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Central academic administrative unit of the University of Michigan which functions as chief executive assistant to the president, responsible for appointments and promotions with oversight for schools, colleges, educational units and programs; including budget planning, legislative relations, institutional research, and affirmative action policies. The Staff Files subgroup contains the files of individual of vice-presidents, associate and assistant vice-presidents, and other staff members within the vice-president's office.

The Staff Files subgroup of the record group Provost and Executive Vice President for Academic Affairs consists of 570 linear feet and spans the years from 1947 to 2013. The Staff Files subgroup is comprised of the records of the associate and assistant vice presidents for academic affairs. Whereas the records of the Central Files subgroup often contain finished products, such as reports and policy statements, the Staff Files subgroup tends to document the process of policy formation and other decision-making functions. Scattered through the associate and assistant vice presidents' papers, for example, are frank statements of opinion regarding various schools and programs, candidates for promotion, and the relationship between the branches of the university, as well as notes on meetings with faculty members, committee activities, and other subjects.

The Staff Files subgroup includes the records of the following past and current associate and assistant vice presidents, listed in the order in which their records first appear in the boxlist: Ernest R. Zimmermann, Carolyne K. Davis, Edward A. Dougherty, Richard A. English, Robert L. Williams, John H. Romani, Mary Ann Swain, Robert S. Holbrook, W. Allen Spivey, Robert B. Holmes, Niara Sudarkasa, Robin Jacoby, Robert Sauve, E. Kay Dawson, Susan Lipschutz, Paul Courant, Marilyn Knepp, Pamela A. Raymond, Katharine Soper, Karen Gibbons, John Godfrey, Nancy Cantor, A. Lawrence Fincher, Ralph P. Nichols, Valerie Castle, Glenda Haskell, Linda Gillum, Janet Weiss, Ben van der Plijm, Sharon Schmidt, Kathleen (Kati) Bauer, James Hilton, Stephanie Riegle, Catherine Shaw, Philip Hanlon, Teresa Sullivan, Anne Berens, Brian Konz, John King, Lester Monts, Martha E. Pollack, Lori Haskins, and Ron Fitzgerald. The records of an individual, while still in office, are received by the archives on an ongoing basis.

Central academic administrative unit of the University of Michigan which functions as chief executive assistant to the president, responsible for appointments and promotions with oversight for schools, colleges, educational units and programs; including budget planning, legislative relations, institutional research, and affirmative action policies. Supplemental Files subgroup includes material on a number of subjects that was filed separately from the vice presidents' or staff's papers when the record group was received.

The Supplemental Files subgroup of the record group Provost and Executive Vice President for Academic Affairs consists of 155 linear feet (in 159 boxes) and spans the years from 1953 to 2013. This subgroup consists of material that was not interfiled with the vice presidents' or staff's papers when the record group was received. The records generally were not created or maintained by any one staff member in the Office of Academic Affairs, but rather are the result of the examination of a particular issue or topic over a period of time by a variety of people.

There are 14 series of varying sizes which comprise this subgroup. For an alphabetical list of the series in this subgroup, please consult the Summary Contents List in the Arrangement section of the finding aid.

Professor at University of Michigan School of Music, papers largely related to the Music School's Honors Program and Crawford's teaching career.

The Crawford papers in the main date from 1949 to 2001. Historical material collected by Crawford dates from 1893 to 1915. The Crawford papers measure 3.75 linear feet. They consist almost exclusively of records from the School of Music's Honors Program, which Crawford administered in the 1960s, and Crawford's teaching material. The collection has been divided into four series, School of Music Records, Teaching Material, Other Professional Material, and Collected Historical Music Material.

Music, theatre, and dance education unit of the University of Michigan. Also represented in this collection are its predecessor organizations, the Ann Arbor School of Music and the University School of Music, and its departments. Includes records of students and instructors, correspondence, topical files, and materials related to student and faculty performance groups. Archived versions of the School's websites provide additional documentation of academic programs, research, events, people, and policies.

The School of Music, Theatre, & Dance (University of Michigan) records document music education in Ann Arbor and the University of Michigan and student and faculty musical production beginning in 1885. The records include student ledgers listing names, tuition, and instructors; correspondence and clippings, 1924-1953, concerning the University Band, including correspondence of William D. Revelli; files relating to musical programs, particularly the Michigan Singers' Spring Tour, the Union Opera, and Musket productions; minutes of the executive committee and faculty; and digitized audio and video recordings of performances, including performances at the Interlochen Center for the Arts, by the Michigan Youth Ensembles, and other groups associated with the School of Music, Theatre & Dance. Also included are files associated the Department of Dance and Department of Theatre and Drama.

1. Topical Files -- Boxes 1-5, 25-30, 35-41, online
2. Student Ledgers -- Volumes 1-7
3. Dean's Files -- Boxes 6-8, 30-31
4. Faculty Records -- Boxes 9-24
5. Donor Files -- Box 31
6. Executive Committee -- Boxes 32, 34
7. Department of Dance -- Boxes 44-46, online
8. Department of Theatre and Dance -- Box 33
9. Archived Website -- online
10. Audio recordings (original audiotapes and digital recordings) -- Boxes 42-43, online
11. Video recordings -- online

Professor at the University of Michigan (1965-1988). Director of Choirs, and respected conductor of choral music, well-known for his extensive repertoire and new interpretations of 20th century choral music. The collection includes photographs, video, press clippings, writings, correspondence, and programs documenting Hilbish's work as an instructor and conductor from 1948 to 2004.

