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This collection is comprised of 12 incoming and outgoing letters of Alexander Lyman Holley, and 1 report card. Holley wrote 7 letters to his father, Alexander Hamilton Holley, about his educational experiences in Farmington, Connecticut, and about his life in New York City in the early 1860s. He received letters from his father (2 items), stepmother (1 item), and grandfather (1 item), who provided advice and news. His wife Mary wrote 1 letter to her father-in-law.

This collection is comprised of 12 incoming and outgoing letters of Alexander Lyman Holley, and 1 report card. Holley wrote 7 letters to his father, Alexander Hamilton Holley, about his educational experiences in Farmington, Connecticut, and about his life in New York City in the early 1860s. He received letters from his father (2 items), stepmother (1 item), and grandfather (1 item), who provided advice and news. His wife Mary wrote 1 letter to her father-in-law.

Alexander Lyman Holley composed 7 letters to Alexander Hamilton Holley between 1841 and 1862. His first 4 letters concern his education and social life at Furnace Village, [Massachusetts], and Farmington, Connecticut. He wrote about his social life, progress in school, and travels (including his June 19, 1847, letter regarding a trip to the "Bristol copper mines"). In 2 later letters, he reflected on anti-Union rioting and railroad destruction in Baltimore, Maryland (April 27, 1861), and on the difficult birth of his daughter Gertrude (October 28, 1862).

Holley's stepmother, Marcia Coffing Holley, shared her anticipation of his upcoming visit (April 28, 1849). His father wrote 2 letters dispensing life advice on alcohol, socializing, and other topics (11 pages, July 7, 1849, and July 23, 1849). Other correspondence items are a note Holley received from his grandfather, Erastus Lyman, concerning financial matters (October 9, 1854), and a letter Mary H. Holley wrote to her father-in-law about family news. The final item is an undated report card for Alexander Lyman Holley, with a brief note Holley wrote on the back.

American poet and novelist (some with anti-war themes), pacifist and women's rights advocate, participant in the International Congress of Women at The Hague in 1915 and subsequent activities of the Women's International League for Peace and Freedom. The author of numerous poems and other literary works, she "projected a clear vision of a new social order". Throughout her work runs the prophecy of the triumph of new moral values and a strong identification with the "downtrodden masses". The papers of Angela Morgan document her long career as a twentieth century writer and social reformer. Papers include extensive correspondence with leading pacifists, literary figures and women's rights activists, manuscripts of Morgan's poetry, novels and other writings, clipping and subject files on pacifist activities and photographs.

The Angela Morgan papers document her long career as a twentieth century writer and social reformer. The collection includes extensive correspondence files, biographical and personal files, drafts of writings, pamphlets, newspaper clippings and other papers relating to her activities as a pacifist and her literary interests; also material on World War I peace movement concerning International Congress of Women, Ford Peace Ship, American Neutral Conference Committee, Emergency Peace Federation, Fellowship of Reconciliation, Bureau of Legal First Aid, People's Council of America and New York City branch of the Woman's Peace Party; also scattered papers, 1861-1922, of her father, Albert T. Morgan, who came to Mississippi after the Civil War; and photographs.

The collection contains much information on organizations such as the General Federation of Women's Clubs, (she served as poet laureate of this organization in the 1930's), the League of American Pen Women (she served as president of the Philadelphia branch from 1929 to 1931) and the Poetry Society of America.

Throughout her long career Angela Morgan kept up a correspondence with ministers (such as Fred Winslow Adams, Charles F. Aked, Harry Emerson Fosdick, John Haynes Holmes, Jenkin Lloyd Jones, Frederick Lynch, John Herman Randall and Arthur Weatherly), journalists and magazine editors (such as Kendall Banning, William F. Bigelow, Sewell Haggard, and Franklin B. Wiley) and literary people (such as Anita Browne, Ralph Cheyney, Edwin Markham, Corinne Roosevelt Robinson, Lucia Trent and Ella Wheeler Wilcox).

Another valuable aspect of the paper is the material on Angela Morgan's involvement in the peace movement, especially during World War I. Her involvement was apparently due both to the fact that she agreed with many of the ideas of the pacifists and the fact that her office was in the same building (70 Fifth Avenue in New York) which housed the headquarters of almost every significant peace group in New York City. Included in her correspondence are letters from Crystal Eastman, Margaret Lane, Rebecca Shelley, Norman Thomas, the American Neutral Conference Committee, the Bureau of Legal First Aid, the Fellowship of Reconciliation, and the Woman's Peace Party. One folder from 1915 contains notes on interviews with German pacifists conducted by Angela Morgan and Rebecca Shelley. The collection also contains much information on the International Congress of Women in 1915 (a meeting of pacifists to which Angela was a delegate) and the Ford Peace Ship.

The Augustus F. Smith bills and receipts are comprised of financial records pertaining to Smith's household and everyday expenses. The invoices, bills, and receipts concern purchases of foods, alcohol, articles of clothing, services and labor, and other goods.

The Augustus F. Smith bills and receipts are comprised of 78 financial records pertaining to Smith's household expenses, concerning foodstuffs, goods, and services. Each series has manuscript and partially printed invoices and receipts from firms and individuals; postage stamps are affixed to a majority of the items. Most of the documents are dated at New York City, and a few refer to Smith's office at 31 Nassau Street.

The Household (Non-Culinary) Expenses series (22 items) contains itemized invoices and receipts for purchases of various goods and, less frequently, services and labor. Smith and his family purchased items such as clothing, fabrics, ribbon, patterns, gloves, jewelry, and cutlery. The receipts also reflect gas fixture repairs, carriage repairs, plumbing work, and painters' labor. A document from the Harlem Gas Light Company shows Smith's gas usage between August and October 1866. The sole item not addressed to Augustus F. Smith is a paid invoice between E. B. Adams and L. T. Downes for corn, oats, a broom, and other items, dated at Westport, [Connecticut] (April 2, 1859).

