Search

Regent of the University of Michigan. Topical files relating to his activities as a regent and the issues and problems affecting the University of Michigan.

The Gerald R. Dunn collection consists of those materials accumulated as regent of the University of Michigan, 1969 to 1985. The files have been arranged into two alphabetical subseries: 1969-1976 files and 1977-1984 files. The files relate to such issues as affirmative action, the Black Action Movement, the discussion over the University's participation in DNA research, the development of the Flint and Dearborn campuses, student activism, and other issues during the presidencies of Robben W. Fleming and Harold Shapiro.

Harlan Henthorne Hatcher (1898-1998) was president of the University of Michigan from 1951 to 1967. The papers span the years 1837-1998 and document Dr. Hatcher's University of Michigan presidency, Ohio State University career, literary career, organizational involvement, personal life, and family history. Includes correspondence, newspaper clippings, manuscripts, speeches, yearly datebooks, oral history interview transcripts, magnetic audio tape recordings, an audiocassette recording, and photographs.

The Harlan Henthorne Hatcher Papers document his University of Michigan presidency, Ohio State University career, literary career, organizational involvement, personal life, and family history. The collection spans the years 1837-1998, with the bulk of the materials covering 1891-1986. It includes correspondence, newspaper clippings, manuscripts, speeches, yearly datebooks, oral history interview transcripts, magnetic audio tape recordings, an audiocassette recording, and photographs. The collection is strongest in its documentation of Dr. Hatcher's presidency at the University of Michigan, especially in correspondence and speeches. Documentation is weakest on the subjects of his Ohio State University career before 1944 and organizational involvement before 1967. The collection may be useful to researchers interested in the history of the University of Michigan from 1951-1967, the duties of university administrators and their spouses, authors of the 1920's to 1950's, and environmental activism in Michigan in the 1970's and 1980's.

The Harlan Hatcher collection has been divided into two subgroups of files: those which were created or accumulated from his tenure as president of the University of Michigan (1951-1967) and those materials (mainly personal) dated either prior to or subsequent to Hatcher's presidential years.

The library, as archives of the University of Michigan, is the repository for all of the files of its presidents. For historic reasons, all of the papers of presidents up to and including Harlan Hatcher have been treated as personal collections and cataloged under the name of the president. Beginning with Hatcher's successor - Robben Fleming - and continuing to the present, the files of individuals occupying the president's office have been considered both personal and institutional. Records created from an individual's responsibility as president, usually materials from the years when he was president, are treated as office files and have been cataloged as part of the University of Michigan President's Office record group. Materials from either before or after an individual's tenure as president have been treated separately and have been cataloged under that president's name.

Landscape architect, professor of landscape architecture at the University of Michigan. Files relating to various Michigan projects, notably in Ann Arbor, Hartland, Hillsdale, and Highland Park; subject files on professional activities; and photographs.

The papers of Harlow O. Whittemore have been divided into the following series: Projects; Topical Files; Family Papers; and Photographs.

Professor of political science and dean of state-wide education at University of Michigan. Correspondence, notebooks and other papers concerning University activities, the Rotary Club, his work with the Ann Arbor Township, Washtenaw County (Mich.) Zoning Board and Planning Commission, and his work as special consultant to the occupation forces in Germany following World War II; records, 1956-1959, relating to the establishment of the Dearborn campus of the University of Michigan; and photographs.

The Harold M. Dorr collection provides excellent documentation of the professor's activities both in and out of the classroom. There is extensive material detailing his long-time activities with the Ann Arbor Rotary and as a member of the zoning board and planning commission of Ann Arbor Township. Also documented is his role with the U-M Extension Service and his interest in the university's state-wide education program. The series in the collection are: Family; Correspondence; Other materials; Notebooks; Manuscripts of writings; Department of Political Science; Ann Arbor Township activities; and Topical and organizational activities. Portions of the collection are unprocessed.

This collection contains correspondence, a school notebook, and other material related to Howard W. Wiltse, a native of Hannibal, New York, who graduated from the University of Michigan Law School in 1861.

This collection (13 items) contains correspondence, a school notebook (approximately 200 pages), and other material related to Howard W. Wiltse, a native of Hannibal, New York, who graduated from the University of Michigan Law School in 1861.

