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"Snook's Lives of Celebrated Men: Flobby MacSquelsh" are sketches narrating the life of the fictional profligate son of a Barbados planter. The story satirizes the plantation culture of nineteenth-century Barbados.

"Snook's Lives of Celebrated Men: Flobby MacSquelsh" are sketches narrating the life of Flobby Macsquelsh, the fictional profligate son of a Barbados planter. The story is told on 10 pages (22 x 32 cm) and divided into 11 parts, each part consisting of an ink sketch and a paragraph of text.

MacSquelsh is referred to as the "hero" in the story. He is depicted as a fat man known for his "intense gluttony." As a child, witnessing the whipping of a slave brings Flobby "intense delight." As an adult, he visits Europe and is placed in the distinguished 179th Highland Rifles corps. He engages in heavy drinking, attends balls, and meets a woman but later has "deserted and undid her." He is unfit for hunting, as he loses control of his horse, kills two hunting hounds, and even loses his umbrella. The story ends with Flobby returning to Barbados, where he successfully proposes marriage to a "Lady of Colour" and inherits his father's plantation property. This satirical story is likely a commentary of the behaviors of the planter elite in the West Indies after the abolition of slavery.

The New England family travel photograph album contains approximately 600 photographs that document the domestic life and foreign travels of an unidentified husband and wife couple from suburban Boston during the first decade of the 20th-century.

The New England family travel photograph album contains approximately 600 photographs that document the domestic life and foreign travels of an unidentified husband and wife couple from suburban Boston during the first decade of the 20th-century. The album (28.5 x 36 cm) has pebbled black leather covers with “Photographs” stamped in gold on the front. By and large, images are presented chronologically and many have extensive captions which mainly identify the locations pictured as well as certain individuals. It appears that many image captions were cut and pasted from white paper and added on top of pre-existing faded captions that had been written directly on the album pages. Some images that show people of African descent have subtly derogatory captions. Photographs showcasing the family’s domestic life include pictures of annual spring blooms in their backyard; friends and family; various domestic activities including interacting with pet cats; and regional outings such as visits to Mt. Washington, Point of Pines nature park in Revere, Massachusetts, and poet John Greenleaf Whittier's birthplace in Haverhill, Massachusetts.

In the summer of 1905, the couple travelled to Montreal and up the St. Lawrence River to Quebec City and beyond, resulting in the production of nearly ten pages of photographic highlights (pgs. 7-16). Later that summer, they also took photographs while vacationing in the Lake Sebago region of Maine with friends whom they later visited in Providence, Rhode Island (pgs. 16-20, 22). A visit to New Orleans, Louisiana, and Beauvoir, Mississippi, in December of 1906 is also documented (pgs. 30-37). In 1907 the couple undertook a period of extensive international travel beginning with a trip to England, Scotland, Ireland, Belgium, and France (pgs. 38-57). A second visit to Quebec in September 1907 is briefly represented (pgs. 57-58), while a series of pictures from a trip to St. Augustine, Florida, in April 1908 are also included (pgs. 59-62). Photographs related to two separate tours of the Caribbean and Central/South America in July and August of 1908 and March of 1909 make up a substantial portion of the album (pgs. 63-103); images from the first tour mainly include scenes from Caribbean islands such as St. Thomas, St. Croix, St. Kitts, Antigua, Guadeloupe, Dominica, Martinique, St. Lucia, and Barbados as well as British Guiana, while images from the second trip include scenes from Puerto Rico, Jamaica, Panama, Venezuela, Trinidad, Dominican Republic, and Cuba. Also present are several commercially-produced photographs, including a number of panoramic views, showing scenes from Mexico (pgs. 104-111). The majority of images taken during the couple’s travels consist of typical sightseeing photographs showing important cultural landmarks and historic buildings as well as street scenes, methods of transportation, and local people and industries. Throughout the album there are also numerous photographs taken aboard various transport vessels mid-voyage.

