Collections : [University of Michigan William L. Clements Library]

The Williamson family collection is made up of 9 bound volumes pertaining to Clara Gurley Williamson, her daughters Ruth and Mary, and other members of the Williamson family of New Brunswick, New Jersey. The items include diaries, financial records, a newspaper clipping scrapbook, and a photograph album.

The Williamson family collection is made up of 9 bound volumes pertaining to Clara Gurley Williamson, her daughters Ruth and Mary, and other members of the Williamson family.

The D. Abeel Williamson Diary, composed in a pre-printed pocket diary, contains David Abeel Williamson's daily entries about his life in New Brunswick, New Jersey, from January 1, 1862-May 25, 1862, and about his experiences with the 7th New York Militia Regiment from May 26, 1862-August 27, 1862. His early entries mainly record the weather and his social activities; he mentioned his admission to the bar in his entries of May 21, 1862, and May 22, 1862. A newspaper clipping about the surrender of Fort Donelson is pasted into the entries for February 16, 1862, and February 17, 1862. During his time in the army, Williamson noted the hot weather near Washington, D.C., and Baltimore, Maryland, and mentioned other aspects of military service, such as guard duty, marching, and reviews. A commuter's ticket for the "New Jersey Rail Road" is laid into the volume's pocket.

The Hattie S. Williamson Memorandum Book contains financial records of collections that the Second Reformed Dutch Church Sunday School of New Brunswick, New Jersey, received from November 26, 1865-June 16, 1867. The amount of each donation is recorded next to the donor's name. Other records pertain to the Sunday school's accounts with the Novelty Rubber Company and the church's efforts to raise money for an organ.

The Clara Gurley Account Book, kept from July 9, [1875]-April 16, 1880, contains accounts for Gurley's purchases of items such as books, ribbon, fabrics, and buttons. A piece of fabric is pinned onto the book's final page.

The first Clara Gurley Williamson Diary, written in a pre-printed Excelsior volume, covers the year 1905. Williamson began writing in Dresden, Germany, where she had lived with her children since late 1903, and recounted her daily activities and news of acquaintances. In April, she and her children took an extended tour of Europe, including Austria, Switzerland, Italy, France, and Holland, where Williamson remarked on visits to museums and other points of interest. The entries from August concern the family's return to the United States on the Holland-American Line steamer Ryndam and their first months back in New Brunswick, New Jersey, and Indianapolis, Indiana. Williamson kept a record of letters written and received and acquaintances' addresses in the volume's memoranda section. She laid newspaper clippings, a letter, calling cards, small photographs, stamps, and other items in the volume. The final page of the diary contains a newspaper clipping about the Williamsons' return to the United States and intention to relocate to Indianapolis.

The Mary Williamson Diary recounts the author's travels through Europe from April 10, 1905-August 11, 1905. Williamson described her daily activities and sightseeing in cities such as Prague, Munich, Venice, Rome, and Paris, as she visited museums and places of historical importance with her mother and sister. The diary includes a list of books Williamson read from 1907-1908 and a list of addresses of European hotels.

The Ruth A. Williamson Diary pertains to the author's experiences and travels in England from June 7, 1909-September 3, 1909. She spent most of her time in London; some later entries mention travels around southern England and to Edinburgh, Scotland. Williamson most frequently wrote about sightseeing and visiting famous landmarks, but also commented on other activities, such as shopping. Ruth A. Williamson's calling card is laid into the volume.

The second Clara Gurley Williamson Diary, also in a pre-printed Excelsior volume, contains daily entries about Williamson's life in Indianapolis, Indiana, from January 1, 1918-April 2, 1918. Williamson commented on her social activities, her health, and news of her friends and family members, especially her children. She occasionally mentioned news of the war, such as the signing of the Treaty of Brest-Litovsk (February 22, 1918). Financial records and instructions for knitting a "Kitchener sock" are written in the back of the volume. Items laid in include a calling card for Charles G. Williamson containing his military address, a cloth United States flag mounted on a small wooden dowel, and clippings about the deaths of Henry Janeway Hardenburgh and Douw D. Williamson. A postcard with a painting of Waikite Geyser in New Zealand, addressed to A. Parsons in London, England, is also laid into the diary.

