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Collection

Solomon G. Haven family papers, 1839-1895

0.5 linear feet

The Solomon G. Haven family papers contain the business and personal letters of Solomon Haven, a Buffalo, New York, lawyer and politician, as well as many letters concerning his wife, Harriet Newell Scott, and daughters Mary and Ida Haven.

The Solomon G. Haven family papers contain the business and personal letters of Solomon Haven, as well as many letters of his wife and daughters. The collection holds 185 letters.

The Solomon Haven Correspondence series consists of 103 letters written from Haven to James Smith, his law partner in Buffalo, New York; 33 letters to his wife; and several letters addressed to various political acquaintances. Most of the letters were written during the period of Haven's congressional career, with the heaviest concentration being from 1853 to 1856.

The letters to Smith contain scattered commentary on the Supreme Court, before which Haven argued three times, on Erie County politics, and on their legal practice in Buffalo. These also offer extensive commentary on New York state politics, including discussions of most of the major figures in the state at the time; references to the various intraparty factions; and discussion of the role of political newspapers during this period of political volatility. Of particular note is the detailed commentary on congressional politics surrounding the struggle over the Kansas-Nebraska Bill, the election of the Speaker of the House (1855-56), and a description of various party conventions in 1856, especially the Know Nothing convention in Philadelphia. By this time, Haven had become a fierce American Party supporter, a fiscal conservative, and an ardent critic of the political games being played by most of the Democratic, Whig, and Republican schemers in Washington and Albany. In a letter to his friend James Osborne Putnam (1818-1903), Haven wrote: "You ask for the Whig party. You would as yet ask in vain for any party here -- there is but little doing effective here for the future -- Cass and Douglass are playing high at the game of Weasel" (December 20, 1851).

Solomon’s letters to his wife Harriett (Hatty) were written between 1839 and 1858, and have an affectionate tone; their focus is largely on the many Washington, D.C., social events, such as parties, celebrations, balls, dinners, and other social/political gatherings, which he typically found tiresome. He was a regular guest for dinner at the White House. His letters relay information about who attended the parties, such as the wives of generals, congressmen, and the President, what the ladies’ were wearing and how they interacted with the men. An 1856 letter mentions the reaction of Elizabeth Spencer Cass (wife of lawyer and politician Lewis Cass) to the caning of Charles Sumner (1856).

The Mary and Ida Haven Correspondence series (39 items) documents two trips taken by Mary Haven to Europe. The first commenced sometime before December 1877 and ended in 1879. Mary spent her time primarily in Paris, leaving only for short excursions to Cannes, France, and Geneva, Switzerland. Her second trip began in June 1884, and lasted until sometime after August of the same year. This trip started with short visits to several cities in Germany and Switzerland, and, by August 29, 1884 (the last letter of her correspondence), she had returned to Paris.

Mary, also known as Ninnie, wrote her letters to her sisters, Ida and Antoinette, and to her mother, all of whom lived at the same address in Buffalo, New York. She traveled with other Americans including a traveler named “Puss,” who, as internal evidence suggests, is her husband, Charles Day. She often discussed her activities in Paris and the differences between life at home and life in Paris, her membership in an Art club, other social engagements, and her trips to other European countries. Her letters show, however, that she spent much of her time socializing with other Americans and British friends. While in Europe, she attended “English church.” As a member of an Art Club, Mary spent some of her time painting and taking art classes.

In two letters from Paris (April 29 and May 16, 1878), Mary wrote about attending the opening of the Exposition Universelle: she waited amidst hordes of other people and saw celebrities who passed near her, such as Queen Isabella and her daughter; the Prince of Wales; the Prince of Denmark; foreign ambassadors and generals of the French Army; and many others. Mary wrote a particularly interesting anecdote about a dressmaker, Madame Connelly from New York, who, in a state of drunkenness, told her that she purchased dresses and belts in France very cheaply and re-sold them in New York for an enormous profit (March 26, 1878). A letter from May 16, 1878, mentions the divorce of a woman whose husband cannot support her, possibly because he was an alcoholic. When traveling to Europe in 1884, Mary noted that writer Mariana Griswold Schuyler Van Rensselaer was on the same ship.

Seven incoming letters to Mary and a single miscellaneous item complete the series. Her sister Ida wrote two letters while she traveled abroad in Germany in the summer of 1880. At this time, Mary was living in New York. Alice Craven Jones, a family friend in Hampstead, London, wrote five letters in the 1890s. Alice offered hopes that her family would come to visit them overseas, offered condolences for the death of a loved one in 1890 (likely Mary’s sister, Antoinette), and related the news of Minnie Jones’ marriage to a lawyer by the name of Perks (1895). Finally, an 8-page unsigned letter to Ida Haven describes visits to small villages in Italy; the writer worked with the Red Cross and commented extensively on the manner, dress, and religion (Catholic) of the citizens.

