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The American Tour photograph album contains 96 Photographs of a tour taken of the United States and Canada, featuring the World's Columbian Exposition of 1893 in Chicago.

The American Tour photograph album (24 x 18 cm) contains 96 Photographs of a tour taken of the United States and Canada, featuring the World's Columbian Exposition of 1893 in Chicago. The photographic narrative follows a trip from Southampton, England, across the Atlantic to New York City; Richmond, Virginia; Chicago, Ill.; the Niagara region; Saratoga, New York; the Hudson River valley; and finally New York City and Coney Island, New York. Images from the trans-Atlantic trip include the dock at Southampton, the Steamship SS Paris at sea; the Sandy Hook pilot boat; views of the Statue of Liberty; and steerage passengers on an ocean liner. Several images of Richmond, Va., and rural homes in Amelia County, Va. appear. One view showing a three adults and one child on a wagon "leaving Sherwood" may be of the travelers. Numerous views of the Columbian Exposition grounds in Chicago are at the center of the album. Photographs of Niagara Falls and the Niagara River include an image of Clifford Calverley crossing the river on a tightrope. Other images include barges on both the Saint Lawrence Seaway and Hudson River; boating and scenery at Lake George; and ice houses and sailboats along the Hudson River. Photographs of New York City depict Wall Street; Brighton Beach and Coney Island; the Statue of Liberty; and Jersey City Ferry Boat "Orange." The album's half-bound brown cloth cover is stamped in gilt "American Tour. 1893."

Physician from Rochester, Michigan and Chicago, Illinois. Correspondence, newspaper clippings, appointment books, diaries and miscellanea relating to student life at University of Michigan and her professional activities; also manuscript of autobiography, Petticoat Surgeon; and photographs.

The collection has been arranged into two series. The Van Hoosen - Jones Family series consists mainly of personal family correspondence among members of the Van Hoosen and Jones family. The Bertha Van Hoosen series consists of correspondence and other materials relating to the life and career of Dr. Van Hoosen. Included are materials from her years as a student at the University of Michigan, personal correspondence, and materials relating to her autobiography Petticoat Surgeon.

The Camilla Sink journal contains entries about Sink's daily life from 1857-1876, as well as genealogical information about her descendants, essays about her life and character, and a diary that one of her children kept in 1900. Camilla Sink's entries, copied by her children into this single bound volume, pertain to her life and her children's lives in New York, Ohio, Indiana, and Illinois.

This volume (994 pages) contains Camilla Sink's journal, copied by one of her children (February 1, 1857-November 1, 1877, pp. 1-837); poems, biographical sketches, proverbs, and genealogical information (pp. 838-928); and a diary kept by one of Sink's children (January 1, 1900-December 10, 1900, pp. 928-994).

Camilla Sink's journal entries are prefaced by remarks about her life, death, and character, written by one of her children. Sink wrote almost daily from February 1, 1857-April 13, 1877, but illness led her to write only sporadically until her final entry on November 1, 1877. She most frequently commented on the weather, her social activities, and news of her children and their families. Sink lived in Rome, New York, and spent time visiting her family in Cleveland, Ohio; Chicago, Illinois; and Elkhart, Indiana. Sink provided news of her illnesses and ailments, or those of her children and other acquaintances, and sometimes discussed her feelings about bereavement and aging. Some of her entries from the spring of 1861 mention marching soldiers; in mid-April 1865, she wrote about the death of Abraham Lincoln and the journey of his funeral train. On September 29, 1876, she recounted a visit to Washington, D.C., and entries from early October 1876 concern her visit to the Centennial Exhibition in Philadelphia.

The second section of the volume contains poetry, writings, biographical sketches, and genealogical information copied by and written about Camilla Sink and her descendants. Poetry and proverbs concern topics such as bereavement, and one of her children wrote a memorial poem in her honor (pp. 886-887). Genealogical information pertains to the births, marriages, and deaths of Camilla Sink's parents, children, grandchildren, and great-grandchildren. A second series of journal entries, written by one of Camilla Sink's children, concerns the author's daily life and social activities in 1900. Items laid into the volume include a photographic postcard with a girl's portrait; a newspaper clipping; 3 certificates related to the academic progress of Chester Weier and Gladys Kleckner in Monroe, Michigan (June 20, 1907-June 14, 1912); and a certificate regarding Gladys Kleckner's confirmation at St. Stephen's Church in McKeesport, Pennsylvania, on March 14, 1915.

This collection contains letters from brothers William Edward Caton and Albert Robert Caton to their family in Illinois as they travel and work in Iowa, the Dakota Territory, and Colorado. This collection offers insight into daily life and the economic growth of the Western frontier.

