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This collection is made up of letters that Senator Christopher Ellery wrote to his wife Clarissa from Washington, D.C., in 1803. Ellery discussed his involvement in political discussions and his love for his absent wife and children.

This collection is made up of 3 letters that Senator Christopher Ellery wrote to his wife Clarissa from Washington, D.C., in and around 1803 (one item is undated). Ellery discussed his involvement in political conversations, including a meeting in which he addressed President Jefferson about "removals from office," an upcoming convention, and friendly encounters with other Congressmen. He also reflected on his separation from his wife and children, expressed his love for his family, and offered sympathy for his wife, who oversaw the household while he worked in Washington.

This notebook (241 pages) contains medicinal recipes as well as instructions for making other health, beauty, and household products. It contains several newspaper clippings and paper inserts, including one letter by Pierre Du Bois.

The entries are arranged alphabetically, with tabs marking each letter. The volume bears a torn origin label of Piccadilly, "...chester" on inside front cover. Concoctions include beauty lotion, cordials, kola koka, blood purifier, and cures for St. Vitus's Dance, anemia, and dandruff. Also present are tinctures, salves, ointments, cures, and preventatives. A few agricultural items respect calf drench and a substance for ewes after lambing. Some newspaper clippings respect aquarium cement and curry powder. Additional paper inserts include various formulas, a letter from Pierre to his father, and basic Spanish phrases on a sheet with the Venezuelan Consulate (Baltimore) letterhead.

The Franconia Notch and Washington, D.C. photograph album consists of 65 photographs primarily showing landscape scenes of Franconia Notch, New Hampshire, architectural views of Washington, D.C., and a camping trip to an unidentified location likely somewhere in the Northeast.

The Franconia Notch and Washington, D.C. photograph album consists of 65 photographs primarily showing landscape scenes of Franconia Notch, New Hampshire, architectural views of Washington, D.C., and a camping trip to an unidentified location likely somewhere in the Northeast. The album (18 x 27 cm) is half bound in brown leather with brown cloth boards. Washington, D.C.-related views include the White House with an interior ballroom, the Washington Monument, the Teasury Building, the U.S. Capitol, the Smithsonian Castle (with the Capitol in the background), and the Senate and House chambers. Camping-related images include photographs of a wooded lakeside area showing campers hiking, boating, painting, fishing, playing guitar, reading, and contemplating the scenery. In one view of a tent encampment in a grove of trees, a table is set for a meal, and a man stands beside a camera on a tripod. Several people from the camping trip are shown in various other settings: in a back garden, in front of a frame house with fencing, and in several Victorian-style interior rooms. Additional photographs show the Maplewood Hotel in Bethlehem, New Hampshire, and a boardwalk (possibly in Atlantic City, New Jersey).

This collection is made up of autobiographical manuscripts, correspondence, documents, and family photograph albums related to James B. Pond, Sr. and Jr. Some of the items pertain to Pond's service during the Civil War and both father and son's lecture business.

This collection is made up of autobiographical manuscripts, correspondence, documents, and family photograph albums related to James B. Pond, Sr. and Jr. Some of the items pertain to Pond Sr.'s service during the Civil War and both father and son's lecture business.

The Pond Family Papers series includes one box containing miscellaneous correspondence ranging in date from 1896-1932, Civil War related material, autobiographical sketches, family photographs, and personal photograph albums.

The Civil War related material includes a few items relating to James Pond's Civil War service in the 3rd Wisconsin Cavalry, among which are a typescript of official reports relating to the massacre at Baxter Springs, Kansas, a printed poem on the massacre, and a printed notice of the death in the 1880s of William T. Brayton of the 3rd Cavalry. Pond also collected other reminiscences of the war, including an autobiographical account of Mrs. Horn, wife of a Missouri surgeon, which includes a description of Quantrill's raiders pillaging town and taking her husband prisoner, and a memoir of Edward P. Bridgman, a soldier in the 37th Massachusetts Infantry who served with John Brown in 1856, and may have known Pond.

