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The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.

The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping:

• Airships (11)
• Bridges (69)
• Civil War I--stereographs (91)
• Civil War II--cartes de visite, Kodachrome slides, negative film strip copies of stereographs held at the Library of Congress, postcards (48)
• Disasters (49)
• Expositions (24)
• Industry & Labor (89)
• Miscellaneous (23)
• Portraits (109)
• Railroads (62)
• Ships (80)
• War (30)

• Alaska (47)
• Arizona (3)
• California (20)
• Colorado (2)
• Dakota (4)
• District of Columbia (50)
• Florida (2)
• Hawaii (1)
• Illinois (17)
• Iowa (2)
• Maine (8)
• Maryland (27)
• Massachusetts (20)
• Michigan (31)
• Missouri (3)
• New Hampshire (10)
• New York (116)
• Ohio (2)
• Oregon (2)
• Pennsylvania (16)
• Tennessee (1)
• Texas (1)
• Vermont (3)
• Utah (3)
• Virginia (6)
• Washington (1)
• West Virginia (1)
• Wisconsin (2)
• Wyoming (2)
• Unidentified locations (35)

• Austria (5)
• Belgium (6)
• Brazil (1)
• Canada (3)
• Cuba (5)
• Czechoslovakia (1)
• Egypt (5)
• England (21)
• France (43)
• Germany (14)
• Greece (1)
• India (2)
• Ireland (4)
• Italy (22)
• Japan (3)
• Mexico (1)
• Miscellaneous (31)
• Monaco (4)
• Netherlands (1)
• Norway (3)
• Palestine (5)
• Panama (41)
• Puerto Rico (3)
• Scotland (10)
• Spain (2)
• Sweden (2)
• Switzerland (9)
• Turkey (1)

• Keystone Alaska and Panama views, set box (1)
• Stereoscope (1)

• Post-WWI Keystone views of German and American zeppelins and one real photo postcard showing pre-WWI aircraft (Series I, Box 1, Airships)
• Numerous views of the Brooklyn Bridge under construction and after completion, and the Niagara Falls suspension bridge (Series I, Box 1, Bridges)
• Views of Civil War battle sites, encampments, and leaders on contemporary mounts as well as numerous reproductions of stereographs showing important battlefield sites and troops (Series I, Boxes 1-2, Civil War)
• Stereographs, real photo postcards, and other images documenting the aftermath of the 1906 San Francisco Earthquake, 1871 Chicago Fire, 1889 Johnstown Flood, 1900 Galveston Hurricane, and other calamities (Series I, Box 3, Disasters)
• Images showing scenes from various American and European events, with an emphasis on the 1876 Centennial Exhibition in Philadelphia (Series I, Box 3, Expositions)
• Images showing mills, factories and people engaged in various occupations, including a boxed set of 50 images related Sears, Roebuck operations produced around 1906 (Series I, Box 3, Industry & Labor)
• Hand-colored early groupings of French theatrical tableaux (Series I, Box 3, Miscellaneous)
• Approximately 109 portrait photographs in different formats of various individuals, including William Jennings Bryan; a boxed set of 50 cartes de visite depicting Danish actors and actresses; cartes de visite of Emperor Napoleon III and the Mikado of Japan; and numerous unidentified subjects represented in real photo postcards (1), tintypes (17), framed/cased ambrotypes, and daguerreotypes (13) (Series I, Box 4, Portraits)
• Approximately 62 images of railroads, mostly in the U.S., including photographs from an 1866 expedition to the 100th meridian on the Union Pacific Railroad while under construction (Series I, Box 5, Railroads)
• Approximately 80 images of ships including warships, freighters, riverboats, passenger ships, shipwrecks (including of the USS Maine), and shipyards mostly in the U.S. with the notable exception of a photo of the 1858 launch of the SS Great Eastern, with Isambard Kingdom Brunel possibly in the crowd. Also of interest are 8 photos and postcards showing ships in World War I-era "dazzle" camouflage (Series I, Box 5, Ships)
• A Keystone View Co. series of images related to World War I (Series I, Box 5, Wars)
• A number of images produced by Keystone View Co. and other stereograph purveyors that focus on major cities such as Boston, New York, Paris, Constantinople, and Jerusalem (throughout Series II & Series III)
• Views from geological expeditions to the American frontier in the 1860s and 1870s (Series II, Unidentified Locations)

Gideon O. Whittemore family of Pontiac and Tawas City, Michigan. Business and personal correspondence of Whittemore, his wife, their son James O. Whittemore, and other members of the Whittemore, Mack, and Abram Mathews families; also business and legal documents, sermons, photographs, and miscellaneous papers, covering family matters, Tawas City, Michigan (which the family founded), lumbering, journey of the Mormons across the United States and settlement in Salt Lake City, Utah, University of Michigan and its branches, and family genealogy.

