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Ann Arbor, Michigan family. Architectural drawings and renderings for their Ann Arbor, Michigan home designed by Frank Lloyd Wright and his associates.

The Palmer Family collection consists of three oversized folders located in the basement blueprint cabinet. The folders contain topological maps of the property, a complete set (10) of blueprints for the house, an oversized floor plan, blueprints of perforate block, hand-colored drawings of the garden plans and a colored house plan signed by Wright. The collection also contains the first rendering of the Tea House with two pages of revisions, furniture design details for the Tea House and an outside lantern.

Since coming to the library in 1992, photocopies and photographic copies have been made of some of the more fragile items in the collection. The researcher is encouraged to consult these before inquiring about access to the originals. The number in parentheses at the end of each description is an identifying number assigned by the donor for individual drawings or a group of related drawings.

For an extensive selection of photographs of the Palmer house, the researcher should consult The Wright Style by Carla Lind (1992).

Professor of architecture at the University of Michigan; includes correspondence, professional organizational activities files, documentation, photographs, and architectural drawings accumulated during his work with the Michigan Historic Buildings Survey

The Emil Lorch papers are valuable for their documentation of the career of this important architectural educator and for that material about Michigan architecture and historic structures that Lorch accumulated in the course of his professional study and organizational involvement. The collection includes extensive correspondence with many of the country's leading architects, most notably members of the "Chicago School," and architectural educators, and manuscript and photographic documentation resulting from Lorch's involvement with the Michigan Historic Buildings Survey and various restoration projects, including Mackinac Island.

One of America's most visionary prairie school landscape architects, Jensen's design work incorporated horizontal lines in landforms and stonework, the natural branching habits of plants, and the restoration and conservation of native plant materials. The collection is comprised mainly of landscape architectural drawings for more than four hundred and sixty projects, along with a small amount of manuscript material and photographs.

Jensen's landscape work encompassed a broad range of projects -- residential, subdivisions, parks and preserves, schools and educational facilities, hospitals, office complexes and government centers, all of which are represented in the collection. Jensen's view of landscape architecture as a social force for integrating art, home, and commerce is a significant and unique characteristic of his work. While the native landscape itself, both as he experienced it in Denmark and in America, was his primary inspiration, Jensen was also influenced by the social and economic reform movements of the late nineteenth and early twentieth centuries. His theories related to urban planning, his recognition of the restorative value of nature and wilderness, his genuine concern for the environment, and his love of people are reflected in the material and will interest researchers from a range of disciplines and subject areas -- although the documentation is almost wholly visual.

When looked upon as a whole, the collection richly illustrates Jensen's consistent philosophy of design. While each project had its own character reflecting the nature of the site and client requirements, certain recurring design features in the drawings are evidence of Jensen's particular style. His plans almost always show plants in masses -- creating unity through repetition of similar species, textures, and forms and suggesting groupings found in native habitats. The hawthorn, with its low, horizontal branching habit, a symbol of the prairie for Jensen, is found often in his designs, along with other small native trees, sometimes scattered individually, but more often in repetition to reinforce prairie views and provide a transition to larger trees along woodland borders. Also evident is the adept handling of open spaces found at the core of most of his designs -- great meadows, linear "long views," prairie views and prairie vistas, sun openings, garden rooms, clearings. Smaller clearings and sun openings emphasize the importance Jensen placed on light and shadow as integral to the art of landscaping; a series of broad curving drives, footpaths, and trails invite movement and ensure that visitors experience sequences of sun and shade, sometimes leading "to the setting sun" or "to the rising sun." Water is another distinctive feature -- quiet pools, prairie rivers, lagoons, ponds, streams enhanced with rock work skillfully executed to suggest ravines and bluffs. The drawings also provide many examples of Jensen's council rings tucked into edges of woodland borders, surrounded by trees or placed to view a meadow or lake; player's greens created for outdoor drama; and small areas set aside and screened with walls, trellises, or shrubbery for vegetable and "picking" gardens.

Professor of architectural history at the University of Michigan. Correspondence, topical files, college term papers written by Eaton, papers written by Eaton students (mainly concerning the architecture of Michigan buildings), and photographs; subjects include seventeenth century Dutch architecture, the Chicago school of architecture, and the career of Frank Lloyd Wright. Also included is Eaton's research file on the Palmer-Ryan House designed by Frank Lloyd Wright in Ann Arbor. The collection contains extensive correspondence with architect William Gray Purcell

The Leonard K. Eaton papers document his career as a professor of architectural history at the University of Michigan and reflect his interest in seventeenth-century Dutch architecture and the Chicago school of architecture. The papers cover the years 1950-1988 and reflect Eaton's activities as architectural historian, student advisor, author, and participant in architectural professional groups.

The Eaton papers have come to the library in three accessions. The first in 1988 came from Mr. Eaton; the second in 1996 consisted of materials that he had donated to the University of Michigan Art and Architecture Library and which they subsequently transferred to the Bentley Library. The third accession contained some topical files and material related to the Palmer House in Ann Arbor. The first accession has been retained in its original order and consists of five series: Correspondence, Topical Files, College Term Papers written by Leonard Eaton, Student Papers written by Eaton Students, and Photographs

The Correspondence series is arranged alphabetically and consists mainly of outgoing letters. Of special interest is the exchange of letters with Lewis Mumford dating from the late 1950s. Topical Files consists of notes and drafts of Eaton's published articles, which have been arranged by title. Also included in this series are articles relating to the landscape architect Jens Jensen as well as notes and published writings from the 2004 accession. College Term Papers written by Eaton series is arranged alphabetically. Mainly undated, these papers reflect Eaton's interest in literature, art and political theory. Student papers written by Eaton students series focuses on Michigan buildings and architecture. The Photographs series includes photographs used in his research on Dutch architecture and a Flint, Michigan, public housing project.

Urban planning specialist. Reports, sketches, and other material relating to the development of the Willow Run Bomber Plant area in Wayne County, Michigan, during World War II; studies of the proposed Detroit Civic Center, 1952; also papers concerning his later work as planning director in Santa Clara County, California; letter from Frank Lloyd Wright; and sketchbooks with drawings and watercolors of buildings and scenes in Europe, the United States, and Taiwan; also photographs of Belser.