A few noteworthy historical events are minimally represented by photographs in this album, such as the January 15 1905 Washington Street Baptist Church fire in Lynn, Massachusetts (pgs. 2 & 3); the Quebec Bridge a few weeks after its collapse on August 29 1907 (pg. 57); the Great Chelsea Fire of 1908 (pg. 59); Panama Canal construction in 1909 (pgs. 87-89); long distance views of the site of the village of St. Pierre, Martinique, which was decimated by the volcanic eruption of Mt. Pelée on May 8 1902 (pg. 80); and the wreck of the battleship Maine in Havana Harbor (pg. 179). Individuals identified by captions throughout the album include Dr. Robert L. Bartlett (pgs. 4 & 89); “Miss Morse” (pg. 5); Stanley and Donald Clauss of Providence, Rhode Island (pgs. 17, 19 & 22); Hattie English, Lizzie English, “Mrs. Boynton,” and “Miss Lord” (pg. 19); Samuel Pickard (pg. 20); Jessie Pauline Whitney (pg. 21); "Mr. Little" (pgs. 19 & 22); William Rhodes (pg. 26); Maud Burdett (pgs. 38 & 58); George C. Hardin (pg. 74); Dr. Selah Merrill, American Consul in British Guiana (pg. 80); "Mrs. Parker" (pg. 85); and Hermann Ahrensburg (pg. 91). Other images of interest include a couple of photographs showing United States cavalrymen at camp in Lakeville, Massachusetts (pg. 2); a multiple exposure photograph showing the wife and other women (pg. 22); four photos showing a group of women that appear to be associated with a possible Masonic organization with the acronym “O.E.O.T.” (pg. 23); two photos of local boys diving in St. Lucia (pg. 72); a picture of a school for natives in St. Thomas where students were supposedly fined 10 cents a day for being absent (pg. 82); photos from Kingston, Jamaica, showing women working on a railroad and men operating a hand-made sugar mill (pg. 86); a group portrait of a baseball team in Venezuela (pg. 92); photos of the natural asphalt deposit Pitch Lake in Trinidad (pgs. 94 & 95); and photographs showing people with Brownie box cameras (pgs. 82 & 103).

This item is a bound collection of espionage correspondence from Paris, 1780, that describes the locations and numbers of French and Spanish ships in Gibraltar, New York, Canada, and the West Indies.

This volume is a bound collection of espionage correspondence from Paris, 1780. The 37 reports (65 pages) describe the locations and numbers of French and Spanish ships in Gibraltar, New York, Canada, and the West Indies. Many entries discuss the number of troops stationed at various ports, the conditions of the crew ("They are badly manned and sickly, especially the Spanish who also find it difficult to recruit their navy" p.40), and the outcomes of engagements ("The French had suffered greatly, most of the ship's masts being damaged...100 men have been killed and at least 1,200 wounded" (p.47). The author often provides logistical information such as lists of ships and crew sizes, as well as the names of the ships' captains.

The Laura Page Butcher photograph album contains photographs, newspaper clippings, and ephemera pertaining to Butcher's leisure activities and travels in the United States, Europe, and North Africa in the late 19th and early 20th centuries.

The Laura Page Butcher photograph album (27cm x 37cm) contains around 350 photographs with newspaper clippings and printed ephemera pertaining to Butcher's career as an artist, her leisure activities, and her travels in the United States, Europe, and North Africa from June 1897-June 1903. The photographs include single prints, cyanotypes, and individual prints assembled into panoramas. Most of the photographs are original snapshots, with professionally portraits and some commercially produced views included. The album has been reconstructed and re-bound; the original cover, with the title "Photographs" printed on the front, is housed separately. Some quotations and captions, usually providing a location and date, are written directly onto the album pages or onto photographs.