The Caton family papers consist of 112 letters, 5 financial and legal papers, and 1 item with genealogical content.

In a series of letters to their parents and sister, William Edward (Ed) and Albert Robert (Bob) Caton describe efforts to establish themselves economically in Chicago, Iowa, the Dakota Territory, and Colorado. The letters from Edward describe his business activities in Iowa and the Dakota Territory, and discuss in detail his speculation in land sales and leasing.

Bob Caton, whose letters cover the years 1876-1882, writes of his time in the Dakota Territory, and later describes working as a miner and living in Colorado. His letters contain more details on living conditions and daily activities than his brother's business-oriented correspondence does.

The Financial and Legal Papers series holds five items: William P. Canton's Cook County mortgage from 1849, a building receipt enclosing a two cent bank check stamp, and three records of loans. The Miscellaneous Papers series holds an index card with information on W.P. Caton, copied from the Will County Pioneers' Register.

The Charles H. Hosmer collection is made up of a diary (365 pages, 1877), 13 stereoscopic photographs (1872-1877), and a published volume (1870) related to the Hosmer's career as an assistant surveyor with the United States Coast Survey. The diary covers his experiences working along the Banana River in Florida and in Bar Harbor, Maine.

The Charles H. Hosmer collection is made up of a diary (365 pages, 1877), 13 stereographs (1872-1877), and a published volume (1870) related to Hosmer's career as an assistant surveyor with the United States Coast Survey.

The Diary is a partially printed Excelsior pocket diary for the year 1877, with each page devoted to one day. Hosmer wrote brief daily entries, covering his experiences on a surveying expedition along Florida's Banana River onboard the steamer Steadfast; his journeys to Bar Harbor, Maine, and Chicago, Illinois; and his daily life in Bristol, Rhode Island, between his travels.

From January to mid-May, Hosmer wrote from the Steadfast along Florida's eastern coast. He frequently visited Titusville and often recorded his successful duck hunting excursions. Entries also pertain to his hydrographical work for the United States Coast Survey, other workers onboard the ship, and Hosmer's acquaintances. He discussed his railroad journey home to Bristol, Rhode Island, various aspects of his social life, and later working journeys to Bar Harbor, Maine, and other locations. Memoranda at the back of the volume include a list of letters written by Hosmer, an address list, and tide gauge statistics recorded along the Banana River (1876 and 1877) and in Maine (undated).

A collection of 13 black-and-white Stereoscopic Photographs depict three-dimensional scenes from the southern United States and from Taunton River, Massachusetts, and Rockford, Illinois.

• Photographs of Bonaventure Cemetery, Savannah, Georgia (3 items)
• Pavilion Hotel, Savannah, Georgia (undated)
• Fort Sumter (1872)
• The Charleston Hotel, Charleston, South Carolina (undated)
• A storefront in Rockford, Illinois (undated)
• John R. Porter residence, Rockford, Illinois (undated)
• Surveying equipment and men at a camp near Taunton River, Massachusetts (2 items, September-October 1876)
• Number 707 Glen House, [Littleton, New Hampshire?] (undated)
• United States Steamship Bavataria [sic] (undated)
• Burnham slate quarry (undated)

The Printed Publication is a copy of United States Coast Survey. Memoranda Relating to the Field-Work of the Secondary Triangulation, written by Richard D. Cutts and published by the Government Printing Office in 1870. The text includes related tables. Charles Hosmer's name is printed on the front cover. A 10-page packet of manuscript documents laid into the book, contains Hosmer's descriptions of flagstaffs and signals "Between New Rochelle and Greenwich" (3 pages); tables recording several geographical positions with brief copied notes from G. Bradford (6 pages, June 1885 and undated); and a letter to Charles Hosmer from C. O. Bontelle of the C. & G. Survey (1 page, June 1, 1885). Bontelle's letter contains a small diagram showing old and new Bessel data lines, used in surveying.

The Charles J. Merz photograph album contains approximately 147 images, the majority of which show places and people around the area of Detroit, Michigan, during the late 19th and early 20th-centuries.

