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The Adelle Webber Gray photograph album contains 75 photographs and 14 photo-reproductions of scenes from Watkins Glen in New York, Yosemite, and Colorado as well as 13 newspaper clippings and two advertisements regarding travel in the western United States.

The album (21.5 x 26.5 cm) has read leather covers. Inside of the front cover are two of Gray's bookplates and a loose clipping from 1906 regarding the purchase of Watkins Glen. The album begins with a series of views of Watkins Glen (including some showing the stairs built around the waterfalls). Pages are mostly blank from pgs. 17 to 113 except for pg. 107 which includes 10 loose clippings about camping and traveling in the western United States mostly from Christian Life magazine. Other images of interest after pg. 113 include views of a man standing inside a tree in California's Redwood Forest; waterfalls at Yosemite; Denver, Colorado, scenes such as the train depot and Stout Street; Silver Plume, Colorado; the Loop between Manitou Springs and Georgetown; an 1884 photographic reproduction print by W. H. Bagley; a railroad going through Clear Creek canyon; Pikes Peak; Helen Hunt Jackson's grave in Colorado Springs; the Garden of the Gods; Manitou Springs; Williams Canyon; Ute Pass; and pictures of men and cows taken by W. H. Allen and William Henry Jackson. Also of note are advertisements for a print of Mount Holy Cross by Thomas Moran and for the caves at Manitou Springs, two photographic reproductions of views of Marshall Pass, and photographs of the peak of Sierra Blanca, taxidermy coyotes and a mountain lion, and a train snowplow in Ivanhoe, Colorado.

The Billings family collection contains correspondence, invitations, ephemera, and other items related to Marcia Billings of Denver, Colorado; Owego, New York; and Brookville, Pennsylvania. Much of the material pertains to her social life in the late 19th and early 20th centuries.

The Billings family collection (2.5 linear feet) contains correspondence, invitations, ephemera, and other items related to Marcia Billings of Denver, Colorado; Owego, New York; and Brookville, Pennsylvania. Much of the material pertains to her social life in the late 19th and early 20th centuries.

The Correspondence series (551 items), which comprises the bulk of the collection, includes several Civil War-era letters to Mary Pearsall from her friend Emily Jewett, as well as other earlier items addressed to Marcia Billings. Most items concern the social lives of Billings's friends and family members in Denver, Colorado; Owego, New York; and Brookville, Pennsylvania, in the 1880s and 1890s. A series of 5 letters from September 1890 pertains to Colorado travel, including newspaper clippings with information for tourists. Two letters enclose photographs (January 19, 1909 and April 2, 1913) and one picture postcard shows a view of a town (August 14, 1911). Later items include letters by Marcia's husband, Benjamin Thomas, and letters to her mother, Gertrude Billings.

The Diaries series (4 items) is made up of a diary that Marcia Billings kept in 1870, the diary of an unidentified writer covering the year 1909, and 2 books containing records of correspondence and personal finances.

The School Papers series (17 items) consists of a Denver High School report card for Marcia Billings, 4 lists of examination questions from geography and grammar exams, 8 manuscript essays, and a card with the program from a "Friday Evening Club [Soiree]" held at Warren's Dancing Academy on November 30, 1882. The series also contains 3 sets of graded notes by Helen C. Jones, October 5-7, 1896, on arithmetic, history, and physiology.

The accounts and receipts in the Financial Records series (6 items) pertain to the personal finances of Marcia Billings and Benjamin Thomas.

The Photographs (6 items), taken in the early 20th century, show unidentified women. The series includes a group of photographs whose images are no longer discernible (counted as 1 item).

The Illustrations series (3 items) contains a colored drawing of a young girl sewing, a colored drawing of a woman holding flowers, and a sheet with sketches of farm animals and people.

Invitations, Responses to Invitations, Cards, and Ephemera (94 items), mainly addressed to Marcia Billings, concern events such as marriages, birthday celebrations, and casual outings. Ephemeral items include lists of dances from social events.

Printed Items (39 items) include over 30 newspaper clippings, most of which concern social events, elopements, and deaths; others contain poetry, cartoons, and news stories. Other printed items are advertisements, a poem entitled "The Mark of a Man-Child," and a poem entitled "The Type-Writer," which contains a printed illustration of a woman typing.