The Culinary Expenses series (22 items) contains 21 receipts to Augustus F. Smith and 1 to his wife. The Smith family purchased meats such as lamb, beef, chicken, liver, and duck; alcoholic beverages such as sherry, port wine, champagne, and whiskey; and other foodstuffs such as oysters, butter, apples, confections, chocolate, and ice.

Smith's Horse Care Expenses (15 items) includes feed, straw, bridles, a harness, and a saddle. Smith also paid to have his horses reshod. William McDonald's invoice of March 20, 1866, relates to the costs of driving a wagon to Harlem, "drawing" a boat from a river, and other travel.

The Other Expenses series (19 items) pertains to a variety of goods and services that Smith obtained in the 1860s. For example, Augustus F. Smith hired Dodworth's Band (January 20, 1866), paid Augustus Woodruff Brown for dental work (January 1, 1866, and January 1, 1867), supported his son's education at the Select Classical and Mathematical School (3 items, 1866), and paid for piano lessons (February 21, 1866). He also rented pews at the Church of the Intercession (June 20, 1866) and at the First Congregational Church (July 1, 1866). The receipt for a bill dated June 23, 1866, is addressed to both Augustus F. Smith and his law partner, Isaac Martin. Two items are addressed to other persons: a receipt for Benjamin Bernhard's premiums due to the National Fire Insurance Company (May 11, 1864), and a document from the County of New York Surrogate's Office about the estate of Edward Henriques (August 24, 1865).

The Crittenden family papers contain the letters of a Kentucky family living in the California and Nevada frontiers. The material centers on the family of Alexander Parker Crittenden and his wife Clara Churchill Jones, and includes letters from their parents, siblings, and children. The collection also contains diaries, documents and financial records, and family photographs (daguerreotypes, ambrotypes, tintypes, cabinet cards, cartes-de-visite, and other paper prints). The collection documents the murder of Alexander Parker Crittenden as well as family members who fought on the Confederate side of the Civil War and who participated in mining and prospecting in the West.

The Crittenden family papers contain the letters and documents of the family of Alexander Parker Crittenden and his wife Clara Churchill Jones Crittenden. The bulk of the collection consists of personal correspondence between members of the extended family, including Mr. and Mrs. Crittenden, seven of their eight (surviving) children, Clara’s parents and siblings (the Jones family), and Mary Crittenden Robinson (Alexander's sister). In addition to correspondence, the collection contains diaries, documents and financial records, and 96 family photographs (daguerreotypes, ambrotypes, tintypes, cabinet cards, cartes-de-visite, and other paper prints), including one carte-de-visite of Laura Hunt Fair.

The Correspondence series (approximately 1,280 items) covers several topics of interest. The letters by Clara and Alexander Parker Crittenden (hereafter A.P.C.) illustrate the passionate courtship and strained marriage of a couple living in California in the 19th century; Laura Crittenden Sanchez’ correspondence presents a picture of a woman’s life on the 1860s western frontier in California and Nevada; and Ann Northey Churchill Jones’s letters to her daughter Clara provide frank commentary on womanhood. The following summary is a brief description of the collection’s major correspondents and the content of their letters.

The collection includes over 260 letters from A.P.C.to his wife Clara, which span the length of their relationship, from their first meeting until his death. The courtship letters are full of expressions of youthful passion. Especially valuable are A.P.C.'s letters describing San Francisco in the early 1850s, which contain information about the Gold Rush and early statehood, and include discussions about women in California, and troubles he experienced from not having a wife present to care for him. The 1860s letters written from Nevada to Clara in California provide a good account of early Nevada, as well as insight into their deteriorating marriage. However, the twenty letters written during Clara's 1870 transcontinental trip to the East Coast, exhibit an apparently genuine change of heart in Crittenden, who had purchased and redecorated a lavish new home as a surprise for Clara on her return. Almost every letter begs her to cut the trip short and return.

A.P.C.'s eldest son, Churchill, is represented by 62 letters to him from his father, and 62 letters written by Churchill to his parents and siblings, largely from 1858 and 1861, while he was studying at Hanover College. While at Hanover, Churchill developed Union sympathies, which upset his Kentucky-born father. Of note is a letter from A.P.C., who at the time was the leader of the southern wing of the California Democratic Party, to Churchill defending southern rights for secession (December 10, 1860). Churchill wrote six letters while in the Confederate Army. The collection also contains 60 letters from James Love Crittenden. His early letters discuss school life, ante-bellum politics, and family relations. He wrote 10 letters while fighting with the Confederacy.

Clara Jones Crittenden wrote 19 letters in the collection: two to her husband, one to her eldest son, Churchill, and sixteen to her daughter Annie (“Nannie”). The letters to Annie are almost all dated November-December 1864, and reflect the deep gloom Clara felt following the murder of her son Churchill in October 1864.

Laura Crittenden Sanchez wrote 71 letters to her mother, 87 to her sister Nannie, and a few to other family members. They present a view of domestic life on the 1860s western frontier. Of note are Laura’s routine comments that reflect the values of a woman raised to believe in the Southern ideals of gentility and womanhood. However, she also held advanced ideas on women’s rights and divisions of duties in the home. Her husband, Ramon B. Sanchez, shared these beliefs and described his role in housework and his ideas of manhood, in his letter to Nannie Crittenden (July 25, 1862).

