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Web collection of websites created by various religious communities of the State of Michigan, archived by the Bentley Historical Library using the California Digital Library Web Archiving Service crawler from 2010-2015 and the Archive-It web archiving service beginning in 2015.

The Web Archive of Michigan's Religious Communities collection contains archived websites created by various religious communities and institutions of the State of Michigan. The websites have been archived by the Bentley Historical Library, using the California Digital Library Web Archiving Service crawler from 2010-2015 and the Archive-It web archiving service beginning in 2015. Access to all websites archived by the Bentley Historical Library is available at: https://archive-it.org/organizations/934.

Web Archives include websites of churches, mosques, religious community centers and educational institutions who call the state of Michigan home. The collection is especially strong in documenting African American, Arab American, and Native American communities, business, religious, cultural and civil rights organizations, as well as distinguished individuals who belong to these communities.

The year that appears next to the website title in the contents list indicates the date that the website was first archived. Archived versions of the site from later dates may also be available.

Web collection of websites created by various ethnic and cultural communities of the State of Michigan, archived by the Bentley Historical Library using the California Digital Library Web Archiving Service crawler from 2010-2015 and the Archive-It web archiving service beginning in 2015.

The Web Archive of Michigan's Ethnic and Cultural Communities collection contains archived websites created by various ethnic and cultural communities of the State of Michigan. The websites have been archived by the Bentley Historical Library, using the California Digital Library Web Archiving Service crawler from 2010-2015 and the Archive-It web archiving service beginning in 2015. Access to all websites archived by the Bentley Historical Library is available at: https://archive-it.org/organizations/934.

Web Archives include websites of African American, Arab American, Native American, Asian American and other ethnic communities and organizations who call the state of Michigan home. The collection is especially strong in documenting African American, Arab American, and Native American communities, business, religious, cultural and civil rights organizations, as well as distinguished individuals who belong to these communities.

The year that appears next to the website title in the contents list indicates the date that the website was first archived. Archived versions of the site from later dates may also be available.

The American Council for Southern Asian Art (ACSAA) Slide Distribution Collection produced color slides of Southern Asian art and architecture for teaching art history. The ACSAA Color Slide Distribution Project created and distributed 166 sets of original and duplicate 35 mm slides between 1974 and 2006. The VRC holds copies of approximately 148 of these sets.

The American Council for Southern Asian Art (ACSAA) Slide Distribution Collection produced color slides of Southern Asian art and architecture for teaching art history. The ACSAA Color Distribution Project created and distributed 166 sets of original and duplicate 35 mm slides between 1974 and 2006. The VRC holds copies of approximately 148 of these complete sets. The sets contain about 100 slides each, with a total of more than 14,800 slides. The sets highlight various types of art, including Buddhist, Hindu, Jain, Mughal, Himalayan, Baroque, Sri Lankan, and Southeast Asian. ACSAA and the University of Michigan partnered with ArtStor and approximately 12,000 images are now available online. Additional images are available through the VRC, as well.

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The Hilary Whittaker papers contains correspondence from her time as Peace Corps volunteer and administrator in India and her time with the Red Cross in Morocco and France.

The Hilary Whittaker papers includes the correspondence Whittaker had with her family during her time in both Morocco and France with the Peace Corps as well as her time in India with the Peace Corps. The sound recording consists of her description of an earthquake in Morocco in 1960.

The Southeast Asia Art Foundation (SAAF) Archive is composed of approximately 200,000 photographs of Southeast Asia artwork compiled by John Adams Thierry during the latter half of the 20th century. The photos are drawn from approximately 30 different sources, sculptures, or monuments throughout Southeastern Asia that have since been vandalized, damaged, insensitively stored, or destroyed.

Southeast Asia Art Foundation (SAAF) Archive is composed of about 200,000 photographs drawn from at least 30 different sources, including 10,000 photos from sites in Cambodia, Java, and Thailand, 1,100 aerial photos of unexplored archaeological sites, and approximately 3,000 photos from leading art dealers. The collection is housed in a series of black binders and is broken down into 1149 binders of images of objects from various regions and object types, 114 binders with museums' holdings and dealers’ photographs, 24 binders of aerial photographs, 2 binders that contain microfiche, and 3 boxes of photographs. Many of the photos depict sculptures or monuments that have since been vandalized, damaged, insensitively stored, or destroyed. Some of the sculptures have also been sold into private collections and are no longer accessible to the public. The photographs of Yves Coffin, a former French diplomat to Cambodia, are now considered one of the best collections of Cham and Khmer architecture and sculpture. Most of the aerial photographs of Thailand in the mid-1950's came from William-Hunt. Some of the microfiche in the collection came from the National Research Centre of Archaeology on Indonesia from 1901 to 1956, while more microfiche was contributed by the Kern Institute, University of Leiden. In addition to the approximately 100,000 photographs and slides, materials also came from an expedition to Java, which sent Patrick Young to photograph the Buddhist monument of Borobudur. The Department of the History of Art at the University of Michigan organized the expedition, which was partially funded by Southeast Asia Art Foundation and its trustee, John A. Thierry.

The collection also contains vast documentation about the legacy of the artwork and the archive itself, including work from leading scholars such as Carol Stratton, Sarah M. Bekker, A.B. Griswold, and Miriam McNair Scott. John Adams Thierry's research and additional articles are incorporated in the collection.