Most photographs are informal and studio portraits of men and women, pictures of women enjoying leisure activities, exterior and interior shots of mansions and hotels, and views of natural and urban scenery from Butcher's vacations and international travels. Portrait subjects include Laura Page Butcher, her traveling companions, artist friends, and a large formal wedding party. Groups of women are shown painting, riding horses, driving carriages, swimming in an indoor pool, and golfing. Butcher's travel photographs from Paris, France; Funchal, Madeira; Granada, Spain; Algiers, Algeria; and Alexandria and Cairo, Egypt, focus on urban scenery, landmarks, and local populations. Included are the Eiffel Tower, Alhambra, the Great Sphinx, and Giza pyramids. Timeless examples of tourists photographed at Giza in Egypt appear. Photographs of Paris include the Exposition Universelle of 1900. Butcher's return to the United States on the steamship St. Louis is documented with several dramatic seascapes. Many images of leisure activities taken along the eastern shore of the United States. Other images of note show the parade for the dedication of the Fairmount Park, Philadelphia Washington Monument in 1897, an American soldier in uniform taken in Manila, Philippines; one colored photomechanical print shows a group of people in Algiers surrounding a ritual activity or performance. Also of note is a panorama of a bull fight given by Spanish prisoners of war held on Seavy's Island, Maine, with William Jean Howells identified as a spectator.

The album also includes newspaper clippings and ephemera items. The clippings are primarily society page items about the activities of Laura Page Butcher and her siblings, such as the family's vacations in West Virginia, Laura's winter in France, and Alice Tyson Butcher's wedding. Quotations often pertain to art, among other subjects.

Of particular note are the photographs, notes, and ephemera related to Butcher's art career. Images appear of young women in artists' smocks with palettes, in life classes, sketching outdoors at the Shinnecock School, in a Paris atelier and other unidentified studios. An interest in James McNeill Whistler is revealed by the inscriptions quoting Whistler's "Ten O'Clock" lecture, a copy of the butterfly monograph of Whistler, and comment on Whistler's work transcribed from the periodical "The Trimmed Lamp" appearing on pages five and ten, and Whistler antidotes in clippings elsewhere in the album. Material related to Butcher's participation in the exposition of the Société Nationale des Beaux Arts at the Grand Palais, including her letter of admission, is on page 19.

The George E. Boggs collection contains one photograph album, one letter, and one box of ephemera. These materials document the First World War service of George E. Boggs and to a lesser extent his brother Hamilton Irwin Boggs. Also included are numerous photographs of the Boggs family both prior to and after the war.

The George E. Boggs collection contains one photograph album, one letter, and one box of ephemera. These materials document the First World War service of George E. Boggs, and to a lesser extent his brother Hamilton Irwin Boggs. Also included are numerous photographs of the Boggs family both prior to and after the war.

The album does not have a strict order; many photographs from Boggs’ time in France are interspersed with images of family and at training camps in the United States prior to going to France. Captions are apparently written by both George Boggs and his mother Caroline. The majority of the images from France are of Châtillon-sur-Seine but other places are also represented. Please see the Subject Terms for a more complete list of locations.

• George and Hamilton Irwin Boggs in uniform with their Great-Uncle James P. Boggs, Civil War veteran who was wounded at Second Battle of Bull Run (loose photo in front of scrapbook, duplicate copy on page 46)
• General Pershing awarding the Distinguished Service Cross to members of the 81st Division. (page 18)

The letter, written in France on December 28, 1918, is from Hamilton Irwin Boggs to an "Uncle Jim" (possibly his great-uncle James P. Boggs). In the letter, Hamilton Boggs gives a summary of his service in the army, and mentions George Boggs’ service.

The ephemera includes George E. Boggs' dog tags, an embroidered souvenir French handkerchief, an United States Army Air Service insignia pin, and a piece of "trench art" made from a French 75mm shell casing. Also present are eleven track and field ribbons and two medals, all from 1913-14.

This collection consists primarily of correspondence written by transatlantic merchant Pierre Boname; his father, C. A. Boname; and his niece Catherine, about their lives in New York City and about contemporary French politics.