This series holds 16 letters from A.P.C. to his daughter Nannie, 6 to her husband Sidney Van Wyck, and many letters of condolence received by the family at the time of Parker’s murder. Van Wyck, who held evangelical beliefs, was deeply concerned about the well-being of his pregnant wife. He sent 117 letters to Nannie between January and May 1870, while she was in San Francisco and was he in Hamilton, Nevada, attempting to strike it rich prospecting for silver. He gave a rich account of life in a snowy Nevada mining town. The collection also includes approximately 40 business letters concerning Sidney's mining interests between 1879 and 1882. After 1874, the collection constitutes letters addressed largely to members of the Van Wyck family, including 8 letters from Nannie's daughter Clara Van Wyck to her brother Sydney Van Wyck, Jr.

Mary Crittenden Robinson, A.P.C.'s older sister, wrote 23 letters to Clara Crittenden, almost entirely in 1863. They are domestic in content, with occasional references to politics and society. Mary also wrote to A.P.C., and to various nieces and nephews, and her children are represented as well: Mary, Kate, and Tod, Jr.

The collection also contains letters from Clara Jones Crittenden's parents and siblings.

Clara's father Alexander Jones, Jr., wrote 5 letters to Clara, including one offering consolation on her husband's murder (November 7, 1870), and 3 to his granddaughter Nannie. Ann Northey Churchill Jones, Clara's mother, sent her seven letters from 1839-1841. She provided a frank commentary on womanhood and discussed childbirth, the proper preparation of breasts for nursing, a mother’s role in fixing children’s values, marital relations and what a wife could do to improve them, and how a woman should deal with an unworthy husband.

Clara's brother Alexander Jones III wrote 21 letters to A.P.C. and Clara (1849, and 1857-1870). These describe frontier Texas, news of the Civil War, and Confederate patriotism. In one notable letter, he described life in Brownsville, Texas, and advised using birth control (January 30, 1860). Clara's sister Mary "Mollie" Farquhar Jones Joliffe wrote 15 letters, 1858-1870, primarily made up of family news. Her wartime letters are a window onto the hardships of Confederate civilian life. William Marlborough Jones is represented by 13 Civil War and Reconstruction era letters, which reflect on the costs of the war to both the family and the nation. Of note is a 12-page account of the war near Jackson, Mississippi (November 7, 1870), and his report on the fall of Vicksburg (July 7, 1863). Sister Rebecca Churchill Jones Craighill, wrote 13 letters (1858-1899) to multiple recipients. In 1866, she composed excellent reflections on the war and criticized a Virginia friend who had eloped with a Yankee officer.

The collection also contains letters from two of Clara’s uncles: 8 from Marlborough Churchill and 2 from George Jones.

The Journals series (2 items) contains an official transcript of a journal of Elizabeth Van Wyck, and a diary kept by Sydney Van Wyck. The Elizabeth Van Wyck journal is a transcript of a reminiscence of her life from age 7 until November 12, 1808, when she was 26. The copy was made in 1925, at the request of Elizabeth's great-grandson, Sidney M. Van Wyck, Jr. The second item is a detailed journal kept by Sydney Van Wyck during his time at school in the 1840s. In it, he described his life at school and many of his family members.

The Documents and Financial Records series is made up of four subseries: Estate Papers, Insurance Papers, Legal and Financial Documents, and Account Books.

The Estate Papers subseries contains 11 items concerning the property of A.P.C. and 24 items related to Howard J. Crittenden. These include A.P.C.'s last will and testament and court records surrounding his murder and the handling of his estate (1870-1875). The Howard J. Crittenden items document Howard's financial holdings at his death and how his estate was divided.

The Insurance Papers subseries (3 items) includes a record of the Hartford Fire Insurance Company (1871) and a fire insurance policy from Pacific Insurance Company for Clara Crittenden (1872).

The Legal and Financial Documents subseries (16 items) consists of bank notes, telegraphs concerning business dealings, receipts for goods and payments, contracts, and personal tax bills. Of note are contracts signing over gold and silver claims in Nevada to Howard Crittenden. These include locations in White Pine, Nevada, such as "Lucky Boy Tunnel" and "Adele mining ground" (1869).

The Account Books subseries (3 items) contains a 12-page account book for A. Hemme (1873), a 20-page account book for S. M. Van Wyck (1873-1874), and a mostly empty National Granit State Bank account book of Thomas Crittenden (1874).

The Photographs and Illustrations series contains 106 photographs of Crittenden family members. These include cartes-de-visite, tintypes, ambrotypes, daguerreotypes, cabinet cards, and several modern reproductions. They depict many of the Crittenden family members, including several Crittenden men in Confederate uniform, Clara Crittenden, Clara Van Wyck, and Laura Fair, among others. See Additional Descriptive Data for the complete list.

In addition to the photograph, this collection also contains an ink sketch of the floor plan of a San Francisco cottage (in the letter dated July 4, 1852).

The Miscellaneous series (9 items) contains school report cards, Laura Van Wyck's application to become a Daughter of the Confederacy (which includes a heroic account of Churchill Crittenden's death in the Civil War), Nannie Crittenden Van Wyck's address book (with contacts in Saint Louis, Chicago, Kentucky, New York, and Brooklyn), a newspaper clipping about mining in Nevada, and 3 unattributed writing fragments.

The folder of supplemental material relates to Robert E. Stewart's publication Aurora Ghost City of the Dawn, Las Vegas: Nevada Publications, 1996, including a copy of the book and 10 photographs taken by Stewart of Aurora and the Ruins of the Sanchez home.

The Daniel H. London papers contain correspondence, receipts, and financial records pertaining to London's work as a fabric merchant in Richmond, Virginia, in the 1840s and 1850s.

The Daniel H. London papers (0.75 linear feet) contain correspondence, receipts, and financial records pertaining to London's work as a fabric merchant in Richmond, Virginia, in the 1840s and 1850s.