The Realia items are a ribbon, a sock, and an accompanying poem about a "Sock Social" held by the Ladies Aid Society.

The Boston Mob Pennsylvania Tour and Cross-Country Tour photograph albums contain pictures taken during travels in the Mid-Atlantic States, the northern Midwest, Colorado, and California in the early 1890s. The photographs show city scenes and buildings, natural scenery, and travelers.

The Boston Mob Pennsylvania Tour and Cross-Country Tour photograph albums contain 213 pictures taken during travels in the Mid-Atlantic States, the northern Midwest, Colorado, and California in the early 1890s. Each album is 29cm x 35cm with titles stamped in gold on the front covers. Most photographs are captioned.

The first volume, "Pennsylvania Tour 1891," contains 77 items, comprised of 15.5cm x 20cm prints pasted one to a page and 9cm x 12cm prints pasted three or four to a page. The first 7 pictures and the final picture were taken at Gettysburg, Pennsylvania, including views of battlefield monuments and a military cemetery. The photographer also traveled to Luray, Virginia; Baltimore, Maryland; Washington, D.C.; and Richmond, Virginia. A few shots are group portraits of male and female tourists, who posed once in a railroad car by a banner reading "Boston Mob," and many others are images of city streets and natural scenery, including a series taken in and around a natural bridge and Cedar Creek in Virginia. While visiting Washington, D.C., the compiler photographed landmarks such as the Washington Monument, United States Treasury, White House, and State, War, and Navy Building. Ferries, horse-drawn trolleys (running on tracks), trains, bridges, and railroad depots are visible in many photographs. Of note is an aerial photograph of the White House and surrounding buildings taken from the top of the Washington Monument and a group of 5 items showing African American children playing on a street in Luray, Virginia.

The second volume, "Across the Continent 1892," contains 136 photographs (9cm x 12cm each), usually pasted four to a page. Most items are views of buildings and natural scenery in locations such as Niagara Falls; Sioux City, Iowa; Denver, Colorado; San Francisco, California; Los Angeles, California; Seattle, Washington; and Duluth, Minnesota, as well as other towns in Colorado and California. The pictures show donkeys, town and city buildings, a cattle ranch, and rock formations, particularly in the Garden of the Gods; the photographer visited Seattle during a snowy winter. A number of photographs show a smelter in Denver, Colorado. One group of California photographs features orange trees. Other items of note are a "Spirit Picture" of two overlapped city scenes and a shot of Grover Cleveland's inauguration on March 4, 1893.

The Brown and Fox family photograph albums are a two-volume set of albums containing approximately 253 snapshots of people and places in Iowa, Illinois, and Michigan as well as views of Colorado.

The Brown and Fox family photograph albums are a two-volume set of albums containing approximately 253 snapshots of people and places in Iowa, Illinois, and Michigan as well as views of Colorado.

Volume one (19 x 14 cm) has brown paper covers with "Photographs/Souvenirs/of/Denver Colo" stamped on the front cover and contains approximately 67 photographs. Contents mostly consist of architectural photographs of houses in rural or semi-rural settings as well as portraits, many of which are accompanied by handwritten notes. Images of interest include the farm of Henry Brown near Toledo, Ohio; a woman standing near a roadside fruit and flower stand; the homes of Will, Ben and Harry Fox; the Abraham Lincoln home and tomb in Springfield, Illinois; the Catholic Church in Stuart, Iowa; and the courthouse and high school of Fremont, Nebraska. Also of note are photographs of the High Bridge in Boone, Iowa, the Methodist Church in Pueblo, Colorado, and a large house in Monroe, Michigan, possibly the home of Cyrus Augustus Olmsted (1863-1948).