The Scrapbook (1860s-1880s) is comprised of newspaper clippings about numerous topics, including biographies of William Gurley and biographical notices about other members of the Gurley family, such as Clara Gurley Williamson and Esther Gurley Cook. Some clippings feature prominent individuals such as Ulysses S. Grant, Charles Dickens, and Louisa May Alcott. Items report national news, news from Troy, New York, and stories about Emma Willard and the Troy Female Seminary. Additional topics include poetry, international travel, and stamp collecting.

A Photograph Album contains 42 carte-de-visite photographs, 2 lithographs, and 1 tintype print. Most of the photographs are studio portraits of men, women, and children, including many members of the Gurley family and related families. Most of the pictures are dated 1866-1880, though the album includes a 1902 photograph of Charles G. Williamson in a military uniform.

The Weld-Grimké family album is a 12.5 x 16 cm bound cartes de visite photograph album with some tintypes and gem tintypes interspersed. The album has a brown leather cover with gilt clasps. The photographs all appear to date from the 1860s to the 1870s but there is no precise date for individual photographs listed. The album has a printed title page that reads "Photographs/Boston/Roberts Brothers." The album is 50 pages with each page containing a single slot for a photograph, though some pages have multiple photographs tucked into the same slot. The photographs are almost all studio portraiture. While some of the individuals in the album have been identified (including Theodore D. Weld) the vast majority are unidentified.

The Weld-Grimké Family Album is a 12.5 x 16 cm bound cartes de visite photograph album with some tintypes and gem tintypes interspersed. The album has a brown leather cover with gilt clasps. The photographs all appear to date from the 1860s to the 1870s but there is no precise date for individual photographs listed. The album has a printed title page that reads "Photographs/Boston/Roberts Brothers." The album is 50 pages with each page containing a single slot for a photograph, though some pages have multiple photographs tucked into the same slot. There are 52 photographs in the album, 46 of which are cartes de visite. There are also 6 tintypes, 2 of which are gem tintypes. The photographs are almost all studio portraiture of individuals ranging from infanthood to old age. One exception to this is a photograph of a satirical drawing of an unidentified individual playing some sort of instrument (loose photograph on page 49). Some of the individuals in the album have been tentatively identified with the majority unidentified. One photograph (on page 24) has been speculated to be a portrait of Charlotte Brown, an African-American servant of the Weld-Grimké family, but this has not been confirmed.

• Theodore Dwight Weld (page 1, page 20)
• William Hamilton (page 4)
• Sarah Weld Hamilton (page 5)
• Angelina G. Hamilton (page 6)
• William Hamilton Jr. (page 7)
• Llewellyn Haskell (page 9)
• Llewellyn Thomas Haskell (page 12)
• Louis Olcott Haskell (page 13)
• Elizabeth "Lizzie" Cram (page 21)
• William James Rolfe (page 22)
• Theodore Weld Parmele (page 27, page 34)
• Elizabeth Smith Miller (page 28)
• Ann Carroll Fitzhugh (page 29)
• George Walker Weld (page 30)
• Gerrit Smith Miller (page 35)
• Ruth C. Bodwell (page 36)
• Rena Louise Twiss (page 45)

• A photograph of a painting of the Empress Eugenie. (page 33)
• A portrait of Rebecca an escaped slave from New Orleans. (page 38)
• A photograph of a painting of Beatrice Cenci. (loose item on page 41)
• A portrait of actor Edwin Booth (page 40) brother of John Wilkes Booth.
• A photograph of a painting of "Little Samuel" based on the etching done by Samuel Cousins. (page 43)

In addition to this finding aid, the Clement Library has created a Photographer Index for the album, containing the names of all the photographers in the order that they appear in the album. This index also records any handwritten inscriptions that were found on the photographs.