London's correspondence and financial documents are dated 1839-1861, with the bulk dated 1844-1853. He corresponded with fabric dealers and other businessmen in New York and Virginia and received receipts from merchants in New York City, all concerning fabrics and related items such as buttons and patterns. During London's visits to Europe in the early 1850s, his brother John provided updates about business in Richmond; another correspondent, John H. Tyler, utilized a code in his letters from May-July 1852. Other correspondents requested business partnerships, discussed shipments of goods, and proposed payment methods. The collection also includes shipping receipts, accounts, and a copy of Daniel H. London's will.

The papers also contain an account book recording an anonymous author's financial relationships with businesses and individuals in Virginia, North Carolina, South Carolina, and other places in the South from 1865-1910. Around 134 pages of entries list individuals' and companies' debits and credits; several customers are listed on each page, and many have only debits recorded. Those who compensated the author did so with cash, labor, and merchandise. Later entries often include annotations referring to Sprague's Collection Agency of Chicago, Illinois, and at least one notes a settlement issued by a superior court. These accounts are followed by lists of accounts with Snow, Church & Co. of Baltimore, Maryland, 1890-1891 (2 pages); claims in the hands of Dun's Agency, 1887-1890 (1 page); and claims in an attorney's hands, 1889-1890 (2 pages).

The Elizabeth Rous Comstock papers contain letters and writings related to Comstock's family, her Quaker ministry, and her social reform activities. The letters span her entire career with the greatest concentration of correspondence centering on her work with the Kansas freedmen's program and her family life. In addition to the Elizabeth Comstock material, the collection includes content related to her daughter Caroline, her grandchildren, and papers related to the Kempton family.

The Elizabeth Rous Comstock papers (282 items) contain letters and writings related to Comstock's family, her Quaker ministry, and her social reform activities. The letters span her entire career with the greatest concentration of correspondence centering on her work with the Kansas Freedmen's Association and on her family life. In addition to the Elizabeth Comstock material, the collection contains content related to her daughter Caroline, her grandchildren, and to the Kempton family.

The Correspondence series (151 items) contains 123 items related to Elizabeth Comstock and her family. The bulk of the collection consists of letters written by or addressed to Elizabeth Comstock between 1847 and 1890.

• Elizabeth’s correspondence with her friends, acquaintances, and immediate family, particularly with her husband, daughter, and sister Caroline.
• Correspondence related to Elizabeth’s work with social reforms and social justice, primarily concerning her relief work in Kansas in 1879 and 1880.

The family and friends correspondence primarily relates to everyday life, such as work, homemaking, visiting, family life; contemporary issues such as the Civil War and slavery; and news of friends and family, including illnesses, marriages, and deaths. Elizabeth wrote many of the letters, which document her perspective on her work, her marriage and relationship with her husband, and on religion and the Society of Friends. Elizabeth’s preaching, charitable work, and travels are often mentioned in these letters, including her trip across the Atlantic in early 1884. These letters cover both theoretical discussions of religious topics and discussions of the Society of Friends, its policies, and its schools. A subset of these letters regards Caroline De Greene’s serious illness and "mental suffering" in 1870, which may have been related to childbirth. Also of note is a letter from Elizabeth Steere that describes her experiences living in the remote Minnesota Territory (December 9, 1856).

The second group of Elizabeth's correspondence mainly consists of letters between Elizabeth and Joshua Longstreth Bailey, a dry goods merchant and philanthropist, who assisted her in her work with the Kansas Freedmen’s Relief Association from 1879 to 1881. Elizabeth discusses the logistics of supplying newly arrived African Americans with food, shelter, and a means of subsistence, and relates information about the migrants and their experiences in both the South and in Kansas. Elizabeth shares, in depth, her perspective on this large migration, which she refers to as "the Exodus." An item of note is a letter from John W. Snodgrass proposing a plan to buy land to aid resettled former slaves in Kansas (May 3, 1881). Other items concern Comstock's work to improve the lives of former slaves and prisoners during the Civil War, including a letter from Ed Howland who wrote to Comstock of a "plan before Congress to change the whole plan of taking care of colored people" (February 3, 1865). B. Dornblaser, the warden at the Illinois State Penitentiary, wrote to Comstock about pardoning Frederick Marx from Kentucky who was "tricked" into buying a stolen mule (April 5, 1865). She also communicated with Thomas Story Kirkbride, superintendent of the Philadelphia Hospital for the Insane (March 6, 1870).

The collection also contains material related to her daughter Caroline and to Elizabeth's grandchildren. Much of this is correspondence between Caroline and members of her family, regarding news, daily life, traveling and visiting, religion, work, and school. Of interest are letters of reference for Caroline "Calla" De Greene in support of continuing her education and recommending her for positions teaching French and German at the college level (May 2, 1893, July 11 and October 5, 1898, May 10, 1905, and March 19, 1906).

The Kempton Family material consists of 26 letters, which largely concern religious issues, everyday life, and news of family and friends. These include the 7 earliest items in the series, from 1827-1828, with the rest scattered throughout.

The Commonplace Book and Diary series (2 items) contains an 1839 commonplace book (52 pages) of poems and essays inscribed as belonging to Charity Kempton. Many entries center on the theme of a loved one leaving on a sea voyage. These include passages called "Seamen's Hymn," "Matrimonial Chart," and "The Old Oaken Bucket." The second item is Elizabeth Comstock's 34-page travel diary (8 blank pages) during the summer of 1878. It contains Biblical verses, brief descriptions of places she visited, notes on her activities, and notes on religious services she attended.

The Poems Series (10 items) contains handwritten copies of poems, all of which are religious in nature. Included among the 9 unattributed poems are a cautionary poem on dancing and drinking, a 16-page poem called "The Ministry of Angels," and a poem entitled "One Lord, One Faith, One Baptism: A Dialogue in Verse." The single attributed poem is a copy of William Cowper's "God Moves in Mysterious Ways."

