wrote to Lough about her life in Somerville, Massachusetts; Lough later wrote to Bailey about his life and work in Oshkosh, Wisconsin, where he was a college professor.

Dorothy Albonetta Bailey ("Dora") wrote around 280 letters to James Edwin Lough ("Ed") between September 1899 and June 1900. She commented on her life and social activities in Somerville, Massachusetts; shared her feelings for Lough; and discussed their upcoming marriage. James Lough also received letters from other correspondents, including cousins and acquaintances; his father wrote him a letter about marriage on June 22, 1900. Most items dated after June 1900 are Lough's letters to his wife from Oshkosh, Wisconsin, and New York City, where he was a college professor. Lough discussed travel between Wisconsin and the East Coast, and occasionally referred to his teaching; he sometimes enclosed newspaper clippings. In a series of letters from 1905, Dora Bailey Lough provided news of their young son. Additional items include a carte-de-visite photograph of a child, made by J. W. Black & Co., a metal nameplate for James Edwin Lough, a list of addresses, and a page of the Boston Herald from October 1, 1899.