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Collection

Charles Khalil Alawan papers, 1940-2001

0.8 linear feet — 1 oversize folder

Charles Khalil Alawan is a leader in the Arab American and American Muslim community of Southeastern Michigan, as well as a leader of the Michigan Republican Party. The collection documents the development of the Islamic Center of America, Dearborn, Michigan, of which Alawan is a founding member, as well as other community activities.

The papers of Charles Alawan document his work as a leader in the Arab American community in Southeastern Michigan as well as in the Republican Party of Michigan. The collection is divided into three series: Correspondence, Topical files, and Photographs.

Collection

Russell Curtis Barnes papers, 1920-1978

7 linear feet

Correspondent with the Detroit News, director of the Psychological Warfare Division, Supreme Headquarters, Allied Forces, during World War II. Scrapbooks with clippings of newspaper articles; copies of propaganda leaflets directed to German soldiers and civilians during the war; reports, correspondence with family, and printed matter relating to war-time service; and photographs.

The Russell Barnes papers span the years 1920-1978. The bulk of the material concerns the period 1941-1953, the years Barnes spent as foreign correspondent for the Detroit News and the three-year interval during which he served in the Office of War Information.

The collection consists primarily of scrapbooks of his news stories, OWT leaflets, collected propaganda, and letters which he sent to his wife Constance, and, less frequently, to his children, Jeannot (Lucie Jeanne) and Jamie (John James Ingalls) while overseas and in New York. The most detailed description of his professional activities can be found in the letters he wrote during the months at the OWI in New York. He discusses the OWI personnel, its reorganization and the conflict with the OSS. The letters from the OWI Cairo and Algiers contain lively discussions of local customs and the rigors of life there, but are constrained by war-time censorship and thus shed less light than might be expected on his role as PWB director. The letters written while he covered the U.N. sometimes reflect the tense atmosphere there and the pressure brought to bear upon newsmen to take a stand on the issues they report. Barnes also discusses the power struggle in the Detroit Foreign Policy Association.

Collection

Stanley M. Swinton papers, 1935-1985

5 linear feet

Journalist, foreign correspondent; correspondence, material accumulated as a journalist, articles, clippings, and other writings; and photographs.

The Stanley Swinton papers include correspondence; dispatch files; notebooks relating to the death of Mussolini, the Malayan insurgency in the late 1940s, and the Indonesian revolutions; notes of interviews with Seni Premot of Thailand, Norodom Sihanouk of Cambodia, Ho Chi-Minh of Vietnam, Konrad Adenauer of West Germany, Joao Goulart of Brazil, Ferdinand Marcos of the Philippines, and Kim Jong Pil of South Korea. The bulk of Swinton's writings will be found in the collection, either in draft or in clippings of his articles. The series in the collection are Correspondence; Newspaper career; Writings, speeches, etc.; Personal and miscellaneous; Photographs; and Printed Material.

Collection

Wilfrid de St. Aubin Papers, 1938-1980

7 linear feet — 1 oversize folder

Executive with the American Red Cross. Correspondence, diaries, reports, memoranda, and other materials relating to relief and refugee work during World War II in Italy, France, and Germany (Buchenwald), his work in re-establishing Red Cross societies in Austria, Hungary, and the Middle East after the war, and his survey of humanitarian problems resulting from the Palestinian conflict, 1948.

The Wilfrid de St. Aubin collection consists of seven feet of correspondence, reports, memoranda, and other official papers covering his Red Cross work during World War II and the immediate postwar period. Of special interest is a letter and report written by St. Aubin containing his impression and observations of the Buchenwald concentration camp. St. Aubin was one of the first to come to the camp after its liberation. There are also diaries which provide added background and detail of St. Aubin's varied career.

Collection

William A. Lewis photograph collection, ca. 1850s-1980s

approximately 1,530 items in 12 boxes

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.