More than half of this series consists of autobiographical manuscripts, parts of which, at least, were published as magazine articles. Most of these focus on his early years (prior to 1861) when he and his family were living a marginal existence in frontier Wisconsin and when he was a young man in search of a livelihood. The collection includes three major manuscripts, each present in several copies or versions, all of which are related to each other - "A Pioneer Boyhood," "The American Pioneer: My Life as a Boy," and "Pioneer Days" - plus there are less polished manuscripts of childhood and Civil War reminiscences. All appear to have been written initially in 1890, though some copies were apparently made several years later. In addition, there is an autobiographical sketch "How I got started in the Lecture Business" in which he describes his part in Anna Eliza Young's "apostatizing" and entering onto the lecture circuit.

The collection also contains 5 photograph albums. These volumes contain over 800 personal photographs taken between 1896 and 1902, including many pictures of family members at leisure both indoors and outdoors and Pond's business acquaintances from his lecture agency. Travel photographs include views of Colorado Springs, Colorado, and Winnipeg, Manitoba, as well as a group of pictures taken during a visit to England, Switzerland, and Germany in 1901. European items include a series of colored prints, located in Volume 4. The albums contain images of locomotives, railroad cars, and steamships. Volume 1 contains images of the inauguration of William McKinley and Volume 2 contains images of crowds gathered for a GAR parade in Buffalo, New York. Throughout the albums are glimpses of various lecture tours and clients including John Watson (Ian Maclaren) and Anthony Hope in Volume 2 and Francis Marion Crawford in Volume 3. Other notable figures include Sam Walter Foss and William Dean Howells in Volume 1, Charles W. Blair and Edward William Bok in Volume 3, and Sir Henry Morton Stanley, Charles William Stubbs, Robert Stawell Ball, Horace Porter, Frank Thomas Bullen, and Israel Zangwill in Volume 4. In addition to the albums, there are loose photographs of family, James B. Pond Jr., and the Adventurers' Club of New York. Oversized photographs are housed in Box 3.

The Pond Lecture Bureau Papers series consists of one box containing client files (arranged chronologically), loose photographs, and ephemera. Much of the content consists of correspondence between clients/prospective clients and photographs of clients (likely for promotional material). This series spans from 1877 to the 1940s covering periods of ownership from both James B. Pond, Sr. and Jr. Some of these clients are as follows: Henry Ward Beecher, Reverend Joseph Parker, Thomas DeWitt Talmage, Leon Pierre Blouet, Reverend John Watson (Ian Maclaren), William Winter, Edward Rickenbacker, Harry A. Franck, Gunnar Horn, Maurice Brown, and Major Radclyffe Dugmore. Unidentified oversized photographs and a scrapbook are housed in Box 3.

This collection contains correspondence that Jewish Private J. Walter Feigenbaum received from his sister, Jeanette, and mother, Rose, while he served with the United States Army during World War II. The women, who lived in Washington, D.C., wrote of the domestic political situation prior to the 1944 presidential election, shared their opinions on developments in the war, and provided news of family friends.

This collection (24 items) contains correspondence that Jewish Private Jacob Walter Feigenbaum received from his sister and mother while he served with the United States Army during World War II. Jeanette Feigenbaum, Walter's sister, wrote most of the letters, often with brief notes from her mother Rose, who sometimes sent letters of her own (frequently in the same envelopes). The women discussed numerous political and personal topics, often related to the 1944 presidential election and domestic politics. Jeanette frequently expressed her frustrations with the political landscape, including her skepticism about Harry Truman, reaction to the Dewey campaign's tactics, and views on legislation related to the military. She commented on the progress of the war in Europe, reports of German atrocities against the citizens of Warsaw, Poland (August 30, 1944), and the political situation in Nazi Germany, including the failed plot to assassinate Hitler (July 21, 1944, and July 23, 1944). Her letters also mention Zionist newspapers, contain references to Jewish holidays, and discuss Jewish nationalism (September 5, 1944). Rose's letters focus more prominently on social news of family members and friends.

Each letter is accompanied by an envelope bearing a colored illustration of a soldier eager to receive mail. The soldiers depicted include jeep drivers, paratroopers, and machine gunners, and the envelopes belong to the same artistic series. Many of the letters also feature patriotic letterheads or watermarks, and two from September 1944 have panels from the cartoon "Private Buck," drawn by Clyde Lewis (September 5 and September 14, 1944).

The John D. Bagley photograph albums consist of three photograph albums created by John DuCharme Bagley IV of the Bagley family of Detroit, Michigan.

The John D. Bagley photograph albums consist of three photograph albums belonging to John DuCharme Bagley IV of the Bagley family of Detroit, Michigan.