The album (27 x 36 cm) has maroon faux leather covers with "Photographs" stamped on the front and shows signs of considerable wear, including a damaged spine and detached front cover. While the album contains some traditional formal portraits, the majority of the photographs of people are more candid snapshots in nature. Images are presented on 9 x 12.5 cm prints with four to a page. Most photographs were taken in the Detroit-area (presumably all or mostly by Merz), with images including pictures of Belle Isle Park, elevated perspectives of city streets, boats (such as ferries, sailboats, and cargo boats) on the Detroit River, scenes from the aftermath of the Buick and Sherwood factory fire, Elmwood Cemetery, bridges, railroads, carriages, and family and friends in informal settings, including one portrait of an individual dressed in blackface. Also of interest are 32 photographs related to a militia group, with images showcasing training sessions such as rifle practice and marching drills, tongue-in-cheek portraits of militia members posing humorously in front of their tents at camp, and four views of a military parade in Washington, D.C. near the U.S. Capitol. The militia group being documented was likely the volunteer militia known as the Detroit Grays; one photograph is captioned “Detroit Gray’s Camp Sylvan Lake” while “Detroit Grays” also appears on flags present in some of the images. It may be the case that Merz was a member of the Detroit Grays. There are also a few images taken in Chicago and Colorado, including views of Michigan Avenue and the Garden of the Gods.

Several details help provide a date range for this album. One caption below a photograph of young men with bicycles simply reads “1888,” while the Buick and Sherwood factory fire (the aftermath of which is depicted in several images) took place in 1892. A flag visible in one of the militia camp photographs also reads, “Detroit Grays Organized May 7, 1895,” and a picture of the side paddle ferry Greyhound indicates that it was part of the White Star Line, which acquired the Greyhound in 1902. Finally, the caption of a view of the Belle Isle Power House states that the site represented is “where the casino is today.” Since a casino was built at that location in 1907, this would suggest that the album may have been compiled a number of years after the photos were taken.

Merz himself is identified in a photograph showing him holding a box camera and standing next to two other young men on a city street. He is identified in the caption as “Charles J. Merz Photographer,” and stands alongside two other young men identified as "Charles Rapp" and "Gus Hartman." A self-portrait of an unidentified young man and his camera taken in a mirror could also possibly be Merz, and he appears to show up in other photographs as well. He may also be pictured some of the militia photos, but due to the general lack of captions it is difficult to be certain. Two unused pages at the end of the album are covered with childish doodling, including one drawing adjacent to the inscribed name “Olive Merz”, Charles’s daughter, which would suggest that the album was once in the possession of the Merz family.

The Chicago photograph album contains pictures of buildings, park landscapes, and people in Chicago, Illinois; Grand Rapids, Michigan; and Detroit, Michigan. Items include interior and exterior views of a Chicago home, portraits of small groups of individuals, views of gardens in John Ball Park (Grand Rapids, Michigan), and a photograph of a steamboat in the Detroit River.

The Chicago photograph album (14cm x 18cm) contains 24 photographic prints, each placed in a 9cm x 11.5cm window. The first item is an exterior view of a home located at 5828 Indiana Avenue in Chicago, Illinois, and the following eight items are interior views of parlors and a dining room; one shows a woman sewing. The album includes six photographs of John Ball Park in Grand Rapids, Michigan, with various garden scenes and a shot of two women in a small horse-drawn carriage, and one photograph of the steamer "The North Land" passing Belle Isle near Detroit, Michigan. One item features the Michigan Soldiers' Home in Grand Rapids, Michigan, and another shows a woman feeding a group of birds there. The remaining six items are informal group and individual portraits taken in Washington Park (Chicago, Illinois) (2 items), Palmer Park (Detroit, Michigan) (1 item), "Our Back Yard" (Chicago, Illinois) (1 item), and unidentified outdoor locales (2 items); two men posed by a bicycle in Washington Park. The album's cover is decorated with a colored floral pattern, with a gray geometric pattern near and covering the spine.

The Chicago to Colorado photograph album contains approximately 210 photographs taken by an unidentified photographer related to a tour from Chicago, Illinois, to Colorado and back again through Milwaukee, Wisconsin.

The Chicago to Colorado photograph album contains approximately 210 photographs taken by an unidentified photographer related to a tour from Chicago, Illinois, to Colorado and back again through Milwaukee, Wisconsin. The album (26 x 32 cm) has black paper covers and a manuscript note inside the front cover that reads: "Tour of 1903." Chicago-related photographs include a commercial street view, the Chicago River, and Lincoln Park. The following 191 photographs were taken in various locations around Colorado, including 20 images of commercial streets, residential streets, and parks in Denver and Colorado Springs; an early motorized sightseeing bus on a Colorado Springs street; and scenic views documenting visits to the Garden of the Gods, Pikes Peak, and the Gunnison River.

Several photographs show the main building and a small cabin at Sprague's Ranch in Moraine Park, Colorado. The travelers, a party of two men and a woman, are shown fishing, posing beside their platform tents, and sightseeing with larger groups. Also shown is the dramatic scenery of Ouray, Colorado, with views of the mountains, the box canyon, Silver Plume mines, and street scenes which include a stagecoach and loaded burros. Following several photographs of hotels in Glenwood Springs, Colorado, and a view of the Grand Canyon of the Arkansas, there are three images that show streets in Milwaukee, including the Schlitz Brewery, as well as two additional images of Chicago street scenes.

