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The James Silver papers consist of 12 letters, each of which is several pages long, composed by Silver during his 1872 visit to New Orleans, Louisiana, recounting his journey from New York, where his family resided, to Louisiana, as well as his time spent in and around New Orleans. Silver included 39 ink sketches of people and scenery throughout his letters.

The James Silver papers consist of 12 letters, each of which is several pages long, composed by Silver during his 1872 visit to New Orleans, Louisiana, recounting his journey from New York, where his family resided, to Louisiana, as well as his time spent in and around New Orleans. Silver included 39 ink sketches of people and scenery throughout his letters. The rough voyage took him past Havana, Cuba, before he entered the Gulf of Mexico and the Mississippi River Delta. In New Orleans, Silver wrote about the sights and sounds in detail, paying particular attention to the peculiarity of hearing French in the French Quarter, of taking a train ride to Lake Pontchartrain, and of seeing the Mardi Gras celebrations. The young traveler frequently mentioned African Americans, and included some ink sketches of them in his letters. Also of interest is Silver's discussion of the city's unique burial practices and the social implications of them (February 7). The 39 sketches, interspersed throughout his letters, show buildings, farms, the streets of New Orleans during Mari Gras, and beaches along the Gulf Coast, as well as portraits. Along with the natural and man-made scenery, Silver drew scenes involving local people of all races, including trips to the market, families, fellow passengers on his railroad journeys, and couples dining in restaurants. Additionally, he sketched different events he witnessed during his travels, such as a man with a gun approaching him, a production of Hamlet that included a severed head, a drunkard being arrested by an African American police officer, a bowler hitting him with a ball, and a cluster of "hackmen" arguing about the price of a ride.

The John Peterkin journal includes letters written by Peterkin, a Scottish immigrant to Virginia and Georgia in 1817-1819, to family and friends in Scotland and Pennsylvania, as well as writings by William Russell, a later owner of the journal. Peterkin wrote about his thoughts on slavery, the displacement of Native Americans, and democracy.

The John Peterkin journal contains approximately 200 pages of entries, including letters written by Peterkin to family and friends in Scotland and Pennsylvania, lists, copies of letters, and writings by William Russell, a later owner of the journal, which are scattered throughout.

The majority of the journal resembles a letterbook and contains correspondence that Peterkin wrote to his family and his sweetheart, Harriet, between 1817 and 1819. In his letters, he described his journey from Scotland, including smuggling a companion onboard the ship (August 14, 1817); his first impressions of the United States; his negative feelings toward slavery and the displacement of Native Americans; and his ideas about democracy and the War of 1812.

On July 5, 1818, he wrote a letter to Harriet describing a visit to Powhatan, Virginia, and for several pages discussed the story of Pocahontas and the treatment of the Powhatan by settlers, which he found reprehensible. He also opined that whites "have no right to this country." In an additional letter of the same date, written to James Ross in Scotland, Peterkin described the brutality of slavery, particularly in the Deep South. He further explored this topic in his last letter in the book, dated August 4, 1819, in which he called Georgia "semibarborous" and stated, "I read in the declaration of the independence of this Country that all men are born free and equal, but I cannot look out door or window that I do not see the directest lie given to the assertion… it certainly appears to any reflecting mind a strange view of contradiction, and were it not that it involves consequences of so tragick a nature, it would be truly laughable." Peterkin also discussed signs of western expansion (July 5, 1818), the aftermath of the War of 1812 (March 27, 1818), and compared his experiences in Virginia and Georgia (March 25, 1819).

The journal also includes writings during the 1830s by a later owner, William Russell, of Augusta, Georgia, who wrote poems, lists, and a few letters in the volume. Several of his poems concern the beauty of nature and his longing to return to Scotland, and his writings describe his travels in New York City (January 24, 1838) and Philadelphia (January 25, 1838). His entries are scattered throughout the volume, but the two hands are easily distinguishable.

