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This collection consists of correspondence between members of the Davenport and Kingsbury families of Bradford and Dorchester, Massachusetts, and Rutland and Brandon, Vermont. Elijah ("E.") Davenport wrote to his family about frontier life in Wisconsin and Iowa in the 1850s, and his family members wrote about social and religious life in Vermont during the late 1860s and 1870s.

This collection (50 items) consists of correspondence between members of the Davenport family of Dorchester, Massachusetts, and Rutland and Brandon, Vermont. Between August 29, 1853, and July 7, 1858, Elijah ("E.") Davenport wrote 13 letters to his father, Elijah L. Davenport, and to his sister Augusta, both of whom lived in Dorchester, Massachusetts. He wrote from Prospect Hill, Wisconsin, and Webster County, Iowa, describing his attempts to find work on the Wisconsin and Iowa frontier and commenting on the weather, construction of log cabins, agriculture, and local politics. He intended to farm, and grew potatoes while constructing a log cabin for himself. He also mentioned the culinary use of a special corn and his fondness for a local variety of bread (November 29, 1857).

The bulk of the collection consists of letters to Charlotte M. Kingsbury (née Field) of Bradford, Massachusetts, and her husband, Reverend John D. Kingsbury, from her parents, William M. and Minerva K. Field, and her grandfather, Barzillai Davenport, all of Rutland and Brandon, Vermont. Her family provided local news and often commented on religious matters; for example, her father praised her for joining the Church of Christ (February 20, 1857). They occasionally mentioned other news stories, such as a destructive windstorm (November 22, 1869), and the sinking of the Atlantic (April 16, 1873). Two of Minerva Field's later letters are addressed to Katie and Mattie Kingsbury, her granddaughters. The collection also has 5 receipts concerning purchases made by Ellis J. Burnham in Cambridgeport and Essex, Massachusetts, between 1876 and 1880.

This collection is made up of manuscript essays and writings, original artwork, and printed proof sheets by Edwin Whitefield, an artist who specialized in bird's-eye views and landscapes in North America. The manuscripts largely concern Whitefield's travels in Minnesota, Wisconsin, and the Dakota Territory, as well as Whitefield's interest in the Bible.

This collection (approximately 200 items) contains 24 manuscript essays and writings, original artwork (approximately 40 items), and around 140 printed proof sheets by artist Edwin Whitefield between the 1840s and 1880s. The collection also includes 2 autograph albums that Mabel Whitefield kept between 1876 and 1883.

The Manuscripts series (24 items) contains essays, charts, notes, and fragments; a draft of Edwin Whitefield's The Bible Its Own Interpreter; and 2 autograph albums kept by Mabel Whitefield. The essays mainly relate to Whitefield's travels in Wisconsin, Minnesota, and the Dakota Territory in the 1840s and 1850s; Whitefield described landscapes, and some of his writings refer to specific drawings. A series of essays concerns immigration to Minnesota, including several short pieces about opportunities for settlers. Whitefield's other writings include an argument for increasing workers' wages; a letter about his son's conduct; notes about the Bible; 2 manuscript tables of the populations of major U.S. cities at each national census between 1790 and 1890; and a copied extract from the Encyclopedia Britannica about Moses.

Edwin Whitefield's The Bible Its Own Interpreter manuscript (approximately 220 pages) is made up of notes and clippings about passages from scripture and Biblical subjects. The volume contains a preface, index, and printed title page. Mabel Whitefield kept her 2 autograph albums, which contain inscriptions and poetry from family and friends, between 1876 and 1883.

The Original Artwork series is made up of Edwin Whitefield works, including 2 oil paintings; approximately 35 graphite, ink, and watercolor sketches; and 2 sketchbooks. One oil painting (1885, 20"x16") is a country landscape with a man herding cows over a bridge. The other painting (undated, 30"x20") is a mountain landscape, with a man and cows resting beside a river or lake. Approximately 35 individual graphite, ink, and watercolor sketches depict houses, bridges, landscapes, and buildings. Whitefield identified many of the views as locations in Massachusetts and New Hampshire. Edwin Whitefield's 2 sketchbooks contain illustrations of buildings, persons, and bird's eye views of cities and landscapes.

The Printed Items series includes proof sheets from the 1880, 1882, and 1889 editions of The Homes of Our Forefathers (approximately 75 colored or tinted lithographs), approximately 65 colored lithographs of botanical specimens by Whitefield, and one printed view of Newburyport, Massachusetts.