This journal contains Clarence G. Nicholson's recollections about his trip from Philadelphia, Pennsylvania, to Milwaukee, Wisconsin, and Chicago, Illinois, in September 1893. Nicholson described his daily activities during the journey west, in Milwaukee, and at the World's Columbian Exposition. The volume contains numerous commercial photographs, advertisements, and other items related to Nicholson's travels.

This journal (32cm x 27cm, 433 pages) contains Clarence G. Nicholson's recollections about his trip from Philadelphia, Pennsylvania, to Milwaukee, Wisconsin, and Chicago, Illinois, in September 1893. The narrative was written in 1894. Nicholson described his daily activities during the journey west, in Milwaukee, and at the World's Columbian Exposition. The volume contains numerous commercial photographs, advertisements, and other items related to Nicholson's travels. Nicholson's manuscript travel narrative occupies around 328 pages with ephemeral items pasted in. He wrote at length about the scenery during his railroad trip, often mentioning meals and accommodations. This first part of the volume includes watercolors, photographs, clippings, and advertisements depicting Pennsylvania scenery. While in Milwaukee, Nicholson and the other travelers visited breweries, art galleries, and other points of interest; he also wrote about the differences between the Midwest and the East Coast and about the city's artistic culture. Accompanying visual materials show Milwaukee buildings, examples of local beer bottles, and works of art. On September 23 or 24, the party split, with Nicholson and his father heading for Chicago, where they spent the next week.

Nicholson's recollections of his experiences at the World's Columbian Exposition comprise the bulk of the text, accompanied by a variety of illustrations. He describes in detail numerous state, international, and thematic buildings; exhibit halls and displays; sights along the Midway Plaisance; and the fairgrounds. He and his father also visited other areas of Chicago. Clippings, advertisements, and other ephemeral items are included throughout the volume, including numerous commercial photographs and illustrated views of the World's Columbian Exposition. Other items include exposition admission tickets, a menu, and a group of synthetic cords. Visual materials show the interiors and exteriors of large exhibit halls, state and international buildings, the Peristyle, the Ferris Wheel, and exhibits along the Midway Plaisance; a few photographs and prints show the grounds illuminated at night. The final pages of the journal contain Nicholson's thoughts upon leaving the exposition for the final time and a brief description of his return trip to Philadelphia.

The Committee on Legislation for the International Exposition of 1892 compiled meeting minutes, correspondence, reports, and other material between September 1889 and April 1890. Under the leadership of Senator Chauncey Depew, the committee worked with the New York-based Committee for the International Exposition of 1892 in an attempt to persuade the United States Congress to award an upcoming world's fair exhibition to the city of New York.

The Committee on Legislation for the International Exposition of 1892 compiled meeting minutes, correspondence, reports, and other material between September 1889 and April 1890. Under the leadership of Chauncey Depew, the committee worked with the New York-based Committee for the International Exposition of 1892 to attempt to persuade the United States Congress to award an upcoming world's fair exhibition to the city of New York.

The Committee on Legislation met periodically between September 19, 1889, and January 21, 1890, and discussed various cities' efforts to win congressional approval for the country's upcoming world's fair. At its first meeting, the group chose Senator Chauncey Depew as its chairman and millionaire William Earl Dodge Stokes as its secretary, among other officers. Throughout its existence, the committee regularly discussed the work of the larger Committee for the International Exposition of 1892, with whom they often coordinated their efforts, and reported developments from Washington, D. C., with respect to determining the fair's location. Among other actions, the committee suggested distributing pamphlets to damage Chicago's reputation and, therefore, its chances of winning the exposition (November 25, 1889, p. 35). The group also reacted to reports that the city of New York did not actually desire to host the event.

Correspondence, reports, a drafted legislative act, and a newspaper clipping are pasted into the volume. William McMurtrie Speer, journalist and secretary of the Committee for the International Exposition of 1892, frequently sent typed letters about cross-committee cooperation and recent developments. The legislative committee also received typed and manuscript letters from local supporters, such as Luigi Palma di Cesnola of the Metropolitan Museum of Art (November 19, 1889, p. 19), other related committees, and United States congressmen. Also included are reports that William Stokes composed a 14-page printed draft of a "Proposed act of Congress" that would award the fair to New York (October 4, 1889, p. 13). The newspaper clipping, from the New York Herald, urges the committee to send representatives to Washington, D. C., a tactic already employed by competing cities (December 7, 1889, p. 83). The final item is a 4-page report concerning the Committee on Legislation's financial expenditures (April 7, 1890, p. 117).