Howard W. Wiltse entered the University of Michigan Law School in 1859, the year it was founded, and graduated in 1861. From November 29, 1859-December 18, 1860, he composed class notes in a copy of Clayton's Quarto Diary for 1859. Wiltse's notes are based on lectures by the school's three professors (James V. Campbell, Thomas B. Cooley, and Charles I. Walker) and concern a wide range of legal topics, including civil law and criminal law, with an emphasis on economic practices; individual lectures often pertain to legal precedent. A dried fern leaf is laid into the volume.

Letters (10 items), a financial document (1 item), and a newspaper (1 item), once laid into the volume, also relate to Howard W. Wiltse's experiences in New York and Michigan. He wrote 2 letters to an unidentified brother in March 1852 and April 1855 about his experiences teaching school in a town called Burns, and he wrote 7 letters to other family members between May 1859 and April 1862. Wiltse discussed his studies at the University of Michigan Law School, the cost of his schoolbooks, and his legal career in Big Rapids, Michigan. In one letter, written on stationery depicting five of the university's buildings, he mentioned the turbulent political situation just before the Civil War (February 19, 1861). Later items include a financial document (April 3, 1874) and a letter from a man named Charles to a woman named Nettie (September 3, 1886). Howard W. Wiltse also sent his family the first issue of the Mecosta County Pioneer (April 17, 1862).

Ann Arbor, Michigan attorney who spent her career fighting sex discrimination in education, sports, and politics. The collection contains oral history interviews, tribute statements, and photographs collected on the occasion of renaming the Women's Center of Southeastern Michigan after Jean Ledwith King and for the creation of a documentary, "The Power of One: Celebrating Jean Ledwith King," by John Owens.

The Jean Ledwith King Oral History Collection is composed of visual materials collected by John Owens to celebrate King's life and work in 2011, when the Women's Center of Southeast Michigan was renamed in King's honor.

University of Michigan student photographer for the Michiganensian; photographs of images used in the yearbook.

This is a collection of photographic contact sheets and negative strips taken by Joe Grimm The photographs have been arranged alphabetically by topic. Principal areas covered include student activities and events, notably athletic contests and musical and dramatic performances.

The John H. Griffith collection contains letters and documents pertaining to Griffith's time as a surgical technician in the United States Army during World War II and to his life in Bologna, Italy, as a Rotary Fellow from 1951-1952. Much of the collection consists of Griffith's wartime correspondence with his parents.

The John H. Griffith collection contains letters and documents pertaining to Griffith's time as a surgical technician in the United States Army during World War II and to his life in Bologna, Italy, as a Rotary Fellow from 1951-1952. Much of the collection consists of Griffith's wartime correspondence with his parents.

The Correspondence series (344 items) relates to Griffith's life in Ann Arbor before the war, his service in the United States Army Medical Department, and his experiences in Europe as a research fellow in Bologna, Italy. Griffith addressed the majority of his correspondence to his parents, Leon and Amelia Griffith of Vicksburg, Michigan; Griffith also wrote to his younger siblings, Richard ("Dick") and Helen. His earliest letters document his life as a freshman at the University of Michigan. One letter contains newspaper clippings pertaining to a convoy trip taken by a University of Michigan student (December 6, 1942); several letters to Griffith's father from the university offer congratulations on Griffith's academic record.

After he was drafted in 1944, Griffith wrote to his parents about army life, documenting his service at Camp Bowie in Texas; Lawson General Hospital in Atlanta, Georgia; and Moore General Hospital in Swannanoa, North Carolina. Enclosures include newsletters from Camp Bowie (April 29, 1944; May 6, 1944) and an "Organization Day" flyer from Lawson General Hospital (July 2, 1944); one letter contains a diagram of a battlefield (June 8, 1944).

Griffith remained in the United States with the 86th Evacuation Hospital and the 134th Evacuation Hospital until the latter was deployed overseas in January 1945. His later letters, some of which have been censored, pertain to army life during the closing stages of combat in the European Theater. Griffith described postwar Germany and "the constant dribble of slave laborers leaving the Reich" (April 20, 1945). He wrote 1 letter to his grandfather in German, remarking on the beauty of the German countryside (April 28, 1945).

