Collections : [University of Michigan William L. Clements Library]

This album contains autographs of the acquaintances of Adelaide Harris Davis of Cambridge, Massachusetts, collected between 1859 and 1864. Adelaide was a student at Elizabeth Cabot Cary Agassiz's day school, and received autographs from Elizabeth Cabot Cary Agassiz, Louis Agassiz, and Alexander Agassiz, who taught at the school, as well as friends, primarily female. The volume also has several black-and-white engravings. A circular letter is laid in and a tuition receipt is housed separately.

This album (101 pages) contains autographs of the acquaintances of Adelaide Harris Davis of Cambridge, Massachusetts, collected between 1859 and 1864. The front and back covers are decorated with imprinted artistic details and text reading "Album of Remembrance;" the album was printed by Leavitt & Allen of New York. Charles F. D. wrote a note on the first page celebrating many of Adelaide's virtues and recording his presentation of the album to her on February 22, 1859. Most of the acquaintances who signed the album were female, and some noted their locations or the date. Adelaide collected a majority of the signatures between 1859 and 1861 and one in 1864. Most signers were from Cambridge, Massachusetts, but contributors also came from New York, Vermont, and Iowa, as well as other towns in Massachusetts. Some included short mottos, such as Augusta M. Stevens, who inscribed a Shakespeare quotation (p. 55).

• [Miel] E. Berlancourt (poem in French) (p. 19)
• Alice C. Gates (p. 23)
• Francena Danforth ("Sweet be her dreams, the fair, the young," by Barry Cornwall) (p. 47)
• Lizzie Howe ("Watch and pray! The world deceiving…," by M. A. Dodd) (p. 57)
• "Belle" (p. 61)
• Sarah A. Manoun (p. 63)
• Sarah C. Fisher (p. 67)
• Carrie L. Fisher (p. 75)

• L. E. Agassiz (p. 79)
• E[lizabeth] C[abot Cary] Agassiz (p. 79)
• A[lexander] Agassiz (p. 83)
• Li. Agassiz (p. 93)

Several black-and-white engravings depict women at leisure and other scenes. An undated circular letter laid into the volume appeals to former students of the Agassiz day school to contribute to a gift prior to the school's having to close on June 26, 1862, because of the Civil War. A receipt, housed separately, records Eliphalet Davis's payment of $37.50 for one quarter's tuition at the Agassiz school (June 27, 1861).

This collection contains 15 letters related to Adeline Chase Hart and Matthew Hart of Goshen, Connecticut. The Harts received 12 letters from family members and acquaintances between 1850 and 1859, and Adeline wrote 3 letters to Matthew while he sought gold in California in the early 1850s. The letters concern topics such as religious conversion, family health, local news, and Adeline's widowhood. The collection also includes a deed for land in Sullivan County, New Hampshire.

This collection (16 items) contains 15 letters related to Adeline Chase Hart and Matthew Hart of Goshen, Connecticut. The Harts received 12 letters from family members and acquaintances between 1850 and 1859, and Adeline wrote 3 letters to Matthew while he sought gold in California in the early 1850s. The letters concern topics such as religious conversion, family health, local news, and Adeline's widowhood. The collection also contains a deed between Dorothy Gilman and Emerson Gilman for land in Sullivan County, New Hampshire (April 1, 1837), witnessed by 2 members of the Chase family.

Adeline and Matthew Hart received 12 letters from their parents, siblings, and acquaintances, mostly from Connecticut and from Elmira, New York. Correspondents commented on family and local news, such as health issues, marriages, and funerals; Adeline's sister Lucy wrote about her visit to Hartford, Connecticut, and described a painting she viewed at City Hall (July 16, 1850). Letters from the Chase family often included contributions from several family members. Adeline Hart wrote 3 letters to her husband from October 19, 1850-December 19, 1851, pertaining to her health, their children, and her finances. Several letters in the collection concern religious revivals and conversions, including Adeline's description of her recent conversion to Christianity (October 19, 1850), Lucy Chase's affirmation that the family had become Millerites (February 5, 1851), and Reuben Chase's mention of "spirit rappers" (March 25, 1853).

Following Matthew Hart's death around early 1853, Adeline Hart received a condolence letter and 2 later personal letters from William K. Vaughan, an acquaintance in Big Flats, New York. Matthew Hart's brother, A. P. Hart, also reflected on Matthew's death (March 6, 1853). Another relative, H. E. Cooke, provided a description of her new home (April 29, 1853). Other later letters concern Hattie A. Hart's work teaching at a school and her intention to attend college (August 22, 1857), as well as property in Elmira, New York (October 24, 1859).

These photograph albums contain pictures of scenery, people, and buildings in the Adirondack Region of northern New York and in Washington, D.C.