The Thomas Hilbish papers document his educational background and his career as a conductor and choral instructor. The papers include performance material (scores, programs, publicity, photographs and videotapes) and teaching material. All phases of his career are included, from Princeton through to the University of Michigan as well as various visiting professorships. The papers are organized into five series: Biographical, Conducting Work, Programs, Teaching, and Audio-Visual Material.

Private society affiliated with the University of Michigan, sponsors music, opera, theatrical and other performances. Contains brochures or pamphlets, flyers and other publicity publications. The two volume history One Hundred Years of Great Performances, 1879-1979 is included in addition to the newsletter UMS Notes. Also contains programs of various performances sponsored by the University Musical Society.

The UMS Publications, 1874-2010 (13 linear feet) were received from the University Musical Society staff in periodic transfers. Additional publications, collected by the Graduate Library, have been interfiled to fill gaps in the series. Publications is composed of two series: Unit Publications and Sub-Unit Publications.

The Unit Publications series contains printed material published specifically by the University Musical Society. These publications are defined as being widely distributed and may be published at regular intervals. They are arranged by genre of the publication.

Organized in 1879 to "cultivate the public taste for music," the Society sponsors concert series, opera, dance and theater performances at the University of Michigan. The records consist of director's files of Albert A. Stanley, Charles A. Sink, Gail Rector, and Kenneth Fischer; include correspondence relating to performances and management of the Society; ledgers and account books, board of directors minutes and packets; files concerning the Choral Union, the University of Michigan School of Music, the Henry S. Frieze Memorial Organ Fund, and Hill Auditorium; also visual materials and audiotapes of Board meetings.

The records of the University Musical Society document its founding in 1879, governance and administrative restructuring through the years, its activities sponsoring musical, dance and theatrical performances on campus, and its role in music and arts education. The records include directors' correspondence files, board of directors minutes, ledgers and financial records, photographs, sound recordings and videotapes.

Intellectually, the records are organized into eight series: Directors' Correspondence, Financial records, Historical file, Board of Directors, Committees, Topical File, Contracts, Photographs, President's Correspondence, Staff Files, Executive Directors' Files, and Motion Pictures (film, videotape and digital materials).

The records were received in several major and numerous small accessions and the physical arrangement of the records (the order in which they are arranged in boxes/folders) reflects this. In this finding aid, the records are described in term of their intellectual organization regardless of the particular accession in which they were received. As a result, the box number order in which the descriptions are displayed in the contents list will not always be consecutive.

Various posters advertising theatrical and musical productions put on by the University of Michigan School of Music, Theatre & Dance and related units ranging from 1936 to the present. Includes posters from the Department of Speech (before the School of Music had a separate theatre department). Dance Company, Department of Music, Department of Musical Theater, Department of Theater and Drama, and the Opera Theater program.

The University Productions posters collection contains posters largely created by University Productions which handles music, dance, voice, and theatre productions for the University of Michigan School of Music, Theatre & Dance. The poster collection is arranged in eight series: Collage Concerts, Dance Company, Department of Music, Department of Musical Theater, Department of Speech, Department of Theater and Drama, Opera Theater and Oversize Files.

William Albright--organist, composer, and University of Michigan faculty member--was born in Indiana in 1944 and died in 1998. Albright earned three music composition degrees from the University of Michigan before becoming a member of the composition faculty at the U. of M. School of Music. Albright is probably best known for his piano and organ performance. He helped to bring about a revival of ragtime, and sought inclusion of ragtime and other types of popular music in many of his compositions. He composed for many single instruments--especially the organ--and ensembles, and for orchestra. He also composed hymns, and was the music director for the First Unitarian Universalist Church of Ann Arbor, Michigan. He studied composition with Ross Lee Finney, George Rochberg, and Olivier Messiaen, among others, at Michigan and at summer workshops, and organ with Marilyn Mason. The collection includes biographical materials, correspondence, programs, professional files, University of Michigan School of Music files, and scores and recordings of William Albright works (including notes, sketches, and manuscripts) and works by his friends, students, and teachers.

The William Hugh Albright Papers consist of 77 boxes of musical scores, recordings, and textual documents such as correspondence and lecture notes. Albright's extensive collection of scores and recordings by his friends, students, and mentors is also included. His own works are represented by recordings, original handwritten scores and published versions, and by penciled notes and sketches. The William Hugh Albright Papers are divided into ten series: Photographs, Biographical Materials, Correspondence, Programs, Professional Files, School of Music, The Magic City, Scores, Recordings, and Videocassettes.

William Bolcom (born 1938) is a composer and pianist. Joan Morris (born 1943) is a mezzo-soprano. They were both members of the University of Michigan School of Music faculty. Bolcom and Morris have given numerous performances since 1973. They have also recorded albums of classical and popular songs. Performance files include programs, itineraries, newspaper articles and reviews of each performance, and contracts. There are also files relating to the University of Michigan student production of Mina & Colossus as well as Barnum's Nightingale; original scores to Bolcom's compositions, including McTeague, Casino Paradise, and A View from the Bridge; topical files relating to awards, competitions, and other activities and interests; and physical and digital audiovisual materials.

The papers of William Bolcom and Joan Morris document Bolcom's work as a composer and performer as well as Bolcom's and Morris's collaboration in performing and recording American popular songs and classical music. There is also some material relating to their academic work at the University of Michigan, notably a 1988 production of a student opera, Mina & Colossus. The papers include programs, itineraries, and correspondence relating to performances, manuscript and published scores, topical files, audio and visual material (including sound recordings), and photographs.