The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping:

Series I: General Subjects
  • Airships (11)
  • Bridges (69)
  • Civil War I--stereographs (91)
  • Civil War II--cartes de visite, Kodachrome slides, negative film strip copies of stereographs held at the Library of Congress, postcards (48)
  • Disasters (49)
  • Expositions (24)
  • Industry & Labor (89)
  • Miscellaneous (23)
  • Portraits (109)
  • Railroads (62)
  • Ships (80)
  • War (30)
Series II: Views, U.S.
  • Alaska (47)
  • Arizona (3)
  • California (20)
  • Colorado (2)
  • Dakota (4)
  • District of Columbia (50)
  • Florida (2)
  • Hawaii (1)
  • Illinois (17)
  • Iowa (2)
  • Maine (8)
  • Maryland (27)
  • Massachusetts (20)
  • Michigan (31)
  • Missouri (3)
  • New Hampshire (10)
  • New York (116)
  • Ohio (2)
  • Oregon (2)
  • Pennsylvania (16)
  • Tennessee (1)
  • Texas (1)
  • Vermont (3)
  • Utah (3)
  • Virginia (6)
  • Washington (1)
  • West Virginia (1)
  • Wisconsin (2)
  • Wyoming (2)
  • Unidentified locations (35)
Series III: Views, Foreign
  • Austria (5)
  • Belgium (6)
  • Brazil (1)
  • Canada (3)
  • Cuba (5)
  • Czechoslovakia (1)
  • Egypt (5)
  • England (21)
  • France (43)
  • Germany (14)
  • Greece (1)
  • India (2)
  • Ireland (4)
  • Italy (22)
  • Japan (3)
  • Mexico (1)
  • Miscellaneous (31)
  • Monaco (4)
  • Netherlands (1)
  • Norway (3)
  • Palestine (5)
  • Panama (41)
  • Puerto Rico (3)
  • Scotland (10)
  • Spain (2)
  • Sweden (2)
  • Switzerland (9)
  • Turkey (1)
Series IV: Objects
  • Keystone Alaska and Panama views, set box (1)
  • Stereoscope (1)
Items of particular interest include:
  • Post-WWI Keystone views of German and American zeppelins and one real photo postcard showing pre-WWI aircraft (Series I, Box 1, Airships)
  • Numerous views of the Brooklyn Bridge under construction and after completion, and the Niagara Falls suspension bridge (Series I, Box 1, Bridges)
  • Views of Civil War battle sites, encampments, and leaders on contemporary mounts as well as numerous reproductions of stereographs showing important battlefield sites and troops (Series I, Boxes 1-2, Civil War)
  • Stereographs, real photo postcards, and other images documenting the aftermath of the 1906 San Francisco Earthquake, 1871 Chicago Fire, 1889 Johnstown Flood, 1900 Galveston Hurricane, and other calamities (Series I, Box 3, Disasters)
  • Images showing scenes from various American and European events, with an emphasis on the 1876 Centennial Exhibition in Philadelphia (Series I, Box 3, Expositions)
  • Images showing mills, factories and people engaged in various occupations, including a boxed set of 50 images related Sears, Roebuck operations produced around 1906 (Series I, Box 3, Industry & Labor)
  • Hand-colored early groupings of French theatrical tableaux (Series I, Box 3, Miscellaneous)
  • Approximately 109 portrait photographs in different formats of various individuals, including William Jennings Bryan; a boxed set of 50 cartes de visite depicting Danish actors and actresses; cartes de visite of Emperor Napoleon III and the Mikado of Japan; and numerous unidentified subjects represented in real photo postcards (1), tintypes (17), framed/cased ambrotypes, and daguerreotypes (13) (Series I, Box 4, Portraits)
  • Approximately 62 images of railroads, mostly in the U.S., including photographs from an 1866 expedition to the 100th meridian on the Union Pacific Railroad while under construction (Series I, Box 5, Railroads)
  • Approximately 80 images of ships including warships, freighters, riverboats, passenger ships, shipwrecks (including of the USS Maine), and shipyards mostly in the U.S. with the notable exception of a photo of the 1858 launch of the SS Great Eastern, with Isambard Kingdom Brunel possibly in the crowd. Also of interest are 8 photos and postcards showing ships in World War I-era "dazzle" camouflage (Series I, Box 5, Ships)
  • A Keystone View Co. series of images related to World War I (Series I, Box 5, Wars)
  • A number of images produced by Keystone View Co. and other stereograph purveyors that focus on major cities such as Boston, New York, Paris, Constantinople, and Jerusalem (throughout Series II & Series III)
  • Views from geological expeditions to the American frontier in the 1860s and 1870s (Series II, Unidentified Locations)