The papers date from 1817 to 1978, and include correspondence, business papers, deeds, genealogical materials, photographs and other papers of Gideon O. Whittemore, his wife, their son James Olin Whittemore and other member of the Whittemore, Mack, Harlow, and Abram Mathews families. Letters of Temperance Mack and Almira Covey document in part the journey of the Mormons across the United States and settlement in Salt Lake City. Other papers relate to activities in Tawas City (which the family founded), lumbering interests, and other business matters. A portion of the papers of James Olin Whittemore pertain to his activities as a student at the University of Michigan, class of 1846.

The Whittemore family collection has been arranged into the following series: Correspondence; Other Family papers; Genealogical records; Temperance Mack letters and related; Individual Whittemore family members; Photographs; and Business and professional ledgers and daybooks.

Orchard Lake, Michigan, family, with various business interests, including lumbering and land transactions (in Michigan, California, West Virginia, and British Columbia), and also active in the development of the Orchard Lake area, especially from the 1920s to the 1940s; Correspondence files of individual family members, subject files detailing family interests and activities, business and legal records, maps, blueprints, and photographs.

The majority of the Ward Family collection is comprised of materials generated by Willis Ward and his son, Harold, and thus reflect the life of the family in the twentieth century. The strengths of the collection rest on materials which document upper-class family life in the first three decades of this century; the development of the Orchard Lake area in the 1920s, 1930s, and 1940s; the extensive Michigan land holdings of the Ward family; and the history of the lumber town of Deward, Michigan. The researcher should be aware that there are only limited materials in the collection which document either David Ward's business pursuits in Michigan or his personal life. The researcher should supplement those materials with use of Ward's published autobiography.

There are six series which comprise the Ward collection: Personal; Correspondence; Land Holdings; Photographs; Architectural Drawings; and Maps. Whenever possible the original order of materials in the first three series has been maintained.

Hamburg, Livingston County, and Ann Arbor, Michigan, family. Correspondence, newspaper clippings and photographs of the Lohmiller, Twichell, and Hollister families.

The papers of the Twichell family document three generations of the extended Twichell families. It includes extensive correspondence files, reminiscences of life on turn-of-the-century Michigan farm and of student life the University of Michigan, files relating to the family businesses including boardinghouses in Ann Arbor, and photographs of family members, towns in Michigan, and University of Michigan students. The collection has been arranged into the following series: Correspondence, Alphabetical Files, Photographs, and Sound Recordings.

This photograph album contains pictures of mountain scenery and street scenes in British Columbia and Alberta; of rubble and refugee camps taken in San Francisco after the 1906 earthquake; of people relaxing near Long Beach, California; and pictures taken during a hunting trip near Oracle, Arizona.

This photograph album (18cm x 25cm) contains 99 photographic prints taken in British Columbia, Alberta, California, and Arizona in the early 20th century. The album's covers are brown pebbled leather, and the title "Photographs" is stamped in gold on the front cover. Most items have manuscript captions.

A majority of the photographs are scenic views of mountain ranges, lakes, forests, and glaciers in British Columbia and Alberta, including pictures taken in Banff, Alberta; in the Canadian Rockies; and in the Selkirk Mountains. This section of the album also contains views of the British Columbia Parliament Buildings in Victoria, and street scenes in Victoria and Vancouver, British Columbia; a large totem pole is visible in one of the pictures of Victoria. A second group of photographs shows scenes of rubble and refugee tent camps in San Francisco following the 1906 earthquake.

The third group of items consists of photographs taken in and near Long Beach and Los Angeles, California. Groups of tourists are evident in several of these pictures, and some focus on pairs of male travelers. Pictured locales include Eastlake Park in Los Angeles, an orange grove in Redlands, California, and "Follows Camp." These are followed by photographs of desert scenes near Oracle, Arizona, where a group of hunters, including at least one woman, occupied a semi-permanent tent. The photographer captured images of natural scenery such as large cacti, balance rocks, and a box canyon. The final items are a group portrait of young men, identified by a manuscript caption on a note laid into the album; an unidentified mountainous scene; and an outdoor portrait of a girl.

The San Francisco (Calif.) autograph album contains manuscript inscriptions, portrait photographs, photographs of western scenes, pictures of statues, and reproductions of popular paintings.