This collection consists primarily of correspondence written by transatlantic merchant Pierre Boname; his father, C. A. Boname; and his niece Catherine, about their lives in New York City and about contemporary French politics. Pierre wrote the majority of the letters in the collection to his sister Louise, and they reveal the siblings' close relationship. They frequently mentioned their separation, and on several occasions, they planned to take trips together. Pierre, a lover of the arts, often mentioned lectures he had attended and books he had read. Between 1874 and 1882, their father, who signed himself "C. A.," sent his daughter updates from France, including information about domestic and international politics. Though discouraged about the state of his country, he professed a lasting devotion, despite the pessimism engendered by the Franco-Prussian War (1870-1871). In addition to correspondence, the collection also includes a printed advertisement for a boarding school located in Annonay, France.

This collection contains 3 groups of letters between members of the Burbank family of Medford, Massachusetts. William Henry and Edwin C. Burbank wrote to their mother and siblings while serving in the 5th Massachusetts Infantry Regiment in Washington, D.C., Alexandria, Virginia, and New Bern, North Carolina, from 1861-1863; Edwin C. Burbank wrote to his mother and sisters while living in Paris, France, in 1867; and Ida Burbank wrote home about her life on Cumberland Island, Georgia, during the winter of 1882-1883.

This collection (86 items) consists of 3 groups of letters between members of the Burbank family of Medford, Massachusetts. William Henry and Edwin C. Burbank wrote to their mother and siblings while serving in the 5th Massachusetts Infantry Regiment in Washington, D.C.; Alexandria, Virginia; and New Bern, North Carolina, from 1861-1863 (42 items); Edwin C. Burbank wrote to his mother and sisters while living in Paris, France, in 1867 (11 items); and Ida Burbank wrote home about her life on Cumberland Island, Georgia, during the winter of 1882-1883 (31 items). The collection also includes a personal letter to Edwin Burbank (June 8, 1867) and an unsigned letter (November 22, [1882]).

William Henry Burbank wrote 33 and his brother Edwin wrote 9 of the 42 Civil War-era letters (April 28, 1861-June 17, 1863). William's first letters pertain to his service with the 5th Massachusetts Infantry Regiment in and around Washington, D.C., in 1861, including his observations about martial law in and the desertion of Alexandria, Virginia, and his recollections of the First Battle of Bull Run (July 23, 1861). Both brothers' later letters concern their experiences with the 5th Massachusetts Infantry Regiment in and around New Bern, North Carolina, from 1862-1863. The Burbanks described New Bern and its black population, reported casualties, and discussed the possibility of finding their brother Oscar a military job. Some of their letters, particularly Edwin's, recount Confederate attacks, Union Army expeditions, battles during the Goldsboro campaign, as well as attempts to relieve Confederate pressure on Washington, D.C. William's letter of March 16, 1863, contains a manuscript map of Union lines and encampments around New Bern. A few of the letters are addressed to the Burbank sisters.

The remaining correspondence includes 11 letters that Edwin C. Burbank wrote to his mother and sisters while traveling to and living in Paris, France, from March 29, 1867-September 29, 1867; his first letter is dated at Glasgow, Scotland. He commented on his travels, his life in Paris, and the Exposition Universelle. The final group of letters concerns Ida Burbank's leisure activities on Cumberland Island, Georgia, and her travels to Brunswick and other nearby locales. She provided news of the relatives she stayed with during her time in the South, discussed life in Georgia, mentioned ships traveling to and from the mainland, and described visits to the beach. Three of her letters enclose newspaper clippings and dried flowers.

The Edward H. Fitzgerald journals are comprised of two volumes and one document, belonging to a U.S. army officer who served in the Seminole War, the Mexican War, and at several western outposts in California and Oregon. The volumes amount to Fitzgerald's daily journal kept during his service with the navy in the Mediterranean. He wrote sporadic diary entries and poems in Florida during the Seminole War and in Mexico and California.

The Edward H. Fitzgerald journals are comprised of two volumes and one document, belonging to a U.S. army officer who served in the Seminole War, the Mexican War, and at several western outposts in California and Oregon. The volumes amount to Fitzgerald's daily journal while traveling with the navy in the Mediterranean, along with sporadic diary entries and poems from his service in Florida during the Seminole war and during his time in Mexico and on the California frontier.