Volume two (20 x 15 cm) has black fabric covers and contains approximately 186 photographs. Contents mainly consist of portraits and outdoor views from a trip to Colorado. Between the inside front cover and seventh page there are numerous portraits of men, women, and children, and many more individual and group portraits are present throughout the remainder of the album. Subsequent images of interest include outdoor views of the American West; a rest tent called the "Corona Café"; a cyanotype of a woman sitting on a rocking horse; the front of a train and the downtown area of a small railroad town; a church en route to Denver, Colorado; a woman holding a Brownie Box camera on her lap; Castle Rock, Colorado as seen from aboard a train; multiple pictures of an infant; views of Garden of the Gods; a snowy street scene with a streetcar in what appears to be Denver; and a group of people shaking hands with an individual wearing a Native American headdress.

The California, Colorado, and Long Island vacation photograph album consists of 65 snapshot photographs from 1904 to 1906.

The California, Colorado, and Long Island vacation photograph album consists of 65 snapshot photographs from 1904 to 1906. The album begins with scenes of Colorado. These images show views from a railway through the Rocky Mountains and a trip to Garden of the Gods in Colorado Springs.

A majority of the photographs were taken in San Francisco, California. These photos date from May, 1906, just after the San Francisco earthquake and fire. Many of the images show refugee camps and temporary housing, displaced businesses, and damage on Van Ness Ave, which was used as a firebreak by the United States Army. The McKinley Parade, also known as Fiesta de Los Angeles is photographed as well. Other California scenes include Cliff House in San Francisco, an ostrich farm in Pasadena, vineyards, and orchards of olive trees, palm trees, and lemon trees.

The last portion of the album is of Long Island, New York State. These scenes include people on a boat in the water near Westhampton, people swimming in Jamaica Bay, and Apacuck Point.

The album is 18.5 x 14 cm with red cloth covers.

The Chicago to Colorado photograph album contains approximately 210 photographs taken by an unidentified photographer related to a tour from Chicago, Illinois, to Colorado and back again through Milwaukee, Wisconsin.

The Chicago to Colorado photograph album contains approximately 210 photographs taken by an unidentified photographer related to a tour from Chicago, Illinois, to Colorado and back again through Milwaukee, Wisconsin. The album (26 x 32 cm) has black paper covers and a manuscript note inside the front cover that reads: "Tour of 1903." Chicago-related photographs include a commercial street view, the Chicago River, and Lincoln Park. The following 191 photographs were taken in various locations around Colorado, including 20 images of commercial streets, residential streets, and parks in Denver and Colorado Springs; an early motorized sightseeing bus on a Colorado Springs street; and scenic views documenting visits to the Garden of the Gods, Pikes Peak, and the Gunnison River.

Several photographs show the main building and a small cabin at Sprague's Ranch in Moraine Park, Colorado. The travelers, a party of two men and a woman, are shown fishing, posing beside their platform tents, and sightseeing with larger groups. Also shown is the dramatic scenery of Ouray, Colorado, with views of the mountains, the box canyon, Silver Plume mines, and street scenes which include a stagecoach and loaded burros. Following several photographs of hotels in Glenwood Springs, Colorado, and a view of the Grand Canyon of the Arkansas, there are three images that show streets in Milwaukee, including the Schlitz Brewery, as well as two additional images of Chicago street scenes.

This collection contains letters that Joshua Cowell wrote to his wife Mary in Meridian, New York, while working in Colorado and Wyoming, as well as additional correspondence to Joshua and Mary Cowell.

This collection contains 6 letters related to Joshua and Mary Cowell of Meridian, New York. William Cowell, Joshua's brother, wrote a letter to the Cowell family with family news from his home in Denver, Colorado, on February 26, 1867. The next 4 letters, from Joshua to Mary Cowell, pertain to Joshua's work in Cheyenne, Wyoming, and Denver, Colorado, from September 6, [1867]-March 28, 1869. He discussed the rough nature of Cheyenne's residents, casualties after a recent gunfight, and differences between Cheyenne and Denver, particularly regarding the availability of lodgings and board. He also reported on a failed meeting between whites and Native Americans and described his life and finances in Denver. The final item is an undated letter to the Cowell family from Martha Wilson in Denver, Colorado, with news of local acquaintances and of the town's recent growth, exemplified by the founding of a newspaper and plans to construct a hotel.

The D. S. Dunlap photograph album contains prints of pictures taken in Colorado in 1896 and 1897. The photographs show scenes from a hunting and camping trip, performers during festivals and parades in Denver and Colorado Springs, and groups of young men and women.

