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The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Henry M. Wheeler photoprint collection consists of approximately 719 images of colonial architecture and historical locations in Massachusetts from ca. 1889 to 1915.

The Henry M. Wheeler photoprint collection consists of approximately 719 images of colonial architecture and historical locations in Massachusetts from ca. 1889 to 1915. The collection is mainly composed of 10 x 15 cm silver platinum, platinotype, and gelatin silver prints as well as 15 x 20.5 cm cyanotypes. A couple of manuscript notes are also present. Much of the focus is on eastern Massachusetts, centering on Wheeler’s hometown of Worcester. Photographs show residential architecture from the 17th century, unidentified colonial homes, and contemporary architecture from Wheeler's day and age. Many of the historical structures documented here were in danger of vanishing during Wheeler's lifetime, and many have long since been destroyed. Other photographs show natural landscapes, noteworthy trees, country roads, parks, public and educational buildings, farms, monuments, bridges, milestones, and gravestones as well as images of famous paintings, engravings, and lithographs. Also included are a small number of images related to Washington, D.C., Maine, and New Hampshire. Wheeler likely took the vast majority of these photographs, though there are several instances where he credited the original sources of certain images. The collection materials were removed from the original album volumes they were stored in and have been rehoused in three 3-ring binder albums and three flat boxes. Most photographs also have original reference numbers that were used by Wheeler to organize the collection.

In addition to this finding aid, the Clements Library has created the Henry M. Wheeler Photoprint Collection Inventory. This inventory lists items according to volume/box location and includes references to specific page/mat numbers, image descriptions (most of which are derived from captions originally inscribed by Wheeler on photograph versos), and photographic formats.

This collection contains correspondence, financial records, appointments, and other items related to William Thomas, a lawyer from Plymouth, Massachusetts, and to his family. The collection includes letters that Thomas wrote to his father, Joshua Thomas, about his experiences at Harvard University in the early 1800s, and documents appointing Thomas to prominent public positions in Plymouth.

This collection contains correspondence, financial records, appointments, and other items related to William Thomas, a lawyer from Plymouth, Massachusetts, and to his family. The collection includes letters that Thomas wrote to his father, Joshua Thomas, about his experiences at Harvard University in the early 1800s, and documents appointing Thomas to prominent public positions in Plymouth.

Early items include letters and financial documents related to members of the Thomas and Stevenson families, including a letter to Dr. John Thomas of Poughkeepsie, New York, about the death of his father (September 28, 1802). Between 1803 and 1807, William Thomas wrote around 8 letters to his father, and 1 to his brother John, from Cambridge, Massachusetts, about his experiences at Harvard University. Among other subjects, he discussed student life, the Federalist Party, elections, and conflicts between local residents and Harvard students. Also included are William Thomas's appointment as quartermaster of the Massachusetts Militia's 1st Regiment, 1st Brigade, 5th Division (April 12, 1810) and his discharge (April 20, 1815). Between 1826 and 1867, Thomas received 12 partially printed documents appointing him justice of the peace, master of chancery, and sheriff for Plymouth County, often for successive terms.

Later items are predominantly personal letters from acquaintances and cousins to William Thomas and his wife Sarah, as well as a copy of a letter that Thomas co-signed about the class of 1807's financial gift to Harvard (May 26, 1864). Other financial documents, such as those regarding the sale of land in Plymouth County and Isabella Thomas's will, are interspersed throughout the collection. The undated material includes a clipping with a biography of England native John Lloyd Thomas, additional correspondence, and copies of William Thomas's autograph.