Volume 1 (548 pages) is a private journal, written by Fitzgerald during his service in the United States Navy stationed in the Mediterranean (August 6, 1834-September 1, 1835). Fitzgerald kept detailed daily notes, with commentary, of his experiences on board an unnamed ship commanded by David Conner (pages 1-339). Fitzgerald described the purpose of the diary:

This my private journal is to be merely a register of the events of a cruise as they really happen, & of my sentiments upon those of them that strike me particularly; I keep it at the request of _______ & because perhaps in after years it may be pleasant to recur (sic) to it & refresh my memory with the perusal of those scenes in which I may suffer or enjoy myself (page 1).

Pages 1-366 mainly consist of a continuous daily account of these travels. The ship voyaged from Norfolk, Virginia, to Madeira, Toulon (where they were held in quarantine for cholera), Port Mahon, Marseilles, Gibraltar, Malaga, Barcelona, Genoa, Naples, Valetta, Palermo, Rome, and Paris. Fitzgerald also made many inland trips to Pisa and Florence (see additional descriptive data for Fitzgerald's itinerary with corresponding page numbers).

The second half of the journal, pages 367-547, contains sporadic diary entries, pages of verse (both original and copied poems), short fiction, and other miscellaneous writings from 1839 to 1843 (pages 468-487 are missing). Many of the entries describe his life with the 2nd Dragoons in 1840, and his experiences in Tampa Bay, Florida. In one notable passage, Fitzgerald, while at sea, described memories of being with his family at Christmas. He recalled receiving presents, singing Christmas Gifts with his family, teasing the younger family members, and watching his mother cook turkey, sugar plums, hot coffee, rolls, and mince pie (pages 409-413).

In addition to the journal entries, Fitzgerald made several lists throughout the journal. Three lists are official in nature: page 9 contains a list of the officers on board the ship; pages 398-399 contain a register of captains, 1st lieutenants and 2nd lieutenants for the years 1841-1844; and page 566 has a roll for the 6th Infantry, led by Colonel Henry Atkinson, October 26, 1839. Other lists show that Fitzgerald was well educated and a lover of art, poetry, and literature. Page 1 lists over 100 books he remembered reading, including histories of the United States, Spain, and the life of George Washington; novels, such as Ivanhoe and Leviathan; and miscellaneous books, such as a book entitled Tales of my Land Lord, and writings by Voltaire. On pages 392-393, Fitzgerald listed names and descriptions of Greek and Roman gods, and page 456 has a list of "the 7 wise men of Greece."

This volume contains 7 drawings: four people farming and carrying a load on a spit (page 61), 2 ships (pages 69 and 92), a coastal view of an island (page 77), a well-dressed man with a big nose (384), two people in hats (497), and three profiles of men with an American flag.

Volume 2 (30 pages and 200 blank pages) labeled "PRIVATE," is a book of original poems, some with biographical notes, written during the Fitzgerald's time stationed in Florida during the Seminole war, and in Tacubaya, Mexico, during the Mexican-American War. These poems were copied into the volume at a later date, and contain a few annotations and corrections. Of note are two poems written for Mary Elizabeth "Betty" Taylor, daughter of future U.S. President Zachary Taylor.

• Fort Gamble, Florida
  • You may talk of your jewels and spangles, May 1840 (page 10)
• Fort Gibson Cherokee Nation (Indian Territory)
  • The Guardian Angel: a German fable, February 26, 1843 (page 12)
  • The Prairie at Evening, March 1843 (page 15)
  • To Miss Betty Taylor, Daughter of General Zachery Taylor, March 1846 (page 19)
  • Selected, March 24, 1846 (page 20)
  • Selected lines, March 28, 1846 (page 23-26)
• Fort Morgan, Sea Horse Key, Florida
  • Lines, 1842 (page 14)
• Fort Smith, Arkansas
  • The Thunder Shower, 1844 (page 1)
  • A valentine to Miss. Amelia Hoffman, February 14, 1844 (page 3)
  • The mellow eve to some is sweet (page 4)
  • To Susan Duval, May 1845 (page 5)
  • To Kate Hoffman, February 14, 1845 (page 7)
• Tacubaya, Mexico
  • Lady (Miss Betty Taylor), February 14, 1848 (page 22)
• Tampa Bay, Florida
  • Sweet evening, July 1840 (page 9)
  • Lines at Sea, August 24, 1840 (page 17)

After the poems, Fitzgerald copied 4 report extracts from his service in the Mexican War. Two extracts recount the Battle of Contrerasand Churubusco, led by Major General Pillow on August 19 and 20, 1847 (page 27). The other two extracts relate to the Battle of Chapultepec, during which Fitzgerald was Aide-de-Camp to General Pierce, September 1847 (page 27-28).