This collection is made up of correspondence, documents, financial records, newspaper clippings, and other items related to Salem, New York, and its residents, primarily from the 1780s-1890s.

This collection is made up of correspondence, documents, financial records, newspaper clippings, and other items related to Salem, New York, and its residents, primarily from the 1780s-1890s. Many of the items were once bound together.

The Correspondence series is comprised of around 60 incoming and outgoing letters related to Salem, New York, and to the history of the state of New York. Early letters between residents of Salem and other locales concern a wide range of topics including education, political offices and appointments, and legal cases. After 1856, most items are incoming letters to James Gibson, a native of Salem who was state senator, judge, and president of the Washington Academy. Three letters written during the Civil War concern military commissions and officers. Many of Gibson's incoming letters, particularly later items, relate to his genealogical work; some correspondents offered or requested information about their ancestors.

The Documents series contains over 140 indentures, financial records, petitions, and other items, primarily related to residents of Salem, New York, in the 18th and 19th centuries. Many of the indentures concern land ownership in Washington, County, New York, and personal financial agreements. Other material relates to the Washington Academy, including a list of pupils. Legal orders largely concern private debts, and one document pertains to a local election. Some documents have newspaper clippings pasted onto them, and others were once bound together. One item is a diploma that the Washington Academy issued to James McEl. A group of land indentures is housed in a large bound volume.

The collection's Printed Items include articles, programs, and newspaper clippings. The majority of newspaper clippings concern the Washington Academy in Salem, New York. Other articles concern the "Bench and Bar of Washington County," the Bancroft Public Library, and the family of William Williams. Some clippings are pasted onto large sheets of paper, with manuscript annotations; a small number of complete newspapers are present. The series also has several copies of a program from the dedication ceremony of the Bancroft Public Library in July 1890.

The Photograph, Essay, Notes, and Fragments series is made up of items pertaining to Salem, New York. The carte-de-visite photograph depicts J. B. Steele. The various notes, essay, and fragments pertain to genealogy.

This carte-de-visite album primarily contains formal studio portraits of men, women, and children taken in various locations in northeast North America from the 1860s to 1880s. One photograph shows an artistic rendering of the text of the Lord's Prayer, and a colored cutout is pasted into the volume.

This carte-de-visite album (15cm x 13cm) primarily contains formal studio portraits of men, women, and children taken in various locations in northeast North America from around the mid-1860s to early 1880s. The pictures are comprised of 42 carte-de-visite and 2 tintype portraits, as well as an additional carte-de-visite photograph collage. Two of the items are dated November 3, 1865, and September 3, 1881; few of the people pictured are identified. One woman is shown holding an infant in her lap. One tintype shows a young man dressed in costume wearing a plumed hat. The additional carte-de-visite depicts a printed version of the Lord's Prayer that utilizes several ornate fonts; a picture of Jesus Christ appears amidst the text, which is surrounded by drawn scenes of angels. A cutout pasted into the volume is a colored drawing of a woman standing next to a grazing sheep, framed by three large flowers. The album's brown leather cover has geometric designs stamped in gold and metal clasps; a floral design is carved into the sides of the pages. "Photographs" is stamped in gold on the spine.

The New Hampshire carte-de-visite album contains photographic portraits of unidentified individuals and lithographic portraits of prominent Union Army officers, and President and Mrs. Abraham Lincoln.

The New Hampshire carte-de-visite album (15cm x 12cm) contains 20 studio portraits of unidentified individuals and 8 lithographs of famous individuals. The photographs show men, women, children, and infants -- one, Louize M. Rollins [sic], is identified. The lithographs are portraits of Union officers Elmer Ellsworth (2 items), William Rosecrans, Samuel Francis Du Pont, Ulysses S. Grant, and George Meade, and of Abraham and Mary Todd Lincoln. The volume's brown leather cover has a geometric design in relief, with additional floral designs stamped in gold, and two metal clasps.