After the war, Griffith returned to the United States; he resumed his correspondence in August 1951, when he related his experiences traveling throughout Europe and living in Bologna, Italy. The collection also contains 2 letters in German to Leon and Amelia Griffith from a relative, "Uncle Chris," in Genkingen, Germany, whom Griffith visited during his travels abroad (December 27, 1951; January 14, 1952).

The Documents series (18 items) contains items related to Griffith's education and World War II service, including a notebook and a certificate for successful course completion at the United States Army Surgical Technician School, Griffith's curriculum vitae, report cards from his elementary and high school studies, and a war ration booklet.

The Photographs series (100 items) contains portraits and landscapes shot in Europe during the war and during the early 1950s. Most items are labeled, and include scenes from postwar Germany.

The Printed Materials series (24 items) contains clippings of Ernie Pyle columns from a Michigan newspaper as well as clippings mentioning Griffith's university scholarship; a copy of The Daily American (November 27, 1951); 2 books for American soldiers, including an "overseas edition" of James Thurber's My World--And Welcome To It; and a program from graduation exercises for the Army's School for Medical Department Technicians.

The Artifacts series contains 2 World War II Army patches, 1 WWII blue star service flag, and a flashlight.

The Kozo Sasaki collection is comprised of approximately 3,185 images of Asian artwork. The images are a compilation of slides and black & white photographs taken by Dr. Kozo Sasaki. The artwork ranges from the Momoyama period (1573-1603) to the Taisho period (1912-1926).

The Kozo Sasaki collection contains 3,033 slides and 152 black & white photographs taken by Dr. Kozo Sasaki himself. The slides and photographs depict Asian artwork, primarily Japanese, ranging from the late 16th century to the early 20th century and cover the Momoyama (1573-1603) to Taisho periods (1912-1926). The majority of the images are Edo period paintings and hanging scrolls. Many of the slides were taken of art in situ. Also included in the collection are images of sculptures, ceramics, mandalas, woodblock prints, sketches, illustrations, decorative arts, and photographs of temples. A set of twelve Japanese handscrolls are captured in a series of 152 black & white photographs.

The Lantern slides and glass plate negatives collection consists of approximately 1,260 magic lantern slides, glass plate negatives, and glass plate transparencies from commercial and non-commercial sources documenting a wide range of subjects.

The Lantern slides and glass plate negatives collection consists of approximately 1,260 magic lantern slides, glass plate negatives, and glass plate transparencies from commercial and non-commercial sources documenting a wide range of subjects.

The collection contains a total of 33 boxes and is loosely organized by topical groupings. The following list references individual boxes and the general nature of their contents.

• 10 x 12.5 cm glass negatives of views of Ann Arbor, Michigan, ca. early 1900s taken by an unidentified photographer. Includes views of several University of Michigan buildings, hospitals, fraternity houses, and private residences.

• Sixteen 8 x 10 cm cardboard-mounted slides showing posters for upcoming films and local product advertisements intended for use in movie theater intermissions. Producers include Excelsior Illustrating Co., Inc. and Photo Repro Co., Inc. Identified films include High Steppers (1926); The Blind Goddess (1926); Without Mercy (1926); Chickie (1925); Stop, Look and Listen (1926); West Point (1927); Pals First (1926); Ella Cinders (1926); Paying the Price (1927); The Avalanche (1919); and Turn to the Right (1922).
• Ten 7.5 x 7.5 cm slides documenting damage caused by the 1906 San Francisco earthquake (two of the slides are broken).

• 10 x 12.5 cm glass negatives including scenic views of fields, woods and towns, Canterbury Cathedral, ships in harbor, New York City streets, Coney Island beaches, street merchants, and children interacting with dogs (often humorously). All or some the images were produced by photographer William S. Pearsall in 1906 or earlier.

• Twenty-two 8 x 10 cm cardboard-mounted slides (some damaged) showing motion picture posters intended for display during movie theater intermissions with play dates handwritten in space at bottom. Dates listed range from 1918 to 1929. Identified films include The Devils Circus (1926); The Love of Sunya (1927); The Bridge of San Luis Rey (1929); Mademoiselle Modiste (1926); Classified (1925); Chang (1927); The Demi-Bride (1927); The Swell-Head (1927); Steele of the Royal Mounted (1925); The Voice of the City (1929); His Supreme Moment (1925); Monte Carlo (1926); An Old Fashioned Boy (1920); Lovers in Quarantine (1925); Riders of the Dawn (1920); Paid Back (1922); The Breaking Point (1921); and Gypsy Blood (also named Carmen - 1918 in Germany, 1921 in U.S.A.)
• Seven 8 x 10 cm hand-colored slides showing scenes from the popular book The Bad Boy and His Pa by George W. Peck produced by the Chicago Projecting Co. in 1904. Tableaux are carefully staged and elaborately tinted.

