Search

The Billings-Stanton correspondence largely consists of incoming correspondence to Abby Billings Stanton from her family and acquaintances, who wrote about their lives in New York and Ohio. Incoming personal letters to Fanny Stanton of Wethersfield, Connecticut, her sister-in-law, are also present.

The Billings-Stanton correspondence (103 items) largely consists of incoming personal correspondence to Abby Billings Stanton in Trenton and Russia, New York, but also includes incoming personal letters to her sister-in-law, Fanny Stanton of Wethersfield, Connecticut; notes from a book on Christian miracles and prophecy; and genealogical notes about the Stanton family.

Abby Billings Stanton regularly received letters from cousins, aunts, siblings, and friends, mostly female, between 1826 and 1852. Her most frequent correspondents were Gloriana Fosdick, her aunt; Sarah G. Hollister, her cousin; and Frances B. Mason, another cousin. They commented on numerous aspects of their daily lives in towns in Connecticut, New York, and Ohio, and shared news of family members and acquaintances. Some letters pertain to education, marriage, and local travel. Fanny Stanton of Wethersfield, Connecticut, Abby's sister-in-law, also wrote to Abby; her letter of June 24, 1851, mentions a recent visit by P. T. Barnum and the opera singer Jenny Lind's decision to leave his management. Most of the remaining correspondence is addressed to Fanny Stanton, including two partially printed reports of her performance at Hartford Female Seminary in the mid-1830s (October 11, 1836, and October 10, 1837). The final items are 3 pages of notes copied and summarized from Joseph Butler's The Analogy of Religion Natural and Revealed (1736) and 4 pages of genealogical notes about the family of Robert Stanton, beginning with his departure from Lancashire, England, around 1640.

This collection is comprised of a drawing book and an illustrated journal that Helen Lincklaen Seymour Ledyard kept from 1887-1890. She discussed and drew scenes from her daily life in Cazenovia, New York.

This collection is comprised of a drawing book and an illustrated journal that Helen Lincklaen Seymour Ledyard kept from 1887-1890. She discussed and drew scenes from her daily life in Cazenovia, New York.

The first volume is Ledyard's drawing book, entitled "Chronicle's and Chroma's." It contains 43 watercolors, 4 ink drawings, and about 25 pencil sketches. Captions accompany most of the images (dated 1889-1890). Much of the artwork depicts scenes from activities such as dinner parties, balls, picnics, and a wedding. Other pictures show everyday scenes such as carriages, boxers, men and women in formal dress, and buildings. One drawing, labeled "Dynamite Danger," illustrates an explosion, and another represents a production of Gilbert and Sullivan's The Mikado. Ledyard often labeled pictures of herself and several acquaintances.

Helen Ledyard's journal ("Memoirs of Me") is dated December 19, 1887-February 22, 1888, and most pages have ink illustrations. The diary entries span 54 pages, with around 10 pages of additional sketches and notes in the back. In her daily writings, Ledyard discussed her social activities, which included meetings with family and friends and frequent visits to Syracuse, New York. She often participated in winter outdoor leisure activities, such as tobogganing and ice skating. Laid into the volume are a diagram of a football team on-field position ("The Seats of the Mighty"), a small watercolor landscape, and a page of ink sketches.