This volume contains an anonymous journal of a voyage from Kennebunk, Maine, to New Orleans, Louisiana, and Cincinnati, Ohio, between December 9, 1852, and January 24, 1853, as well as poetry, short stories, and essays composed by a second unknown writer between May 1857 and February 1887. One poem and one story concern the Civil War, and the author composed biographical essays about prominent individuals, families, and other topics.

This volume contains an anonymous journal of a voyage from Kennebunk, Maine, to New Orleans, Louisiana, and Cincinnati, Ohio, between December 9, 1852, and January 24, 1853 (21 pages), as well as poetry, short stories, and essays composed by a second unknown writer between May 1857 and February 1887 (117 pages). One poem and one story concern the Civil War, and the author frequently composed biographical essays about prominent individuals, families, and other topics.

The first 21 pages, titled "Journal of a voyage from Kennebunk to New Orleans," are made up of daily diary entries composed during a voyage from Maine to Louisiana and from Louisiana to Ohio. The author embarked from Kennebunk, Maine, onboard the Golden Eagle (commanded by Captain Nathaniel Thompson) on December 9, 1852, and made daily observations about life at sea. As the Golden Eagle approached Florida in late December, he described the scenery in the Bahamas, the Florida Keys, and coastal Louisiana. On one occasion, the ship encountered a boat transporting slaves to New Orleans. The author arrived in New Orleans on December 28, where he wrote about some of his experiences in the city, such as a visit to the cattle market. On January 12, he boarded the steamer Yorktown for a journey up the Mississippi and Ohio Rivers to Cincinnati. He noted the cities passed along the way, such as Vicksburg and Memphis, and described southern plantations, making note of their use of slave labor. On January 15, he reported that the Yorktown had taken a newly purchased African American family onboard, who entertained the passengers with dancing and music. By the final entry, dated January 24, 1853, the author had just passed Evansville, Indiana.

The volume also contains a commonplace book, in which the writer composed 117 pages of poetry, short stories, and essay. Several poems are translations of German poems by Johann Wolfgang von Goethe and Ludwig Uhland, and others appear to be original compositions. Among the latter is "Our Native Land," a patriotic verse written in March 1863, and additional poetry dated June 1869. The author wrote one short story in March 1862. An essay, "the Presentiment," consists of recollections of a war-era soldiers' relief society worker and a story respecting a woman's premonition of her own death. Biographical sketches and essays comprise most of the remaining material and are often annotated with small edits. Persons of interest include Horace Walpole, William Cowper, Nassau family members, Michael Faraday, Sir Philip Sidney, Norman Macleod, Dr. John Brown, and Henry of Navarre. Other essays concern the "Besor brook" in Judaea, the rivers of Babylon, and the telegraph.

A financial account between Charles Thompson and Nathaniel L. Thompson, settled in Kennebunk, Maine, on January 1, 1856, is laid into the volume.

From about 1860 through at least the end of the Civil War, Samuel C. Taylor worked as a salesman for the Philadelphia clothing firm of Charles Stokes & Co. The 1863 portion of his journal contains almost daily entries between February and May, vividly describing his travels from Philadelphia to Memphis and social life in Memphis during the Civil War. The 1890 portion of the journal consists of seven humorous essays, which are highly stereotypical, possibly semi-fictional, depictions of life in the south.

