Collections : [University of Michigan William L. Clements Library]

This collection contains 17 letters that former Congregational minister Daniel Grosvenor of Petersham, Massachusetts, wrote to his son, Reverend Moses Gill Grosvenor, and to a relation, Payson Grosvenor, between 1819 and 1833. He provided local news, shared advice, and commented on his religious views. Also included is a descriptive travel letter by "Lansingh" from Darien, Georgia (1838), and a satirical essay by Charles J. Wood entitled "Portrait of an Alarmist" (1848).

This collection contains 17 letters that former Congregational minister Daniel Grosvenor wrote to his son, Reverend Moses Gill Grosvenor (16 letters), and to a relation, Payson Grosvenor (1 letter), between 1819 and 1833. Also included is a travel letter by "Lansingh" from Darien, Georgia (1838), and a satirical essay by Charles J. Wood entitled "Portrait of an Alarmist" (1848).

Grosvenor frequently commented on the health of family members and on the affairs of acquaintances in Petersham, Massachusetts. His reports often concerned illnesses and deaths, and he sometimes mentioned his attendance at funerals. Grosvenor wrote about religious topics, such as devotion to God, and gave news of the local church. He reflected on his advanced age, discussed the effects of his children leaving his household, and anticipated his own death. Daniel and his wife Deborah jointly wrote a portion of the later letters. Grosvenor's final letter, addressed to Payson Grosvenor, "Eunice," and "Sarah," concerns his brother's death. Two of Grosvenor's letters include additional copied correspondence: a letter from Alvan Whitmore, who discussed commerce around New Orleans, Louisiana (September 19, 1818, copied in Grosvenor's letter of January 27, 1819), and a letter from D. H. G. Newton to Moses Gill Grosvenor, his uncle.

The final items in the collection are a descriptive travel letter by "Lansingh" to Miss Angelina Warden, from Darien, Georgia (April 19, 1838), and a 3-page essay attributed to Charles J. Wood entitled "Portrait of an Alarmist" (February 1848). The satirical piece criticizes a noted "alarmist" and his opinions on the Irish and Catholics, and the possibility that arguments over slavery might dissolve the union.

The Elizabeth Willard correspondence contains 9 letters written by Willard to her friend and later husband, Reverend William Barry of Framingham, Massachusetts, as well as a letter to Elizabeth composed by her friend A. A. Kent.

The Elizabeth Willard correspondence contains 9 letters written by Willard to her friend and later husband, Reverend William Barry of Framingham, Massachusetts, as well as a letter to Elizabeth composed by her friend A. A. Kent. Kent's letter, the earliest in the collection, provides news of mutual acquaintances and a shared "social circle" in Keene, New Hampshire, and notes several illnesses among the group, as well as a recent death (March 20, 1834). The remainder of the collection consists of Elizabeth's correspondence to the Reverend William Barry, written before and during their engagement and throughout their marriage. In her early letters from Petersham, Massachusetts, Elizabeth, a well-educated and literary woman, often discussed different aspects of religion, and showed appreciation for Barry's insights regarding philanthropy and kind treatment of the poor. In one letter, for example, she discussed reasons why Christians might not celebrate Christmas (December 27, 1834). She also shared her literary tastes and opinions about different works she had read, including a wish to focus on more of Wordsworth's poetry, and gave her fiancée updates on her life and family. Her later letters, composed during the couple's marriage, center on family life; one of these, dated October 5, 1846, includes a lengthy contribution from the couple's daughter Lizzie, who spoke of her progress in music lessons and of her baby sister Julia.

This collection contains correspondence and other items related to the family of George H. and Mary Spooner of Petersham, Massachusetts, and Clifton, Illinois. George and Mary Spooner corresponded with one another and with many family members between the 1840s and early 1880s. The collection includes a small number of printed materials, poems, writings, and ephemeral items.

This collection (83 items) contains correspondence and other items related to the family of George H. and Mary Spooner of Petersham, Massachusetts, and Clifton, Illinois.

The Correspondence series (67 items) largely consists of letters that George and Mary Spooner received from friends and family members in the mid-19th century, particularly in the 1850s. Their correspondents primarily wrote from locations in Massachusetts, such as Petersham, Worcester, and Deerfield. The writers often provided news of family members and acquaintances, and some discussed social events such as Fourth of July celebrations.