The San Francisco (Calif.) autograph album (20cm x 13cm, 180 pages) contains around 125 photographs and prints, as well as manuscript inscriptions. Some of the inscriptions, dated at San Francisco between 1860 and 1888, include brief quotations and uplifting messages, along with the contributor's signature. A few small dried plant specimens are laid into the album. The brown leather cover has a floral design, the word "Autographs," and an illustration of a quill and book inlaid in gold.

The majority of the album's photographic prints are studio portraits of women and, less frequently, men; pencil captions identify many individuals, such as John S. Hittell, an early author of Yosemite guidebooks, and Benjamin P. Avery, miner, journalist, and diplomat. Some photographs are associated with inscriptions and autographs. A number of images are missing. Images include reproductions of popular paintings, and pictures of statues, primarily busts. A number of the paintings are attributed to David Dalhoff Neal.

Of note are views of Yosemite National Park, likely commercially produced stereograph halves; a photograph of a group of men participating in "Hydraulic Washing" in Yuba County, California, published as a stereograph by Lawrence and Houseworth; a view of tourists under giant Redwood trees; the upended tree stump in Mammoth Tree Grove (Calaveras County, California). One view and one portrait carrying the blind-stamp of photographer Carleton E. Watkins and several other views are similar to known Watkins images; at least one (Crystal Lake House) compares to a stereo by Alfred A Hart.

A small number of images are from Europe, showing cathedrals, the view from Trinità dei Monti in Rome, and a view of a waterfall below a village. The majority of the inscriptions are in English, with several in German.

This diary contains Rhoda B. Stoker's recollections of a car trip she took with her family in August 1935. They traveled from Salt Lake City, Utah, to Idaho, Oregon, Washington, British Columbia, California, and Nevada. The volume includes family and travel photographs from 1920, 1924, 1933, and 1935.

This diary (1 volume) contains Rhoda B. Stoker's recollections of a car trip she took with her family in August 1935. They traveled from Salt Lake City, Utah, to Idaho, Oregon, Washington, British Columbia, California, and Nevada. The volume includes family and travel photographs from 1920, 1924, 1933, and 1935. The volume, comprised of two ruled spiral notebooks bound together with yarn, contains around 170 pages of material: the first 46 pages (recto) are numbered 1-[46], and the remaining pages (verso) are numbered [47-183].

Stoker's narrative (pages 1-[46]) recounts the trip she took with her son Edwin and "Aunt Clara King" from August 4, 1935-August 20, 1935. The family traveled by car from their home in Salt Lake City, Utah, to Vancouver, British Columbia, and followed the Pacific Coast south to Los Angeles, California. On their return journey, they drove from Los Angeles to Salt Lake City via the Mojave Desert and Las Vegas, Nevada. Stoker recorded details about the group's experiences and expenses, including the names of restaurants they visited, the car's odometer reading, and the amount and cost of gasoline they purchased; she combined all trip expenses at the end of her account (p. [46]). Stoker described the scenery and cities they visited, including San Francisco and Los Angeles, and discussed traveling by car ferry.

Stoker pasted photographs and postcards into her diary, sometimes including descriptions of photos she intended to add. Most images have captions, which include information about the location, date, and photographer. The pictures depict the Stoker family, their companions, and scenery from trips to the Pacific Coast in the summers of 1933 and 1935, including the family's lodgings, redwood trees, bridges, steamers, car ferries, military boats and submarines, and the family's car. One series of photographs depicts animals (prepared with taxidermy) at Golden Gate Park in San Francisco. Painted postcards and postcard sets show cities such as Tijuana, Mexico; San Diego, California; Portland, Oregon; Seattle, Washington; and Victoria, British Columbia, as well as scenes from California's Pacific coastline.

Ann Arbor, Michigan and Chicago, Illinois family. Correspondence of Elihu B. Pond, editor of Michigan Argus, his sons, Chicago architects, Irving Kane and Allen Bartlit Pond, founders of firm of Pond & Pond, and other family members; include materials concerning family affairs, architectural projects, Jane Addams and the work of Hull House, European travels, politics especially as relates to period of the Civil War and the election of 1896; also photographs, architectural drawings and other visual materials.

The Pond Family papers consist primarily of correspondence and other materials of architects, Irving Kane (1857-1939) and Allen Bartlit Pond (1858-1929) documenting family matters, European travels, their involvement in the civic and social life of Chicago, and professional activities. The collection has been divided into four subgroups: Allen B. Pond papers; Irving Kane Pond papers; papers of other family members and miscellaneous; and visual materials.