The photograph albums document the life of John DuCharme Bagley IV over a period of twenty years or so. Bagley IV was clearly an enthusiastic amateur photographer who enjoyed documenting his family and friends. The photos in all three albums are snapshot-sized and mostly taken outdoors. While the earliest album (Volume I) is extensively captioned, the other two are not.

Volume 1:

The first volume (14 x 30 cm) includes images taken between 1903 and 1905, including numerous photographs taken during a Bagley family trip to Europe. Bagley IV was a teenager at the time. Identified family members documented in this album include his older sister Frances, younger brother Phil, parents John N. and Esther, and an “Aunt Frankie” who was likely Esther’s sister. This trip appears to have lasted several months, perhaps the better part of an entire year. Locations visited included the German Alps, Naples, Rome, Pompeii, Lake Lucerne, Amsterdam, and London. The family’s return to New York by steamship is also represented. The remainder of this album documents experiences on Woodcote Farm in Ionia, Michigan, as well as family life in Detroit and outdoor summer activities at Long Lake in Grand Traverse County, Michigan.

Volume 2:

The second volume (20.5 x 30.5 cm) contains material compiled during World War I and afterwards. Views of the U.S. Naval Academy and of Washington D.C. are included, and Bagley IV is shown in many images wearing a naval uniform. Several warships (including what appears to be the USS Pennsylvania, commissioned in 1916) are pictured from afar throughout the album. One series of snapshots shows an Armistice celebration taking place at an unidentified location. Several pages showcase scenic views taken during a train journey through an unidentified mountainous region. The bulk of the remaining pictures in this album consist of portraits of family and friends posing informally in urban, domestic, and rural settings. Bagley IV appears regularly, usually in a business suit, and in a couple of cases he can be seen standing next to a Bagley & Co. company vehicle. Also present is a large loose photo that shows John J. Bagley’s birthplace in Medina, New York, which was photographed in 1895.

Volume 3:

The third volume (20.5 x 30.5 cm) contains numerous photographs taken during visits to New Mexico and Colorado in 1908 as well as Oregon in 1909. Images in the New Mexico section highlight operations and personnel of the Maxwell Irrigated Land Company. Bagley IV’s younger brother Phil may have been involved with this company. While it is not entirely clear which photos were taken in Colorado, numerous images of logging operations and logging camps were most likely taken in Oregon. Also present are personal photos showing Bagley IV and his wife Mary visiting forests and beaches. The final section of the album includes photos of Bagley IV in a navy uniform and views of the U.S. Naval Academy at Annapolis, Maryland.

This collection is made up of 6 letters that John Howard Payne wrote in 1832 (1 item) and 1850 (5 items), including a letter of introduction and letters to English actress "M. A. Tyrrell." In 5 letters to Tyrrell, Payne discussed his desire to make her acquaintance; her recent financial difficulties in Buffalo, New York; and his possible reappointment as consul to Tunis.

This collection is made up of 6 letters that John Howard Payne wrote in 1832 (1 item) and 1850 (5 items). The first item introduces Maryland native Richard Lloyd to Colonel George P. Morris at West Point, New York ([1832]). Payne opened his correspondence with actress M. A. Tyrrell (alternately spelled "Tyrell" and "Tyrrel") with 2 unsigned letters, in which he discussed his admiration of her and his desire to make her acquaintance. He requested that she indicate her desire to meet him with a small gesture during her next public outing (January 12, 1850, and January 17, 1850). His following 3 letters, written from May 2, 1850-September 5, 1850, pertain to Washington, D.C., social affairs; the city's Adelphi Theatre; Payne's acquaintance with a woman named Rosa Jacques; a salary dispute regarding Tyrrell's time in Buffalo; and Payne's possible reappointment as consul to Tunis. His letter of July 29, 1850, refers to the Adelphi Theatre's "engagement of Jim Crow." Payne composed the text of a public acknowledgement of thanks from Tyrrell to those who had supported her during her difficulties in Buffalo (September 5, 1850).

This volume contains Louise Fitz's description of her trip from Boston, Massachusetts, to the World's Columbian Exposition in Chicago, Illinois, and to Niagara Falls in May 1893. In Chicago, she and her traveling companions visited the major exhibit halls, state and international buildings, and the Midway Plaisance. Photographs and travel ephemera are laid into the volume.