One group of letters, dated in the 1840s, pertains to J. Benjamin Howe, a relative of the Spooner family. Mary and George Spooner exchanged love letters during periods of separation, and George wrote a letter to his grandfather about his life and work in Boston in September 1851. Letters dated after 1858 occasionally pertain to politics and to the Civil War, including a letter from Mary's brother Thomas, who discussed the Lincoln-Douglas debates and expressed his opinions about racial purity (September 22, 1858).

Mary Angela Spooner wrote to George and Mary Spooner about life in Petersham, Massachusetts, during the Civil War, mentioning local casualties and sharing news of J. Benjamin [Howe], a member of the 53rd Massachusetts Infantry Regiment. George Spooner corresponded with his wife about business affairs and life in "Pekin" during the war years. Postwar items include letters to an unidentified recipient in Clifton, Illinois, and a small number of additional personal letters to George and Mary Spooner. In December 1874, a man named "Fletch" wrote two letters about his experiences at Harvard.

The Writings, Sketch, and Genealogy series (11 items) includes an undated essay entitled "Chronicles of Clifton," poems, a pencil sketch, and genealogical notes. From 1842-1843, J. Benjamin Howe copied or wrote 4 poems, including lines addressed to a pet dog, songs about love, and one titled "The Army Overcoat." Additional poetry includes a similar work about military clothing, unsigned lines in a different hand, and a copy of a poem entitled "Brig Transcript." The series also contains a pencil sketch of the unidentified artist's former residence (November 5, 1848) and four pages of genealogical notes.

The Printed Items and Ephemera series (5 items) consists of a newspaper clipping, two calling cards, an invitation addressed to George and Mary Spooner, and the word "Bible" sewn on plastic canvas (with half or tent stitches).

The collection consists of a 172-page diary, composed in the summer of 1906 (July 3-Sept. 2) about Helen Moorhouse’s experience as a hired musician at a hotel on Cape Cod, and a series of 32 letters that Moorhouse wrote from the Nichewaug Inn in Petersham, Massachusetts, to Alice E. Brown, the woman with whom she was romantically involved, in the summer of 1915.

The collection consists of a 172-page diary, composed in the summer of 1906 (July 3-Sept. 2) about Helen Moorhouse’s experience as a hired musician at a hotel on Cape Cod, and a series of 32 letters that Moorhouse wrote from the Nichewaug Inn in Petersham, Massachusetts, to Alice E. Brown, the woman with whom she was romantically involved, in the summer of 1915. The diary includes numerous photographs, concert programs, and other clippings related to her summer. Both the diary and correspondence reflect Moorhouse’s interests in music, botany, art, and reading.

I. Diary, 1906

Helen Moorhouse’s 172-page diary from the two months she spent as a contracted musician at the Hotel Mattaquason in Chatham, Massachusetts, in the summer of 1906 offers a detailed account of daily life at a summer resort on Cape Cod.

Positioned somewhere between the hotel’s wait-staff and guests, Helen and her fellow trio members, Mary Molly Durgin and E. Isabel Foster, performed twice each day, but otherwise seem to have spent much of their time reading, sewing, and going on outings to the beach or into the village of Chatham. The diary entries record these activities, along with anecdotes about the hotel guests and employees, with particular attention paid to how the music the trio prepared and performed was selected and received. Other figures that appear throughout the diary are Mr. and Mrs. Frederick Wilkey, the Hotel Mattaquason’s proprietors; hotel guest Mrs. Edward Arthur James, of Chicago, and her son Sydney L. James, a violinist who often played with the Middlesex Trio over the course of the summer; Miss Ellen L. Cabot, a hotel guest who frequently commented on the trio’s music; Miss Haddock, a guest who also performed music; and Mr. Middlemass, the hotel’s head waiter and a student at Harvard. Other entries of note include a lengthy description of ice on the Great Lakes (29-31), the visits of an Armenian trader to the hotel (59; 113), a description of meeting journalist Lillian Whiting, who wrote The House Beautiful (83), and the complaints of an old crank of a Women’s Club Woman (99-103).

The journal contains various pieces of ephemera related to the concerts, activities, and places described in the written entries. These additions include 65 photographs (18 of which are cyanotypes), of beach scenes, the village of Chatham, the hotel, and its guests and staff; 2 real photo postcards; 2 hand-drawn sketches, one a diagram of her room and the other the view from her window; 2 news clippings; 6 concert programs from the Middlesex Trio’s performances at the Mattaquason; 3 visiting cards; 4 dinner menus from the hotel; a letter of music recommendations from Mr. Herbert H. White; and several other miscellaneous pieces of the hotel’s promotional literature. A couple of the photographs show men outfitted in dresses to play a hybrid game of baseball and tennis with the ladies of the hotel (132-133).

