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The Litchfield-Stryker family photograph album contains pictures of Edwin C. Litchfield's "Grace Hill" residence in Brooklyn, New York; pictures of buildings and scenes in New York State, Florida, the Caribbean, and Bermuda; portraits and views of the property of members of the Litchfield, Stryker, and Hubbard families; and pictures taken camping and hunting. This album belonged to Thomas H. Stryker of Rome, New York, a nephew of Edwin C. Litchfield.

The Litchfield-Stryker family photograph album (34cm x 27cm) contains 52 carefully composed photographs, including 1 cyanotype and 51 albumen prints. The album belonged to Thomas H. Stryker of Rome, New York. Stryker was a nephew of Edwin C. Litchfield whose home, designed by Alexander Jackson Davis, is featured in the album. Primarily dated 1878, the album also includes photographs dated 1879; April 11, 1884; and February 1886.

The first page displays portraits posed outdoors at "Grace Hill" of Edward H. and Grace D. Litchfield; Thomas H. Stryker with two women; and an unidentified woman alone. Grace Litchfield appears wearing a fez and holding a small stringed musical instrument, possibly a machete; Edward Litchfield is shown twice, once posed in a military uniform, once seated in civilian dress. The album features "Grace Hill" and other homes with six exterior views of the large, Gothic Revival residence in Prospect Park, Brooklyn, New York (4 items), a view across "Grace Court" from a second home owned by Litchfield in Brooklyn Heights (1 item), and a stable that Litchfield owned in Brooklyn (1 item). A group of 13 pictures relate to hunting trips by Tom Stryker and Ned Litchfield showing scenic forests, lakes, and pictures of their lean-to, possibly in the Adirondack region. One image shows the two men posed and equipped for winter hunting with snow shoes. Two of three pictures labeled "Virginia" appear to show a drilling or mining operation.

The album contains 15 pictures of scenery, people, and buildings in Saint Croix, Bermuda, and in Florida, including "Hubbard's orange grove, Crescent City." Also shown are photographs of John Stryker's residence in Rome, New York (2 items), "Cooper House" in Cooperstown, New York (1 item), "Hubbard Hall" in Utica, New York, (one exterior view and one interior view showing a grandfather clock), and unidentified scenes and buildings (2 items). "Dash No. 1," a pet dog, is posed in two photographs with hunting gear including pistols, rifles, and snowshoes. An image of a brass plate honoring Reverend Bella Hubbard (1739-1812), first rector of Trinity Church in New Haven, Connecticut, is pasted onto the volume's final page.

Of particular note are the exterior views of the impressive "Grace Hill" property, the early camping and hunting photographs, the view of the "Cooper House" hotel and grounds with well-dressed figures in the foreground; street scenes in Santa Cruz; a fine print of the waterfront in Bermuda; and the pictures of Florida orange production. The Virginia drilling/mining photos may be of importance if identified.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.

The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping:

• Airships (11)
• Bridges (69)
• Civil War I--stereographs (91)
• Civil War II--cartes de visite, Kodachrome slides, negative film strip copies of stereographs held at the Library of Congress, postcards (48)
• Disasters (49)
• Expositions (24)
• Industry & Labor (89)
• Miscellaneous (23)
• Portraits (109)
• Railroads (62)
• Ships (80)
• War (30)

• Alaska (47)
• Arizona (3)
• California (20)
• Colorado (2)
• Dakota (4)
• District of Columbia (50)
• Florida (2)
• Hawaii (1)
• Illinois (17)
• Iowa (2)
• Maine (8)
• Maryland (27)
• Massachusetts (20)
• Michigan (31)
• Missouri (3)
• New Hampshire (10)
• New York (116)
• Ohio (2)
• Oregon (2)
• Pennsylvania (16)
• Tennessee (1)
• Texas (1)
• Vermont (3)
• Utah (3)
• Virginia (6)
• Washington (1)
• West Virginia (1)
• Wisconsin (2)
• Wyoming (2)
• Unidentified locations (35)