The Corrections for Caroline Hare's Life and Letters of Elizabeth Comstock series (1 item) is 7 pages of notes and corrections for Caroline Hare's biography of Elizabeth Comstock (see the Related Materials section for information on the Clements' copy of this book). The comments range from grammatical edits to insights into personal events and her ministerial efforts.

The Miscellaneous Writings series (25 items) contains non-correspondence material including: religious quotations, miscellaneous notes jotted down on scraps of paper, Friends meeting minutes, recipes, and essays on religion and marriage. Most of these items are unattributed but are likely from Elizabeth Comstock, Chastity Kempton, and others. Of note is a three-page item containing "Dying expressions of Soldiers," including the last words of a soldier on the Battlefield of Fredericksburg (December 13, 1862), and those of a man about to be hung in Nashville, Tennessee. This series also contains instructions for refining sugar, and remedies for common maladies, such as heartburn, dysentery, snake bites, and nausea, "By the celibrated Indian Doctor John Mackintosh, of the Cherokee Nation; None of which have ever before been communicated to the world" (undated).

The Documents series (11 items) contains various official documents related to the Comstock and Kempton families.

• Elizabeth Comstock's ancestors’ 1740 marriage covenant between William and Mary Moore
• A deed from Isaac Steer to Aaron Kempton in Woodstock, Michigan (1845)
• A handwritten pass from Philip Henry Sheridan allowing Comstock and her companion Mary B. Bradford to travel by rail to Baltimore, through enemy lines (December 9. 1864)
• A document entitled "The Colored Exodus. A Statement of Monies Received from Various States, Canada, and England.
• Elizabeth's sister Lydia Rous' last will and testament (March 5, 1889).

The Accounts series (6 items) contains 3 lists of books to be sent to various Friends libraries and associations, 1 list of donated goods such as fabric and clothes addressed to E. Smith of Victoria Road, an 1875 bill for goods, and an item documenting money owed with interest for an unspecified purpose.

The Printed Ephemera series (24 items) includes miscellaneous printed material: passes to cross Union and Confederate lines during the Civil War; 8 "Bible Reading Leaflets;" two Quaker related essays; a fragment of a book labeled "Self-Communion" (pages 3-10); 4 poems (prayers); 4 event cards; and a catalogue for mechanical farming equipment. The collection also holds one of Comstock's hymn books entitled, Gospel Hymns and Sacred Songs (Words Only) , by P.P. Bliss and Ira Sankey. The handmade cover is reinforced with a portion of a postcard stamped March 9, 1878 (95 small pages of hymns).

The Newspaper Clippings series (50 items) is composed of printed items related to the Kansas Freedman's Relief program. These include several essays and articles written by Comstock and her colleagues, as well as newspaper stories about Comstock's activities aiding African American "refugees" in Kansas, who were suffering from sickness, poverty, and unemployment. Many of these include pleas for charity. The clippings come from newspapers across America, as well as from England.

The Prints and Photographs series (8 items) consists of 7 photographs, including 2 of Elizabeth and 1 of her daughter Caroline, one print of the residence of R. Hathaway in Rollin, Michigan.

• Elizabeth Comstock, taken in Philadelphia for De Greene, undated
• Elizabeth Comstock portrait, hand colored and in a small square wooden frame (Behind his photograph, as part of the backing, is a small picture of 7 angels with trumpets, clipped from a postcard).
• Carrie Wright De Greene O'Harrow, 1881
• Freddie Hare at age 4 ½, August 1874, labeled "for Carrie" (Carte-de-visite)
• Unlabeled picture of a girl, undated
• Woman reading (likely Caroline Hare), accompanying the letter dated February 22, 1882 (Carte-de-visite taken by J. Cooper)
• A portrait of a woman in a small metal frame accompanying the letter from March 16, 1870.

• A machine catalogue with images of: Cooks Sugar Evaporator, Cross-Cut sawing machine, a victor mill, vertical mill with sweep below, and a back-geared mill
• Ink sketch of Caroline Hare’s home in letter, February 13, 1870
• An engraved portrait of Comstock in a newspaper clipping from early 1881

This collection contains correspondence related to the family of Elizabeth Ellery Sedgwick Child, granddaughter of politician Theodore Sedgwick and wife of Harvard professor Francis James Child. The collection also includes several photographs and printed items.

This collection (1 linear foot) contains correspondence related to the family of Elizabeth Ellery Sedgwick Child, granddaughter of politician Theodore Sedgwick and wife of Harvard professor Francis James Child. The collection also includes several photographs and printed items.

The Correspondence series, which comprises the bulk of the collection, contains letters the Sedgwick family wrote to and received from family members and friends, as well as several poems. From 1826-1842, Robert Sedgwick, his wife Elizabeth, and their daughter Elizabeth ("Lizzie") corresponded with family members including Catherine Maria Sedgwick of Stockbridge and Lenox, Massachusetts, and Jane Minot Sedgwick of New York City. Most of the early correspondence pertains to the writers' social lives and family news, and to travel around New York, Massachusetts, and Pennsylvania. Catharine Maria Sedgwick also reported on acquaintances such as the actress and writer Fanny Kemble, whom she deemed "fated to suffer" (May 27, 1834), and the writer and social theorist Harriet Martineau (November 2, 1834).

The bulk of the remaining correspondence is dated 1855-1885 and pertains to the relationship between Lizzie Sedgwick and her husband, Frank James Child. Child wrote to Sedgwick from Cambridge, Massachusetts, and Paris, France, and received letters from Sedgwick and others. The couple's other correspondents included at least one writer in Italy who commented on their relationship and health, family news, and the Civil War. Postwar correspondence includes letters to Susan Ridley Sedgwick Butler. Three late postcards to Mrs. G. A. Stanger of Springfield, Massachusetts, concern her son Herb's experiences in Georgia while serving in the armed forces during World War I.