The photo archive is part of the Southeast Asia Art Foundation Archive, which is now housed in three locations within the University of Michigan. The University of Michigan-Museum of Art houses Thierry's collection of 19 sculptures, while the University of Michigan Library houses Thierry's personal library of books on Southeast Asian Art, many of which are rare or difficult to find.

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William Edward Wise was a student at the University of Michigan and graduated from the College of Architecture in 1951. He was a photographer for the Michiganensian yearbook and the collection documents football games and other campus events, 1948-1955.

The William Edward Wise collection documents the University of Michigan campus and events, 1948-1955 and consists of two series, Negatives and Prints. The Negatives series consists of 29 envelopes of 4x5 black and white negatives arranged in two subseries, Football, 1948-1951 and Other campus photographs, 1948-1955. The Football subseries consists of ten envelopes of negatives, four of which pertain to the 1951 Rose Bowl. The Other campus photographs subseries contains images of student groups, dances, campus landscapes and buildings, and other campus events during Wise's tenure as a student from 1948-1951. One additional envelope depicts the University of Michigan's North Campus in 1955. The Prints series contain four folders of prints relating to campus buildings, groups shots, sports and student life. Many of the prints appear to have been developed from the negatives in the collection.

Bishop of the African Methodist Episcopal Church, pastor of various churches in Michigan and elsewhere. Correspondence, prayers and speeches, clippings, and programs; collected A.M.E. minutes, published material, and miscellaneous; and photographs illustrative of his career activities.

The papers of Bishop George Wilbur Baber are divided into seven series: biographical, correspondence, prayers and speeches, clippings, programs, African Methodist Episcopal Church, and photographs.

The Southeast Asian Art Archive is composed of seven collections, including the Southeast Asia Art Foundation Archive (SAAF), the Breezewood Collection, the Ajanta Caves Collection, the Walter Spink Indian Caves Collection, the Walter Spink Collection, the Borobudur Collection, and the American Council for Southeast Asian Art (ACSAA) Collection. The collection contains photographs and slides of Southeast Asian monuments, sculptures, Indian rock-cut architecture, and more.

The Southeast Asian Art Archive is composed of seven smaller collections, including the Southeast Asia Art Foundation Archive, the Breezewood Collection, the Ajanta Caves Collection, the Walter Spink Indian Caves Collection, the Walter Spink Collection, the Borobudur Collection, and the American Council for Southeast Asian Art Collection (ACSAA). The Southeast Asia Art Foundation Archive contains photographs, collected by John Adams Thierry, that document sculptures, monuments, and archaeological sites in Cambodia, Java, and Thailand. Many of these sculptures and monuments were vandalized, damaged, insensitively restored, or destroyed. The Breezewood Collection focuses on the art and architecture of Thailand, but also includes examples of sculptures, decorative arts, ceramics, and paintings from Burma, Cambodia, India, and Indonesia. The Ajanta Caves Collection contains the research work of Walter Spink and photographically documents 29 of the 31 rock-cut caves. The photographs range from panoramic views of the Ajanta complex to detailed photographs of the façades, porches, courts, shrines, and interiors. The Walter Spink Indian Caves Collection further documents the research of Walter Spink by looking at rock-cut architecture of other caves throughout India, including Aurangabad, Badami, Bagh, Bedse, Bhaja, Elephanta, Ellora, Kanheri, and others. The Walter Spink Collection contains additional research of the rock-cut architecture of temples, shrines, and monuments throughout India. The Borobudur Collection documents the Buddhist monument of Borobudur, found in Central Java, in detail. The last collection is the American Council for Southern Asian Art (ACSAA) Slide Distribution Collection. This collection contains a wide array of materials depicting Southern Asian art and architecture.

Rup Chand was associated with the University of Michigan for over forty years as a collector and labeler of plant and bird specimens from India, Iran, Afghanistan, Tibet, and other parts of the Middle East and South Asia. The collection documents his travels and his work as a collector of plant and bird specimens, his association with Walter Koelz, collector of plants for the University of Michigan. The collection includes biographical information; correspondence; journals for the period 1934-1994 documenting his travels and specimen collecting; and photographs and slides of South Asia and the Middle East, and of his life and travels in the United States.

The Rup Chand Papers document Chand's travels and collection of plant and bird specimens throughout India, Tibet, Persia, Afghanistan, and other areas in South Asia and the Middle East in the 1930s and 1940s, and his life after immigrating to the United States in 1956. The Papers have been divided into four series: Biographical and Miscellaneous Material, Correspondence, Journals, and Photographs and Slides.

Civil servant with Chinese Maritime Customs Service, later professor of Far Eastern art at the University of Michigan. Letters to his mother describing his experiences in China, other related papers, and photographs from his years in China.

The Plumer collection has been arranged into the following series: Letters to his mother from China; Other Materials; and Photographs. The letters to his mother are bound together in seven volumes with occasional descriptive photographs. The letters describe his experiences in Nanking, Manchuria, Shanghai, and Hankow, and his vacation trip to India in 1928. Also included are typescripts of selective letters. The Photographs series consists of people, buildings, and views in China, especially in Nanking and Manchuria. There are also photos of visits to Hong Kong, India, Japan, and the Philippines.