• Austria (5)
• Belgium (6)
• Brazil (1)
• Canada (3)
• Cuba (5)
• Czechoslovakia (1)
• Egypt (5)
• England (21)
• France (43)
• Germany (14)
• Greece (1)
• India (2)
• Ireland (4)
• Italy (22)
• Japan (3)
• Mexico (1)
• Miscellaneous (31)
• Monaco (4)
• Netherlands (1)
• Norway (3)
• Palestine (5)
• Panama (41)
• Puerto Rico (3)
• Scotland (10)
• Spain (2)
• Sweden (2)
• Switzerland (9)
• Turkey (1)

• Keystone Alaska and Panama views, set box (1)
• Stereoscope (1)

• Post-WWI Keystone views of German and American zeppelins and one real photo postcard showing pre-WWI aircraft (Series I, Box 1, Airships)
• Numerous views of the Brooklyn Bridge under construction and after completion, and the Niagara Falls suspension bridge (Series I, Box 1, Bridges)
• Views of Civil War battle sites, encampments, and leaders on contemporary mounts as well as numerous reproductions of stereographs showing important battlefield sites and troops (Series I, Boxes 1-2, Civil War)
• Stereographs, real photo postcards, and other images documenting the aftermath of the 1906 San Francisco Earthquake, 1871 Chicago Fire, 1889 Johnstown Flood, 1900 Galveston Hurricane, and other calamities (Series I, Box 3, Disasters)
• Images showing scenes from various American and European events, with an emphasis on the 1876 Centennial Exhibition in Philadelphia (Series I, Box 3, Expositions)
• Images showing mills, factories and people engaged in various occupations, including a boxed set of 50 images related Sears, Roebuck operations produced around 1906 (Series I, Box 3, Industry & Labor)
• Hand-colored early groupings of French theatrical tableaux (Series I, Box 3, Miscellaneous)
• Approximately 109 portrait photographs in different formats of various individuals, including William Jennings Bryan; a boxed set of 50 cartes de visite depicting Danish actors and actresses; cartes de visite of Emperor Napoleon III and the Mikado of Japan; and numerous unidentified subjects represented in real photo postcards (1), tintypes (17), framed/cased ambrotypes, and daguerreotypes (13) (Series I, Box 4, Portraits)
• Approximately 62 images of railroads, mostly in the U.S., including photographs from an 1866 expedition to the 100th meridian on the Union Pacific Railroad while under construction (Series I, Box 5, Railroads)
• Approximately 80 images of ships including warships, freighters, riverboats, passenger ships, shipwrecks (including of the USS Maine), and shipyards mostly in the U.S. with the notable exception of a photo of the 1858 launch of the SS Great Eastern, with Isambard Kingdom Brunel possibly in the crowd. Also of interest are 8 photos and postcards showing ships in World War I-era "dazzle" camouflage (Series I, Box 5, Ships)
• A Keystone View Co. series of images related to World War I (Series I, Box 5, Wars)
• A number of images produced by Keystone View Co. and other stereograph purveyors that focus on major cities such as Boston, New York, Paris, Constantinople, and Jerusalem (throughout Series II & Series III)
• Views from geological expeditions to the American frontier in the 1860s and 1870s (Series II, Unidentified Locations)

The Souvenir of Orlando, Florida photograph album contains 42 photographs of the southeastern United States from ca. 1940 to 1950.

The Souvenir of Orlando, Florida photograph album contains 42 photographs of the southeastern United States from ca. 1940 to 1950. Photographs show steamboat tours of New Orleans (Louisiana), a replica tourist attraction of Native American trading posts, a harbor, construction, laborers harvesting crops, and a parade.

The album is 16.5 x 12.75 cm with brown artificial leather covers. "Snapshots / Souvenir of Orlando, Fla." is stamped on the front cover in silver.