These photograph albums (19cm x 30cm) contain 49 pictures of scenery, people, and buildings in the Adirondack Region of northern New York. Labeled photographs show buildings, animals, and scenery in and around Ilion, New York; Clifton, New York; Oxbow, New York; Chippewa Bay, New York; the Grass River; the Oswegatchie River; and Washington, D.C. Houses and other buildings shown include a home on "Preston Isle" in Chippewa Bay, the "Old Morris House" (a colonial stone house), an abandoned iron furnace, the White House, and the United States Capitol. Photographs of construction equipment are also present. Of the individuals and groups pictured, only Jack Moffett, a young boy, is identified. Photographs of note include pictures of an encampment, the exterior of a log cabin decorated with pine boughs, game and fish, and replicas of the ships Niña, Pinta, and Santa Maria. Two photographs indicate the photographer's interest in capturing motion: one shows the Empire State Express at full speed and another shows a woman throwing water, captured at a shutter speed of 1/50 second. The albums have black or blue binding with "Photographs" embossed in gold on the covers.

The Joseph Woory account records the travels of an English expedition that set out from Charles Town on June 16, 1666, to explore the area from Cape Romano down to Port Royal.

Joseph Woory was a member of the English expedition that set out from Charles Town on June 16, 1666, to explore the area from Cape Romano (Cape Fear, called Cape San Romano by the Spanish) down to Port Royal. The expedition took 26 days, during which time they visited St. Helena Island, where they saw a large wooden Spanish cross, Edisto, and Kiawah Island. Woory wrote about the rich quality of the soil, the different kinds of vegetation, varieties of fish and fowl, and Indian fields planted with corn, peas, and beans. The explorers visited Indian villages at Edisto and St. Helena, where they left behind one of their company, Henry Woodward, to learn the Indian language. Woory reported that the Indians were friendly and "seemed very willing to have us settle amongst them." The company sailed from Port Royal on July 9 and arrived at Charles Town on the 12th.

This collection is made up of ten items, mostly correspondence, written by or about Adlai Ewing Stevenson (1835-1914) and Adlai Ewing Stevenson II (1900-1965).

This collection is made up of ten items, mostly correspondence, written by or about Adlai Ewing Stevenson (1835-1914) and Adlai Ewing Stevenson II (1900-1965).

Visual material includes one press photograph by Ed Walston of Adlai Ewing Stevenson II with President Dwight D. Eisenhower and Secretary of State John Foster Dulles, and one woodblock print of Adlai E. Stevenson II by Jacob Steinhardt.

Please see the box and folder listing below for more details about each item in the collection.

The Admiral William Mead photograph album contains approximately 250 photographs related to the family and career of U.S. Navy Rear Admiral William Whitman Mead.

The Admiral William Mead photograph album contains approximately 250 photographs related to the family and career of U.S. Navy Rear Admiral William Whitman Mead.

The album (35.5 x 29 cm) has pebbled covers with partial leather bindings and "Photographs" stamped on the front cover and contains around 250 photographs of various sizes and formats, including collodion, gelatin silver, platinum, silver platinum and albumen prints, cyanotypes, and snapshots. The spine and edges show considerable wear. The photographs chronicle three periods in Admiral Mead's naval career: his time as lighthouse inspector in the Great Lakes, and his assignments as commandant of the Newport, Rhode Island naval base and Portsmouth Naval Shipyard in Kittery, Maine. Additionally, there is at least one photograph towards the front of the album from the Lomaland School in San Diego as well as a series of others mostly located towards the back of the album that were taken in an unidentified tropical location (possibly Florida).

Some of the album’s captions, primarily in beginning and the lighthouse section, appear to have been first added when it was originally assembled and many are partially erased. The majority of captions, however, were contributed at a later date by Admiral Mead’s niece, Annie Adelia Mead Ferguson. Annie appears to have come into possession of the album at some point and added her own annotations identifying people and places she recognized in the photographs. She also added a handwritten note to the inside of the album’s front cover in 1970 indicating that the album had once “belonged to William Whitman Mead” before explaining that she captioned certain images herself and speculating on which of her children might want to inherit the album. It is unclear who originally took many of the photographs, though there are indications that Annie's mother Unadilla Gazlay Mead may have contributed some material. One photograph on pg. 32 shows Unadilla and her husband Omar C. Mead, Admiral Mead’s brother, posing together on a dock in either Portsmouth or Newport while the former can be seen holding a camera in her hands, while on pg. 44 there is a self-portrait taken in a mirror of a woman with a camera that appears to be Unadilla.