• Includes 8 x 10 cm slides showing scenes from The Bad Boy and His Pa by the Chicago Projecting Co. Other identified films include Babe Comes Home (1927); Figures Don't Lie (1927); and The Danger Girl (1916).

• Twenty-six 8 x 10 cm cardboard-mounted movie theater slides related to coming attractions or local products. One item of particular note includes a notice to female patrons that they do not need to remove their hats if they are seated in the women’s section. Identified films include The Taxi Dancer (1927); Square Crooks (1928); The City Gone Wild (1927); Too Much Money (1926); The First Night (1927); Broadway Nights (1927); Rainbow Riley (1926); The Wizard (1927); Vamping Venus (1928); The People vs. Nancy Preston (1925); Lovely Mary (1926); Rookies (1927); The Swan (1925); The Cohens and Kellys (1926); His People (1925); and My Official Wife (1926).

• Twenty-three 8 x 10 cm cardboard-mounted movie theater slides related to coming attractions or local products. Identified films include The Phantom Police (1926); The Testing Block (1920); The Brute Master (1920); The Cowboy Ace (1921); The Song and Dance Man (1926); His Brother's Keeper (1921); Private Izzy Murphy (1926); The Wanderer (1925); Eve's Leaves (1926); Good and Naughty (1926); It's The Old Army Game (1926); Vanishing Trails (serial, 1920); Don't Shoot (1922); The Whirlwhind of Youth (1927); The Shield of Honor (1927); Across to Singapore (1928); Naughty But Nice (1927); The Barrier (1926); For The Love of Mike (1927); The Dark Angel (1925); Keeping Up With Lizzie (1921); and Top O' The Morning (1922).
• Seven 8 x 10 cm slides (mostly duplicates) related to the Yale “Pageant of America” series showing damage in the aftermath of World War I.
• One 8 x 10 cm slide showing an ancient Egyptian tablet depicting battle.

• Twenty 8 x 10 cm slides documenting various activities in the town of Fitchburg, Massachusetts, around the turn of the 20th-century, including a hot-air balloon excursion and a fire engine race, along with other local scenes.
• Thirty-nine 8 x 10 cm slides showing scenic views (some hand-colored) in New Jersey and New York between 1896 and 1907. Most are attributed to Dr. J. T. Morehouse, but other noted contributors include the Charles Beseler Co., Dr. Ferdinand G. Kneer, William Archibald, and George W. Lamoreux. Items of particular interest include an aerial view of lower Manhattan; a map of New Jersey showing holdings of Esso; and a hand-colored view of a high railroad bridge in Portage, New York.

• Twenty 8 x 10 cm slides by Ann Arbor photographer George R. Swain documenting select manuscripts and maps from the William L. Clements Library.
• One 10 x 12.5 cm glass negative view of the Clements Library exterior.
• Seven 8 x 10 cm slides of outdoor scenes in Alaska and California from around 1900.
• Two 8 x 10 cm copy negatives of elaborate unidentified interiors.

• Six 8 x 10 cm slides of scenes in California and British Columbia. Includes view of a redwood logging train.
• Ten 8 x 10 cm glass negatives of scenes in British Columbia, mountain views, and photos of maps.
• Four 8 x 10 cm slides by Ann Arbor photographer George R. Swain of items from the William L. Clements Library.
• Nine 8 x 10 cm slides showing people and places (notably Firle Place) in the United Kingdom during the 1920s.

• Six 8 x 10 cm slides by Ann Arbor photographer George R. Swain showing exterior and interior views of the William L. Clements Library in the 1940s.
• Twenty-four 8 x 10 cm slides by Ann Arbor photographer George R. Swain of items from the William L. Clements Library. Includes an image of materials from the Thomas Gage papers stored in one their original document chests.