Two items contain decorated letterheads: the letter from August, 24, 1879, has scenic pictures of famous locations on stationary from a hotel in Zurich, and an undated item (marked only July 15) features printed pictures of the buildings Sprudel-Colonnade and Muhlbrunn-Colonnade.

Collection

William A. Lewis photograph collection, ca. 1850s-1980s

approximately 1,530 items in 12 boxes

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.

The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping:

Series I: General Subjects
  • Airships (11)
  • Bridges (69)
  • Civil War I--stereographs (91)
  • Civil War II--cartes de visite, Kodachrome slides, negative film strip copies of stereographs held at the Library of Congress, postcards (48)
  • Disasters (49)
  • Expositions (24)
  • Industry & Labor (89)
  • Miscellaneous (23)
  • Portraits (109)
  • Railroads (62)
  • Ships (80)
  • War (30)
Series II: Views, U.S.
  • Alaska (47)
  • Arizona (3)
  • California (20)
  • Colorado (2)
  • Dakota (4)
  • District of Columbia (50)
  • Florida (2)
  • Hawaii (1)
  • Illinois (17)
  • Iowa (2)
  • Maine (8)
  • Maryland (27)
  • Massachusetts (20)
  • Michigan (31)
  • Missouri (3)
  • New Hampshire (10)
  • New York (116)
  • Ohio (2)
  • Oregon (2)
  • Pennsylvania (16)
  • Tennessee (1)
  • Texas (1)
  • Vermont (3)
  • Utah (3)
  • Virginia (6)
  • Washington (1)
  • West Virginia (1)
  • Wisconsin (2)
  • Wyoming (2)
  • Unidentified locations (35)
Series III: Views, Foreign
  • Austria (5)
  • Belgium (6)
  • Brazil (1)
  • Canada (3)
  • Cuba (5)
  • Czechoslovakia (1)
  • Egypt (5)
  • England (21)
  • France (43)
  • Germany (14)
  • Greece (1)
  • India (2)
  • Ireland (4)
  • Italy (22)
  • Japan (3)
  • Mexico (1)
  • Miscellaneous (31)
  • Monaco (4)
  • Netherlands (1)
  • Norway (3)
  • Palestine (5)
  • Panama (41)
  • Puerto Rico (3)
  • Scotland (10)
  • Spain (2)
  • Sweden (2)
  • Switzerland (9)
  • Turkey (1)
Series IV: Objects
  • Keystone Alaska and Panama views, set box (1)
  • Stereoscope (1)
Items of particular interest include:
  • Post-WWI Keystone views of German and American zeppelins and one real photo postcard showing pre-WWI aircraft (Series I, Box 1, Airships)
  • Numerous views of the Brooklyn Bridge under construction and after completion, and the Niagara Falls suspension bridge (Series I, Box 1, Bridges)
  • Views of Civil War battle sites, encampments, and leaders on contemporary mounts as well as numerous reproductions of stereographs showing important battlefield sites and troops (Series I, Boxes 1-2, Civil War)
  • Stereographs, real photo postcards, and other images documenting the aftermath of the 1906 San Francisco Earthquake, 1871 Chicago Fire, 1889 Johnstown Flood, 1900 Galveston Hurricane, and other calamities (Series I, Box 3, Disasters)
  • Images showing scenes from various American and European events, with an emphasis on the 1876 Centennial Exhibition in Philadelphia (Series I, Box 3, Expositions)
  • Images showing mills, factories and people engaged in various occupations, including a boxed set of 50 images related Sears, Roebuck operations produced around 1906 (Series I, Box 3, Industry & Labor)
  • Hand-colored early groupings of French theatrical tableaux (Series I, Box 3, Miscellaneous)
  • Approximately 109 portrait photographs in different formats of various individuals, including William Jennings Bryan; a boxed set of 50 cartes de visite depicting Danish actors and actresses; cartes de visite of Emperor Napoleon III and the Mikado of Japan; and numerous unidentified subjects represented in real photo postcards (1), tintypes (17), framed/cased ambrotypes, and daguerreotypes (13) (Series I, Box 4, Portraits)
  • Approximately 62 images of railroads, mostly in the U.S., including photographs from an 1866 expedition to the 100th meridian on the Union Pacific Railroad while under construction (Series I, Box 5, Railroads)
  • Approximately 80 images of ships including warships, freighters, riverboats, passenger ships, shipwrecks (including of the USS Maine), and shipyards mostly in the U.S. with the notable exception of a photo of the 1858 launch of the SS Great Eastern, with Isambard Kingdom Brunel possibly in the crowd. Also of interest are 8 photos and postcards showing ships in World War I-era "dazzle" camouflage (Series I, Box 5, Ships)
  • A Keystone View Co. series of images related to World War I (Series I, Box 5, Wars)
  • A number of images produced by Keystone View Co. and other stereograph purveyors that focus on major cities such as Boston, New York, Paris, Constantinople, and Jerusalem (throughout Series II & Series III)
  • Views from geological expeditions to the American frontier in the 1860s and 1870s (Series II, Unidentified Locations)