This collection is made up of correspondence, financial records, photographs, and ephemera related to members of the Marsh and Capron families of Rahway, New Jersey, and Walden, New York.

This collection contains correspondence, financial records, photographs, and ephemera related to members of the Marsh and Capron families of Rahway, New Jersey, and Walden, New York.

The Correspondence series (161 items) begins with letters to Caroline Capron ("Carrie") from her future husband, Edward Marsh, and other correspondence. Marsh wrote to H. B. Sears, a mutual friend, while living in Germany in the mid-1860s. Edward Marsh provided news of family members, described his travels, and discussed his studies in chemistry. Members of the Capron family later discussed Carrie's intention to marry Marsh and the couple's proposed move to Germany. Later items include business and personal letters to Rolph Marsh, and correspondence regarding his donation of land to a Rahway church.

The Bills and Receipts series (18 items) pertains to Rolph Marsh's finances. Three carte-de-visite Photographs include 2 studio portraits of unidentified men and a view of unidentified buildings. The collection also contains Calling and Business Cards (13 items) and Printed Items (11 items) pertaining to Catherine Marsh's funeral, religious associations and churches, property assessments, and other subjects.

Marie "Alida" Taber, wife of whaling Captain George Taber, kept daily records of wind direction, speed, weather conditions, geographic location, and crew activities during two whaling voyages: the Brig Magdalene's 174-day voyage from Honolulu to Connecticut, January-July 1853, and the Barque William Wilson's 1,192-day voyage from Rhode Island to the island of Rodrigues in the Indian Ocean, May 1860-January 1861. The volume also contains personal journal entries kept by Marie Taber during her time in Acushnet, Massachusetts, while her husband served aboard the Barque William Wilson from October 1857 to 1859.

This logbook and journal contains 150 pages, 51 of which are blank and 99 of which contain writing by Marie "Alida" Taber, wife of whaling Captain George Taber. The opening flyleaf features a carte-de-visite photograph of Marie with the inscription "Alida Taber, Long Plain, Massachusetts, U.S.A." During conservation the carte-de-visite was temporarily removed, and the inscription "Elida Taber" was visible on the verso of the card. While most of the printed photographer's advertisement on the card was obscured, its location in New Bedford, Massachusetts, was present. The volume consists of three sections: two whaling expedition logs and a personal journal.

The first section is a daily record of the Brig Magdalene's return voyage from Honolulu to Connecticut carrying whale oil and bone from January 12 to July 4, 1853. During this voyage, the Magdalene went south from Honolulu, through the Pacific Cook Islands, around the southern tip and east coast of South America before making final port in New London, Connecticut, on Independence Day, 1853. Mentioned ports of resupply include Pernambuco, Brazil. All entries begin with "remarks on board" followed by the date, weather conditions, the ships geographic location, steering adjustments, and any crew or ship activities of note. She described riggings, repairs, spotting of other ships or land, and acquisition or removal of cargo and supplies. Most of her entries are structured into 'first' (12pm to 8pm), 'middle' (8pm to 4am) and 'latter' (4am to 12pm) parts of the day. Some entries include remarks on porpoises caught and harvested for oil, supplies thrown overboard, and processing of whalebone.

Her logbook entries largely conform to the following format:

Upper left margin: Number of days out

"Remarks on board" [Day of Week, Month, Date, Year]

[Part of the day]: wind strength and direction, weather conditions, sail and/or steering adjustments and sightings/activities of note

Bottom right corner: Latitude and Longitude coordinates

While most of the navigational and weather condition data recorded stayed largely consistent, she specifically mentioned ocean currents on April 13 and 14, 1853 (95 and 96 days out).

Since this voyage was a return trip from a whaling expedition, Taber did not mention whale pursuits or captures; the ship was already full of oil and bone. Although, during the latter entries the crew brought whalebone and oil to the deck to clean, bundle, and prepare the products for market. On May 17, 1853 (117 days out), for example, she wrote that they "Took on deck 22 bundles of bone, some in a damaged state."

