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This collection is made up of 51 items related to Private Victor J. Harles, who served in France with the United States Army's 350th Infantry Regiment during World War I. Harles sent 47 letters and postcards to his parents and sister in Clayton, Missouri, while in training at Fort Dodge, Iowa, and while serving in France and Germany between August 1918 and May 1919. He described his training exercises, aspects of military life, and the towns he visited in France during and after the war. Also included are 2 pre-enlistment letters and 2 pieces of ephemera.

This collection is made up of 51 items related to Private Victor J. Harles, who served in France with the United States Army's 350th Infantry Regiment during World War I. Harles sent 47 letters and postcards to his parents and sister in Clayton, Missouri, while in training at Fort Dodge, Iowa, and while serving in France and Germany between August 1918 and May 1919. He described his training exercises, aspects of military life, and towns he visited in France during and after the war. Also included are 2 pre-enlistment letters and 2 pieces of ephemera.

Harles wrote 13 letters from Camp Dodge, Iowa, between May and August 1918, and 2 while awaiting deployment from Camp Upton, New York, in early August. He discussed many aspects of military life, such as the food; leisure activities; his influenza inoculation (with a small drawing of the mark it left on his arm, June 16, 1918, and June 19, 1918); and training exercises, including rifle practice and anti-gas maneuvers (July 3, 1918). On July 7, 1918, he mentioned having seen three African American men hanged for an assault on a young woman. Once he received his assignment to the signal corps, Harles took classes in telegraphic systems and described the work of the corps. He also encouraged his family to look after his fiancée, "Lil," while he served abroad, and composed 1 letter while en route to Europe.

Victor Harles sent 17 letters, 13 postcards, and 1 Christmas card from France and Germany to his family in Missouri, writing primarily about his surroundings and war news. He reported seeing foreign allied soldiers and German prisoners of war, drew maps for his regiment's signal corps, and commented on the small French villages in which the 350th Regiment stayed during most of its active service. Harles had some knowledge of the French language, attained through his immigrant grandmother, and could interact with the locals. He described local customs and gave his impressions of the town's buildings. Although he arrived in Europe shortly before the armistice, he reported that his unit had participated in battle. His letters also include a brief comparison between occupied Germany and wartime France (May 5, 1919) and signal his intent to break off his engagement (May 17, 1919).

After the war, Harles traveled around France and to Coblenz, Germany, as a theater painter with the 88th Division "Show Troupe." He spent some additional time in Paris before returning to the United States onboard the Pocahontas in late May 1919. Three printed and partially printed postcards provided his family with news of his arrival in France, a new mailing address, and news of his return to the United States on June 1, 1919.

The collection's visual materials include printed postcards, an illustrated Christmas card, and 3 photographs of Victor Harles. Two photographs are enclosed in his letter of February 25, 1919, and the third is attached to his passport, also present in the collection. The postcards depict scenes from Paris, other French cities, and Coblenz, Germany. Additional material includes 2 early letters Victor wrote about life as an artist in Norway, Maine (June 13 and 30, 1916), and a metal identification tag for "M. J. Schreibert." One postcard postmarked 1908 depicts a Papago Native American woman filling a pot.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.

The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping:

• Airships (11)
• Bridges (69)
• Civil War I--stereographs (91)
• Civil War II--cartes de visite, Kodachrome slides, negative film strip copies of stereographs held at the Library of Congress, postcards (48)
• Disasters (49)
• Expositions (24)
• Industry & Labor (89)
• Miscellaneous (23)
• Portraits (109)
• Railroads (62)
• Ships (80)
• War (30)

• Alaska (47)
• Arizona (3)
• California (20)
• Colorado (2)
• Dakota (4)
• District of Columbia (50)
• Florida (2)
• Hawaii (1)
• Illinois (17)
• Iowa (2)
• Maine (8)
• Maryland (27)
• Massachusetts (20)
• Michigan (31)
• Missouri (3)
• New Hampshire (10)
• New York (116)
• Ohio (2)
• Oregon (2)
• Pennsylvania (16)
• Tennessee (1)
• Texas (1)
• Vermont (3)
• Utah (3)
• Virginia (6)
• Washington (1)
• West Virginia (1)
• Wisconsin (2)
• Wyoming (2)
• Unidentified locations (35)