Correspondence comprises the bulk of both the Allen and Irving Pond subgroups. This correspondence consists almost exclusively of exchanges between the brothers when they were separated because of travel, and with their parents and sister. There is little correspondence with clients, professional associates, or others outside of the family. The letters, however, are often detailed and revealing of the thoughts and activities of the Pond brothers. In addition to the usual descriptions of landscapes and social events when traveling abroad, their letters contain many comparisons of European and American trends in architecture, housing, the development of cities. To their family and with each other, the brothers also wrote of their non-professional interests: Chicago politics, social settlements in the city, humanitarian causes, and their involvement with various literary groups. Of note in the Allen Pond papers are letters containing references to Jane Addams and her work at Hull House. There are also accounts they received from family about Jane Addams and her talks when visiting Ann Arbor. Letters concerning Jane Addams are dated Sept. 1896; Jan. 1898; Sept. 18, 1898; Jan. 22,1900; Mar. 1901; May 28,1901; June 15,1901; undated 1901; Apr. 21,1902; July 7,1902; Aug. 18,1902; Feb. 16, 1903; Jan. 12,1904; Jan. 23,1905; Feb. 1905; May 29,1907; Mar. 1908; and Apr. 1908.

Their sister, Mary Louise and their mother, Mary Barlow (Allen) Pond wrote weekly of family affairs and the social and cultural events of Ann Arbor. Both comment extensively on the ideas and activities of many of the leading intellectual and literary figures of the day - William James, John Dewey, Kipling, Wharton and Shaw - as well as on their daily interactions with Angells, Cooleys and other prominent Ann Arbor families. Unfortunately, there are few surviving letters from Allen and Irving to the family in Ann Arbor. Much of the information in the collection about their work is therefore by indirect reference only.

These 12 scrapbook pages contain announcements, reward and wanted advertisements and circulars, typed notes, and police letters and telegrams for individuals wanted by the law. The crimes include illegally collecting subscription money, destruction of a powder magazine at the Navy Yard on Mare Island, family desertion, failure to provide for the family or minor children, auto theft, murder, embezzlement, horse stealing, larceny, bank robbery, burglary, fraud, and others. The primary geographical locations are Sacramento and San Francisco, California; other advertisements are from Georgia, New York, Massachusetts, Oregon, Colorado, Illinois, and other California locations. The bulk of the wanted individuals are white, but several represent Japanese, Greek, and Mexican perpetrators. One letter from the William J. Burns International Detective Agency, Inc., dated April 20, 1918, includes a pasted-on mugshot photograph of Manuel Schenone.

These 12 scrapbook pages contain announcements, reward and wanted advertisements and circulars, typed notes, and police letters and telegrams for individuals wanted by the law. The crimes include illegally collecting subscription money, destruction of a powder magazine at the Navy Yard on Mare Island, family desertion, failure to provide for the family or minor children, auto theft, murder, embezzlement, horse stealing, larceny, bank robbery, burglary, fraud, and other crimes. The primary geographical locations are Sacramento and San Francisco, California; other advertisements are from Georgia, New York, Massachusetts, Oregon, Illinois, and other California locations. The bulk of the wanted individuals are white, but several represent Japanese, Greek, and Mexican perpetrators. One letter from the William J. Burns International Detective Agency, Inc., dated April 20, 1918, includes a pasted-on mugshot photograph of Manuel Schenone. Schenone, "a well known Bunko man", served four years in Folsom Prison and now is wanted for holding up the Yokohama Specie Bank.

The scrapbook pages were once part of a larger volume and bear the printed page numbers 79, 80, 147, 148, 155, 156, 157, 158, 161, 162, 165, and 166; plus one unpaginated partial page.

The McCreery and Fenton families were prominent Genesee county, Michigan residents some of whose members distinguished themselves in local and state government, as soldiers during the Civil War, and in the United States diplomatic service. Papers include diaries, correspondence and other material relating to the Civil War, local and state politics and aspects of diplomatic service in Central and South America.

The McCreery-Fenton family collection documents the individual careers of family members who served their community and their nation in a variety of roles. Through correspondence, diaries and other materials, the researcher will find information pertaining to the Civil War, to the history of Flint and Fenton in Genesee County, Michigan, and to facets of America's diplomatic relations with some of the countries of Central and South America. Arranged by name of the three principal family members represented in the collection - William M. Fenton, William B. McCreery, and Fenton R. McCreery, the papers also include series of general family materials, business records, and photographs.