The crew captured and processed porpoises on this leg of the voyage to provide lamp oil. Mentions of these porpoise captures can be found in the following entries.

• "Caught 4 porpoises" April 9, 1853 (89 days out)
• Boiling porpoise blubber. April 16 and 17, 1853 (95 and 96 days out)

As the Magdalene sailed closer to the eastern coast of South America and the United States, ship sightings became more frequent. These entries include:

• Bark sighting. January 25, 1853 (14 days out)
• "At 10am saw a merchant Bark steering to S.West" April 19, 1853 (99 days out)
• Unidentified ship, April 21-22 , 1853 (101-102 days out)
• "Saw a manawar steam brig" Saturday, April 30, 1853 (110 days out)

Other entries of interest include:

• Taking supplies on board, wood, pumpkins, coconuts, bananas, turkeys, ducks, fowls, and pigs, February 10 -12, 1853 (31-33 days out)
• "Note: during the night one half Barrel of Beef was thrown overboard by some of the crew," March 14, 1853 (63 days out)
• Leaking oil, March 25, 1853 (74 days out)
• "Found six bags of bread wet and rotten," April 1, 1853 (81 days out)
• "Rats almost got possession of the Brig," April 20, 1853 (100 days out)
• "Saw a comet, westward," May 7, 1853 (111 days out)
• Waiting for Portuguese holy days to pass, as business is prohibited during this period. Saturday, May 14-18, 1853 (124-128 days out)
• "Mr. Bolton ashore without permission from master," May 16, 1853 (126 days out)
• "Mr. Bolton still onshore," May 17, 1853 (127 days out)

The second section of the logbook contains Marie Taber's journal entries from January 1 to August 15, 1859. While Captain Taber was away on the Barque William Wilson, which left Warren, Rhode Island, in October 1857, Marie described her daily activities in Acushnet, Massachusetts, as well as detailed listings of her social activities. The largest portions of these entries list the names of whom she spoke with in person and through letters that day. The most common activities mentioned in these entries include sewing, cooking, baking, shopping, writing letters, and reading. Frequently she spent her days mending, cutting, quilting, and sewing garments for herself, family, and friends. Holding true to her logkeeping skills, she commented daily on the weather and wind, often noting specific wind direction and general conditions throughout the day. Marie noted births, deaths, weddings, and activities such as the circus, church events, and holidays. Marie often wrote of feeling weak or ill and complained of headaches, backaches, and stomach pains. In the latter portions of the journal, Marie's entries took on a more personal tone as she described her loneliness and sadness about town gossip about her--even among her husband's family. In these entries, she expressed her reliance on Christian faith to help her cope with illness and the emotional toll of being far away from home and from her own friends and family. The journal section provides insight into the events and residents of the community of Acushnet, Massachusetts, and the broader community of Bristol County.

The third section of the volume contains a daily record of the whaling voyage of Barque William Wilson, traveling off Rodrigues Island, from May 27, 1860, to January 5, 1861. Marie began the log about 2 years and 6 months into the whaling voyage (the complete voyage spanned October 1857 to January 1861). The log is of a similar format as that of the Brig Magdalene, but fewer entries contain specific latitude and longitude coordinates and it lacks a running count of the days passed since the voyage began. As in Mrs. Taber's earlier log, entries include weather conditions, wind direction, sail and steering adjustments, ships spotted, and specific activities. Days on which whale captures were attempted and successful are marked with black ink whale body stamps, the number of stamps equaling the number of whales killed. Instances where whales evaded capture are indicated with black ink tail stamps. Processing of the whales into product is described with phrases "employed boiling", "employed cutting", and "commenced cutting." These entries frequently made note of the vessel's specific distance from land or other ships and listed many of the ships spotted and communicated with by name.