The album provides extensive documentation of lighthouses along the shores of Lakes Superior and Huron in the mid-1890s, as well as views from Great Lakes locations such as Duluth, Copper Harbor, and the locks at Sault Ste. Marie. Specific lighthouses represented include Seul Choix Light, Old Mackinac Point Lighthouse, Sand Island Lighthouse, Huron Island Lighthouse, Isle Royale Light, an abandoned lighthouse on Isle Royale, a pair of unidentified lighthouses possibly located in the Keweenaw Peninsula, Windmill Point, a lighthouse in St. Clair Flats, Gull Rock, Stannard’s Rock, Rock Harbor Light, and other unidentified structures. Images related to Admiral Mead’s time at the Newport naval base include portraits of Mead both in and out of uniform, portraits of family members such as Julia Mead, a collotype postcard of Trinity Church, and various buildings and street scenes. Images related to Admiral Mead’s time at Portsmouth Naval Shipyard include views of the Commandant’s house, “The Admiral’s Yacht,” and portraits of various individuals including John W. Yerkes, Elizabeth O. Yerkes, Amelia R. Yerkes, Annie Meade Matthews, Omar C. Mead, and Annie Adelia Meade as a young child. Of particular interest are a number of candid shots of locations and participants in the Portsmouth peace talks that ended the Russo-Japanese War in 1905 (including several photographs of three unidentified Japanese men described as “servants” in one caption) that are present on pgs. 30, 36, 37, and 39. While most of the ships that appear in the album are unidentified, identified vessels include the passenger steamer North Land on pg. 16 and the lighthouse tender Marigold on pg. 23. Other individuals identified by caption include Robert A. Watts (Admiral Mead’s brother-in-law) and Margaret A. Watts (Admiral Mead’s mother-in-law). Also present are three outdoor portraits of unidentified African American men and women on pg. 21 captioned “Those good ole’ days!!” and “Same good ole days!” as well as a cyanotype of an unidentified African American girl on pg. 48.

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865.

The African American and African Diaspora Collection is comprised largely of individual letters, documents, and other manuscript items relating to slavery, abolition movements, and aspects of African American life, largely dating between 1781 and 1865. Topics addressed in the letters and documents include the experiences and work of enslaved persons in the North and South; the buying and selling of enslaved men, women, and children; participation in the French and Indian War, American Revolution, and Civil War of African descended persons; abolitionists and abolition societies; the American Colonization Society; the lives of formerly enslaved persons; African American education; and many other subjects. For details on each document, see the inventory located under "Detailed Box and Folder Listing"

The Agent’s sample book from Crown Card Co., Columbus, Ohio, contains 34 samples of visiting cards accompanied by prices, design names, and instructions for ordering.

The Agent’s sample book from Crown Card Co., Columbus, Ohio, contains 34 samples of visiting cards accompanied by prices, design names, and instructions for ordering. The volume (12.5 x 18 cm) is bound with blue paper and staples. Sample styles range from simple to intricate, with some including beveling, embossing, or silk borders. Most feature chromolithographic color, floral imagery, and animals. Different type settings available to a customer are also advertised.

Agnes B. Laidlaw described her daily activities in New York City from February 11, 1896, to June 20, 1896, in her diary. She frequently discussed her love of painting, social life, and thoughts about romantic love.

In her diary (125 pages), Agnes B. Laidlaw described her daily activities in New York City from February 11, 1896, to June 20, 1896. She composed daily entries between February 11 and June 7, and one additional entry on June 20. Laidlaw lived in Manhattan's Upper West Side, where she attended dinner parties, dances, and other events. She commented on her acquaintances, which included both men and women, and recorded her thoughts about romantic relationships and love (such as her discomfort with second marriages, June 6, 1896, pp. 121-122). On March 9, she recalled meeting a man on a streetcar, to whom she found herself instantly attracted (pp. 30-31). Laidlaw wrote about her fondness for painting and her attendance at French classes. Her social activities included visits to restaurants, concerts, and other performances. On one occasion, she hosted a dinner party, and her diary includes a diagram of attendees' positions at a table (May 14, pp. 87-89). The first 2 pages contain reminiscences about Laidlaw's childhood.

This collection is made up of 2 letters that Agnes M. Leeds wrote to her aunt, Jane M. Johnson, while living in Curaçao at the time of her husband's final sickness, as well as 1 letter that Leeds received from an acquaintance in New York City.

This collection is made up of 2 letters that Agnes M. Leeds wrote to her aunt, Jane M. Johnson, while living in Curaçao at the time of her husband's final sickness, as well as 1 letter that Leeds received from an acquaintance in New York City.

Agnes and Henry Leeds arrived in Curaçao in October 1842, where they hoped to relieve Henry's ailing health. In her letters to her aunt, Agnes Leeds described Curaçao, their hotel, and local residents. She requested news of her children, who were in Johnson's care, and mentioned her intention to send a black doll to her daughter Agnes. Jane C. Covert wrote to Agnes in January 1843 to express her sympathy for the family's situation. She reported on the Leeds children, and noted that Agnes's son Henry believed that his mother sent the black doll "to be a servant to the other ones."