The Photographs series (5 items) contains 3 photographs of Helen Child (later Sargent), a photographic print of Elizabeth Sedgwick Child, and a photograph of the Child family's home in Cambridge, Massachusetts.

Printed Items (9 items) include a certificate regarding Francis Child's qualifications as an instructor of Greek at Harvard University (September 22, 1846), 2 illustrated Christmas cards (1881 and undated), a copy of the Boston Daily Advertiser (August 1, 1884), an obituary for Francis Child from The Nation (September 17, 1896), and copies of the poems "From My Arm-Chair" by Henry Wadsworth Longfellow and "The City of the Living" by Elizabeth Akers Allen. The series also includes a biography of Oliver Wendell Holmes that George B. Merrill presented to the Harvard Club of San Francisco on October 18, 1894, and an advertisement for the Massachusetts Association Opposed to the Further Extension of Suffrage to Women.

The Fiske carte-de-visite album contains formal studio portraits of various men and women, most of whom are unidentified. The photographs were taken in locations such as New York City; New Haven, Connecticut; and Litchfield, Connecticut.

The Fiske carte-de-visite album (13cm x 9cm) contains 9 cartes-de-visite and 3 tintypes, all of which are formal studio portraits of men, women, and a young boy. With the exceptions of a young boy named "Ralph," a woman identified as a daughter of [Sereno] Scranton, and Reverend Samuel A. Fisk, a Civil War officer pictured in his uniform, the subjects are anonymous. Some of the pictures were taken in locations such as New York City; New Haven, Connecticut; and Litchfield, Connecticut. The album, which may have belonged to Albert Mentandon of "Geneva," has a cloth cover with a floral pattern stamped in gold.

The Green-Mitchell family papers are made up of correspondence, legal documents, receipts, and other financial records pertaining to the business and personal affairs of New York attorneys Timothy Green and John W. Mitchell (Timothy Green's son-in-law). Much of the collection pertains to mercantile affairs and land speculation in the South, Northeast and Western United States. A large portion of the collection pertains to South Carolina (Charleston), New York, and Massachusetts (Worcester). The Manuscripts Division has also created an inventory of the letter-writers in the collection: Green-Mitchell Family Papers Correspondent Inventory.

The Green-Mitchell family papers are made up of correspondence, legal documents, receipts, and other financial records pertaining to the business and personal affairs of New York attorneys Timothy Green and John W. Mitchell (Timothy Green's son-in-law). Much of the collection pertains to mercantile affairs and land speculation in the South, Northeast and Western United States. A large portion of the collection pertains to South Carolina (Charleston), New York, and Massachusetts (Worcester).

The Correspondence series contains 1,470 letters to and from members of the Green and Mitchell families between June 26, 1780 and October 1, 1880. Four hundred and sixteen incoming letters to Timothy Green date between 1780, and 1812. He received the bulk of them from family members, business partners, and clients in South Carolina, New York, and Worcester, Massachusetts. Timothy's brother, Samuel Green, a prominent merchant in Columbia, South Carolina, was among his most frequent correspondents. The collection includes 160 letters by Timothy Green, primarily sent from New York. Timothy Green's correspondence comprises the bulk of the collection's materials related to land speculation.

John W. Mitchell received 540 letters, approximately a third of the series, between 1806 and 1880. His primary correspondents wrote from Charleston, South Carolina; Fort Wayne, Indiana; and New York. The subject matter represented in these letters is diverse, pertaining to business and personal affairs, and the Episcopal Church. Other frequent writers include Timothy Ruggles Green, Clarence G. Mitchell, Samuel Green, and Judge Peter P. Bailey, founder of Trinity Episcopal Church in Fort Wayne, Indiana.

The Legal Documents series relates to estates administration and 48 legal suits in which the Green and Mitchell families were involved, either as attorneys or as parties to a suit. Materials for some of these cases are extensive and others include only a few pages. The cases comprising much of the series are Conklin v. Mitchell and Davis v. Duffie. Conklin v. Mitchell (New York, 1852-57) pertains to a land dispute between George Conklin and defendant John W. Mitchell. Davis v. Duffie (New York, 1825-1861) concerns charges brought against Smith Davis for fraud and a related mortgage taken out by Cornelius R. Duffie. John W. Mitchell and Clarence G. Mitchell defended Duffie.

Five certificates document commissions held by John W. Mitchell and Clarence G. Mitchell. Additional legal papers include insurance policies, powers of attorney, deeds, civil actions, summonses, depositions, agreements, and other items compiled by Timothy Green and John W. Mitchell in carrying out their work as attorneys.

The Financial Documents series contains 143 receipts, checks, bank notes, accounts, and other financial records dating from 1785-1874. Timothy Green compiled 11 summaries of accounts, representing a portion of his business transactions between 1787 and 1809.

Printed materials include a quarterly chronicle for the Mission to the Working Men of Paris (1877), two monthly bulletins for the Charity Organization Society in New York (1884), a notice of sale, and a cover page from the book One Day With Whistler.

Miscellaneous materials include two items: a partially-printed report card for Clarence G. Mitchell at the Episcopal Institute at Troy, New York, in 1837, and a genealogical document concerning the Boudinot family of Philadelphia.

The Manuscripts Division has also created an inventory of the letter-writers in the collection: Green-Mitchell Family Papers Correspondent Inventory.