This volume (121 pages) contains Louise Fitz's description of her trip from Boston, Massachusetts, to the World's Columbian Exposition in Chicago, Illinois, and to Niagara Falls in May 1893. Between pages 5-97, Fitz wrote journal entries about her daily sightseeing activities on every other page; the opposite pages contain photographs and ephemera related to her travels. The final pages contain laid-in commercial photographs of Washington, D.C., and personal photographs of Trenton Falls in upstate New York.

Fitz's journal entries recount most of her trip, from the time she left Boston on May 17, 1893, to her visit to Niagara Falls on May 26, 1893. While in Chicago, she and her companions frequented the World's Columbian Exposition; she described multiple visits to the grounds and specific exhibits in the larger halls, noting the use of electric lighting and appliances. Fitz commented on her visits to state and international buildings, the Midway Plaisance, and a local museum. After departing Chicago, Fitz traveled by train to Niagara Falls. Fitz placed commercial photographs on the pages facing her journal entries. The images are primarily views of the exposition's major exhibit halls. Other items pasted or laid into the volume include a printed map of the fairgrounds and surroundings, newspaper clippings, a used ticket book and ticket stubs, a program from a musical concert, advertisements, and artificial flowers. A letter from a representative at the exposition's Massachusetts State Building provides the text of inscriptions on the Transportation Building and the "Golden Door" (August 31, 1893).

The Stereograph-half album (34 x 27 cm) contains approximately 204 photographs, the majority of which are commercially produced half-steregraphs from locations in New Hampshire, New York, Washington, D.C., Virginia, Florida, Colorado and California.

The Stereograph-half album (34 x 27 cm) contains approximately 204 photographs, the majority of which are commercially produced half-steregraphs from locations in New Hampshire, New York, Washington, D.C., Virginia, Florida, Colorado and California. Photographs show Crawford Notch and Mt. Washington in New Hampshire; the American Falls of Niagara in winter; the Erie Canal in Lockport, N.Y.; landmarks and monuments in Washington, D.C. and Arlington, Va.; and 6 views of Lake George, N.Y. by Seneca Ray Stoddard, including the steamboat Horicon and the Sagamore Hotel. Florida photographs, some signed by photographer B.F. Upton, include Castillo de San Marcos; street scenes and a former slave market in St. Augustine; Harriet Beecher Stowe's house and family in Jacksonville; and African Americans standing near a log home and in a field of cotton. California scenes show the beach and town of Monterey, Cliff House in San Francisco, and 16 views of the Yosemite Valley. Two large albumen prints show Summit Station of the Central Pacific Railroad near Soda Springs, Calif., and gateway to the Garden of the Gods, Colorado, with ink stamp on verso: C.R. Savage, Art Bazaar, Salt Lake City, Utah. Additional photographs include botanical views, tourist attractions in Scotland, Paris, and other western European locations, and photographs of artworks.

The album is half bound leather with brown boards and is stored in a blue box.

The William H. Sherzer Hawaii photograph album contains approximately 320 images documenting a cross-country car camping trip beginning at Michigan State Normal College professor William H. Sherzer's home in Ypsilanti, Michigan, to California, and then by ship to Hawaii.

The William H. Sherzer Hawaii photograph album contains approximately 320 images documenting a cross-country car camping trip beginning at Michigan State Normal College professor William H. Sherzer's home in Ypsilanti, Michigan, to California, and then by ship to Hawaii. The album (29 x 20 cm) has woven grass covers, black paper pages, and includes numerous handwritten captions. Photographs of the American Southwest and California include views of natural features and rock formations in New Mexico, Arizona (including cliff dwellings near Roosevelt), and the Mojave Desert; the Grand Canyon; and Lick Observatory. The traveling party appear to have had their vehicle shipped to Hawaii along with them. Hawaii-related images include views of buildings and streets in Waikiki and Honolulu; the interior of a cottage; rice harvesting; scenic views of Kauai, Waimea, Mo'okini Heiau, Puna, Kohala, and the lava fields of volcanic regions; the steamships Wilhelmina and Matsonia; and a photograph of Elizabeth Lahilahi Webb outside the Bishop Museum in Honolulu. Additional images include scenes from a trip to Alexandria, Arlington, and Mount Vernon in Virginia as well as Washington, D.C., mainly consisting of views of tourist attractions as well as a visit to Sherzer's sister Dr. Jane Sherzer.