Collections : [University of Michigan Special Collections Research Center]

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Collection

Rosenberg Family Correspondence, 1938-2010 (majority within 1938-1946)

1 Linear Foot (2 manuscript boxes)

Online
The 105 letters in this collection document the experience of a German Jewish family in the years immediately before, during, and shortly after World War II. Nathan and Johannna Rosenberg of Breisach, Germany, had three sons: Julius (1900-1942), Eugen (1901-1964), and Alfred (1911-2005). Eugen left for Palestine in 1935. Alfred, with his wife and her parents immigrated to the United States in August 1938. Most of the letters were written to Alfred by his brothers, his parents, and other relatives between 1938 and 1946. Most of the letters are from Julius, Emmy, Nathan, and Johanna; some of these they wrote from the labor camp in Gurs to which many Jews in Breisach were deported in October 1940. Contains typewritten transcriptions (German) and English translations for most letters.

This collection contains one linear foot of material and includes 105 letters between Rosenberg family members, friends, and acquaintances. It documents the firsthand experiences of a German Jewish family before, during, and after the Holocaust, and also includes the experiences of family members who emigrated from Germany in the years immediately before the Second World War. The letters were received and collected by Alfred Rosenberg, and as a result most are addressed to him and Alise Rosenberg and few are written by them.

Collection

Roy William Cowden Collection, approximately 1909-1961

1 Linear Foot (Two manuscript boxes)

This collection contains drafts, typescripts, and manuscript material related to Cowden's unfinished book, The Creative Process in Writing. Chapter subjects include Dickens, Keats, Meredith, E.B. Browning, Thoroeau, Whitman, Conrad, Carlyle, and Swinburne. More material related to Cowden can be found in the Special Collections Research Center's Hopwood Award Records and in the Bentley Historical Library's Roy William Cowden papers: 1924-1960.

This collection contains generally undated material related to Cowden's unfinished book, The Creative Process in Writing. For material related to Cowden's career as a faculty member in the Department of English at the University of Michigan, please see the Roy William Cowden papers: 1924-1960 at the Bentley Historical Library and the Hopwood Award Records at the SCRC.

Collection

Russell A. Fraser Papers, 1970-1992

11.5 feet

Manuscripts, research notes and other material related to his writing and work as literary scholar.

The Russell A. Fraser Papers consist primarily of literary manuscripts and materials associated with their creation and publication: research notes, drafts, proof sheets, and some correspondence. The Papers do not reflect Fraser's personal life. Also present are a few original letters by and to Richard P. Blackmur.

Collection

Russell D. Smith papers, 1976-1989 (majority within 1976-1981)

1.5 Linear Feet (1 record center box and 1 manuscript box.)

Smith, a former juvenile and adult offender, became an activist for prisoners' rights, especially those of gay inmates, while incarcerated in federal penitentiaries across the country in the late 1970s. As a victim himself he was particularly interested in the problem of prison rape. After his release in 1980, he continued to advocate prison reform through POSRIP (People Organized to Stop Rape of Imprisoned Persons). The papers include an autobiography/chronology of Smith's experiences in and out of juvenile detention centers and prisons; extensive correspondence with friends in the International Committee to Free Russell Smith (ICFRS) concerning prison conditions, his personal safety, his transfers from prison to prison, his efforts to provide legal assistance to other inmates, and his plans for post-release activities; records of legal suits and complaints filed by Smith; and formal reports about Smith filed by prison officials. Copies of the POSRIP Newsletter (1980-1981) can be found with the Labadie's serial holdings.

Comprise autobiography, personal correspondence, 1976-1980, and legal records, 1978-1980.

Collection

Ruth S. Smith Papers, 1969-1986

4 Linear feet

Librarian and manager of technical information services at the Institute for Defense Analysis, Arlington VA. Expert on production and dissemination of technical reports by government agencies. Active in a variety of groups including the Committee on Information Hang-ups; later joined the staff of the National Technical Information Service. The collection contains correspondence, meeting minutes, agendas, reports, notes, and articles.

The Smith Papers document the work of the COMMITTEE ON INFORMATION HANG-UPS from 1969 to 1986, related USER GROUPS from 1971 to 1981, the SHARED BIBLIOGRAPHIC INPUT EXPERIMENT from 1973 to 1981, and the DEPOSITORY LIBRARY COUNCIL TO THE PUBLIC PRINTER from 1974 to 1979. The collection contains correspondence, meeting minutes, agendas, reports, notes, and articles. Also included are IDA LIBRARY/TECHNICAL INFORMATION SERVICES annual reports, covering the work of Smith and her staff between 1970 and 1980, and PUBLICATIONS of the Committee on Information Hang-Ups and other user groups. The bulk of the collection dates from the time when Smith served at IDA. Very little is from after she joined NTIS.