This scrapbook includes clipped articles and images, original drawings, and written entries within the pages of a 1850s blankbook of receipts. Contextual clues indicate that individual(s) added to the volume at later dates, pasting clippings over used pages, and internal evidence suggests at least one compiler may have lived in Maine. Original drawings primarily center on themes of violent encounters between scouts and Native Americans, romantic entanglements, and conflict. Sometimes illustrated newspaper and magazine clippings are pasted throughout the volume, many relating to themes of marriage, love, women, family, and memory. Several pages were used to copy a portion of an undated letter, an essay, and a manuscript poem.

The individual(s) who created this scrapbook pasted items, drew scenes, and wrote entries within the pages of a 1850s blankbook of receipts, seemingly created for use by a Boston shipping or exportation company. Contextual clues indicate that persons added to the volume at later dates, pasting clippings over used pages, and internal evidence suggests at least one compiler may have lived in Maine.

Penmanship exercises and short notes are written on many of the pages, either where no additional content has been added or where clippings have been pasted on top. The names James Randall Reeves and Orren Cunningham appear on some of these pages, as well as place names of Bennington and Windsor, Maine, possibly indicating one of the early owners of the volume. The handwriting appears to match the text that accompanies the original illustrations.

Original drawings made using pencil, colored pencil, and ink can be found throughout the volume, sometimes with dates added, ranging from 1863 to 1869. Remnants of clippings that had previously been affixed to the page indicate that an owner of the volume must have pasted items into the scrapbook at a later date than the drawings were originally produced. Many of the images depict scenes of conflict or relate to two fictional characters, Hezekiah and Ezekiel. The two men appear to be scouts, and the images depict their encounters with villains, Native Americans, and a love interest, Flora. Violence, unrequited love, and emotional disappointment are central themes, and the concept of a "gas of hope" that spontaneously streams from Ezekial's head appears several times when the character experiences excitement or distress.