Moorhouse seems, in part, to have kept the diary as a record of the summer to share later with her parents, who were themselves vacationing for part of the summer at the shore in Mattapoisett, Massachusetts.

II. Correspondence, [1915]

This portion of the collection consists of thirty-two letters that Helen Moorhouse wrote between the end of June and mid-August 1915 to Alice E. Brown, a widow with whom she was romantically involved.

Moorhouse was in the midst of a nine-week contract to perform as a member of a music trio at the Nichewaug Inn in the central Massachusetts town of Petersham, while Brown was at home in Melrose, just outside Boston. During their time at the Nichewaug, Moorhouse and her fellow musicians, Susie Wells and a Miss Wilson, tended to practice music or paint landscape scenes in the mornings and performed each afternoon and evening in the hotel’s music room. The letters also reveal her keen interest in botany, art, and reading. In particular, she spent much of the summer reading the works of American philosopher John Fiske, whose son was the proprietor of the Nichewaug, as well as a history of architecture.

Moorhouse’s account of her days at the Nichewaug are interspersed with outpourings of longing for Alice, her Dear Heart, and candid reflections about how the couple was negotiating the familial and financial terrain of their relationship. News about Brown’s two children, Effie and George, as well as Moorhouse’s aunts feature prominently in the correspondence. A couple of the letters additionally contain Moorhouse’s thoughts on current events, including World War I, women’s suffrage, and the status of Native Americans living on reservations. In one of the letters, she included sketches of British war posters that a group of women fundraising for Belgian refugees had brought to the hotel to display and sell.

These two account books record the income and expenses of Peter F. Wheeler, a palm leaf splitter and farmer who lived in Grafton and Petersham, Massachusetts, in the mid-19th century. One volume primarily concerns the costs of finishing calfskins and other labor performed in Grafton between 1832 and 1847, and the second records Wheeler's finances between 1860 and 1872.

These two account books record the income and expenses of Peter F. Wheeler, a palm leaf splitter and farmer who lived in Grafton and Petersham, Massachusetts, in the mid-19th century. The first volume (84 pages) primarily concerns the costs of finishing animal skins in Grafton, Massachusetts, between September 1832 and September 1849, and the second (170 pages) details Wheeler's finances, including the income he earned as a palm leaf splitter and general laborer.

Volume 1 primarily contains accounts related to the costs of numerous types of labor in Grafton, Massachusetts. The first 79 pages consist of personal accounts Peter F. Wheeler kept between September 1832 and September 1849, pertaining to the cost of working with animal hides. Pages 19 through 75 record Wheeler's accounts with "Captain Jona. Warren," for whom Wheeler finished boots, hides, and other leather products between September 1842 and April 1847. Three pages of accounts note Wheeler's work finishing calfskins and doing other labor in Grafton and Petersham between September 1847 and September 1849. These accounts are followed by 5 pages covering labor done by Samuel W. Flagg, Moses Hook, and Elisha W. Hinds between April 1844 and January 27, 1847, including a record of the days they were absent from work.

Volume 2 contains 170 pages of personal accounts Wheeler kept between February 1860 and October 1872, while he lived and worked in Petersham, Massachusetts. Most of these are double entry accounts that show Wheeler's credits and debits with farmers for whom he split palm leaves and worked as a farm laborer by hoeing, planting, plowing, and haying. He often received payment in foodstuffs, such as apples, potatoes, and butter, and in labor. Employers included Adin Tolman, Josiah B. Goddard, and Moses Gates, and in the late 1860s, Wheeler often worked on boards for the firm Eaton & Dunn. At least four accounts reflect women's expenses; in exchange for their labor, Wheeler provided clothing, whiskey, and similar items (pp. 36-37, 82-83, 102-103, 116-117, 128-129). The accounts on page 158 list the cost for sending mail in Denison, Iowa, between 1867 and 1872. Supplemental financial notes at the end of the volume include cash and other items received (pp. 151-157, July 5, 1867-October 31, 1872), cash paid (p. 160, November 1, 1866-July 6, 1872), taxes paid to Petersham, Massachusetts (p. 161, August 30, 1869-October 31, 1871), and expenses (pp. 166-170, May 7, 1862-May 3, 1864).

Sixteen notes and receipts are laid into the volume, including a page of genealogical information about Justus H. Tillman of Columbia, South Carolina, and two tax receipts from 1868 and 1872.