• Five 8 x 10 cm slides showing unidentified locations (possibly in Alaska) produced by the Seattle, Washington studio of Asahel Curtis.
• Four 8 x 10 cm slide reproductions of paintings.
• Three 8 x 10 cm slides of miscellaneous content.

• 8 x 10 cm glass negatives documenting a 1728 French translation of an earlier memoir by Jerome Lobo regarding attempts to convert Ethiopians to Christianity. An enclosed note says slides were for “a Prestor [sic] John talk.”

• 8 x 10 cm slides from an extensive educational series on lumbering processes and techniques produced ca. 1910. Images detail the production of railroad ties, including loggers’ methods of shaping each piece with their axes, and the proper method of stacking ties. Most of these views appear to be from Michigan’s lower peninsula, but one slide is from Wyoming in 1910.

• 8 x 10 cm slides showing various stages in logging operations and mill processes in states from Maine to California. Includes one hand-colored view of a mill pond in Virginia and a map of the U.S. that renders the size of each state relative to its timber resources.

• 8 x 10 cm slides showing production stages for treenails and stulls. Also includes images of various types of mill saws in marketing photos as well as working mills.

• 8 x 10 cm slides primarily related to pulp production with views showing logging sites, stages of the milling process, and specific machinery used. Includes images showing both ox-drawn and wooden-wheeled logging wagons.

• 8 x 10 cm slides showing portable mills set up near logging sites and log flumes in various stages of construction and operation. Several images of elaborate flume constructions are present.

• 8 x 10 cm slides related to fir logging, possibly in Sitka, Alaska. Also present are a couple views showing treenail production.

• 8 x 10 cm slides showing locust logging, log loaders, and lumber yards.

• 8 x 10 cm slides showing different types of log loaders as well as maps of the U.S. highlighting population and timber resources.

• 8 x 10 cm slides related to the Lidgerwood (written as “Ledgerwood” on slide labels) logging system which made extensive use of winches and pulleys. The Lidgerwood Company was instrumental in building the Panama Canal and later developed machinery for the logging industry. Also present are more images of log loaders and diagrams/photos of mill machinery.

• 8 x 10 cm slides related to the Lidgerwood system as well as views of logging and mill operations in several states.

• 8 x 10 cm slides showing pull boats towing log rafts and various logging and milling operations.

• 8 x 10 cm slides showing finished lumber products being shipped by boat, rail, and wagon as well as images related to shingle production.

• 8 x 10 cm slides showing steps in the production of shingles, stulls, and poles as well as steps in paper production, including micro views of linen and cotton paper fibers.

• Twenty-eight 8 x 10 cm slides showing stages in paper production as well as views of portable mills and flumes, especially flume dumps.
• Ten 10 x 12.5 cm glass negatives by unidentified photographer ca. 1902 related to estate in Berlin, Maryland nicknamed “Anchuha.” Includes snapshots of house and family members.

• Despite the separate accession number, these lumbering slides appear to be from the same educational series contained in other boxes. The topics covered by the 8 x 10 cm slides in this box include agricultural use of logged spaces, large mill operations, redwood logging, steam tractors, splash dams and charcoal kilns.

• 8 x 10 cm slides covering log jams, barrel staves and cooperage, flumes, big tree logging, and maps of national forests. Non-Michigan locations also represented. Includes color slide by Asahel Curtis showing Douglas fir timbers on railroad car.

• 8 x 10 cm slides showing pole roads, agricultural use of logged land, large mills, machinery used in distillation and cooperage, logging of wide range of individual tree species. Non-Michigan locations also represented.

• 8 x 10 cm slides showing tramways, pull boats, portable mills, geared locomotives, and skidways as well as a graph comparing regional production. Nine shattered slides are present.

• 8 x 10 cm slides showing gasoline and steam skidders, lumber yards, motor trucks, and Arizona tree species. One image of particular interest shows an early Kelly truck with a full load of logs and an African American driver.

• Eight 8 x 10 cm glass negative copies of photos showing scenes in Alaska, including the Muir Glacier.
• Four 8 x 10 cm slide views of British Columbia, possibly from a Canadian Pacific Railroad car.
• Three 12.5 x 18 cm glass negative self-portraits by Charles P. Steinmetz, ca. 1904/5.
• One 12.5 x 18 cm glass negative titled “Girl on Bicycle”