The D. S. Dunlap photograph album (23cm x 34 cm) contains 278 photographs taken in Colorado in the late 1890s. Of the items, 271 are mounted directly on the album's pages, 7 are laid into the volume. One of the loose items is mounted on cardstock. Two of the photographs are cyanotypes and one is a photomechanical print. The unidentified photographer(s) took most of these pictures between August and October 1897, with additional items dated 1896 and as late as December 1897. The album, a Kodak product, has the title "Photographs" stamped in gold on its cover.

The first page of the volume has an undated newspaper clipping about a camping party's embarkation for the area around Hahn's Peak in northern Colorado. Three main groups of photographs are integrated throughout the volume. The largest number, dated August 1897-September 1897, show scenes from this trip, including pictures of party members making camp, posing with guns, fishing, and resting by horse-drawn vehicles. One member of the party is shown dressed as a Native American. Captions identify many locations, often along the Continental Divide, and some pictures show mountains, rock formations, and aerial views of towns. Buildings, trains, and horses appear in a few of these photographs, and at least one shows a mine entrance. A second group of pictures shows scenes from parades and festivals in Colorado Springs and Denver in August and October 1897, respectively. These photographs show floats, bands, and performers in costume. The remaining photographs are pictures of houses and pictures of unidentified young men and women, sometimes shown in groups. Two photographs show a woman with a bicycle and a woman in a short dress holding a ball.

This collection contains incoming correspondence addressed to Edward Miller between 1886 and 1899. Sadie Boyles, Edward's fiancée, wrote the bulk of the letters about her life in Colorado and about her feelings toward Edward.

This collection contains incoming correspondence (around 350 items) addressed to Edward Miller between 1886 and 1899. Sadie Boyles, Edward's fiancée, wrote the bulk of the letters about her life in Colorado and about her feelings toward Edward.

The Correspondence series comprises the bulk of the collection. In the mid-1890s, Edward Miller began corresponding with his fiancée, Sadie J. Boyles of Denver, Colorado. Sadie wrote frequently about her deep love and admiration for Edward, though the letters hint at Edward's affection for another woman and his attempts to pique her interest in his male acquaintances. Sadie's mother wrote one particularly scathing letter in which she scolded Edward for his advances toward both Sadie and Sadie's sister Hattie (December 7, 1896). Despite Edward's actions, Sadie affirmed the strength of her affections toward him and often discussed wedding plans. Her later letters reflect her arguments with Edward about family issues and about his continued postponement of a visit to Colorado.

Edward's other correspondents included family members, friends, and professional acquaintances, who discussed his sister Belle's ongoing illness, family and local news, and other topics. Reverend J. W. Harris attached a printed pamphlet advertising an upcoming lecture on "The Cuban Question" in his letter of May 2, 1898.

• Death certificate for Hugh Burton Miller (April 28, 1896)
• Receipt for funeral supplies for Hugh B. Miller (April 28, 1896)
• Pamphlet giving sermon topics for Boulevard United Presbyterian Church (May-July, [1896?])
• Pamphlet giving sermon topics for Boulevard United Presbyterian Church (August-November 1896)
• Invitation to commencement for Baltimore Medical College's class of 1898, with Elmer M. Miller name card (April 21, 1898)

The Price collection consists of 14 letters, written by Edwin Price to his brother James, many of them about life in Denver, Colorado.

The small collection consists of only 14 letters, written by Edwin Price to his brother James. One, written March 16, 1867 from Warehouse Point, Connecticut, indicates Edwin's restlessness and his desire to have his brother join him in business in Connecticut. There is a brief note to James at the end of this letter from their sister Emma, who was home on vacation from school. Edwin wrote the rest of the letters in 1870 from Denver, Colorado. He writes of his excitement about business and property prospects in Denver, the fast rate of population growth, prices, buildings, railroads, overland travel, land speculation, game, crops, and other topics. Enclosed in the letter dated Nov. 11, 1870 is a short newspaper extract describing the territory of Colorado, which Edwin asks James to post in his shop in Warehouse Point.