Vessels mentioned include:

• Bark America (August 16, 1860)
• Bark John A. Robb (September 17, 1860)
• Barque Millwood (July 7, 1860 [incorrectly written in log as June]; August 2, 1860; August 22, 1860)
• Bark Ocean Pierson (August 23, 1860)
• Bark Pamelia (September 4, 1860; September 22, 1860)
• Bark Tyne (August 3, 1860)
• Bark San Francisco (August 17, 1860; August 22, 1860; August 30, 1860; September 24, 1860)
• Ship Alimire (August 23, 1860)
• Ship Elmiro (August 30, 1860)
• Ship Mercury (September 1, 1860; September 19, 1860)

At the beginning of this log, Marie wrote with a slightly more personal tone, including information about her general feelings of wellbeing, or feeling unwell (entries dated May 27 and 28, 1860). Generally, the entries in the first portion of this log (July-early October, 1860) emphasize the frantic chase and hunting of whales. Many entries refer to sightings of whales by species and note that when nothing was seen, they were actively "looking for whales." The latter half of the log (mid October 1860 to early January 1861) focuses on the goal of returning with the whale products. Most of these entries emphasize wind and sail orientation, navigation, and reading important geographic landmarks. On the return voyage ship maintenance was a priority and the crew painted and repaired parts of the ship.

Stamps indicating whale captures and escapes can be found in the following entries:

• June 6,1860
• July 9, 1860
• August 2, 1860
• August 15, 1860
• August 19,1860
• September 26, 1860
• 1 sperm whale killed, September 28, 1860
• 4 sperm whales killed, 1 escaped October 4, 1860
• 3 sperm whales killed, October 5, 1860

This volume also contains the following:

• 2 blank logbook pages with running header "Bark Sea Bird towards Cape of Good Hope"
• Inscription on inside back pastedown, handwritten in pencil, "Sadie Taber lived on Long Plain Rd Sunds Corner outside of New Bedford Mass"
• A list of New Bedford ships (pencil handwriting, differing from Marie Taber's script) on page 144. The names include:
  • Bark Millwood
  • Ocean River
  • Almira
  • San Francisco
  • Thomas Pope
  • St. Peter
  • Mercury
  • John A. Roff
  • Bark America
  • Tarmelia
  • Congress
  • Bartholomene
• Laid into the volume, between pages 92 and 93 is a handwritten slip of paper reading, [in ink]"See if you can find any vessel bound to the Cape of Good Hope or the island of Mauritius if any the price of passage and time of sailing" [in pencil] "first of week $150 or 125; 1 Brig 1st next week $150 Edmund Boynton, 1 vessel about a month $150 Isaac Taylor 16 Kirby Sr."
• A clipping of a poem "For the New York Mercury My Nelly's Eyes: Inscribed to Miss Ellen M.M, by: John F. Gilwee (September 7, 1858)," laid in between pages 132 and 133
• At various points in the blank section of the volume, pages have been ripped out.

In addition to this finding aid, the Clements Library has created a partial name index for the journal portion of the Taber journal: Partial Name Index .

The King's Own Borderers photograph album is a 54 page, 23.4 x 15.5 cm embossed leather bound album containing portrait photographs of individuals and groups associated with the Stoney family and the British army's 25th Regiment of Foot known as The King's Own Borderers. The images are cartes de visite, with some larger albumen prints and tintypes interspersed. The album contains a wide variety of other visual materials including photographic prints of artwork, pen and ink drawings, calligraphy, newspaper clippings, printed cartoons, and greeting cards. The cover of the album is inscribed "G. Ormond Stoney/King's Own Borderers/5th July 1864." The album appears to have evolved over time in several different stages.

The King's Own Borderers photograph album is a 54 page, 23.4 x 15.5 cm embossed leather bound album containing portrait photographs of individuals and groups associated with the Stoney family and the British Army's 25th Regiment of Foot known as The King's Own Borderers. The images are largely cartes de visite, with albumen prints and tintypes interspersed. The cover of the album is inscribed "G. Ormond Stoney/King's Own Borderers/5th July 1864." The album contains a wide variety of other visual materials including photographic prints of artwork, pen and ink drawings, calligraphy, newspaper clippings, printed cartoons, and greeting cards. The album appears to have had at least three different stages of construction. The first as a traditional 1860s carte de visite photograph album kept by its namesake G. Ormond Stoney (hereafter referred to as Ormond) comprised of photographs of family members interspersed with related newspaper clippings.

