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This collection contains letters that Elizabeth Stanley received from her future husband, Andrew Nichols, and from other friends and family members in Massachusetts, as well as letters that Stanley wrote to Nichols during their courtship.

This collection contains 38 letters related to Elizabeth P. Stanley ("Lizzie") of Salem, Massachusetts. Throughout the 1850s, especially after 1856, Stanley received personal letters from family and friends. In one group of early letters (February 1852-[April 1853]), Stanley's aunt, Elizabeth Hunt, discussed her life in Whampoa, China (now part of Guangzhou), including the birth and death of a young son. Other friends discussed their social lives, Christianity, and education. Stanley's future husband, Andrew Nichols, wrote 16 letters about their relationship, religion, and his farm in Danvers, Massachusetts. The collection includes drafts of at least 3 of Nichols's letters; he signed many items with pseudonyms such as "Warden Cholins." Lizzie Stanley's 8 letters to Nichols pertain to her social life, religion, and news of Salem. The final item is a list of actions such as "tell a joke" and "give a conundrum."

The Henry M. Wheeler photoprint collection consists of approximately 719 images of colonial architecture and historical locations in Massachusetts from ca. 1889 to 1915.

The Henry M. Wheeler photoprint collection consists of approximately 719 images of colonial architecture and historical locations in Massachusetts from ca. 1889 to 1915. The collection is mainly composed of 10 x 15 cm silver platinum, platinotype, and gelatin silver prints as well as 15 x 20.5 cm cyanotypes. A couple of manuscript notes are also present. Much of the focus is on eastern Massachusetts, centering on Wheeler’s hometown of Worcester. Photographs show residential architecture from the 17th century, unidentified colonial homes, and contemporary architecture from Wheeler's day and age. Many of the historical structures documented here were in danger of vanishing during Wheeler's lifetime, and many have long since been destroyed. Other photographs show natural landscapes, noteworthy trees, country roads, parks, public and educational buildings, farms, monuments, bridges, milestones, and gravestones as well as images of famous paintings, engravings, and lithographs. Also included are a small number of images related to Washington, D.C., Maine, and New Hampshire. Wheeler likely took the vast majority of these photographs, though there are several instances where he credited the original sources of certain images. The collection materials were removed from the original album volumes they were stored in and have been rehoused in three 3-ring binder albums and three flat boxes. Most photographs also have original reference numbers that were used by Wheeler to organize the collection.

In addition to this finding aid, the Clements Library has created the Henry M. Wheeler Photoprint Collection Inventory. This inventory lists items according to volume/box location and includes references to specific page/mat numbers, image descriptions (most of which are derived from captions originally inscribed by Wheeler on photograph versos), and photographic formats.

This volume is an extensively hand-annotated copy of the Poetical Works of Alexander Pope that belonged to Isaac Bullock of Danvers, Massachusetts. Bullock was a mariner, bibliophile, and amateur classicist.

This volume is an extensively hand-annotated copy of the Poetical Works of Alexander Pope that belonged to Isaac Bullock of Danvers, Massachusetts. Bullock was a mariner, bibliophile, and amateur classicist.

He revealed his knowledge of Homer, Plato, Josephus, Cicero, Virgil, Edward Gibbon, Lord Byron, and William Cullen Bryant in his annotations. Numerous tipped-in handwritten slips provide commentary by Bullock, and other scholars and historians.

The introduction to the volume (Dr. Johnson's "Life of Alexander Pope") as well as Pope's poems "Essay on Man" and "The Dunciad," are heavily annotated. Bullock inserted his own original pen and ink drawings in the margins, including ancient rings and pins, daggers, hatchets and battleaxes, Neptune rising from the sea, and "Ruins of the Temple of the 'Athenian Dame'-Minerva Polis-as they remain today." He also inserted printed illustrations from other sources.

On the flyleaf, Bullock tipped in a three-page writing called "Reminiscence of my Youth," in which he wrote about his literary education and the influences of Socrates, Gibbon, Pope, Shakespeare, Defoe, Lord Byron, and Jeremy Belknap.

This volume is an extensively hand-annotated copy of the Poetical Works of Alexander Pope that belonged to Isaac Bullock of Danvers, Massachusetts. Bullock was a mariner, bibliophile, and amateur classicist.

This volume is an extensively hand-annotated copy of the Poetical Works of Alexander Pope that belonged to Isaac Bullock of Danvers, Massachusetts. Bullock was a mariner, bibliophile, and amateur classicist.

He revealed his knowledge of Homer, Plato, Josephus, Cicero, Virgil, Edward Gibbon, Lord Byron, and William Cullen Bryant in his annotations. Numerous tipped-in handwritten slips provide commentary by Bullock, and other scholars and historians.

The introduction to the volume (Dr. Johnson's "Life of Alexander Pope") as well as Pope's poems "Essay on Man" and "The Dunciad," are heavily annotated. Bullock inserted his own original pen and ink drawings in the margins, including ancient rings and pins, daggers, hatchets and battleaxes, Neptune rising from the sea, and "Ruins of the Temple of the 'Athenian Dame'-Minerva Polis-as they remain today." He also inserted printed illustrations from other sources.

On the flyleaf, Bullock tipped in a three-page writing called "Reminiscence of my Youth," in which he wrote about his literary education and the influences of Socrates, Gibbon, Pope, Shakespeare, Defoe, Lord Byron, and Jeremy Belknap.

The Isaac Story papers contain military documents and letters relating to Captain Isaac Story, who served as commander of a volunteer company of infantry attached to the battalion of artillery, 1st brigade, 2nd division of the Massachusetts Militia.

The Isaac Story papers contain the military documents and correspondence of Story, a captain in the Massachusetts Militia during the War of 1812. The collection contains 64 items, spanning ca. 1811-1818. The two earliest documents, which may date from 1811, are a receipt for food and wine marked "Company Dr," and a sheet marked "Orderly Sergt Account" that lists the names of men and the money they owe for "nonappearance."

The collection then skips to 1814, which it documents thoroughly; approximately half of the papers were created in this year. The most common documents are orders, which appear at the general, brigade, battalion, division, and company level. Orders are fairly basic, and mainly provide instructions on where to appear and when, whether to wear a uniform and bring a knapsack, and other simple instructions. At times, the orders express an awareness of the challenges presented by an undisciplined and untested militia force. A division order, dated July 9, 1814, notes that "as the Guards must be composed of men who have not had much opportunity of seeing actual service, it may happen from inexperience that some unsoldierlike conduct may take place but is guarded against as much as possible." A brigade order, signed by Ebenezer Bancroft asserts that "a well organized & disciplined Militia" precludes the need for "a large standing army in time of peace" (September 17, 1816).

Additional documents record the purchase and use of supplies, such as a receipt for canteens (June 1814) and a bill for plumes used in soldiers' hats (October 5, 1816). Several items shed light on the soldiers commanded by Story, including requests for discharges, excuses for absences, and a certification of training. Also present is a set of articles signed by 34 soldiers under Story, which lay out details of uniforms, arms, training, discipline, and expenses.