The focus is on the work of user groups in influencing policies on the pricing and dissemination of information of Federal government agencies, especially the Defense Documentation Center, the National Technical Information Service, and the Government Printing Office. A name index to correspondence in the collection is available.

Collection

Sam Karres Archive, 1955-2012 (majority within 1979-2010)

11.5 Linear feet (3 manuscript boxes; 4 records center boxes; 3 oversize flat boxes)

This collection includes 86 sketchbooks of the Detroit artist, Sam Karres as well as miscellaneous items and publications that either discuss or correspond with his artwork.

The Sam Karres Archive largely consists of sketches of the Detroit area during the 1980s as well as other types of documents that relate to the drawings. It has been divided into six series: guidebooks, small sketchbooks, medium sketchbooks, large sketchbooks, printed materials, and miscellaneous items.

Guidebooks: In this series, there are three binders composed by Sam Karres' friend, Denny Stavros that provide background on the artist as well as discuss the content of his sketchbooks that were donated to University of Michigan's Harlan Hatcher Graduate Library for The Modern Greek Studies Collection. Following the descriptions of the sketchbooks, there are indexes and appendixes that include some of Karres' writings, photographs that complement the drawings, and photocopies of pages from the sketchbooks. The binders are divided up by the dates the sketchbooks were given: December 9, 2011, September 28, 2012, and June 20, 2013. The sketchbooks have been designated as small, medium, or large by Stavros in addition being assigned individual numeric identifiers. There is also one hand-written list of periodicals and ephemera donated by Stavros on September 28, 2012. A few of the articles and all of the ephemera relate to Sam Karres.

Small Sketchbooks: This section consists of ten sketchbooks ranging in size from 3.5 by 4. 75 inches to 5.5 by 8 inches. The majority of these sketchbooks from this series dates from the late 1970s and contends with a variety of subjects including: restaurant scenes, animals, human forms and faces, boats, and especially Greek Orthodox religious figures and practices.

Medium Sketchbooks: This series consists of twenty-two sketchbooks, ranging in size from 6 by 9 inches to 9 by 12 inches, completed between 1977 and 2009. Some of the themes depicted in the drawings are: restaurants, dogs, horses, wrestling, daily life activities, Karres' family, and characters like Greektown Stella, International Cowboy, and performers that could be found in Detroit's Greektown.

Large Sketchbooks: This series consists of forty-seven sketchbooks, ranging in size from 11 by 14 inches to 14 by 17 inches. Although the drawings in this section were completed between 1955 and 1991, the majority of the images were executed in the 1980s. Some of the themes reflected in these sketchbooks are: human forms, restaurant scenes, tug boats, factories, weightlifting, performances, Detroit's Greektown, vacations, and Karres' aging parents.

Miscellaneous: The items in this series consist of letters, news articles, exhibition catalogs, a flyer, an awards booklet, and photocopies of photographs. These assorted materials that range in date from the late 1950s to 2004, were donated by Sam Karres' friend, Denny Starvos to the University of Michigan's Harlan Hatcher Graduate Library for the Modern Greek Studies Collection on September 28, 2012. They are arranged in numerical order according to the numbers Starvos assigned to them.

Folder

Scripts and Production Notes

(6.75 linear feet, 1962-1996)

The collection includes scripts from 48 different shows. In the 1960's, the most important shows are I Dream of Jeannie, The Courtship of Eddie's Father, Mayberry RFD and That Girl. In the 1970's he was mostly involved with Maude, as well as The Odd Couple. In the 1980's, he worked on Gimme a Break, Love, Sidney, Empty Nest and Dear John. There are also scripts for 19 different pilots that he was involved with creating in the 1970's and 1980's, and numerous other scripts for scattered episodes of other shows.

From about 1970, the scripts for episodes Hal Cooper directed are usually heavily annotated with shooting notes. There are also sometimes shooting schedules, cast and crew lists, and revisions to the scripts. Some episodes only have a few pages rather than full scripts, especially from The Courtship of Eddie's Father and some of the shows with only a few episodes.

The scripts have been arranged chronologically by year to reflect the progression of Hal Cooper's career. Within each year, the scripts are arranged alphabetically by show. For each show, episodes are arranged chronologically. For each episode, the title, writer, director, producer and date are given, when the information is available. The date is the final draft date, when there was one. If not, then the date is the latest revision date, the taping date, or the copyright date.

Scripts for other shows have been bound and are in a separate series, Bound Scripts and Production Notes. For a list of all the shows alphabetically, chronologically, and by the number of episodes, see the appendix at the end of the finding aid.