The album appears to have been revised with significant additions in the 1870s-1880s, including more photographs of family members as well as commercial photographic prints. The majority of those represented were army officers, with Anglican priests and politicians; many being contemporaries and associates of Ormond's father, George Butler Stoney (1819-1899). Clipped autographs of many are included beneath the photos and appear to be from correspondence to George Butler Stoney.

Various clues to point to Ormond Stoney's sister Jane (Janie) Stoney Smith as a contributor to the album. Not only is she frequently represented in the album, but the album has several pictures of her husband Arthur Smith and his family--many more so than any other family that married into the Stoney family. Arthur and Janie married on September 19, 1867--the same date on the autograph posted under Arthur's picture. Arthur died in 1870 leaving Janie a pregnant widow with a young son, Herbert (see p.24 for his portrait), and an even younger daughter, Ethel Maud. Newspaper clippings around the portrait of Arthur on p.13 mention his death as well as the birth of Herbert and Ethel, though not of Florence, the youngest daughter. Although Jane's two daughters are not represented in the album, on page 44 it appears that at one point a photograph of both of her daughters was extant.

While Jane's younger sister Wilhelmina married Colin McKenzie Smith, another son of William Smith, she did not do so until 1889. The focus on Janie's husband Arthur and their children, suggests Jane rather than Wilhelmina as a significant contributor to the album.

George Ormond's wife Meylia has not been identified in the album and may not be present, however, her father, Sinclair Laing is represented. Laing appears to have been a correspondent with George Butler Stoney.

At some later date, likely in the late 19th century, decorative gold painted borders were added, along with chromolithograph stickers, known as "scraps." These include a series illustrating Robinson Crusoe. Unlike the earlier additions which point to Janie Smith, these later additions might have been the work of a child playing with what would have been a 30 year old album. The gold paint overlapping earlier items (see p. 28 for example) suggests a later date, as do the "scraps" made popular after 1880. The seemingly random nature of the placement of the "scraps" is quite the opposite of the carefully placed and planned addition probably done by Janie Smith.

Of the children represented in the album, three of them would be killed in World War One: Thomas Ramsay Stoney (1882-1918), George Butler Stoney (1877-1915), and Herbert Stoney Smith (1868-1915).

• Two group portraits of young men in military uniform, presumably with George Ormond present in both photographs (p.2, and back inside cover).
• A portrait of a dog that if viewed from another angle appears to be an individual with a disfigured face (p.7).
• A commercial carte de visite of a Zulu warrior identified as King Cetewayo (likely incorrect, the chief of the Matabele) (p.41).
• A portrait of Napoleon, Prince Imperial, in his military uniform ca. 1879 before he died in the service of the British Army during the Anglo-Zulu War (p.40).
• A print of Rosturk Castle in County Mayo, Ireland (p.47).
• A retouched portrait of a dog posed with a military hat, cane and pipe. (p.23).
• An 1873 program for an "evening reading" of two different farces, "Little Toddlekins," and "The Dead Shot," done to raise money for Mrs. Palmer, the retiring battalion nurse (p.53). On the outside of the program is a print of Portland House, a manor owned by members of the Stoney family.

The Kate Pierce papers consist of letters sent to Pierce by several writers, including her brother, Franklin, a soldier in the 15th New York Engineers; Edward Brady, of the 13th U.S. Infantry; and several female friends. Also included are several school exercises.