• Page 1: "Back Villains for your lives, says Peter, or you shall all die at the break of day by Cats." At the base of the page: "Indifference.". The illustration shows a man carrying a revolver in one hand while a woman holds his other arm. She extends an arm out behind her towards two men following them, one with a darker complexion and a machete raised over his head and the other pointing a musket at them.
• Page 3: "As the Villains again leaped against the door, an arm was thrust through the broken hand, and a voice cried out." The illustration is a nighttime scene with three men with a battering ram striking at a closed door of a house, where a man points a pistol out of an opening at them.
• Page 6: "Rescued from fire..." (the text is partially obscured by remnants of a newspaper clipping). The drawing depicts a firefighter descending a ladder from second story that is ablaze, holding a woman in his arm.
• Page 8: "...burly scout. A Sioux Chief captured" (the text is largely obscured by affixed clippings). The drawing shows a mustachioed man in military garb, a fur hat, and a cape who is holding a knife covered in blood. He is grabbing the arm of a Native American man who has dropped his knife and who is bleeding from a wound in his arm. Two ink drawings of insects (a beetle and a dragonfly) are pasted on the page.
• Page 10: "Perrilous adventure of Hezekiah the Scout, under cover of the darkness at the haunted schoolhouse." The image is a nighttime scene of a small building with a man climbing through a window. Another man runs behind him saying, "stop villain stop."
• Page 12: "The fate of Hezekiahs beaver is inevitable" and "Wonderful adventure of the Scout, Hezekiah cries out with a loud voice Ezekiel come here, help me bind these knaves." The drawing is of a bare-chested man in a green hat, holding two Native American men by the throat, one in each hand. A pencil marking indicates the year 1865.
• Page 16: "...The robber of the Rhine" (at least one additional word is partially obscured). The drawing depicts a balding man smoking a long pipe, wearing a musket on his back, and holding a bloody sword in front of him. A pencil marking indicates the year 1866.
• Page 18: "Death of Heavy [?]" and "Desperate adventure of Hezekiah, Slatt down in Kintuck..." The image is of a shirtless man (with a green hat) facing off with a Native American man, the former wielding his musket overhead and the latter his tomahawk each to strike the other. They stand over three dead or dying Native American men.
• Page 21: "Ezekial, & he knows who, on sunday eve, at the schoolhouse coming from meeting, by cats." The drawing depicts a man kneeling beside a seated woman who is holding a handkerchief or piece of cloth. One of his hands is on her shoulder, the other holds one of her hands. Another man lies face down in the corner.
• Page 24: "Weep stricken one your sorrows will have an end." Text at the bottom of the page is largely obscured by clippings, but "Ezekiel" and "Flora" are both visible. The drawing shows an upset man with mussed hair and arms akimbo, holding a handkerchief. One of the clippings over the man's head is "FIRST LOVE." A pencil marking indicates the year 1866.
• Page 26: "A streak of hope for Ezekial." The drawing shows a smiling man wearing a yellow hat that is releasing a stream of green gas, labelled "gas of hope."
• Page 27: "weep on str[i]cken one thy sorrows shall never end." The image depicts two men standing before a small grave with headstone reading "Dead Hope." Ezekiel, wearing a yellow hat from which "gas" spews, points down to the grave, saying, "What Have You Buried There Hezekiah." Hezekiah, barefoot, wearing a green hat and ragged pants, and holding a shovel, replies, "A. Dead Hope. I. Thought. She. Loved Me. But. She Did. Not Oh. Dear. What. Shall. I. Do Boo Hoo Boo Hoo." The illustration is marked in ink: "Drawn by Ezekiel himself in 1867."
• Page 30: "N.E. View of the royal oak of Shag Town, May 2d 1867." The drawing is a landscape featuring a large barren tree with a wooden plank/case/contraption and musket leaning against it. A sun smiles in the sky.
• Page 32: "View of Mud Pond, & Poccihog Hill, Sketched on the eastern rock, At half past three O'Clock." A landscape drawing shows a lake and a heavily wooded hillside. A smiling sun is in the sky and a person rows a boat on the lake.
• Page 36: Portrait of a bearded man in military uniform, with blue and gold epaulettes.
• Page 38: "A sorrowful meeting of the two scouts, Dialogue. Ezekial - 'Oh the letter, the letter, she loves me not.' Hezekiah - "Weep not Bro Scout, I pronounce it a forgery, by cats." The image is of two men wearing hats, muskets, and powder horns. One holds a slain animal in his hand, and the other cries while holding a letter and gas spews from his hat.
• Page 40: "Tallow plenty, or courting by candle-light, Stebbins telling Flora about his farm, out west." The drawing is an interior scene of a room with wallpaper, curtains, chairs, and a table. A man and woman embrace while holding candles, and additional candles are located on the table, chair, and floor.
• Page 44: Text at the top of the page is partially obscured but reads in part, "Bachelor . . . the famous scout," while additional text at the bottom reads "The inocent subject of my contempt by day, and my dreams by night." The drawing is a portrait of a man in a rumpled green hat, shirt, and suspenders, likely representing Hezekiah. A printed, pasted-on caption reads "THE GHOST OF OAK GROVE."
• Page 46: The letters "P.L.L." appear at the top of the page, and the note "Signed in the first degree, P.L.L." appears beside a highly stereotyped pencil portrait of an African American man.
• Page 48: Portrait of a bearded man.
• Page 50: Portrait of a man with moustache and goatee, with the text, "Art. Miller, California" written beside him.
• Page 52: "Poor old maniac, but once powerful scout, now dwindled away with sorrow for the lost Flora." The image shows Ezekial holding a wooden cane and a large "grief bag" on his back that has a vent spewing gas. On the bag is a printed, pasted-on caption reading "THE HAND OF FATE". He is wearing ragged pants and his hat spews green gas. Hezekiah wears his green hat and proffers something to Ezekial, saying, "Poor old fellow you must be hungry. Can I do anything for you, you seem to be weary of life. I guess I take you to a place of safety at once." Ezekial: "Answers with great vigor. I'm not hungry it is grief that gnaws like hunger at my very vitals. No never. You are the man that ruined me, if I was a smart man as I [...] I would kill you."
• Page 54: "Ezekial goes home with -- gets near home when the old scout jumps through the gateway inclosed in a sheet, See the consequences, of his rush act." The image shows a man draped in a white sheet standing in the doorway of a round stone structure. A well-dressed man and woman run apart from each other, leaving their hats on the ground. On the opposite page, several notes are written: "The identical hat worn by Hezekiah at the siege of Tattletown"; "The hat worn by Hezekiah at the destruction of Troy"; and "The sad effects of first love."
• Page 56: A man wearing a feathered hat and cape brandishes a sword while standing with one foot on the back of a slain man who has dropped his sword. He continues to fight with a man in a robe with a cross on it. A woman sits on the ground with a hand to her head. A printed, pasted-on caption reads "WHO''S TO WIN." A pencil marking indicates the year 1869.
• Page 58: "The burly scout, the stabbed scout, & Frankrifle, outscouted, by the bank scout at the old barn . . . gets valuable information concerning the conspiracy, by cats." The image shows four men in a hayloft, one, likely Ezekial, wears a yellow hat that is expelling gas. A printed, pasted-on caption reads "HUNTED DOWN."
• Page 60: "In dishabille," and at the bottom of the page: "Stebbins - 'Get out of my bed, Oh get out of my bed!" The drawing is of a woman wearing a shift and draped with a blanket reclining in a bed. A man in a nightshirt is seated on floor gesticulating at her.
• Page 62: "Who's Been here?" The drawing shows a woman looking out the window, while a man in a nightshirt, carrying the rest of his clothes, flees from the open door. A nicely dressed man with cane approaches him. A printed, pasted-on caption reads "TAUGHT BY EXPERIENCE."
• Page 64: "My idea of domestic bliss. or High life in the Lowlands." Text at the bottom of the page reads, "Stebbins about played out. 20 years hence." The drawing shows a man holding a hatchet in one hand, while wearing ragged clothing and a green hat spewing gas. A woman hits him over the head with a broom, while many small children are strewn about the floor and pull on the adults. A pencil marking indicates the year 1864.
• Page 66: A flying lizard/dragon with a shouting sun.
• Page 90: A checkerboard.

Newspaper and magazine clippings are pasted throughout the volume. While content varies, many relate to themes of marriage, love, women, family, and memory. Poetry is heavily represented. A fair number of the clippings include jokes, humor, and wordplay. Several are directions for household maintenance or preventing pests, and a number of others relate to scientific topics.

In addition to articles and written text, the compiler also pasted in clipped illustrations from newspapers and magazines. Several feature Union Army officers, most of whom appear to have a connection to New York State. Landscapes of New York City and the Amazon River are also included, as well as several satirical illustrations and animals.

A number of the printed images relate to women, including Tennie C. Claflin, Victoria C. Woodhull, and Elizabeth R. Tilton. Rev. Henry Ward Beecher's image appears twice in the volume, including once where he is placed facing Elizabeth R. Tilton and a chain connecting the figures by the nose has been added in by pen (page 14). A short poem written in ink appears below it, reading:

Henry W. B., so buoyant with glee,

And Lizzie R. T., so innocent and free,

As happy as bees in the sweet apple trees

Raised a slight (?) breeze and made the whole world sneeze!

Several pages appear to have been used to copy a portion of an undated letter, which referenced a trip from Portland to Augusta, Maine, on the Maine Central Railroad, attitudes towards funerals, the teaching profession, arguments, and placebos (beginning page 57). Another passage appears to be an essay entitled, "to old Bachelors & maids" (pages 86-88) and a manuscript poem is written on the back inside cover that seems related to scouts and Native Americans.