• Austria (5)
• Belgium (6)
• Brazil (1)
• Canada (3)
• Cuba (5)
• Czechoslovakia (1)
• Egypt (5)
• England (21)
• France (43)
• Germany (14)
• Greece (1)
• India (2)
• Ireland (4)
• Italy (22)
• Japan (3)
• Mexico (1)
• Miscellaneous (31)
• Monaco (4)
• Netherlands (1)
• Norway (3)
• Palestine (5)
• Panama (41)
• Puerto Rico (3)
• Scotland (10)
• Spain (2)
• Sweden (2)
• Switzerland (9)
• Turkey (1)

• Keystone Alaska and Panama views, set box (1)
• Stereoscope (1)

• Post-WWI Keystone views of German and American zeppelins and one real photo postcard showing pre-WWI aircraft (Series I, Box 1, Airships)
• Numerous views of the Brooklyn Bridge under construction and after completion, and the Niagara Falls suspension bridge (Series I, Box 1, Bridges)
• Views of Civil War battle sites, encampments, and leaders on contemporary mounts as well as numerous reproductions of stereographs showing important battlefield sites and troops (Series I, Boxes 1-2, Civil War)
• Stereographs, real photo postcards, and other images documenting the aftermath of the 1906 San Francisco Earthquake, 1871 Chicago Fire, 1889 Johnstown Flood, 1900 Galveston Hurricane, and other calamities (Series I, Box 3, Disasters)
• Images showing scenes from various American and European events, with an emphasis on the 1876 Centennial Exhibition in Philadelphia (Series I, Box 3, Expositions)
• Images showing mills, factories and people engaged in various occupations, including a boxed set of 50 images related Sears, Roebuck operations produced around 1906 (Series I, Box 3, Industry & Labor)
• Hand-colored early groupings of French theatrical tableaux (Series I, Box 3, Miscellaneous)
• Approximately 109 portrait photographs in different formats of various individuals, including William Jennings Bryan; a boxed set of 50 cartes de visite depicting Danish actors and actresses; cartes de visite of Emperor Napoleon III and the Mikado of Japan; and numerous unidentified subjects represented in real photo postcards (1), tintypes (17), framed/cased ambrotypes, and daguerreotypes (13) (Series I, Box 4, Portraits)
• Approximately 62 images of railroads, mostly in the U.S., including photographs from an 1866 expedition to the 100th meridian on the Union Pacific Railroad while under construction (Series I, Box 5, Railroads)
• Approximately 80 images of ships including warships, freighters, riverboats, passenger ships, shipwrecks (including of the USS Maine), and shipyards mostly in the U.S. with the notable exception of a photo of the 1858 launch of the SS Great Eastern, with Isambard Kingdom Brunel possibly in the crowd. Also of interest are 8 photos and postcards showing ships in World War I-era "dazzle" camouflage (Series I, Box 5, Ships)
• A Keystone View Co. series of images related to World War I (Series I, Box 5, Wars)
• A number of images produced by Keystone View Co. and other stereograph purveyors that focus on major cities such as Boston, New York, Paris, Constantinople, and Jerusalem (throughout Series II & Series III)
• Views from geological expeditions to the American frontier in the 1860s and 1870s (Series II, Unidentified Locations)

This 2-volume account (301 pages) consists of William West Medwin's memoirs about his experiences in the Royal Navy and his later travels, as well as poetry that he composed in the early 19th century.

This 2-volume manuscript (301 pages) consists of William West Medwin's memoirs about his experiences in the Royal Navy and his later travels, as well as poetry that he composed in the early 19th century.

Medwin began composing his account in 1830, and dedicated the manuscript to his surviving son. Later pages contain references to dates as late as 1833. The memoir, written on pages 1-214 and 250a-299, chronicles Medwin's experiences from 1799, when he joined the crew of the Mercury, until around 1833, when he was living in his family in London, England. He began with a brief history of his ancestors and an account of his childhood up to his enlistment in the navy. Medwin was a crewman on multiple ships and traveled to North America, the Caribbean, South America, and Europe. During the American Revolution, he was stationed in Canada and elsewhere, and after the war helped evacuate Loyalists and African-American soldiers from the newly independent United States.

Medwin's memoirs also reflect his later life, including his residence in North America, where he described the tobacco industry and plantation farming, and his years in France, where he frequently attended theatrical performances. He sometimes commented on local customs, such as the practice of "bundling" in North America (p. 63). Pages 214-248 contain poetry by Medwin; some poems are laid and pinned into the volume. Medwin then resumed his memoir with an account of his life after his return to London and the death of his eldest son. The final pages (pp. 266-299) are comprised of Medwin's philosophical and religious musings.