The Kate Pierce papers consist of 36 letters written to Kate, 4 school exercises, and 3 photographs, spanning 1859-1873. Kate Pierce's brother, Franklin, wrote 14 letters in the collection, describing his experiences with the 15th New York Engineers in 1864-1865. In several of these, he described his duties: on October 12, 1864, he wrote, "…our folks tore down brick houses belonging to the rebels in side of the works that we are building. You can see the avenues leading up to the cellars still remaining[.] Shrubs and bushes graveled walks all denoting that wealthy planters owned them…". He also noted his gratitude for the U.S. Christian Commission (December 24, 1864), and described a prolonged stay in the hospital, which was "warm" and a "good place to sleep" (January 12, 1865). In many letters, he requested family news and expressed pride in having a number of female penpals.

The collection also includes eight letters to Kate from Edward Brady, a musician in Company F, 13th U.S. Infantry, stationed at Fort Bridger, Wyoming. Shortly after Brady placed an advertisement requesting a penpal in a newspaper, they began corresponding. In his first letter to her (March 5, 1871), he thanked her for her "kindness in noticing my poor Advertisement (and especially from a soldier).” In his letters, Brady discussed the difficulty of educating oneself while in the army (March 5, 1871: "if one's Comrades see one improving his time by study…they would never leave off plaguing him and playing him tricks until he should quit in disgust…"). He also discussed his motivations for joining the military (March 25, 1871), described the country surrounding Fort Bridger (April 15, 1871), and recounted desertions (May 29, 1871). In his letter of July 29, 1871, Brady included two carte-de-visite photographs of himself and described a confrontation with "an Organization formed, among the Mormons for the avowed purpose of fighting against the United States in case the Law against some of there [sic] so called privileges was enforced." Correspondence from Brady ended abruptly after he asked Kate if he could write to her "as though to a sister" (December 15, 1871).

Also present in the collection are four brief compositions written by Kate Pierce: "Order of Exercise," "Imagination," "Sleigh Ride," and an untitled piece beginning "There are 'dark hours' in everyones [sic] lifetime mingled with pain and despair." All appear to date from the 1860s.

This collection consists primarily of incoming personal and professional correspondence received by John Barbour, an Episcopal minister and professor at Berkeley Divinity School, concerning religious life in Connecticut in the late 1800s.

This collection consists primarily of approximately 1,150 incoming personal and professional letters received by John Barbour, an Episcopal minister and professor at Berkeley Divinity School, concerning religious life in Connecticut in the late 1800s. The papers also include 5 photographs, 4 printed portraits, and a small group of additional printed items.

The Correspondence series spans most of Barbour's career. The bulk is comprised primarily of letters John Barbour received between 1883 and 1899, reflecting the everyday lives of clergy in Connecticut and New England, as well as Barbour's work with the Episcopal Church and at Berkeley Divinity School. Many of the letters contain professional inquiries and reports of the writers' daily lives and work with local churches. Several relate to Barbour's role as the librarian of the Berkeley Divinity School, including factual questions and inquiries about specific volumes. Other letters request his services as a minister, including several from the Connecticut Hospital for the Insane in Middletown, Connecticut, and from other clergy requesting substitutes. Additionally, many of the letters concern religious education and mention prominent bishops and others in the Episcopal Church.

Two early items relate to John Barbour's father, Henry S. Barbour, and to administrative affairs of the town of Torrington, Connecticut, in 1852 and 1857. The series also includes a timetable for trains between Hartford, Connecticut, and New York City, and a manuscript complaint from attorney John R. Wittig to the Rt. Rev. Bishop Williams, issued against John Barbour, claiming that Barbour colluded with Wittig's wife in a conspiracy to "get rid" of him and seize his property (March 17, 1885).

The Photographs and portraits series holds 5 carte-de-visite photographs of members of the Barbour family, including Henry S., Sylvester, Herman H., Julia, and Joseph L. Barbour, as well as 4 printed portraits of Episcopal clergy.

The Printed items series contains biographical sketches of bishops, Episcopal clergy, and other figures, removed from published books and newspapers. Among those represented are Bishop John Williams and librarian Melvil Dewey. The series also includes approximately 20 invitations, programs, circular letters, and advertisements. One advertising card for the Fannie C. Paddock Memorial Hospital of Tacoma, Washington Territory, bears an engraved image of the facility.