The Taylor journal is a single, 3/4 leather-bound volume in two sequential parts, the first dated 1863, the second, 1890. The journal is probably a transcript made in 1890 or 1891 from the original, based on the style of binding and paper, and the continuity in handwriting and pen between the two dated parts. The 1863 portion, 260 pages long, takes the form of almost daily journal entries from the time of Taylor's departure from Philadelphia on February 16th, through his stay in Memphis, until his return to Philadelphia on May 16th, and is uniformly well written and interesting. It is a far more polished piece of writing than many journals, and may have been corrected or embellished at the time of its transcription. At its best, Taylor's prose has the feeling of Mark Twain's exuberant descriptions of life on the Mississippi, leavened with the cynical undercurrents of Melville's Confidence Man., and though it is brief, covering only a four months' residence, the journal is a valuable social record of life in wartime Memphis as seen by a person come to take advantage of the quick money to be made. Taylor has a preference for the "colorful" aspects of life in Memphis, and includes vivid descriptions of the shoddy accommodations, the venality and corruption, rampant violence and crime, and of soldiers, prostitutes, rebels, drunks and rowdies. Throughout, he displays an eye for the telling detail, a good sense of humor, and an unerring flair for making a good story out of difficult circumstances.

Among the several highlights in the journal is an excellent description of the steamboat trip to Memphis, during which a "Jewish" swindler/gambler managed to con his way out of several tight spots by his using his wits and his finesse with cards. Once in Memphis, Taylor provides memorable descriptions of the city in all its war-time depravity, and vivid accounts of long lines of ragged, worn-out soldiers marching in to town, of murder, robbery and charlatanism, of prostitutes and drunks shouting and shooting in the streets, and of the characters, like himself, who have descended on the city to turn a quick profit, legally or illegally. Taylor was somewhat less accomplished in his poetry, though his poem about life in Memphis during the war is an amusing, sarcastic look at the closet secessionists of the city, Memphis' cheerless, malattired women, crime, and the amusement he occasionally found, including listening to the "darkies" singing. One quatrain summarizes his attitudes well: "What an awfull place to live in / Now I'll stop or freighten you (sic) / Yet upon my word of honor / What I've written you is true" (p. 106).

Taylor's attitude toward Jews, synonymous with swindling merchants in his mind, and African-Americans is highly stereotyped. He is, however, somewhat sympathetic toward slaves and freedmen even as he is willing to have a laugh at their expense. In Memphis, he attended a religious service for freedmen delivered by a mulatto preacher named Revels. Taylor was genuinely moved by the sermon, and seems to have agreed with its message. He is also somewhat sympathetic with the "contrabands" he sees being trampled by Union soldiers, or boating up river, half-dressed and hungry to a mission in Missouri. In general, though, Taylor is inclined toward a cynical view of strangers, and is always on his guard for the cons and crooks that were abundant in Memphis.

The 1890 portion of the Taylor journal consists of seven humorous essays, which are highly stereotypical, possibly semi-fictional, depictions of life in the south. They include:

1. "Sketches from the South," (Chattanooga, April 3, 1890: p. 263-268)
2. "A Kentucky Wheelman," (Louisville, Ky., April 20, 1890: p. 269-271)
3. "A Hodoo Doctor" (Birmingham, Ala., April 30, 1890: p. 272-275)
4. "The Negro Drill Workers" (Memphis, Tenn., May 2, 1890: p. 276-279)
5. "The Georgia Cracker, The Alabama Razor Back" (Atlanta, Ga., May 10, 1890: p. 280-284)
6. "New Orleans, La." (May 20, 1890, New Orleans: p. 285-293)
7. "Pensacola, Florida" (September 20, 1890, Pensacola: p. 293-295)

These essays are the interesting products of a talented writer, who, though sympathetic observer of southern society, is nevertheless mired in the ingrained attitudes and prejudices of his day. In the first essay, Taylor discusses the phenotype of African-Americans and the several "clases or sets" that comprise the African-American community in the South, from the rich, to the merchants, mechanics, drill men, tramps and the "poor old uncle." "The hoodoo doctor" and "The Negro drill workers" are somewhat longer essays along the same lines, and are written as first hand experiences. In "A Kentucky wheelman" and "The Georgia cracker, the Alabama razorback," Taylor turns his eye to the poor white community in the deep South, and paints a dismal view of the state of their culture. Essays 3, 4, and 5 also include crude, pen and ink illustrations of the subjects of the essay.