Finally, pages 29-30 contain a biographical list of places where Fitzgerald lived between his birth in 1815 and his death in 1860. The 1860 entry was written in a different hand.

In addition to the two journals, this collection contains a printed resolution, from the Pennsylvania legislature, honoring Fitzgerald for his service in the Mexican War (May 20, 1849). This document is signed by Governor William F. Johnston from the state capital, Harrisburg, Pennsylvania.

The Vera and Gene Foreman photograph albums consist of four volumes containing approximately 917 photographs and miscellaneous ephemera that document the experiences of Vera Irene Masuch and her husband-to-be Charles Eugene “Gene” Foreman in post-World War II Europe both before and after they first met as well as earlier trips taken by Vera and friends to various places in the United States.

Volume 1 (1942-1943)

This album (25.5 x 33 cm) has brown faux-leather covers and contains approximately 159 photographs as well as some postcards. Images include numerous snapshots of young men and women (including Vera) on a ranch in Green Mountain Falls, Colorado; coverage of visits to Pike's Peak, Denver as well as an unidentified tropical location; and photographs showing young men in military uniforms.

Volume 2 (1949)

This album (32 x 38 cm) has decorative dark blue faux-leather covers and white plastic ring binding and contains 50 photographs as well as some ephemera. Only five pages near the front of the album and two pages towards the back contain any photographs, most of which show American GIs (including Gene) in training camp settings primarily near the town of Friedburg, Germany, and engaging in social activities. Some but not all images have captions. Also present towards the back of the album are several loose images including real photo postcards showing travel scenes to European locations such as Paris, Naples, Rome, and Venice as well as a group portrait of a football team, a program dated December 2 1950 for a USAREUR football game between the 2nd RCT "Dragoons" and 16th Infantry Regiment "Rangers," and a souvenir from the Casa Blanca cocktail bar in Newark, New Jersey bearing Gene Foreman's signature.

Volume 3 (1949-1950)

This album (32 x 38 cm) has decorative black faux-leather covers and white plastic ring binding and contains approximately 580 photographs as well as some ephemera. Images include photographs (including football games) from the U.S. military base near Augsburg from 1949 to 1950; recreational visits to Augsburg, Berchtesgaden (including the Eagle's Nest), Garmisch, Bonn, Heidelberg, and Frankfurt am Main in Germany, Salzburg and Vienna in Austria, and locations in the Netherlands, France, and Italy; wounded American soldiers encountered during a visit to a hospital in Munich; and 24 views of the former concentration camp in Dachau. Other images of note include photographs of a wedding between Vera's friends Mary and John and sporadic images unrelated to post-war Europe that were taken during past vacations including trips to Colorado, Utah, and El Paso, Texas.

Volume 4 (1950-1951)

This album (34.5 x 28 cm) has red leather covers and red satin lining and contains approximately 125 photographs as well as some ephemera. The first page bears the inscription "Merry Christmas! Gene, 1951, Augsburg, Germany" as well as a photograph of Vera and Gene seated together at a table. Images include numerous snapshots of friends and soldiers engaged in social activities taken on the Augsburg military base as well as photographs (including real photo postcards) taken in other European locations such as Venice, Pisa, Florence, Cannes, Amiens, and Paris. Numerous individuals are identified through captions. Also present is a tissue with lipstick kisses and a tuft of blonde hair, while several photographs and ephemeral items are stored loose towards the back of the album.

The individual captioned as "me" in a number of photographs in Volume 3 appears to be Vera. She also appears regularly in the pictures of Volume 1 (also identified as "me" in captions) as well as Volume 4, but does not appear at all in Volume 2. Gene appears for the first time outside of Volume 2 in the final few pages of Volume 3, where he is initially introduced in a portrait with the caption "Gene Forman - Eibsee Hotel, June 1950"; this portrait is followed by a full page of photos of Gene. Given that Volume 2 seems to portray Gene's time in Friedburg and most of Volume 3 seems to represent Vera's personal experiences in Augsburg and traveling elsewhere in Europe, it appears that they may have been unacquainted prior to June 1950. By October 1950 the two appear to be acting as a couple, as documented in a travel bureau itinerary present at the end of Volume 3 that details a four-day program in Naples for "Miss Masuch and Mr. Forman." The couple also appears together in Volume 4, though in this instance the "me" captions refer to Gene and not Vera, suggesting that he was the primary creator of that album.

This collection is made up of 51 items related to Private Victor J. Harles, who served in France with the United States Army's 350th Infantry Regiment during World War I. Harles sent 47 letters and postcards to his parents and sister in Clayton, Missouri, while in training at Fort Dodge, Iowa, and while serving in France and Germany between August 1918 and May 1919. He described his training exercises, aspects of military life, and the towns he visited in France during and after the war. Also included are 2 pre-enlistment letters and 2 pieces of ephemera.

This collection is made up of 51 items related to Private Victor J. Harles, who served in France with the United States Army's 350th Infantry Regiment during World War I. Harles sent 47 letters and postcards to his parents and sister in Clayton, Missouri, while in training at Fort Dodge, Iowa, and while serving in France and Germany between August 1918 and May 1919. He described his training exercises, aspects of military life, and towns he visited in France during and after the war. Also included are 2 pre-enlistment letters and 2 pieces of ephemera.

Harles wrote 13 letters from Camp Dodge, Iowa, between May and August 1918, and 2 while awaiting deployment from Camp Upton, New York, in early August. He discussed many aspects of military life, such as the food; leisure activities; his influenza inoculation (with a small drawing of the mark it left on his arm, June 16, 1918, and June 19, 1918); and training exercises, including rifle practice and anti-gas maneuvers (July 3, 1918). On July 7, 1918, he mentioned having seen three African American men hanged for an assault on a young woman. Once he received his assignment to the signal corps, Harles took classes in telegraphic systems and described the work of the corps. He also encouraged his family to look after his fiancée, "Lil," while he served abroad, and composed 1 letter while en route to Europe.

Victor Harles sent 17 letters, 13 postcards, and 1 Christmas card from France and Germany to his family in Missouri, writing primarily about his surroundings and war news. He reported seeing foreign allied soldiers and German prisoners of war, drew maps for his regiment's signal corps, and commented on the small French villages in which the 350th Regiment stayed during most of its active service. Harles had some knowledge of the French language, attained through his immigrant grandmother, and could interact with the locals. He described local customs and gave his impressions of the town's buildings. Although he arrived in Europe shortly before the armistice, he reported that his unit had participated in battle. His letters also include a brief comparison between occupied Germany and wartime France (May 5, 1919) and signal his intent to break off his engagement (May 17, 1919).

After the war, Harles traveled around France and to Coblenz, Germany, as a theater painter with the 88th Division "Show Troupe." He spent some additional time in Paris before returning to the United States onboard the Pocahontas in late May 1919. Three printed and partially printed postcards provided his family with news of his arrival in France, a new mailing address, and news of his return to the United States on June 1, 1919.

The collection's visual materials include printed postcards, an illustrated Christmas card, and 3 photographs of Victor Harles. Two photographs are enclosed in his letter of February 25, 1919, and the third is attached to his passport, also present in the collection. The postcards depict scenes from Paris, other French cities, and Coblenz, Germany. Additional material includes 2 early letters Victor wrote about life as an artist in Norway, Maine (June 13 and 30, 1916), and a metal identification tag for "M. J. Schreibert." One postcard postmarked 1908 depicts a Papago Native American woman filling a pot.